"The bad guy stuck [Rocketman] in a car on a mountain road and knocked him out and welded the door shut and tore out the brakes and started him to his death, and he woke up and tried to steer and tried to get out, but the car went off a cliff before he could escape! And it crashed and burned, and I was so upset and excited, and the next week, you better believe I was first in line. And they always start with the end of the last week. And there was Rocketman, trying to get out, and here comes the cliff, and just before the car went off the cliff, he jumped free! And all the kids cheered! But I didn't cheer. I stood right up and started shouting, 'This isn't what happened last week! Have you all got amnesia? They just cheated us! This isn't fair! HE DIDN'T GET OUT OF THE COCK-A-DOODIE CAR!'"
Cliffhangers tend to be a vital part of any serial story. They stop the action or drama right when tension is at its highest, leaving an audience on the edge of their seats in anticipation of a conflict resolution and wanting to stick around to see what happens next.
The best cliffhangers pick up the story right where it left off and provide a clear resolution based off of everything that was shown to have occurred to viewers in the previous installment. And then there's these...
Unfortunately, sometimes writers may discover that they've written themselves into a corner with no way to resolve a cliffhanger based on how the prior episode, chapter, film, or story ended. When this problem arises, the writer may make a saving throw to cheat his way out of the problem in one of a few ways:
Facts about a character's circumstances are retroactivelyHand Waved between installments (e.g. The hero tied to a chair in a building rigged to blow up who wasn't able to even break his bonds prior to the building exploding at the conclusion of one episode is seen breaking free and escaping at the beginning of the next before the bombs go off). Depending on the circumstances, this can lead to some pretty glaring Plot Holes.
What is seemingly promised to happen at the conclusion of one installment turns out to be something else entirely or an Unreveal at the beginning of the next chapter.
If handled well enough, most viewers may not notice it, or even care all that much if they take the MST3K Mantra to heart. If not, a lot of people are going to feel duped and not very pleased with what they were rewarded with for their dedicated viewership.
Can be observed frequently in old Film Serials of the 1930s and 1940s, as the quote at the top of the page might suggest; it also makes this trope just slightly Older than Television.
See Also: What Cliffhanger when circumstances surrounding the cliffhanger are deliberately vague and without any sense of drama or suspense to motivate viewers to stick around for more.
Compare Red Herring Twist.
Pseudo Crisis is a subtrope.
Has nothing to do with the movies Cliffhanger or Cop Out.
Also, this being an Ending Trope, be prepared for**Spoilers Ahead!**
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Anime and Manga
Macross Zero: At the end of episode 4 the island where the protagonists are is getting fuel air bombed (or something). By the start of episode 5 the heroes have already been rescued except the native girl who has been captured. Also, flying submarine aircraft carriers.
Dragon Ball Z: Goku claims he saw a pod ship near Freeza's spaceship and took off before Freeza's spaceship hit the lava. The episode where Freeza's spaceship falls into the lava clearly shows Goku watching Freeza's ship fall into lava up in the air and then the planet explodes. Note that in the manga, that scene does not happen.
Naruto gives us the Great Snake Escape. Deidara decides to self destruct and take Sasuke with him, setting off an absolutely enormous explosion, and Sasuke is out of chakra. The next chapter reveals that Sasuke somehow summoned a giant snake, mind controlled it, jumped in its mouth, and teleported it away; all things take large amounts of chakra, which Sasuke had just been shown to be out of in the previous chapter, and he did all this in the time it took the explosion to reach him when it had already gone off right next to him.
In issue 24 (Volume 2), the kids have finally dragged Chase back, they've beaten their foes once and for all, and they're tired and weary as they arrive home... To find Iron Man and a bunch of mooks waiting. In Issue 25, they begin by... Meeting with the Kingpin. Word Of God tells their appropriate response: They ran away.
At the end of their ongoing series, the last shot is of Chase getting hit by a truck, away from the rest of the group. He apparently survives and reunites with the others off-screen, and he is totally fine by the time they run into Daken in his series. Daken even asks what happened to him and all Chase answers with is "I got better."
Inverted in a 1960's Captain America story. At the end of one issue, our hero jumps out of a plane, wearing a parachute. At the start of the next issue, Captain America is falling through the air with no parachute (and no explanation of where the parachute went). The first few pages explain how the Captain survives this. Stan Lee later admitted that when he wrote the later issue, he had forgotten how he ended the earlier issue.
One old Incredible Hulk issue ended with The Leader pushing a button that would launch a missile. The Next issue started with him saying something along the lines of "Now, when I push the button a second time, the missile shall launch!"
One issue was a hugely emotional for Peter Parker; him asking his clone to take care of his wife, and in general as heartfelt a sendoff as you could ask for a beloved character. The first thing that happens in the following issue is his corpse convulsing back to life with his super-powers restored.
The "Gathering of Five" arc ends with Green Goblin receiving a massive power boost and killing Spider-Man. The following issue it's revealed Gobby had gone crazy and most of the previous issue had been his hallucinations.
Misery has two In-Universe examples of this. Annie was telling the story about her favorite cliffhanger serial from when she was a kid, quoted above, to Paul Sheldon after he did a similar thing while writing the manuscript for Annie's personal Misery novel. Paul had ended the last novel with Misery's burial, so Annie insisted that the new novel would start with a way of getting the heroine out of her grave, fair and square.
"When you directed Dobbs to the room where I was paralysed there was one small thing you hadn't accounted for — that he would be wearing a regimental club tie which is 100% silk! The static electricity temporarily neutralised the forcefield, giving me time to take advantage of the inflammable properties of the brandy that you offered me earlier. Within the small amount of neck movement available to me under the magnetic paralysis, I formed my nasal cavity into a type of Liebig condenser, thereby concentrating the alcohol fumes in one place. I then forced the fumes down each nostril with such intensity that they were combusted by the lighted end of the dynamite, thus forming a natural blowtorch which completely severed the fuse, rendering the dynamite totally harmless. The rest was easy."
The conclusion of Chapter 10 and beginning of Chapter 11 show something very similar to what's described in the page quote, with Batman miraculously jumping out from a car before it careens off a bridge and bursts into a fireball.
Another particularly bad one: Batman falling several stories and visibly slamming into the ground is resolved by it not being Bruce in the suit, but a minor villain who decided to put it on for no apparent reason.
This was actually telegraphed in the scene right before the cliffhanger actually showing Bruce walking away and putting on his hat—but it's blink-and-you-miss-it.
It's been mentioned in that serial a particularly bad cliffhanger resolution: Batman is in a plane that crashes in a fiery explosion. The next episode shows him just staggering out of the wreckage a little dazed while the mooks who were also on the plane both died from the crash.
This was so common in the Undersea Kingdom serial that The Other Wikikeeps a list of these. When Joel and the Bots watched the first two chapters in the serial where the cliffhanger saw Crash and Billy trapped on top of a cliff while it collapses underneath them from missile fire, the resolution in the following installment shows Crash and Billy climbing back down from the cliff before the collapse, prompting Tom Servo to reference the line from Misery, "How did they get off the cock-a-doodie cliff? This is wrong!"
The Purple Monster Strikes (Republic, 1945) has quite a few of these, but the most insulting is the cliffhanger to Chapter 7, "The Evil Eye": A bomb is wired to an electric eye in a doorway, with the Love Interest tied and gagged inside. The Hero arrives, and we clearly see him step into the electric eye, which triggers the 5-second timer and the building blows up. In the next episode, we're shown that the Distressed Damsel manages to de-gag herself and alert the Hero just before he steps into the electric eye, and he then jumps over it. A moment later, once safely out of the building, he turns and shoots a Mook back in the building, and he falls into the electric eye and sets off the bomb. Cop out, indeed.
Close second would be the end of Chapter 9, "The Living Dead", which featured the Hero in a closing spiked cage similar to the Batman example above. The cliffhanger showed the spikes closing in nearly to the point of puncturing the hero's body... the next episode backed the walls up considerably so the hero could use his gun as a stopper, holding the spiked wall at bay until the pressure broke the cage.
In Mystery Science Theater 3000, when Joel and the Bots had to view chapters from the Commando Cody Radar Men From The Moon serial, Joel would always make some kind of comment whenever it came time for the Hand Wave of the previous chapter's conclusion to reveal itself. For instance, during the fourth chapter (aired alongside Robot Monster)* Cody chasing bad guys across a bridge and gets blown off by a boobytrap — except that he dived out of the car in time (really):
Joel: That scene wasn't in last time... Crow: That's cuz they didn't get the film back from the drugstore yet. Servo: (announcer voice) Upon further review the refs find that Cody is dead. The play stands: Cody is dead.
This happens in Chapter Two as well, when Cody just manages to roll out from behind the panel just as Retik shoots it.
Chapter 3 ends with the Hornet in a crashing plane. In Chapter 4, The Hornet somehow acquires enough time and altitude to bail out safely. Having a parachute in the first place is not a copout, we see him put it on in Chapter 3.
At the end of Chapter 7, the Hornet and his opponent are in the back of a truck when the bridge gives out underneath them. At the start of Chapter 8, both men fall out of the truck just before it reaches the bridge.
In Chapter 9, the Hornet is trapped by Axford and Jenks. Axford shoots through the door of the storage closet the Hornet is hiding in, breaking some chemical bottles. The chapter ends with the Hornet passing out from the fumes. When Chapter 10 starts, Reid has enough time to ditch his disguise before pretending to pass out.
Chapter 11 ends with the Hornet and a crook fighting in a caboose, which derails when the other crooks uncouple the end cars. They are clearly seen in the caboose as it tumbles. Chapter 12 shows both men falling out of the caboose before it derails. For bonus copout points, the crooks wanted to uncouple the cars to put pressure on a shipping company. The recap scroll says the company’s cars were uncoupled, but when one crook reports back to Monroe he says the train broke apart behind the target cars, and the shipping company’s cars got through safely.
The cliffhanger of Chapter 12 has the Hornet and an extortionist fighting in a burning office. When Chapter 13 starts, there’s no sign of fire. (And both the Hornet and the crook have forgotten about last chapter’s confession.)
From "The Green Hornet Strikes Again!"
Chapter 5 ends with a warehouse full of illegal munitions being bombed, and the Hornet at Ground Zero. Chapter 6 starts with the Hornet having enough time to take cover in the basement.
Chapter 7 ends with the Hornet’s plane crashing after being an accidental test subject for a new antiaircraft weapon. At the start of Chapter 8, he has just enough time for a no-parachute bailout.
In Chapter 11, the Hornet and some truck hijackers are fighting when the truck goes over a cliff. There’s a different camera angle spliced in for Chapter 12, showing the Hornet jumping out at the last minute.
There’s another warehouse with illegal explosives in Chapter 12. The chapter ends with the Hornet ramming a racketeer’s car through the warehouse door, hitting the explosives, and big boom. Chapter 13 gives him enough time to see the crates of explosives and dive out before the car hits them.
Chapter 14 ends with the Hornet and a racketeer fighting in the racketeer’s open car, which goes off the road and wrecks during the fight. Chapter 15 starts with the Hornet being knocked out of the car just before the accident.
One Buck Rogers serial ended with Buck's friend Buddy collapsing after being shot as he was about to jump out of a window. The next serial starts with the shot missing, and Buddy escaping out of the window.
Garth Nix's Seventh Tower series is also guilty of this. A particularly annoying one in the first book involves the main character falling over backwards at the end of one chapter and being caught immediately at the beginning of the next, which also means mining an utter non-event for drama in the first placejust for the sake of not having it come to anything.
Garth Nix actually does this quite regularly in his novels. There's a Cliffhanger at the end of pretty much every chapter, and it usually comes to nothing.
Another particularly annoying one occurs in Lord Sunday. Dr Scamandros, while tending to the injured Leaf, takes his hat off. Suzy is under the impression she has died and he took it off as a sign of respect. The chapter ends there just to fool the reader into thinking the same thing.
A meta-example occurs in the Harlan Ellison short story "How's the Night Life on Cissalda?"; the protagonist, locked in an inescapable interrogation cell, recalls a magazine serial he'd read as a kid in which the hero has escaped between installments via the use of this trope, and how disappointed he'd been. And then, this:
"Later, comma, after he had escaped from the interrogation cell, Enoch Mirren was to remember that moment, thinking again as he had when but a child: what a rotten lousy cheat that writer had been."
The Rolling Stones: In Robert A. Heinlein's story inside a story, "Scourge of the Spaceways", John Serling ends one season in an unsurvivable Death Trap. He starts the next season out of the Death Trap and, hero that he is, is too modest to tell people how he managed to escape. Then the next adventure starts.
Parodied in Bored of the Rings when Goodgulf reappears and begins his explanation of his escape with "Well, once out of the pit..."
Live Action TV
The "Homefront/Paradise Lost" 2 parter of Star Trek: Deep Space Nine. The first episode makes us think that Earth is being seized by the Dominion, whereas in the second episode, it is revealed to be a conspiracy of a Starfleet admiral who wants to boost his authority. This may have been intentional, since the writers wanted to show how dangerous it is to allow a military to take control of a government when a dangerous situation is under way.
Dexter. Several instances of something occurring that could have completely damned Dexter or caused problems were resolved a minute into the next episode. Of course, just as many times they were legitimate problems that Dexter spends the episode dealing with, but that just makes the Cliffhanger Copout and Pseudo Crisis events stand out all the more.
A number of cliffhangers on Heroes would pique viewers' interest that one thing would happen and then would give them something entirely different. The episode "Truth & Consequences" from Volume 2, for example, ends with Hiro charging at Peter, who refuses to believe Hiro's claims that Adam Monroe is dangerous and is even willing to protect him, suggesting that the two characters were going to fight each other. The beginning of the following episode, "Powerless," shows Hiro, after his charge, deciding to just teleport around Peter and try and talk to him some more to convince him that Adam is evil.
One episode ends with a powerless Sylar directly in the sights of a sniper rifle while kissing Elle. The next episode starts with Sylar and Elle in bed naked, clearly having had sex in the interim, and the sniper is still waiting.
Also, famously, in The Caves of Androzani, when you actually see The Doctor and Peri get shot, execution style, and fall down dead. The following episode resolves the conflict ten seconds in, when it is revealed that the executed parties were actually robot look-a-likes. The same thing would be repeated a few decades later , with the cliff-hanger reveal spanning months this time rather than just a week. It's how the Doctor survived being shot in The Impossible Astronaut.
The "Androzani" cop-out looked even worse as it had been seen as an antidote to an increasingly overused cop-out over the previous few years of the show, where several stories per season would feature a cliffhanger in which the Doctor and/or companions were about to be executed by a mook, cheaply resolved by the mook's superior turning up and telling him to stop.
The new series episode The Name of the Doctor suggests an in-story justification for every single case where a seemingly inescapable death was resolved in anticlimactic fashion: the Great Intelligence trying to sabotage the Doctor's timeline only for one of Clara's temporal doppelgangers to undo the damage.
Every non-terminal episode of Doctor Who ended in a cliff-hanger. As the clock ran down on the time, you could start speculating about whether it was the end by whether they were heading toward a resolution or a cliff-hanger. Unsurprisingly, any number of them turned out to be not so bad as they looked.
At the end of the 4th series episode "The Stolen Earth", The Doctor is shot, dragged to the TARDIS by his companions and starts to regenerate, meanwhile Sarah Jane Smith is facing down two Daleks unarmed. 15 seconds into the following episode, series finale "Journey's End", the Doctor heals himself using the regeneration energy without changing, 15 seconds after that two characters who haven't appeared for two seasons appear to rescue Sarah Jane.
The Time Tunnel sometimes changed the context in which a cliffhanger took place at the beginning of the next episode. For example, you find that the heroes weren't in as much danger as you thought they were, or, at least, that it was a different kind of danger than you thought.
Near the end of the 4th season finale of The X-Files, the audience sees Mulder alone in his apartment, crying hysterically with his gun in his hands. We cut away just before hearing his gun go off. The next scene is a flash forward in which Scully has apparently been called to his apartment to identify the body of a white male who died of a self-inflicted gunshot wound. She identifies it as Mulder. The next season begins by revealing that Scully was lying, the body is not Mulder's, and the whole crying holding his gun thing was not related to anything.
Made even worse that Chris Carter lied to Gillian Anderson when instructing her how to play that final scene, telling her that Mulder was alive, but Scully genuinely thought he was dead. Since Anderson is a great actress but Scully isn't, her tearful and quite moving statement about Mulder's death feels very cheap in retrospect.
Parodied in Made In Canada. A series of Cliffhanger events were made at the end of one season. The first episode of the next season had one of the characters, Richard, narrate that at the end of each season when a series might get cancelled, the characters are usually put on cliffhangers as a means to ensure that the series has closure, but if the series continues, it results in the authors being written into a corner as they make lame excuses. Richard then enumerates the lame excuses for the last season's cliffhanger.
The first season of Prison Break ended with the main characters running through a field after their getaway plane left without them, while cops close in from almost every direction. In the beginning of the second season, it's revealed that they got away by...running through a forest and maneuvering around a moving train, which stops the cops from chasing them. It's made worse by the fact that the first season ends at night, but the second season begins during the day, raising the question of what, exactly, happened in what must have been several hours between the episodes.
Episode Two in the first season of Twin Peaks ends with Agent Cooper having a dream from which he learns the identity of who killed Laura Palmer. Cooper immediately wakes up from the dream to call up Sheriff Truman that he knows who the murderer is but teases that the answer could "wait 'till morning." Come the next episode, taking place that following morning, Cooper recaps all the events from the dream that ended with Laura Palmer whispering the name of her killer in his ear. Then, once he's asked who the killer is, Cooper nonchalantly responds "I don't remember."
Reno 911!! ended every season with a cliffhanger, and more often than not would start the next season with a cop out.
Season 1 finale: Jones Faking the Dead causes all the deputies to kill each other in surprise.
The writers did intend to spend the Series III premiere resolving that cliffhanger, but found that they couldn't make it funny enough and decided to just skip ahead. They also took the opportunity to explain away Kryten joining the cast and Holly changing appearance.
Series VI ended with the entire crew aboard Starbug as it was destroyed by their future selves. A quick gag at the beginning of Series VII reveals that this caused a paradox which hit the Reset Button.
The cliffhanger ending of Series VIII — in which Rimmer is trapped aboard Red Dwarf as it disintegrates from a metal-eating virus and the rest of the crew have abandoned ship or escaped into the Mirror Universe — was emphatically not resolved by the miniseries Back to Earth, which instead begins with a title card saying "Nine Years Later". Given that the ship is intact and all the main characters are present and/or accounted for, it's ambiguous whether Back to Earth even follows the cliffhanger or if it follows the Alternate Ending.
The Series X finale, "The Beginning", finally addresses the Series VIII cliffhanger, with Rimmer claiming credit for saving Red Dwarf. He is interrupted before he's able to explain how he did it. Twice.
A season finale of 3rd Rock from the Sun involved Harry being kidnapped by a deranged man played by Phil Hartman. By the time the next season started, Phil wasn't with us anymore. The show had no choice but to gloss over the circumstances of Harry's kidnapping with no real resolution.
The third season of 30 Rock ended with Jack having just discovered his real father, played by Alan Alda. He reveals he needs a kidney, so Jack creates a We Are The World-esque fundraiser to get him one. Then the next season starts and none of this is ever mentioned again. We eventually catch a glimpse of a published copy of the book, From Peanut To President, that Alda's character would only have had time to finish writing if he got his kidney. So presumably it all worked out somehow. Similarly, Kenneth must have somehow escaped the Chinese assassin in the second-season finale, since he's alive in the third season.
A fifth-season episode confirms that Jack did manage to give his father a kidney - Elvis Costello's.
Tom Servo will always go into Annie's "He didn't get out of the cock-a-doodie car!'' speech as well, with Kathy Bates' inflections.
At the end of the second season of 24, President David Palmer is infected with a virus transmitted by the assassin Mandy when she shakes his hand as he's getting into his limousine. As the season ends, he's lying on the ground dying as Secret Service swarms over him, and the last sounds heard are his fading heartbeats. Cue the opening of the third season, and it turns out that Palmer's fine, and that he found and "punished" those responsible (presumably Alexander Trepkos and "Max", the two masterminds of Season 2, although this was never confirmed in the show) with an offhand comment.
The PS2 game addresses this: Palmer spends some time recovering after the attack and Max is dealt with by Jack.
In the series finale of the original Dallas, JR Ewing takes out a gun after being convinced by a reflection of the Devil in his mirror that his life is meaningless now that he lost Ewing Oil. JR holds the gun in his hand, and his brother Bobby hears a gunshot from downstairs. Bobby runs up, opens the door to JR's room with a look of shock on his face... and as the TV movie "JR Returns" would later explain, JR shot the mirror and climbed out the window, then fled to Paris to hide out for six months.
Season 3 of Charmed ends with Piper and Prue seriously wounded and Phoebe, Leo, and Cole trapped in the underworld with Phoebe having given her oath to stay there forever. Season 4 opens with Piper and Phoebe in the attic discussing Prue's death. How did the three trapped in the underworld escape? How did Leo get home in time to save Piper? Were there any consequences for Phoebe breaking her oath? The latter two questions get some explanation at the beginning of Season 4, but the exact details of the characters' escape from the underworld itself are never made clear.
Discussed in Stargate SG-1's infamous "200" episode. The alien scriptwriter has the characters running away from some aliens with 11 seconds to get to the gate. The team runs up to a cliff face and see a massive army of Jaffa between them and the gate. The real SG-1 call the writer out on such an obvious copout and provide the page quote for Viewers Are Geniuses.
Mitchell: Okay, this could be a problem. (Cut to the team safe and sound in the gate room...) Mitchell: Wow, that was close, huh? Daniel: Oh yeah. The Real Daniel:(voice over) Are you serious?! Martin:' (voice over) What?
The Wonder Woman TV Series episode "Phantom of the Roller Coaster: Part 1" ends with Diana Prince (Wonder Woman depowered Secret Identity) inside her car looking back, just before an enormous truck smashed it... with her inside. Part 2 begins with an already transformed Wonder Woman outside the car lassoing the perpetrators.
Smallville: Season 3 ends with Chloe's house exploding the instant she closes the door upon entering it, but a flashback in the first or second episode of Season 4 shows her escaping. Never mind that there wasn't time, or that she was being aided, if memory serves, by Lex, who, in the season 3 finale, had been rather busy being poisoned at the time of the explosion.
Star Trek: Voyager. Lampshaded in the holodeck program The Adventures of Captain Proton! (a homage to 1930's sci-fi Film Serials) where the players gripe over how the Previously On segment dramatically shows their rocketship bursting into flame.
Kim: We didn't burst into flame in the last chapter! Why are these recaps so inaccurate?
Paris: Well they brought people back to the theaters.
Paris: The lost art of Hyperbole...
The first season of One Hundred Deeds For Eddie Mc Dowd ended with a cliffhanger wherein Eddie was faced with a choice between saving Justin or himself. The second season opened with absolutely no acknowledgement or resolution to that cliffhanger.
Power Rangers Zeo: In the two-part premiere, "A Zeo Beginning," Alpha's solemn final line at the end of Part I suggests that something happened to Zordon in the Command Center's implosion. This line doesn't make it to the beginning of Part II, where Alpha instead cheerfully reveals that Zordon is just fine.
Episode 3 of Hikonin Sentai Akibaranger ends with Mitsuki announcing that she's leaving the team, and her comrades reacting in shock. Episode 4 opens with Mitsuki clarifying that she's leaving the team...for a three-day martial arts course, and she'll return as soon as it's over.
JAG: The 3rd season cliffhanger in "To Russia with Love", has the Mig-29 with Harm and Mac in it being hit by a missile, while the plane from the viewer’s POV was inside a cloud. In the next season resolution, in "Gypsy Eyes", we see that they managed to eject before the plane exploded.
Community: The second series ended with Pierce declaring he was done with the study group and walking out on them, leaving audiences to wonder what this would mean in the next series. The resolution is... Pierce walking into the study room, explaining he'd changed his mind, and asking them to take him back. Probably deliberate, since it was never likely that Pierce would be gone from the group for good.
A regular feature of the '60s Batman series. Famously, every other episode would end with the Dynamic Duo in a diabolical Death Trap, struggling against their bonds, desperately casting about for a means of escape, or glaring in fear and/or determination at their impending destruction while the narrator fretted about their certain doom. The next episode would begin with the Caped Crusaders escaping the trap, sometimes through legitimately inventive means, but just as often through copouts like "someone shows up to rescue them," "they'd prepared something earlier in the day and we didn't show you" or the ever-popular "they use a Bat-gadget they have on them for just such an emergency that they apparently briefly forgot they had during their moment of panic at the end of the last episode." If they were unconscious at the end of the previous episode, they'd generally just wake up. On one occasion they were saved by a power outage; on another, by an eclipse.
A particularly notable instance was a Cross Over with The Green Hornet, in which the Hornet and his sidekick Kato are actually fed through a machine that turns them into human-sized postage stamps! The cliffhanger is that the villain's thugs are about to do the same to Batman and Robin. The next-episode solution is ... they fight off the thugs. And it turns out the Hornet and Kato managed to roll off the conveyor belt going through the stamp machine and were hiding inside it. Where did those human-sized stamps with their images on them in the previous episode come from?
One episode of Star Gate Universe as a small group of people stuck on a planet with no way to get to the ship where the rest of the cast is on for various reasons. Next episode a brief mention is given to them but nothing is done to solve the problem, however the ship breaks down around a third of the way through and suddenly the characters reappear no worse for wear.
In the opening scene of the series, a ranger of the Night's Watch comes face-to-face with a White Walker who had just killed his two comrades. In a following scene, he's running around the North, with no explanation for how he escaped. This is an Adaptation Induced Plot Hole, because in the books his character is never spotted by the White Walkers.
The second season finale features Samwell Tarly hiding ineffectually behind a rock as a horde of White Walkers and their undead Wight minions advance towards the Fist of the First Men. The opening scene of the third season has him running through the wilderness before being attacked by a single Wight, who still nearly managed to kill him before he was saved by Ghost and Jeor Mormont. While most of the actual battle had to be skipped due to budgetary reasons, it still leaves you wondering how Sam managed to sneak past an entire Undead army that had already seen him.
Angel. Angel sleeps with Darla despite the Gypsy Curse that says he will turn evil if he has a perfect moment of happiness. At the end of the episode there's a Call Back to the last time this happened, with Angel waking up in bed clutching his chest in pain. The following episode Angel reveals he hasn't lost his soul as he didn't experience "perfect happiness" with Darla, but no explanation is given for his physical symptoms.
Londons Burning subverts and uses the trope straight in the same situation. One episode finished with a sewer explosion knocking one of the firemen on his back and sending a manhole cover flying into the air. Viewers saw a shot of the cover flying end over end... and landing straight on the hapless firemen's head, all from his point of view. The next episode opened with the same shot but finished with him waking up, as it was All Just a Dream. Then it turned out it really had happened (subverting this trope), but the cover only landed near him despite how it looked previously (looping back to play the trope straight), causing him to have recurring nightmares.
Due to his constant schedule slips, the writer of the BIONICLE web-serials was forced to abandon quite a few arcs he set up as the big cliffhangers of the story chapters. The most notable cases are:
The League of Six Kingdoms being reformed (this time by four members), and leading their colossal army against the city of Metru Nui. When we cut back to them, they have apparently given up on their plans, and continued to do absolutely nothing for the rest of the story.
Invoked in a front page article on Something Awful in which an irate fan of a radio serial vows to never tune into the program again after the latest chapter had the hero's arch-nemesis kill off several main characters... until the show's writers "fix what they had done", "like they did when the mummy stole the rocket, but it turned out Joyce was on a different rocket".
Parodied in a SBEmail where Strong Bad is asked to resolve all the cliffhangers. Approaching meteors turn out to be old avocados, Coach Z trips before he can unmask the Thnikkaman, and so on.
Happens frequently in Shaggy Dog Stories, where many episodes (especially earlier ones) will end on a cliffhanger, and the following episode turns out to be totally different.
In one Sonic the Hedgehog episode Dr. Robotnik ties up Tails' tails, making it impossible for him to fly. He then throws him and Sonic into a volcano, with Tails saying something like "I can't untie my tails!!." After the break Tails unties his tails and they both escape.
The Simpsonsinvokes the trope at the end of a chapter from a "Radioactive Man" film serial from the 1940's being screened at a comic convention. Earth is shown in the middle of an Earth-Shattering Kaboom, already clearly split in two by an atomic bomb when the action freezes and a narrator asks, "Will Radioactive Man be able to save the Earth in time?"
In the 80s My Little Pony And Friends series, the cliffhangers in all multi-part stories were invariably resolved about 10 seconds into the next part - often while showing the short recap and having a character doing something they had not previously been doing (such as escaping being bound) or standing in different positions. Frequently, any cosmetic changes to characters (such as being covered in gunge or wearing different than usual clothes or their hair being styled differently than normal) were not carried over into the next episode, as each episode was seemingly produced by a different group of animators.
Parodied in Clone High. Abe is launched out a high window by a bean-can explosion and sad music plays while he plummets. The scene pauses just as he is about to hit the ground with his face. When they come back, Abe is seen hovering just over a pool, where he falls in harmlessly.