aka: Asshole Victims
A victim of a crime who is such a Jerkass that it is unlikely that the audience will have any sympathy for them. This can range from the victim merely being a dick to being a far worse criminal than the person they're a victim to. This trope can show up for a variety of reasons, but a common one is to make the criminal (or Non-Malicious Monster) more sympathetic. This is especially likely if the Asshole Victim's dickery is what motivated the criminal to commit the crime in the first place. This often occurs in works that feature an Anti-Hero or Villain Protagonist; their victims are such horrible people that the protagonist looks heroic by comparison, and/or Start of Darkness stories will have the protagonist's first victims be terrible people so they don't lose audience sympathy at the beginning of the tale. Further, there are structural reasons for engaging in this trope: Given that, in many of these situations, the story requires either a Victim of the Week or an early death to make clear the stakes, putting an asshole of some variety in the corpse-shaped hole in your plot brings up less of the "Tonight, someone will be killed for your entertainment" Fridge Logic. Also, establishing that the victim was widely despised makes for a more challenging mystery because of the sheer number of suspects with motives. Murder mysteries with Asshole Victims are common enough to have their own trope: Who Murdered the Asshole?. Compare Pay Evil unto Evil, where otherwise evil actions are portrayed as OK as long as the victims deserve it. Kick the Son of a Bitch is when the bad guy is genuinely malicious, but their victim just happened to be an asshole.
All spoilers will be unmarked ahead. Beware.
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- One of the early Got Milk? commercials (this one) starts with a business executive sadistically firing someone over his cell phone as he crosses the street. He's promptly hit by a truck and goes to "heaven" with all the cookies he could want, but all the milk cartons are empty. Guess where he is...
- Esben and the Witch has Sir Red, who tries repeatedly to get Esben's brothers executed by lying that they told him they could fetch a wonderful or magical item (a dove with feathers of gold, a boar with bristles of silver and gold, a lamp that shines brightly enough to light seven kingdoms, a coverlet that is the most beautiful in the world, and if touched, sounds loudly enough to be heard in eight kingdoms). Sir Red is Hanged in the in end, "for his wickedness... and so he got the end he deserved." The brothers are assholes, but not victims; The witch's daughters are guilty of nothing more than being her daughters, and the thirteenth one in fact helps Esben, and gets baked for her efforts.
- Wicked stepmothers and stepsisters generally tend to be this, unless the heroine is kind enough to have them pardoned.
- "Goodbye, Earl" by the Dixie Chicks.
- "Janie's Got A Gun" by Aerosmith is about a teenage girl who shoots her father after being raped by him.
- "I Remember Larry" by Weird Al has the eponymous Larry do all sorts of horrible things to his neighbor, who eventually snaps.
- Mercedes Lackey's filk "It Was a Dark and Stormy Night." The Countess, a talentless would-be musician, dies in a locked tower to which her husband has the only other key. But she was such an unpleasant person that:
And one fact most astounding to them quickly came to light—
That every moment of the Count was vouched for on that night.
The castle folk by ones and twos came forward on their own
To swear the Count had never once that night been all alone.
So though the Tower had been locked tight, with two keys to the door,
One his, one hers; the Count of guilt was plain absolved for sure.
- "38 Years Old" by The Tragically Hip is about a man imprisoned for murdering his sister's rapist.
- "Terror Starts at Home" by Beneath the Sky is another example of this. A man rapes his own daughter and she responds by cutting his penis off. The music video shows it in graphic detail.
- "Testicular Manslaughter" by Cattle Decapitation and "Blunt Force Castration" by Cannibal Corpse are also about a rapist being castrated.
- Alt-Rapper Jesse Dangerously's song "Outfox'd (When Pacifists Attack)" is about one getting what's coming to him
In broad daylight, hey guys
- The girlfriend's father in The Police song "Once Upon A Daydream".
- Jimmy, from Devo's Smoothnoodlemaps, is an animal abuser, a Domestic Abuser, an Abusive Parent, liar, cheater, thief, Corrupt Corporate Executive and made a living by "trashing others' lives", but now he's in a wheelchair and Devo don't care.
- Insane Clown Posse has the song "To Catch a Predator", which has Violent J hunting and torturing pedophiles. In the last verse, he chases one onto the lawn and drags him back inside in full view of his neighbors and mailman. Nobody says anything because they know what the guy was.
Mythology and Religion
- Older Than Feudalism: In Classical Mythology this is a reoccurring theme.
- Ouranos and Kronos lose any sympathy points when they are brutally overthrown due to their treatment of their kids. The Olympians often punished mortals for being complete assholes, but were not limited to this.
- Hercules was known for his rages involving lots of death. What sets him apart from some other Greek heroes is the victim usually loses some sympathy by cheating Hercules or being a complete asshole. Herc usually accepted punishment when he was in the wrong.
- Norse Mythology is often very brutal with Grey and Gray Morality. The gods usually come off slightly better by the giants who were being massive assholes first.
In one version of one story, the gods make a bet a giant to build a wall for Valhalla under a certain time limit, and put Freya, the goddess of love, up for stakes. When they realize that his very strong horse is helping him enough that he's likely to win, they... don't actually do anything. But then the giant decides that he should get the sun and the moon as winnings too, and that prompts the gods to tamper with the contest, and they slay the giant after he loses the bet. (In another version the sun and moon were part of the original deal.)
- The Bible:
- Amnon and Absalom both fall under this heading. The former raped his half-brother Absalom's (half?) sister Tamar. Since his father David evidently felt his own philandering had undercut any authority he had to punish Amnon for this, Absalom eventually took matters into his own hands and had his men assassinate Amnon during a banquet. Drunk on his success, Absalom later rebelled against David, whose Token Evil Teammate Joab managed to catch Absalom at a vulnerable moment and kill him. As the final link in this chain of treachery and murder, David's heir Solomon, in accord with David's instructions on his deathbed, later put Joab to death at his earliest legal opportunity.
- Many later kings qualified, including (but by no means limited to): Nadab, Elah, Zechariah, Shallum, Pekahiah, and Pekah of Israel; Joash and Amon of Judah; Sennacherib of Assyria; and Co-Regent Belshazzar of Bablyon.
- Jehoram of Judah, whom God struck down with some kind of intestinal plague (possibly cholera). As noted in Chronicles, his death was "...to no one's regret..."
- The earlier books feature entire cities' worth of Asshole Victims, most notably Sodom, Gomorrah, and Amalek. In the case of the first two, the two messengers from God could only find six people among their populations who weren't complete scum.
- The Amalekites were a culture of bandits who followed behind the Israelites during the whole "forty years wandering the desert" thing and picked off the children and elderly for the heck of it. Later, their civilizations were reduced to skidmarks on the pavement (err, desert) by Israel.
- Consul Karl Baumer in Margin for Error is a Nazi of the least likable sort. When Adolf Hitler is making a speech, he turns up the volume on the radio so loud that nobody hears the gunshot that kills him.
- Pirelli in Sweeney Todd: The Demon Barber of Fleet Street, a Snake Oil Salesman who passes off "piss and ink" as a hair tonic, beats Toby, and tries to blackmail Sweeney. Also, Beadle Bamford and eventually, Judge Turpin. And at the end, Mrs. Lovett and Sweeney Todd.
- The title character in Agamemnon tried to sacrifice his daughter to the gods, and ends up murdered by his wife and her paramour Aegisthus.
- Aegisthus himself qualifies as an Asshole Victim in The Libation Bearers. Oh, and by the way? Aegisthus also murdered Agamemnon's father, Atreus, for feeding Aegisthus' half-brothers to their father, Atreus' brother Thyestes. This family is one Asshole Victim after another.
- Played with in "The Cell Block Tango" in Chicago; all the ladies but The Hunyak swear up and down that they didn't do it but if they did, their victims were such bastards that they utterly deserved it. Whether they are to be believed is open to question. (All The Hunyak says is that she didn't do it.)
- In Little Shop of Horrors, Audrey II's first live victim is the emotionally abusive father figure Mr. Mushnik, who's not much less of a jerk. At any rate, the plant uses the line "A lot of folks deserve to die" during the "Feed Me" number.
- Subverted in Nobilis: one example of play in the second edition rulebook involved an attack on the concept of Treachery that relied on warping reality so that a nice person who had been murdered by her boyfriend retroactively became an Asshole Victim. This would, apparently, have undermined Treachery by mixing in justice where it wasn't supposed to be, undermining reality itself. (Excrucians are frequently nice people, but one must never take that to mean they're good people.)
- A shroud's preferred victim in Anathema is almost certainly this, at least from that individual shroud's perspective. Especially considering that killing a preferred victim actually increases your will to live.
- A background paragraph in Warhammer concerns a duel between a Chaos Champion named Gharad the Ox and an Imperial Elector Count. As the Champion appeared to be winning, the townsfolk (mostly the women) started cheering him on rather than the Count. After his victory, Gharad left the town intact, feeling "obscurely pleased".
- There's a bunch of these in the book for Psionics: The Next Stage In Human Evolution.
- A racist bully is telekinetically slammed into a locker so hard he has to be hospitalized.
- An alpha bitch dies of an overdose.
- A manipulative bastard working for a shadowy government agency is pushed off the top of a stage.
- A child molester is burned to death.
- An entire building full of torture technicians is killed by the poor kid they were experimenting on.
- Someone who works for the same organization as said torture technicians is brutally maimed by an esper that they were trying to torture/brainwash into submission.
- In Warhammer40000, Slaanesh claims all unprotected Eldar souls upon death and subjects them to indescribable torments. It's a little hard to feel sorry for the Eldar Empire since it was their murderous depravity that spawned Slaanesh in the first place. The Craftworld and Exodite Eldar are sympathetic since they were the few Eldar who rejected the hedonism of the rest of the Empire. Indeed, their physical and metaphorical distance from that mess is the reason they survived the initial massacre when Slaanesh was born. The Dark Eldar on the other hand have sunk even further into depravity, placating Slaanesh with the souls and suffering of their victims just so they can have their cake and eat it too. If anyone truly deserved to become Slaanesh's plaything for eternity, it's the Dark Eldar.
- In the Web Serial Novel Worm, the first people that the Slaughterhouse Nine (Superpowered Psychopaths) attack in the city are The Merchants, a gang of violent, drug dealing assholes.
- Parodied in this article of The Onion: http://www.theonion.com/content/node/51380
- Variant in Black Jack Justice: The Stopped Clock, where the wrongly accused killer is the asshole.
- All of Cody's victims in Angel Of Death are criminals, and were killed in the process of committing crimes. In particular, he has stopped at least one rape and at least one mugging.
- Then again, the narrative doesn't really treat them like they had it coming, only like they're the best option available for Cody because killing them means saving someone else.
- While many characters in Survival of the Fittest clearly don't deserve getting killed, there are also many who are enough of a Jerkass to the point where it's hard to sympathize with them. Some of these border on Karmic Death, such as Anthony Burbank (who was repeatedly stabbed in the groin by the same cousin who he had bullied) and Philip Ward (beaten to death by Jimmy Brennan, a character he had previously beaten up in a hockey game in pre-game). A notable aversion, though, would be Monty Pondsworth of v4 pre-game. Although he was the most prominent Jerkass in pre-game, he did not make an appearance on the island, much to the disappointment of many handlers.
- Jeff The Killer: Jeff's first kills were Randy, Keith, and Troy, a trio of bullies who went around mugging kids and threatening them with knives. After Jeff beat the crap out of them, they got his brother sent to Juvy, and later attacked him at a birthday party to try and kill him, threatening to shoot anyone if they interfered.