"The optimist thinks this is the best of all possible worlds; the pessimist fears it is true."A Crapsack World is a horrible setting where the jaded notion of "anything that can go wrong will go horribly wrong" almost always applies, and it corrupts its inhabitants into perpetuating that nastiness against each other. More succinctly, trying to survive in one of these places is gonna suck. Although there are countless ways Crapsack Worlds can be depicted (often with Scenery Gorn), it is usually dark, and on the cynical end of the Sliding Scale of Idealism vs. Cynicism, so it will have either Grey and Gray Morality or Black and Gray Morality, if not outright Evil vs. Evil in the worst of cases (beware of Darkness-Induced Audience Apathy if you decide to go this route though). Settings like these are not kind at all to idealists, who usually get traumatized and/or die horribly when their attempts to change the world through idealism meet tragic ends. Heroes in this setting are usually Anti Heroes, and often have at least a bit of the Deadpan Snarker about them. Being good will suck, and if there are genuinely good heroes in this setting, expect them to be Knights In Sour Armor and/or Hurting Heroes—more idealistic heroes such as the Knight in Shining Armor tend to not last long in this kind of setting. Any victories they manage to win over the forces of this world are likely to be Pyrrhic in nature. Villains tend to run the gamut from sympathetic Anti Villains (on any level of the Sliding Scale of Anti-Villains) right down to the most horrific monsters to grace any kind of media. Truly awful villains are especially common in these kinds of settings, both to represent the misery of the setting in general and to give the Anti-Hero someone to whom he can look good in comparison. In truly extreme cases, even the most popular or powerful of these monsters suffer just as badly as everyone else. And Anyone Can Die. From here, these worlds can be depicted by authors in various ways, whether it would be dramatic or comedic, immutable or mutable.
— James Branch Cabell, The Silver Stallion, misattributed to Robert Oppenheimer
- A dramatic Crapsack World has plenty of angst to go around, and often makes Woobies out of its sympathetic cast, particularly the protagonist, as they suffer horribly in their attempts to do the right thing or pursue their dreams. Expect characters who do the right thing to suffer for it. Expect characters who do the wrong thing to prosper... and then suffer. Examples: New World of Darkness, Old World of Darkness, Sin City, and Neon Genesis Evangelion.
- A comedic Crapsack World is Played for Laughs and is made up of idiots, jerks, Butt Monkeys, Chew Toys and the occasional Only Sane Man, with plenty of Comedic Sociopathy to go around. These include the Black Comedy, the Sadist Show and the World Gone Mad. The "upside" is that it's usually parodic and funny in its extremes. Though people die left and right, it likely has Negative Continuity to facilitate the inhabitants' suffering. Examples: Invader Zim, Ed, Edd n Eddy, Happy Tree Friends, The Ren & Stimpy Show, Rocko's Modern Life, The Simpsons, Family Guy, Matt N Dusty, Drawn Together, and South Park. Paranoia is not an example of this in the slightest.
- An immutable Crapsack World has agony Inherent in the System, both physically and metaphysically, and cannot be saved or made a better place. Trying to break The Corruption will instead always result in breaking every bone in your body and it winning, and any positive changes that you try to make will ultimately be torn down and revealed to be All for Nothing—or, even worse, they will only succeed in making things even worse for you and the people that you were trying to help, and/or even accomplish whatever the villains wanted in the first place. Examples: Nineteen Eighty-Four, Warhammer 40,000, FATAL, and the Lovecraftian Fiction genre in general.
- A mutable Crapsack World simply starts out as crappy, but a determined protagonist and his True Companions, be they the Knight In Shining (or in many of these cases, Sour) Armor or a simple old PI, can actually cause some, but mostly few, positive changes in the setting. See also A World Half Full. Examples: Elysium, Fallout, Mad Max, and Waterworld.
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- Pearls Before Swine.
- Peanuts : It's a crapsack universe for you, Charlie Brown.
- Almost the whole point of Dilbert. Creator Scott Adams raises the suggestion in The Dilbert Principle in citing his reader mail that this is effectively Truth in Television (except, of course, not television).
- The once-lighthearted Funky Winkerbean seems to be set in one of these nowadays.
- Bloom County, especially towards the end. Of course, the door to Outland is in the worst part of town.
- Life in Hell. The title is not an exaggeration.
Films — Animation
- Aachi and Ssipak manages to be this both literally and figuratively. The world's main fuel source seems to be human faeces, and indeed there's a lot of cultural focus on it. While this is not a bad thing - well, sans the Squick -, society is governed by a tyrannical regime, the leader in the movie's events being a sadistic creepy little girl with a huge head with no qualms in killing whoever she wishes to kill (at a point in the movie she happily watches a bunch of men being sentenced to death for "misusing the great anus"). However, most of the problems come from the fact that, to incentivate people to "produce fuel", they offer popsickle like "juicybar", which is highly addictive and seemingly is the cause of the birth of a group of mutants which entitle themselves "The Diaper Gang", and which commit terrorism to obtain the juicybars and seeming wish to take control as they do so once they get Beauty. As people already commit terrorism to steal the damn things, you get a lot of violence all the time, and seeing as none of the characters in the story are good this pretty much implies a bad place to be.
- The Snow Queen (2012) takes place in a world conquered by a totalitarian Snow Queen, who has brought on a new Ice Age, and also banned art.
- WALL•E: The entire Earth centuries earlier had been reduced to a trash-filled Hellhole, the human population fleeing when it started to become too difficult to breathe and the "throw legions of trash-compacting robots at the problem" approach failed. By the time of the movie, all the WALL•E unit (barring one) have broken down, with the last one continuing to pile up the trash into layers surpassing the skyscrapers, with only a cockroach as a friend. Still, things had improved enough for plant life to be viable.
- The world inhabited by the title characters of Lego Pirate Misadventures is pretty grim for a Lego world. Pirates apparently own at least one city, have an academy dedicated to learning the trade of raping and pillaging, and are ruled by a guild stuffed full of Obstructive Bureaucrats. This city also has a hit TV show called "Torture Time With Mr. Cuddles" where people get tortured to death, and people get gunned down in the street for little to no reason. No one seems terribly bothered by any of this, though. Additionally, a world conquering League of Darkness was able to rise to power with absolutely no one noticing before it was too late, necessitating Gag's Set Right What Once Went Wrong gambit.
- This is actually pretty common on Newgrounds:
- Probably the ultimate example would be the featureless muddy hell of Salad Fingers.
- Let's not even get started on Madness Combat. There's a reason "madness" is in the title.
- The world of Pico is so fucked up that any vaguely-aged kid can pick up a gun, lay waste to the problem, and be hailed a hero, even if said kid is a Destructive Savior with the demeanor of a '90s Anti-Hero at barely half the age. Now throw in his best friends (usually), a suicidal slut, and a Pyro Maniac, and add all the Comedic Sociopathy you can imagine.
- Tankmen starts with the war-torn remnants of a city, but what what makes it so crappy is that the warring factions don't even know what they're fighting for, but keep on warring as if it were an average 9-to-5 grind.
- In the Colour My Series, there's a long list of forbidden activities on the stick-figure citizens. Among these are pets, plants, running, emotion, color, and smiling. There are huge robots to enforce the laws, too.
- Nomad of Nowhere: Nowhere is a desert, with most of the natural resource wells finally drying up aside from Don Paragon's oasis. Aside from our protagonists, virtually all residents encountered are either greedy and self-interested, or impoverished and desperate. Those of the populace who don't fear or despise magic want to use it for their own ends, making it dangerous for a magic-user like the Nomad to stay in any place for too long. Nowhere is also ruled by a magic-eating tyrant and the "governors" he empowered to conquer the desert quadrants.
- Off The Grid takes place in a desert wasteland, populated by mercenaries, Eldritch Abominations, Humanoid Abominations, and Killer Robots.
Everything is NOT awesome...