->''"You can say we broke up because of artistic differences. He saw himself as alive, and I saw him dead."''
-->-- ''Theatre/{{Chicago}}''

Often given as the public reason that a person involved with a show leaves the project.

Usage: "Joe Smith left the cast of ''Murder on Cliche Street'' this season over creative differences with the production team."

When they actually mean it, it refers to irreconcilably different artistic visions for the show. For actors, it often means, "I'm not getting paid enough to put up with this." For writers and other members of the creative team, it usually means, "I've had it with the producers, the executives, and [[MediaWatchdog Standards & Practices]] [[ExecutiveMeddling telling me what I can and can't write]]." For musicians, it can sometimes mean "we had totally different styles and couldn't see eye-to-eye on anything" or "I was a nice guy but I just wasn't cut out for the band", but it usually means "I can't stand the assholes in my band" or "I got fired for being a dick and this is the most tactful way to word it". In most cases, it's just a euphemism for, "I got in a big fight with the producer." Also anytime someone mentions "scheduling conflicts", it likely means there's been a conflict between the director and producers or studio. Then the director quits or is fired. If there's only one constant member and a steady flow of departures and inductions, this is usually an indication of a PrimaDonnaDirector at the very least and is also usually a sign that the lone holdout is [[JerkAss an incorrigible dick who doesn't know how to work with other people]].

A frequent joke that's made by observers in this situation is that the creative differences were simple: Either "She/he was creative, the [producers/rest of the band] weren't." or "[They] wanted to be creative, She/he [[ThePrimaDonna wanted to be different]].", depending on who is felt to be the more talented party.

A common factor behind {{Revolving Door Band}}s.



[[folder:Anime and Manga]]
* Around two-thirds of the way through the anime adaptation of ''[[Manga/KareKano His & Her Circumstances]]'', the creative differences between author Masami Tsuda and director Creator/HideakiAnno reached to the point that she demanded him to be dismissed; Anno made the anime ''far'' too comedic for Tsuda's taste; she wanted a more angsty and plot-driven series, similar to the angstier turns that the story would eventually take. Once Anno left, his assistant Kazuya Tsurumaki completed the series... ironically, making it ''even more'' comedic in process. On the other hand, back then Tsurumaki's style wasn't the screwball type [[Creator/StudioGainax GAINAX]] was in general and [[Anime/{{FLCL}} he in particular]] [[Anime/DieBuster would later]] [[Anime/TengenToppaGurrenLagann become famous for]], but in more conventional RomanticComedy, which was more acceptable for the mangaka.
* Creator/YoshiyukiTomino and ''[[Manga/TheFiveStarStories Mamoru Nagano]]'' famously clashed in both their best known collaborations, ''Anime/MobileSuitZetaGundam'' and ''Anime/HeavyMetalLGaim''. Tomino, who was heavily depressed at the time, tended to create [[CrapsackWorld bleak, sombre works]] filled with [[TrueArtIsAngsty angst and suffering]], while Nagano, while not without an occasional {{GRIMDARK}} moment of his own, nevertheless wished for less dark storytelling and, being infamously possessive of his works, a bigger creative control. Things were hot enough that Nagano ended up [[StartMyOwn starting his own]] [[Manga/TheFiveStarStories L-Gaim]], and Tomino made him one of the prototypes for the main Zeta villain, Paptimus Scirocco. Their creative clashes were exacerbated by the fact that [[LoveTriangle both men were competing for the affections]] of the ''Zeta'' {{seiyuu}} Creator/MariaKawamura. The rumor goes that Tomino is still somewhat bitter over the fact that [[DidNotGetTheGirl not only Kawamura chose Nagano over him]], but they're HappilyMarried for many years.
* This is the reason that a second season of ''Manga/FruitsBasket'' will never be made (at least, not by Studio Deen): creator Creator/NatsukiTakaya--who due to a hand injury was able to have direct involvement with the anime--and Director Akitaroh Daichi drove each other nuts. During production, Takaya gained a reputation for being a control freak. For one, she demanded that big-name voice actors be cast for her characters, something Daichi [[StuntCasting normally]] avoids. She also had issues with the animation director and character designer. Unfortunately, Deen will not let any director except Daichi handle the series, and Daichi has made it very clear he ''won't'' work with Takaya again.
* This is rumored to be the reason why ''Manga/YuYuHakusho'' ended rather abruptly. Anime director Noriyuki Abe made [[AdaptationDecay so many modifications to the TV series]] that, by the time the Three Kings saga hit, the already not-happy (and rumored to be [[WagTheDirector rather hard to work with]]) Creator/YoshihiroTogashi lost it and decided to cut off the Manga/YuYuHakusho story ''as a whole'', finishing '''both''' the manga and anime so Abe wouldn't keep introducing more changes.
* According to other cast and crew members, this is the reason why Tracey Moore quit her title role in the Creator/DiC dub of ''Anime/SailorMoon'' after roughly 13 episodes. Apparently, Moore (who was also the original voice director) was very stressed with the workload the show brought her, and her duties were given to other people.
** Specifically, she didn't get along with Nicole Thuault, the dubbing studio (Optimum Productions)'s producer. The next two voice directors (Roland Parliament and John Stocker) were also fired over creative differences with her, and Nicole took matters into her own hands and directed the dubs for S/[=SuperS=] herself, even though she was a French speaker that spoke almost no English.
* Creator/IanJamesCorlett quit his role as the original English voice of Goku in ''Anime/DragonBallZ'' after 35 episodes because of a nasty fallout with Creator/TheOceanGroup. His roles in ''Manga/RanmaOneHalf'' were also replaced.
* Kyoko Mizuki and Yumiko Igarashi got into many legal fights over ''Manga/CandyCandy'' and both came to [[CreatorBacklash resent it]].
* The two producers for ''The Sensualist'' no longer speak, and it's the reason the film has yet to see any kind of release post-VHS.
* ''Anime/DigimonAdventure02'':
** The two head writers for this series Genki Yoshimura and Atsushi Maekawa had two very different styles of writing, Maekawa's being story driven light-hearted stories, and Yoshimura's being character driven darker stories, both were told to write in their own preferred styles. This lead to them not seeing eye to eye on how the story should go, which resulted in a lot of fillers, to cover up for the time where they couldn't come to an agreement.
** Meanwhile, the head writer for ''Adventure'', Satoru Nishizono, left the Digimon project because he didn't want for a sequel to his series to be made.
** Much of the main staff including Creator/ChiakiKonaka couldn't stand the executive meddling anymore, and so were ready to break their contracts and leave the project, but Bandai, unwilling to let them do this, gave them [[Anime/DigimonTamers their own series]], to mess around with instead.
* Creator/TakeshiShudo, the original director for the ''Anime/{{Pokemon}}'' anime, had envisioned the show as one that could be enjoyed by both children and adults alike. [[http://bulbanews.bulbagarden.net/wiki/Bulbagraphic:Translating_the_Blog_Entries_of_Mr._Shudo His blogs]] reveal that this did not sit well with a lot of the staff, especially one he refers to as "omae-sama." Eventually, Shudo got fed up with how the show became overly kid-focused and left during the Johto League. On a lesser note, [[http://dogasu.bulbagarden.net/movies/pm_lord_unknown_tower_entei/lord_unknown_tower_entei_mythical_third_movie.html his original idea]] for [[Anime/Pokemon3 the third movie]] was rejected by the staff, who thought it lacked success potential.
* ''Anime/{{Shirobako}}'' has an InUniverse example which hit the studio the series follows ''badly''. Because the editor sent by the book's publishing house is a LazyBum, a crisis is formed when the original author of ''3rd Aerial Girls Squad'' is unhappy with certain design and plot decisions by the studio which could cause an ExecutiveVeto and the show (and the studio) to fail. [[RealityEnsues Both times, it causes months of planning on multiple projects to go flying out the window and makes an already difficult production process much worse.]]
** The first issue comes up in Episode 15, when the editor reveals the author didn't like the designs of the characters and makes the studio redo them... right after they completed animation on the first episode.
** The second issue happens in Episode 22, where the editor reveals that the author didn't like the show's ''script'' for not being a DownerEnding, right when the studio had ''nearly finished production of the series!'' [[spoiler: Kinoshita, the show's director is so pissed that he arranged a meeting with the author himself and gets the editor fired. The author is reasonable enough to allow for the studio to [[GeckoEnding write a]] BittersweetEnding very close to the original to prevent massive MoodWhiplash.]]
* According to [[https://twitter.com/i/moments/926914353680568321 this interview]], [[Creator/TiteKubo Noriaki "Tite" Kubo]] wasn't exactly happy with the changes made to the ''Manga/{{Bleach}}'' anime. Kubo says that at some point that the differences between manga and anime caused him "stomach aches", so later he pretty much demanded to be sent the scripts so he could correct them. Unsurprisingly, the director of the ''Bleach'' TV series was the aforementioned Noriyuki Abe.

* Creator/JohnWagner and Creator/AlanGrant had a bit of a falling out in the late 80s over the direction in which to take ''ComicBook/JudgeDredd''; Wagner wanted to humanize Dredd more, while Grant wanted to {{Flanderiz|ation}}e him into being more of a dark {{parody}} of strict authority figures. As the strip's original creator, Wagner won out, and so Grant left, but as a consolation was made the sole writer ''ComicBook/StrontiumDog''.
* Creator/JohnByrne left the ''The ComicBook/UncannyXMen'' after a very successful run that included the "Dark Phoenix Saga" and "Days of Future Past" because he became increasingly frustrated with writer Creator/ChrisClaremont ignoring what he had drawn in favor of writing his own interpretation.
-->'''Byrne:''' That was the argument that Chris and I always had was that Chris didn't write the picture. And so I eventually reached the point where I said 'Maybe ''I'' should be writing the picture.'"
** In the end, this same situation, only reversed in the outcome, was part of what drove Claremont to finally end his long run on ''X-Men'' and leave Marvel altogether for a few years. In the last year or so of his run, Jim Lee would send him finished artwork, essentially saying "write a story around ''that''". Bob Harras, the Editor in Chief, was starting to side with the new crop of superstar artists, and Claremont grew fed up with the situation.
*** Claremont later said Lee had wanted a return to the classic X-Men stories he grew up reading with Magneto as a villain and Claremont had "Been there, done that."
** In reading Creator/JimShooter's (sadly on long hiatus) blog, this seems to be a constant source of tension between writer and artist. The writer often wants the scene visualized as he or she writes it in the script due to necessities of storytelling (Shooter, for instance, writes long descriptions and even at times sends reference photos or sketches along to clarify how things should look). Meanwhile, the artist believes him or herself responsible for the visual look of the pages, and may see things very differently from an artistic standpoint.
* The original head writers for ''ComicBook/ArchieComicsSonicTheHedgehog'', Ken Penders and Karl Bollers, came to butt heads very badly at the end of their run, leading to both of them to quit, though it's said that Karl was the only one who quit and Ken was "let go". Their fighting got so vicious and resulted in so much KudzuPlot and AbortedArc that the next writer, Ian Flynn, had to spend the entire first year of his run untangling the insane mass of plot threads the two left in their wake.
** To better understand this: Ken Penders was head writer up until around #60 then went to focus on the ''Knuckles'' comic. Karl took over and the two seemed to be out of each other's hair until the ''Knuckles'' comic was cancelled, putting the two head writers together. For awhile, Ken had Knuckles back-up stories to Karl's main Sonic stories, but when the back-ups were abandoned, the two ended up working together and the messes began.
* When ComicBook/{{Morbius}} [[OurVampiresAreDifferent the Living Vampire]]'s first solo series started in the early 1990s, it was helmed by writer Len Kaminski and penciler Ron Wagner. Wagner, however, felt that Kaminski's stories were too character-driven, and according to Kaminski complained about this to [[Creator/MarvelComics Marvel]]'s editorial staff as well as leaving "snide margin notes in which he made his personal opinion of my plots clear". Moreover, Wagner ignored Kaminski's attempts to get in touch with him so that they could discuss how the comic should be done. After 9 issues of this Kaminski had had enough and quit.
* This was the reason why Jonboy Meyers left from Benjamin Percy's DCRebirth run of ''ComicBook/TeenTitans''.

[[folder:Fan Works]]
* ''Fanfic/TheConversionBureauTheOtherSideOfTheSpectrum'' ran into this problem between the head writer [=Redskin122004=] and the co-authors he brought on to the project, and these creative disagreements began to spill over into becoming personal disagreements. According to [[https://www.fimfiction.net/blog/735623/i-aint-gone-yet Doctor Fluffy]], [[https://www.fimfiction.net/blog/735463/my-side-of-the-spectrum VoxAdam]], [[https://www.fimfiction.net/blog/766785/late-af-but-i-suppose-i-should-get-this-off-my-chest-a-reflection-on-the-other-side-of-the-spectrum Kizuna Tallis]], [[https://www.fimfiction.net/blog/767698/spectrum-a-few-thoughts Sledge115]] and [[https://www.fimfiction.net/blog/735427/jed-on-a-response-or-the-other-perspective-on-the-spectrum Jed R]], working on ''Spectrum'' through the year of 2016 was [[TroubledProduction not a very pleasant experience]]. This culminated in the team splitting up on May 2017, with the five aforementioned authors (plus a few others) going on to [[ContinuityReboot launch]] a [[Fanfic/{{SPECTRUM}} reboot of the story]] and start over fresh.

[[folder:Films -- Animated]]
* This was the reason given for Creator/DonBluth and Creator/StevenSpielberg parting ways in the late 80's. The real reason was never made public, but neither of them enjoyed the same level of success in animated movies afterward (this came back for Bluth when Spielberg eventually co-founded Creator/DreamWorksAnimation with Disney boss Jeffrey Katzenberg; Bluth was unable to keep up, and Katzenberg eventually moved on without Spielberg himself outside of encouragement; Bluth resurfaced in 2016 with a ''VideoGame/DragonsLair'' film in pre-production). And the whole reason Creator/DonBluth left Disney and created his own animated films in the first place, in the middle of the production of ''Disney/TheFoxAndTheHound''.
** As for Jeffrey Katzenberg, the desire to try to make DarkerAndEdgier Disney fare after he misstepped in such waters with ''Disney/TheBlackCauldron'' in 1985 helped lead to him leaving Disney himself; [=DreamWorks=]'s earlier films were somewhat darker and more Fanservice-heavy than Disney's films at the time (ironically, Katzenberg was the third Disney supremo who tried to push for dark Disney after his predecessor Ron Miller and Walt himself before both of them; the [[Disney/SnowWhiteAndTheSevenDwarfs first]] [[Disney/{{Pinocchio}} five]] [[Disney/{{Fantasia}} Disney]] [[Disney/{{Dumbo}} Animated]] [[Disney/{{Bambi}} Classics]] and ''Disney/TheFoxAndTheHound'' had some dark material in them).
* While ''WesternAnimation/TwiceUponATime'' was eventually finished and had a theatrical and home video run, writer and director John Korty and producer Bill Couturié had pretty different ideas of what the movie was supposed to be like, to where two different cuts of the movie exists: The Couturié cut contains frequent [[ParentalBonus swearing and lewd innuendo]], while the Korty cut excises all swearing (save for a mild PrecisionFStrike that gave it a PG rating). That these two would not yield an inch from their stances is why ''Twice Upon a Time'' was unavailable for television airing or home video release after 1998--any attempt to show or distribute the movie would lead to the person responsible for the other cut theatening legal action. Though that changed in 2015, when Warner Archive released both cuts on DVD.
* Creator/AlPacino's voice work was left out of ''WesternAnimation/DespicableMe2'' due to this, despite him playing the lead villain, the role already completely finished and animated, and the film only a month from release, too late to remove Pacino's name from all the trailers. The producers granted Pacino's request to be removed from the project after both sides were not on the same page regarding his performance; Benjamin Bratt was brought in to re-dub the role in time to finish the film.

[[folder:Films -- Live-Action]]
* ''Film/TheAvengers2012'': Creator/EdwardNorton was let go early on from playing Bruce Banner despite having played him in [[Film/TheIncredibleHulk the 2008 film]]. When asked why Marvel stated that "[[http://www.avclub.com/article/marvel-kicks-edward-norton-out-of-emthe-avengersem-42993 Our decision is definitely not one based on monetary factors, but instead rooted in the need for an actor who embodies the creativity and collaborative spirit of our other talented cast members]]", which implied Norton was fired for not getting along with the other actors and crew, as well as butting heads with brass over the screenplay (an issue that was prominent when Norton did ''Film/AmericanHistoryX''). Norton's agent disputed this claim, as did Norton (who said he enjoyed the experience but didn't want to lock in the role long-term) but regardless the part was recast with Creator/MarkRuffalo, who acted in the role to widespread acclaim.
* This along with constant ExecutiveMeddling is what led to Creator/EdgarWright to leave ''Film/AntMan'' just a few months before filming was set to begin. Wright said in a [[https://www.bleedingcool.com/2017/06/22/edgar-wright-leaving-ant-man-lead-baby-driver/ 2017 interview]] promoting ''Film/BabyDriver'' that he left due to being uncomfortable on directing a film with a screenplay that he didn't write (though elements of his screenplay would be incorporated into the final script) and busy commitments on three films during the film's [[TroubledProduction eight-year preproduction]] prevented him from doing more rewrites (despite contrary belief that he was enforced to rewrite the film into the MCU). He has [[https://www.newsarama.com/35100-edgar-wright-has-never-seen-ant-man-uses-interesting-analogy.html admitted]] that he hasn't seen the film and stated he will probably not see it ever, feeling that it would be like him seeing his ex-girlfriend having sex, as in it would bring back bad memories of his experience of working on the film.
* Creator/ForestWhitaker left the live action ''Film/FatAlbert'' film due to artistic differences with Creator/BillCosby.
* Creator/MichaelRedgrave and Creator/AudieMurphy did not get along during the filming of ''Film/TheQuietAmerican'' (1958), as Redgrave felt that Murphy's acting was wooden and hated his trademark ThousandYardStare. Redgrave was particularly distressed by Murphy's practice of keeping a sidearm available with him at all times in case he ran into "Commies" in Saigon.
** It probably didn't help that Redgrave himself was a strong Leftist sympathiser and even had an MI5 file on him, although he was never actually in TheHollywoodBlacklist.
* Creator/JackNicholson and director Creator/MilosForman had a falling out over Jack's character's motivation during pre-production on ''Film/OneFlewOverTheCuckoosNest'', leading to Jack and Miloš speaking through the cinematographer and Jack not contributing anything to the film's DVD special features. The cinematographer in question, Bill Butler, was himself a replacement for Haskell Wexler who had quit the movie due to - you guessed it - "creative differences."
* Director Creator/StanleyKubrick ordered so many re-takes of ''Film/TheShining'' (especially the scene where Jack says "Here's Johnny!" which itself set a world record for most takes for a scene with dialogue) that Nicholson swore he would never work with him again, and he didn't.
* Creator/MNightShyamalan left Creator/{{Disney}} in 2005 after a rather successful four picture run with the studio (''Film/TheSixthSense'', ''Film/{{Unbreakable}}'', ''Film/{{Signs}}'', ''Film/TheVillage'') because they were having creative issues with his next film ''Film/LadyInTheWater''. That film, however, became a BoxOfficeBomb, and Disney effectively had the last laugh after ''Film/TheLastAirbender''.
* ''Film/TheWarriors'' is known for Fox (Thomas Waites) leaving before the end of filming. Suffice to say they [[DroppedaBridgeOnHim dropped him]]... Very painfully.
* Creator/BillMurray and Creator/HaroldRamis fell out while making ''Film/GroundhogDay'', as they both had different ideas as to how the film should be. Murray felt the film should be more philosophical, while Ramis felt it should be more comedic. This wasn't helped by Murray's divorce. They only reconciled before Ramis' death.
* Creator/DavidLean and producer Sam Spiegel had different ideas as to what ''Film/TheBridgeOnTheRiverKwai'' should focus on. Lean was more interested in the POW aspect, while Spiegel was more interested in the commando raid. The film is a compromise of both approaches.
** Lean had a lengthy row with Creator/AlecGuinness over how to play Col. Nicholson - Guinness wanted to play the part with a sense of humour and sympathy, while Lean thought Nicholson should be "a bore."
* Creator/AlfredHitchcock fell out with his longtime composer Music/BernardHerrmann on ''Film/TornCurtain''. Hitchcock and Universal wanted an upbeat pop/jazz score for the film, as opposed to Herrmann's typical style. Herrmann's revised score was rejected and Herrmann quit the film.
* Creator/HenryFonda and Creator/JohnFord actually came to blows over this while making ''Film/MisterRoberts''. Fonda had been in the play and disagreed with Ford's approach. They got into a heated argument that resulted in Ford punching Fonda. As a result Ford was replaced and the two never worked together again.
* The ''Film/XMenFilmSeries'' had them twice. Creator/MatthewVaughn left ''Film/XMenTheLastStand'' early in production feeling the time constraints wouldn't allow him to make the movie he wanted (family issues didn't help either; him having to just produce ''Film/XMenDaysOfFuturePast'' was less this than just deciding to make ''Film/KingsmanTheSecretService'' earlier). During pre-production of ''Film/Deadpool2'', Tim Miller left due to creative differences with the film's star and co-producer Ryan Reynolds as Miller was interested in having the sequel being a big-budget film, while Reynolds wanted another "cheap" movie like the original.
* Creator/PhilLordAndChrisMiller departed during production of ''Film/{{Solo}}'' due to disagreements with producer Kathleen Kennedy and writer Creator/LawrenceKasdan. In fact, both Kennedy and Kasdan felt that their fondness for improv got on a lot of people's nerves with Kasdan even personally coming to the set to berate them for it (leading to an agreement that they would shoot at least one take exactly as written before letting the actors go nuts). Creator/AldenEhrenreich was concerned as well since he felt that his portrayal of Han Solo could end up being a caricature of Film/AceVentura. As a result, Lord and Miller were asked to depart as directors and Creator/RonHoward was brought in to replace them.

* In a classic example, Creator/JulesVerne and his lifetime publisher Pierre-Jules Hetzel constantly clashed about the content of Verne's work, with [[ThePollyanna Hetzel]] consistently fighting to mitigate Verne's [[HumansAreBastards bitterness and gloom]], and [[ExecutiveMeddling insisting on him]] writing the LighterAndSofter fiction. Hetzel also wasn't averse to [[LowestCommonDenominator pandering to the audience]], to which [[DeadpanSnarker Verne]] usually replied with his [[VitriolicBestBuds most pointed epistolar barbs]].

[[folder:Live-Action TV]]
* After his experience with ''Series/{{Firefly}}'', Creator/JossWhedon refused to work with {{Creator/FOX}} for years because of this, foremost being an early cancellation. He only relented with ''Series/{{Dollhouse}}'' because star Eliza Dushku had a 3-series deal with the network; Dushku brought Whedon in.
* ''Series/DoctorWho'':
** Maureen O'Brien, who played Vicki, got on very well with Creator/WilliamHartnell both in-character and on-set. When a new production team led by John Wiles took over, he began moving the show in a DarkerAndEdgier, FailureHero-led, InternalDeconstruction direction that Hartnell disliked. O'Brien formed a team with him and supported all of Hartnell's attempts to WagTheDirector, and Wiles decided to fire her in the hope of breaking Hartnell. Vicki was first pencilled in to be killed off, but was eventually PutOnABusToHell to get rid of the actress sooner.
** Creator/WilliamHartnell's departure was also at least in part due to creative differences with a new production team (although his failing health was also a factor). He saw the show as a children's programme, but the new producers had other ideas. "So did I, so I left", as he said in a letter to a fan.
** During the TroubledProduction of "[[Recap/DoctorWhoS17E4NightmareOfEden Nightmare of Eden]]", the entire cast and crew had it in for the director Alan Bromly, an ageing director pulled out of retirement, unused to modern production schedules and values and with a very authoritarian attitude. This especially inflamed Creator/TomBaker, who had been [[WagTheDirector Wagging The Director]] frequently and who felt he was best when he could ThrowItIn and [[HarpoDoesSomethingFunny do unscripted business]]. Seeing Bromly as incompetent, Baker took rather sadistic pleasure using his acerbic wit to bully and humiliate him in front of the crew, eroding his authority further, and their animosity eventually culminated in a screaming match between them in the BBC corridors which producer Graham Williams had to intervene in. The chaos had sent recording well behind schedule and Bromly was decided to have been responsible. Bromly quit, citing creative differences with Baker, and Williams, who had become sick of Baker's difficult personality already, announced his intention to quit at the end of the season also because of creative differences with Baker. Williams' replacement was Creator/JohnNathanTurner, who Baker hated, and who wanted a new Doctor to leave his stamp on the show - so Baker eventually left the role stating he felt he had no further to go with his character and citing creative differences with Nathan-Turner.
** On "[[Recap/DoctorWhoS18E4StateOfDecay State of Decay]]", writer Creator/TerranceDicks and director Peter Moffatt clashed with script editor Christopher H. Bidmead. They were in favour of a Film/HammerHorror approach, which he didn't think was the style that he wanted for the series.
** The most notorious and damaging ''Doctor Who'' example was the conflict between the producer Creator/JohnNathanTurner and script editor Eric Saward over the ending of the "Trial of a Time Lord" season. Saward, out of his general love for DarkerAndEdgier content and his hero worship of the [[AuthorExistenceFailure recently departed]] writer of the arc Creator/RobertHolmes, wanted the season to end with a CliffHanger in which the Doctor and his EnemyWithout the Valeyard were seemingly either dead or trapped eternally in a SealedEvilInADuel situation. Nathan-Turner felt, with considerable justification, that since the BBC wanted to cancel the show altogether, writing an ending that could be seen as a BolivianArmyEnding for the whole show was a very bad idea. Saward, whose relationship with Nathan-Turner was already strained due to personality clashes and his belief that Nathan-Turner was paying insufficient attention to the artistic content of the series, accused Nathan-Turner of having no respect for Holmes' last work, quit with no finalised script for the final episode, threatened to sue the BBC if they made a final episode with '''any''' similarity to any draft he'd worked on, and then gave an interview to a fan publication viciously slagging off Nathan-Turner. The whole affair led to a somewhat disjointed on-screen end to a season that, in reality, had been seen as the show's make-or-break chance to avoid cancellation, and contributed to the show's actual cancellation a few years afterwards.
** Creator/ChristopherEccleston left the revival, due to his fights with the executives "over the way things were being run", and, according to him, his distaste for non-acting personnel getting bullied by directors.
* ''Series/{{Sliders}}'':
** When Creator/JohnRhysDavies left the cast of ''Series/{{Sliders}}'' just as the show had been [[ReTool retooled]] away from SpeculativeFiction and toward "rip off whatever movie is popular this week", he cited CreativeDifferences with the writers as the reason. Most observers concluded, "He was creative; they weren't."
** Creator/showrunner Tracy Tormé left the show shortly before John Rhys-Davies did for pretty much the same reasons.
* A notable play on this phrase came when Creator/HarryShearer left ''Series/SaturdayNightLive'' in 1984. When a reporter mentioned to Shearer that this trope was the show's stated reason for his departure, he quipped, "Yeah, I was creative, and they were different."
* Creator/ConanOBrien left the ''Series/TheTonightShow'' in the beginning of 2010, after only six months of hosting it, due to his refusal to let Creator/{{NBC}} move the show a half hour later in their schedule in order to give the fledgling ''Creator/JayLeno Show'' a boost in ratings, claiming that it would ultimately be detrimental to ''The Tonight Show''. At the end of the day, Conan left because Leno had the better contract. Leno's primetime show was tanking in the ratings to the point that local affiliates, worried about flagging viewership for the 10/11-o'clock news due to the unpopular Leno lead-in, threatened to drop it themselves. NBC was forced into a situation where ''somebody'' had to go. Breaking Conan's contract cost NBC $45 million, but breaking Leno's would have cost $100 million, so NBC presented Conan with an unacceptable situation to convince him to accept a buyout. A month later, Conan was gone and Leno was back on ''Series/TheTonightShow''.
* ''Franchise/PowerRangers'' writer Judd Lynn eventually quit because of creative differences with Executive Producer Jonathon Tzachor (funny enough, Lynn would replace Tzachor as EP years later when the latter was fired after a much maligned 4-year run).
* For several years, Carroll O'Connor refused to work with Creator/{{CBS}} after they denied him the chance to shoot a series finale for the ''Series/AllInTheFamily''-spinoff ''Series/ArchieBunkersPlace''. He would eventually return to work with them on the ''Series/InTheHeatOfTheNight'' television series in 1992, after the show moved to the network from Creator/{{NBC}}.
* This is the reason Ronald D. Moore left ''Series/StarTrekVoyager'' and effectively Franchise/StarTrek itself after more than a decade of writing for three different series. He apparently couldn't abide the controlling nature of how the show was written.
* Jack Klugman didn't care for Glen A. Larson's approach on ''Series/{{QuincyME}}'', eventually telling NBC that either Larson left or he would. The network chose Klugman (the show lasted a lot longer without Larson than with, effectively vindicating Klugman... soapboxing and all).
* This was the bane of Creator/JMichaelStraczynski's TV show endeavours, and the reason for the death of ''Series/{{Crusade}}'' before it got a chance to mature and ''Series/{{Jeremiah}}'' being cancelled after two seasons.
* Creator/ChevyChase gained a certain amount of notoriety both among fans and his coworkers for being outspoken regarding what he thought was the poor quality of ''Series/{{Community}}'', and for feuding with series creator Creator/DanHarmon behind the scenes over it. He ended up quitting the show in November 2012 with only two episodes left of the shortened fourth season to film. However, while he was vocal about what he thought was the poor quality of the show, he was willing to return to film a brief cameo appearance in Season 5, indicating that the feud between himself and Harmon has largely been resolved or was overstated.
* An inversion of the typical "actor/writer leaves because he's pissed with the producers" setup of this trope was ''Series/GrowingPains'', where it was ''the producers'' who quit after Kirk Cameron became a born-again Christian and started [[WagTheDirector forcing his values onto the production]], pissing off just about the entire cast and crew in the process.
** It's worth noting that the producers tried to get rid of Kirk first, but ABC executives told them basically, "It's not ''your'' faces on the cover of 'Tiger Beat'." So they left.

* This is believed to be one of the MANY reasons why Bizzy Bone of the rap group Music/BoneThugsNHarmony wanted to stay away from the group for awhile, as his solo music was going into a completely different direction.
** After the post 2010 implosion of the group, many think that Krayzie Bone is now having creative differences with the group and vice versa.
* Ryan Ross and Jon Walker as of July 2009 left Music/PanicAtTheDisco to form their own band, The Young Veins (whose sound is completely different from their previous band; compare Panic's latest song [[http://www.youtube.com/watch?v=ebeKZGsadUU New Perspective]] with TYV's [[http://www.youtube.com/watch?v=AMKnaYyuiss Change]] ), for this stated reason. This led to [[FanDumb many fans casting blame on them]] for not trying hard enough to work out the differences with fellow band mates Brendon Urie and Spencer Smith.
* Why Cee-Lo left Goodie Mob to eventually form Gnarls Barkley. Goodie Mob had eschewed the social-consciousness of their first two albums in favor of a more crunk style with ''World Party,'' which Cee-Lo hated. Judging from his solo albums and work with Danger Mouse, it's very similar to the ''Sliders'' case. He was creative; they weren't.
* Inverted with the BeautifulSouth who, according to leader Paul Heaton, split due to 'musical similarities'.
* Music/TheBeatles all seemed to develop different musical styles by the mid-60's (''Music/TheWhiteAlbum'' was seen by many fans as being "four solo albums in one" rather than a true band album), and they began to feel a bit of this. Especially Music/GeorgeHarrison, whose growing songwriting skills weren't fully acknowledged by Music/JohnLennon and Music/PaulMcCartney. The movie ''Film/LetItBe'' is essentially what happens when someone has a film camera and films a band suffering from CreativeDifferences -- lots of bitter, snide passive aggressive sniping. There's one famous scene with Paul [=McCartney=] and George Harrison having a bitter fight over a chord.
* Music/TheAdventuresOfDuaneAndBrandO experienced this trope at one point. It turned from a permanent breakup in to a 6 month hiatus, with the band members claiming that the breakup was over a stolen ice cream sandwich ([[http://www.youtube.com/watch?v=n_AVdgQsidQ&feature=plcp it really dealt with extramarital affair]]) and keeping their respective new projects open for when they needed to do solo work.
* This was said to be the reason why Dave Navarro was fired from the Music/RedHotChiliPeppers.
* On April 9, 1962, prior to a Carnegie Hall performance of Brahms' Piano Concerto in D minor with Music/LeonardBernstein conducting the New York Philharmonic and Glenn Gould as the soloist, Bernstein uttered an unusual disclaimer that he would conduct the piece according to Gould's unorthodox conception, one quite incompatible with his own. Though he allowed due respect for Gould's artistry despite their creative disagreement, his introductory speech became somewhat notorious.
* Nodded to by Disney sitcom ''Series/EvenStevens''. When asked about the creative differences that led to the breaking up of the band with friend Twitty, Louis explains, "I'm creative, and he's different."
* There were lots of other factors, but part of the reason for At The Drive-In breaking up was a legitimate case of this - Cedric Bixler-Zavala and Omar Rodriguez-Lopez wanted to go in a more progressive direction, while the rest of the band wanted to focus on melodic rock. This is pretty obvious if you compare the two groups they splintered off into, Music/TheMarsVolta and Sparta.
* Music/{{Supertramp}} lost Roger Hodgson to this.
** [[WordOfGod Hodgson has implied]] that though he and Rick Davies ''did'' have many widening creative and personal differences, that Roger left the band at least in part due to his wish to settle down, learn how to raise a family, and get away from the grind of the album-tour-album-tour rock lifestyle. Hodgson also felt disenchanted with the state of the music industry at the time (and the loss of intimacy of the ArenaRock shows the band were now playing post-''Breakfast In America''), and had wanted not [[WhenYouComingHomeDad to be away from his wife or children]] for long tours and see his kids grow up with an unavailable father.
* There was always some tension between multi-instrumentalist Music/JohnCale and front-man Music/LouReed during their days in Music/VelvetUnderground, but matters came to a head in the summer of 1968 when deciding what to do after the sonic assault of ''White Light/White Heat''. The final result was Reed threatening to dissolve the group unless Cale was sacked, with which Sterling Morrison and Maureen Tucker reluctantly complied.
* Though only Greg Ginn knows for certain why he chose to break up Music/BlackFlag, Henry Rollins is certain that the break-up was because of this: Black Flag kept changing musical direction to the point of confusing fans, and Rollins suggested to Ginn that they release similar-sounding albums consecutively to stabilize their direction. Ginn, who up to that point had been unchallenged in determining the band's direction, was taken aback, assholishly retaliated by burying Rollins' vocals in the mix of their last album ''In My Head'', and Black Flag broke up soon thereafter.
* This was the reason that Moonshake effectively split into two bands after one full album and an extended play, Dave Callahan and Mig Moreland continuing as Moonshake while Margaret Fiedler and John Frenett formed Laika. Many fans consider Laika the "true" continuation of the band and [[FanonDiscontinuity discount the two later albums under the Moonshake name]].
* Music/ThePolice broke up expressly because of this trope. They had already been drifting along and were quasi-disbanded after 1983's ''Synchronicity'', but they decided to get into the studio to record a new album as well as an update of some of their older hits. They only made it as far as "Don't Stand So Close To Me", the recording of which was largely eaten up by petty arguments between Stewart Copeland and Music/{{Sting}} over instruments to use. Sadly, Copeland later mentioned that part of the problem was that he had broken his collarbone playing polo, meaning he was unable to actually do any drumming [[note]]one of the instruments at the center of the dispute was a drum machine synthesizer, specifically whether to use the Fairlight CMI Copeland preferred or the Synclavier Sting wanted[[/note]]. He went on to say that had the band been able to jam and get out any pent-up aggression that way, [[WhatCouldHaveBeen The Police might not have broken up.]]
* This was basically the reason given for Florian Schneider leaving Music/{{Kraftwerk}}, after ''four decades'' of being in the band no less.
* In 1979, Rick Wright left/was sacked from Music/PinkFloyd. Roger Waters stated that "Our paths were not parallel enough." This statement euphemized a vicious falling out caused by (on one hand) Waters giving [[IAmTheBand his own control freak tendencies free rein]] and (on the other hand) Wright concentrating on solo work instead of contributing to the band. Oh, and him developing "a nasty cocaine habit" as well.
* The reason why Dennis Stratton was fired from Music/IronMaiden. He was writing songs that Steve Harris felt were too poppy, and when the band rejected them, he left. There were also other creative\personality clashes (Stratton only joined the band [[MoneyDearBoy because he needed work]], was unwilling to listen to heavy music all the time like the other bandmembers and at a certain point travelled separatedly from them, and his attempt to mix "The Phantom of the Opera" in a Music/{{Queen}}-like manner was promptly rejected by Steve).
** According to the man himself, their early vocalist Paul Di'Anno was so bored of playing metal that he started drinking heavily. This alcoholism caused the band to fire him, which he apparently didn't mind that much. He much preferred to play punk music, and somewhat resented the fact that he'd missed out on the first wave of British punk by playing in a metal band during that time. In recent years he's had to return to the old Iron Maiden songs.
* Reports of the 2013 breakup of Music/TheJonasBrothers allude to this.
* Music/{{Cynic}} have had this happen to them more than once. The ''Focus'' line-up dissolved due to the members all trying to pull the band in different musical directions. Similarly, Tymon Kruidiner and Robin Zielhorst left after ''Re-Traced'' due to them not agreeing with Paul Masvidal and Sean Reinert over musical direction.
* Music/TheFaceless has had a lengthy history of this to the point where they have had ''two'' complete lineup departures (one over the course of several months, the other over the course of a ''day''). While Michael Keene's drug issues and unpleasant personality were known but unspoken in industry circles and were the cause of most of the departures, it wasn't until the second mass departure in March of 2018 that a former member told the world just what the deal was, as an Instagram post from Keene that contained an egregious example of NeverMyFault kicked off a TheReasonYouSuckSpeech from former guitarist Justin [=McKinney=], who publicly eviscerated him.
* Music/CattleDecapitation departed with Dave Astor over a case of this that was equal parts creative (they wanted to write more complex and death metal-based material, he wanted to stick to grindier fare; some of this may have been due to his stagnating technical ability and apparent refusal to take lessons) and personal (relations with him and the rest of the band, especially Travis Ryan, had deteriorated to the point where he had to go or the band would likely collapse). They still haven't reconciled with him, and given Ryan's notoriously strong dislike for him, it's highly unlikely that they ever will.
* Ovid's Withering was already on the cusp of breakup when they were signed to Unique Leader Records and had a US tour on the way after the other members learned that Aaron Rodriguez had, on multiple occasions, pressured the wives and girlfriends of his bandmates to cheat on them with him or send him foot pictures. They soldiered on because they had bigger tours on the way, but after they learned that he had solicited foot pictures from an underage girl, they were completely revolted, quit on the spot in disgust, and severed all ties with him. Because Ovid's Withering was largely his vision, it will never come back in any recognizable form.
* This is what caused Music/{{Alterbeast}} to lose everyone in the band and ruined relations between Andrew Lamb and most of the other personnel[[note]]he never fell out with Mikey Wilson and has long since made amends with Monte Barnard and Gabe Seeber, but Rusty Cornell and Michael Zamora still hate him and refuse to have anything to do with him[[/note]]. A lengthy and somewhat troubled US tour had brought his controlling tendencies to the forefront, and his anger at having to go through what were apparently unpleasant but expected pitfalls of being in a low-level touring act magnified those tendencies. After tensions between him and everyone else (including former drummer and emergency fill-in Gabe Seeber) had reached a boiling point, the band dropped off the tour early, went home, and dissolved almost completely save for Lamb, who spent the better part of the year rebuilding the band.
* Music/{{Warbringer}} has had a lot of departures that have mostly been due to their heavy touring schedule, but a few were truly creative (John Laux) and personal (Ben Bennett). The former had been growing tired of metal and heavy music in general for a while, and by Kevill's admission, some of the more upbeat punk-influenced material on ''IV: Empires Collapse'' was intended to placate him (which failed, as he left almost right after the album dropped). Bennett, meanwhile, had started out as a live fill-in on their early tours due to Andy Laux's inability to tour (as he was still in high school) before being made full-time, and his arrogance, incredibly abrasive personality, and drug issues made him quickly wear out his welcome and culminated in an incident on a very large tour where he kept making incredibly cruel and hurtful personal digs at Nic Ritter that finally resulted in Ritter running out of the van and punching a dumpster hard enough to break his hand, which put him out of commission for the rest of the tour and made Kevill angry enough to pull Bennett out of the van and stomp on his head before kicking him out the minute the tour had concluded.

[[folder:Professional Wrestling]]
* An occasional occurrence in ProfessionalWrestling, sometimes with mixed results.
** In Japan, cases such as these are known for splintering companies. Most famous being Shooto and Fighting Network RINGS out of the Wrestling/UniversalWrestlingFederation and Wrestling/ProWrestlingNOAH from Wrestling/AllJapanProWrestling. Really, though, a wrestler leaving for ''any'' reason might splinter a company, such as Wrestle 1 from All Japan after Wrestling/TheGreatMuta resigned in penance for Taru assaulting someone during the off hours and then was refused re entry back into the company when the new brass started running it into the ground.
** Wrestling/{{WCW}} and Wrestling/NewJapanProWrestling's agreement fell through due to NJPW not being fans of Wrestling/VinceRusso's booking, Wrestling/EricBischoff trying to tell NJPW how to book and WCW trying to enter a talent exchange with All Japan.
** More common in Wrestling/{{WWE}} is the phrase "we wish wrestler the best in their future endeavors".
** There's also "Confronting their personal demons" which usually translates as "too drunk/stoned to work".
** The Wrestling/{{N|ationalWrestlingAlliance}}WA[=-=]Wrestling/{{TNA}} agreement actually did end seven years early because of creative differences. The NWA had standards for it's titleholders it wanted to directly enforce and TNA had already pulled out of the NWA anyway and wanted promote material more distinct to it's own brand. NWA 'abrogating' the deal is how most news sources reported it, however.
* This is why what lead to the foundation of NWA FUW. Dante Brown helped save American Combat Wrestling with his investment in it after the Bourbon Street Nightclub ACW ran out of went out of business, leaving the promotion without a home. There were six other investors who came in after the club's closure with their own ideas for what to do with the company though, so he struck out on his own once ACW had somewhat stable foundations again.

[[folder:Video Games]]
* Toby Gard, creator of ''Franchise/TombRaider'', had left the franchise by ''Tomb Raider II'' due to being pressured by the higher ups in making Lara Croft to appeal more to the male demographic. Gard didn't like the idea of having Lara's character being over sexualized.
** Ironically, he later went on to create ''Galleon'', a game which featured ''two'' sexy lead females instead of one...
* ''VideoGame/MasterOfOrion III'' suffered something of a civil war on the creative team between the lead designer and the art director. The lead designer, Alan Emrich, wanted to more or less continue in the tradition of [=MoO=] II, adding more features such as religion, governmental corruption and the exploration of black holes, and of course new races and new racial abilities, but not fundamentally breaking away from the FourX SpaceOpera mold that had made ''II'' so successful. The art director, Rantz Hoseley, was having none of that, though: he wanted to have a more realistic simulation of a complex galactic empire, one that you couldn't run yourself and ''had'' to automate, and he also ''hated'' the humanoid aliens of the series (comparing them to PeopleInRubberSuits). Hoseley won the internal fight, and Emrich was forced out, leading to ''[[FranchiseKiller Master Of Orion III]]''.
* One of the main reasons along with poor sales as to why ''Creator/CloverStudios'' left ''Creator/{{Capcom}}'' and became ''Creator/PlatinumGames'' at ''Creator/{{Sega}}''.
** More recently, they have grown very disgusted at Sega's Marketing for one of their more recent titles, ''VideoGame/AnarchyReigns'', epecially in the U.S. This is possibly one of the reasons they allowed themselves to branch out to even more companies, like with {{Creator/Konami}} to develop the gameplay for VideoGame/MetalGearRisingRevengeance, and being the main developer for the Creator/{{Nintendo}} published, UsefulNotes/WiiU exclusive title, ''VideoGame/TheWonderful101'' as well as the main exclusive publisher of ''VideoGame/{{Bayonetta}} 2'' (with Sega merely owning the IP rights, with no development input).
* This is pretty much the story behind most of the original Creator/IdSoftware's departures.
** Tom Hall was let go due to him not being creatively invested in ''VideoGame/{{Doom}}'' (it was a bit dark and serious for the wacky mind behind ''VideoGame/CommanderKeen'').
** Creator/JohnRomero was frustrated over ''VideoGame/{{Quake}}'' being turned from an ActionRPG into a shooter in the ''Doom'' template at a late stage in the game. He left to form Ion Storm with Tom Hall.
** Adrian Carmack was essentially fired after ''Doom 3'', later suing the company.
* Akira Sakuma, who created the long-running ''Momotaro Dentetsu'' series for Creator/HudsonSoft, [[http://www.kotaku.com.au/2012/09/japanese-game-developer-gets-brutally-frank-on-twitter/ tweeted]] after Creator/{{Konami}} took over Hudson: "As long as there’s a guy named Imura at Konami, I won't make ''Momotaro Dentetsu''."
* The director of the first ''VideoGame/AeroFighters'', Shin Nakamura, left Video System over his disagreement with the company's decision to focus development on the UsefulNotes/NeoGeo (which only supported a standard 4:3 aspect ratio instead of the 3:4 aspect ratio used for ''Aero Fighters'' and ''Turbo Force'') and founded Creator/{{Psikyo}} to continue making ShootEmUps in that vein. Ironically, Psikyo would much later release a sequel to ''Strikers 1945'' for the Neo Geo while ideo System would develop ''Aero Fighters 2'' and ''Aero Fighters 3'' as Neo Geo games before returning to the original screen orientation for later installments.

[[folder:Web Comics]]
* A source of contention between some fans (and ex-fans) of ''Webcomic/MegaTokyo'' is the "creative differences" that led to the break-up between the artist (and current writer) Fred Gallagher and former writer Rodney Caston, ultimately resulting in the comic's turn from straight comedy to dramedy. It is telling that the last comic Rodney wrote before Fred took over pretty much predicted ''exactly'' how the comic under Fred would be... kinda like a DatingSim.
* ''Webcomic/HiToTsukiToHoshiNoTama'': As said in the [[http://htht.elcenia.com/about.shtml About]] Page:
--> The idea for HTHT was originally going to be a collaboration between myself and my friend Emily Martha Sorensen of Webcomic/AMagicalRoommate and Webcomic/ToPreventWorldPeace. Creative differences led us to believe that collaborating was not, in fact, a good idea. We each peeled off parts of the concept and went our separate ways with them. Most of the original plan is unfolding here in HTHT.

[[folder:Western Animation]]
* This was one of the reasons Creator/JohnKricfalusi was booted off ''WesternAnimation/TheRenAndStimpyShow''.
* ''WesternAnimation/TheSimpsons'' went through this with Creator/KlaskyCsupo concerning its animation. Creator/KlaskyCsupo did the animation for the Tracey Ullman shorts and the first 63 episodes, however the overall look of the animation more often than not was deemed unfitting to the creators' needs, to the point where the first episode was demanded to be redone. The animation was shifted over to Creator/FilmRoman by the fourth season.
* This believed to be the reason why Mike Barker left ''WesternAnimation/AmericanDad'' five episodes into it's first season after [[ChannelHop moving from FOX to TBS]].
* This occured with the Creator/DonaldGlover-created ''Deadpool'' animated series on FXX on March 24, 2018.
* InUniverse example in ''WesternAnimation/{{Doug}}''. Doug and Skeeter are working on a Quail Man comic (Quail Man being [[HerCodeNameWasMarySue Doug as a Super Hero]]) when Skeeter introduces his own hero, the Silver Skeeter. However, Doug doesn't like the Silver Skeeter because his NewPowersAsThePlotDemands attitude make him too "boring" and the two go at it and separate over it. They do make up and figure out a way to work with it and make Silver Skeeter less powerful.

* Around the turn of the century, Mercedes-Benz and [=McLaren=] collaborated on the SLR [=McLaren=] supercar. Production lasted for seven years. When it was time to create a successor, the two companies had different ideas for where that would go and they parted ways. Mercedes created the SLS AMG while [=McLaren=] followed up with the [=MP4=]-12C.