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Clark Ashton Smith
Clark Ashton Smith (1893-1961) was an American writer of horror, fantasy and Science Fiction. He is most notable for being one of the founders of the Cthulhu Mythos along with H.P. Lovecraft, Robert E. Howard and others.

Compared to Lovecraft's, Smith's stories tend to focus less on the Cosmic Horror Story and more on the pure exoticism of the setting. Some Mythos entities recur between them, such as the god Tsathoggua, but these entities tend to be less malevolent in Smith's portrayal than in Lovecraft's.

Also unlike Lovecraft, sexuality plays a strong role in many of Smith's works and female characters are a lot stronger and more prominent than in Lovecraft (most likely to Smith having a much more... active love life than Lovecraft). Unlike Howard, sorcerers in Smith tend to have the upper hand against swordsmen and Smith has many sorcerer protagonists, both good and evil. And unlike Lovecraft, Smith was not a racist or a xenophobe, which can be seen best in stories like The Great God Awto and A Star-Change.

Smith was fond of playing with tropes and his stories occasionally feature Black Comedy.

Tropes found in Clark Ashton Smith's works:

  • Alien Sky: Suns of unusual color and non-standard numbers appear repeatedly.
  • Apothecary Alligator: In "The Return of the Sorcerer":
    There were tables strewn with archaic instruments of doubtful use, with astrological charts, with skulls and alembics and crystals, with censers such as are used in the Catholic Church, and volumes bound in worm-eaten leather with verdigris-mottled clasps. In one corner stood the skeleton of a large ape; in another, a human skeleton; and overhead a stuffed crocodile was suspended.
  • Atlantis: One of Smith's main cycles of stories is set in Poseidonis, the last isle of foundering Atlantis.
  • Better Living Through Evil: The Evil Sorcerer Namirrha's backstory in The Dark Eidolon
  • Big Screwed-Up Family: One of Smith's more notable contributions to the Cthulhu Mythos is the idea that the various Eldritch Abomination are all related to each other in some way or another like a classical pantheon, rather than a bunch of random, unrelated extradimensional aliens. For instance, Hastur is supposedly Cthulhu's half-brother. And he's married to Shub Niggurath and therefore, presumably the father of at least some of her enigmatic Thousand Young.
  • Charm Person: Part of the repertory of every self-respecting evil female caster.
  • Even Evil Has Standards: In The Dark Eidolon, the archdemon Thasaidon, Lord of the Seven Hells, refuses to help the sorcerer Namirrha in his plan for vengeance. This may be because all the people who would be killed by the plan are evil, and therefore unwitting servants of Thasaidon.
  • Faux Death: Played for horror in The Charnel God and The Second Internment.
  • Glamour Failure: Caused by the application of holy water in The End of the Story.
  • Kill 'em All: Repeatedly, to various degrees of scale and completeness.
  • Kiss of Death: Most notably the non-vampiric one in The Kiss of Zoraida.
  • Lady Land: A surprisingly proto-feminist version in The Root of Ampoi.
  • No Sell: In The Double Shadow, the Cosmic Horror that Avyctes summons passes straight through magical barriers and can't even be perceived by his familiars.
  • Unwanted Revival: The Empire of the Necromancers gives us the viewpoint of a corpse raised by the necromancers as their slave. It turns out that the dead preferred oblivion.

William SleatorSpeculative Fiction Creator IndexCordwainer Smith
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