"The man who is to be great is the one who can be the most solitary, the most hidden, the most deviant, the man beyond good and evil, lord of his virtues, a man lavishly endowed with will - this is precisely what greatness is to be called: it is able to be as much a totality as something multi-faceted, as wide as it is full."
Huey Laforet from Baccano! is this trope via his several hundred year For Science! ambition. Everyone and everything in this world, including his own daughter, is nothing more than components of a grand experiment- ethics be damned. Even amongst his peers he is considered the creepiest of the lot. Go look at the show's and character entries to see just what that means.
Sousuke Aizen from Bleach uses this to justify his depraved actions, claiming that distinctions of good and evil would merely limit his potential.
A rare heroic example is Touma, the main character from A Certain Magical Index who considers good and evil to be mere shackles, and just does whatever he feels is right at the time. In the World War III arc, Touma even gives Accelerator some huge Character Development by telling him that his thoughts that he is a villain are just holding him back.
Emperor Charles Zi Britannia of Code Geass fancies himself as this. He calls the war between the Black Knights and Britannia, (to the rest of the characters the most important thing in the world) 'mundane matters'. He sees his attempt at killing god (the collective human consciousness), to bring forth a world unified in stagnation, as beyond such worldly concerns.
Gilgamesh from Fate/Zero describes himself as such. He is absolute. As a true king, justice is unnecessary to him. An interesting case as it is not necessarily considered an evil point of view, though Saber is disgusted. It might even be taken literally as even all the world's evil is unable to corrupt such an "absolute existence."
Medaka Box: Ajimu, who has almost 13 quadrillion super powers is this, and states that life, death, love, hate, etc. is meaningless garbage. This is because she is under the delusion that she is a character in a comic book.
The Lord of Nightmares from the Slayers continuity is Above Good and Evil, and creator of both. She represents the primal chaos from which all things emerge, and can side with creation just as easily as with destruction. Most people are only aware of her destructive side, and consider her the Dark Lord above the Dark Lords.
Galactus, foe of the Fantastic Four, is a Planet Eater who often uses this justification; he (and other Cosmic Beings of the Marvel Universe) claim that he will one day do something that more than makes up for the uncounted trillions of deaths he causes, which sort of falls under Take Our Word for It, since you'd have to wait billions of years to find out what that is. Galactus has always been treated not as a villain, but as a force of nature who really is above good and evil and takes no pleasure in consuming worlds.
One more recent explanation is that there is an Eldritch Abomination for which he is the seal, so if he doesn't get enough energy to keep the seal up, the entire multiverse gets destroyed - and the only great enough source of calories is planets.
An earlier explanation is that he's the Big Crunch, and at the end of everything, he will explode into a Big Bang, creating the next universe.
The part of him that is still Galan denies that he is this. In one storyline when he was depowered, Galan decided that he had to do his best to delay his inevitable merging with the Power Cosmic for as long as possible.
The reason Galactus has Heralds is to find suitable planets for him to consume, but they also serve to warn the residents that Galactus is coming. In theory, this allows those who are able to leave to stage an evacuation. Except that some of his Heralds turn out to be more than a little crazy, such as the extreme nihilist Stardust (whose policy is to kill anyone who tries to flee).
Another interpretation is that the Heralds are supposed to find him life-bearing but unoccupied planets to eat. This poses a problem (at least in the regions near Earth) in that there are at least three civilizations that span entire galaxies in the neighborhood, and interstellar travel is so easy that even Earth has multiple interstellar vehicles of local manufacture.
Roque Ja from Bone holds the "There is no good and evil, there is only power" philosophy. Unlike most others, he is actually neutral; he works for the bad guys for pay, but will turn on them if they insult him and he lets the heroes go so that they can defeat the Locust at the end.
Dr. Manhattan from Watchmen expresses this attitude. He just did not care about humanity anymore, until Laurie showed him that the complexity and drama of human existence.
New Gods: Darkseid likes to claim to be this, but it's quite clear that if he's not simply evil he's a pretty good facsimile thereof. One of the nicest things about Darkseid is that he's got a sense of honor (dark and twisted though it may be), which is more than one can say of most of his minions.
Doctor Fate sometimes slips into this. Depending on the Writer he's concerned solely with maintaining the balance between Order and Chaos (in some takes on the character, he's actually a Lord of Order, so sometimes this isn't so much a matter of "balance" for its own sake and more a case of "we can't let Chaos win"). It's perhaps best seen in Young Justice.
Shockwave in the IDW continuity falls under the For Science! aspect. In Transformers: More than Meets the Eye he was one of the few good higher class mechs and scientists, who strove to improve the lives of everyone and stop the energy crisis. He then had his emotions removed and his body mutilated by an enemy, he lost all of his empathy with it. Now Shockwave doesn't believe in good, nor evil, just logic. As such he feels no altruism nor malice. In Transformers: Robots in Disguise he admits his goal is to create renewable energy and save the planet, all other mechs are raw materials or a means to an end. In Transformers Maximum Dinobots, Grimlock's cost him a few million years of his time, Scorponok's blown off a piece of his chest and the Humans have tried to blow him up, when he outmaneuvers all of them, he doesn't go for revenge or even kill anyone he just leaves because he just doesn't care. His actions in the present have him creating an Ore which can resurrect cybertronians, and with it he turns life and death into mere data for him to manipulate.
Films — Animated
In Frozen, part of Elsa the Snow Queen's I Am Becoming Song "Let It Go" says, "No right, no wrong, no rules for me, I'm free!" She drops this when she returns to rule Arendelle properly.
The Joker considers himself something like this. He seems to think that everybody in the world is a sick, twisted individual deep down, and that he's the only man brave, smart and sane enough to realize that. As such he commits and incites horrific acts to try and make people 'see the light'.
Joker: I'm an agent of chaos. Oh, and you know the thing about chaos? It's fair.
Later in the film, Joker's words are "echoed" by Two-Face's apology of "blind justice".
The Cenobites in the Hellraiser movies make this sort of argument when someone calls them demons. "There is no good or evil, only flesh." They also claim they would be "Demons to some, Angels to others," depending on your perspective. In the first and second movies Pinhead, who acts as their voice, explains that they only appear when somebody desires to summon them. They're scary, and torture people, but they only come when called. It's just what they do. Later movies tend to just make them straight-up demons, instead of otherworldly beings with alien perspectives.
In In The Name Of The King: A Dungeon Siege Tale, the Evil Sorcerer Gallian tries to destroy the Kingdom of Ehb in order to usher in a New World Order. When someone points out that he could show his merciful side by releasing the prisoners, he explains in a Large Ham way that he's beyond such petty concepts as Mercy, Good, or Evil. After he takes over, Good will be redefined in terms of power (i.e. the more the better). He is also insane, which he doesn't try to hide.
The only reason he's even able to get this far is because Gallian and Merrick (and Merrick's daughter Muriella) are the last of the magi. Merrick is old and realizes too late that Gallian has Power Born of Madness.
In Thirst, Tae-ju takes this attitude to vampirism, comparing a vampire killing a human to a fox killing a chicken.
In Flash Gordon, the Emperor Ming toys with Earth to see if anyone there is smart enough to recognize that what is happening isn't natural. If they think it's natural, he deems them too primitive. If they determine that it is artificial, Ming decrees them a threat and destroys them. When asked why by Dr. Zarkhov, Ming simply replies, "Why not?"
At least, this is what he tells Zarkhov when Klytus is about to mindwipe and program him as a Secret Police agent. The opening of the film implies that Klytus selected Earth more or less at random for Ming to torment.
The protagonist in Lucy has her brain enhanced to the point where normal human ethics are ignored in favor of more pragmatic solutions. To keep herself grounded she seeks advice from a professor and keeps another character close as a "reminder" of her humanity.
Beyond Good And Evil by Friedrich Nietzsche. In fact, one of the points of the book is criticizing philosophers for trying to tie Christian dogma into their philosophical consideration of morals instead of looking at it with a critical eye.
There is no right and wrong, no black and white. Only the strong. . . and the weak.
In Robert Anton Wilson's and Robert Shea's The Illuminatus! Trilogy, the Dealy Lama remarks that, "The reason I have lived so outrageously long is that I don't give a fuck for Good and Evil." In his case he's actually a pretty nice guy. He's just seen what happens when people get too taken with those concepts. And he invented them to begin with, 30,000 years ago, and got really disappointed when people misused them.
In one Warhammer novel (part of the Konrad Trilogy), the wizard Litzenreich explains that Chaos is no more good or evil than fire is.
Rhynn and Kwll are two elder gods in Michael Moorcock's Corum series. They claim to be above the divine squabbling, and are actually unbound by the Cosmic Balance. By the end of the series, Corum gets Kwll to slaughter the entire pantheon of Chaos. Then, for good measure, Kwll decides to off all the Law gods too.
In the Star WarsExpanded Universe, there's actually a Jedi heresy called Potentium built around the idea that the dark side doesn't exist. Traditional Jedi suspect it was started by the Sith to corrupt them.
Vergere took it even further, believing that not only is there no dark side, but that there's no light side either. As she sees it, the Force simply is, and morality doesn't enter into it at all.
Gray Jedi are a milder example. They don't necessarily believe that good and evil don't exist, but Gray Jedi of varying backgrounds and species do reject the Jedi Council's dogmatic view of the Force and explore both the dark and light side.
The Darth Gravid was essentially the Sith equivalent of a Gray Jedi: he sought to use both the light and dark sides. His apprentice, however, saw this as heresy and killed him.
Dooku might be considered another example of this in that he seems to want the Jedi to open themselves to the dark side and rule the Republic unhindered by the Senate or any other corrupt bureaucracy, believing that the dark side could be used to positive effect if one was just in one's heart, especially as depicted in the Dark Horse comics.
In Carpe Jugulum, the sophisticated modern vampires claim good and evil are just two ways of looking at the same thing. In the next book, The Fifth Elephant, there's a Call Back in Vimes' internal monologue:
Vimes had heard that good and evil were just two ways of looking at the same thing - or, at least, so said people traditionally considered under the category of "evil".
In Making Money, a professor performing a necromatic rite (an insorcism, which make a dead professor happy and keep him out of their hair), argues with his students that who can say what is right and wrong? When they still argue, he offers to give them all A's. Whereupon one sees that it goes beyond mundane definitions of good and evil, in service of a higher truth.
In Susan Kay's Phantom, Erik loses all sense of good and evil after realizing how easy it was to kill his Gypsy captor, and regards murder as just another art to master.
The Children of the Lamp series features the Tree of Logic, proximity to which will eliminate all senses of good and evil from a djinn (possibly a Muggle, but it's never fully explained). It's used in order to judge better, but it also eliminates all kindness, making the affected person a jerk.
He likes crime. In that criminology book of his he gloats over a hardened murderer. I've read it, and I've seen the admiration simply glaring out between the lines whenever he writes about a callous and successful criminal. He reserves his contempt for the victims or the penitents or the men who lose their heads and get found out. His heroes are Edmond de la Pommerais, who persuaded his mistress into becoming an accessory to her own murder, and George Joseph Smith of Brides-in-a-bath fame, who could make passionate love to his wife in the night and carry out his plot to murder her in the morning. After all, he thinks conscience is a sort of vermiform appendix. Chop it out and you'll feel all the better.
Ruin of Mistborn is like this, claiming that good and evil have nothing to do with him, his counterpart Preservation, or his reason for wanting to destroy the world (it's not out of malice- it's because destroying worlds is what he does.) Vin disagrees. Strongly.
"First of all, what is it really all about? What is it you object to? You want to abolish Government?" "To abolish God!" said Gregory, opening the eyes of a fanatic. "We do not only want to upset a few despotisms and police regulations; that sort of anarchism does exist, but it is a mere branch of the Nonconformists. We dig deeper and we blow you higher. We wish to deny all those arbitrary distinctions of vice and virtue, honour and treachery, upon which mere rebels base themselves. The silly sentimentalists of the French Revolution talked of the Rights of Man! We hate Rights as we hate Wrongs. We have abolished Right and Wrong." "And Right and Left," said Syme with a simple eagerness, "I hope you will abolish them too. They are much more troublesome to me."
In Neil Gaiman's Neverwhere, Islington is so far beyond good and evil that it couldn't find it with a telescope on a clear night.
The Childlike Empress in The Neverending Story is one of the rare heroic examples of this trope. She actually is Above Good and Evil rather than just using this trope to justify being evil. The Empress is in charge of preserving all fantasy creatures which includes vampires, demons, giant spiders, dragons, and trickster spirits just as much as unicorns and fairies. She sees all of her subjects as equally good and beautiful, and because of this, even the evil creatures are willing to help her representatives.
A member of the Cthulhu Cult in Lovecraft's "The Call of Cthulhu" explains that the time of the return of the Great Old Ones will be when mankind has become as them, "free and wild and beyond good and evil, with laws and morals thrown aside and all men shouting and killing and reveling in joy." It's no wonder only two of the dozens of members arrested for ritual murders were found sane enough to be hanged.
"The Draka will conquer the world for two reasons; because we must and because we can. And yet of the two forces the second is the greater; we do this because we choose to do it. By the sovereign Will and force of arms the Draka will rule the Earth, and in so doing remake themselves. We shall conquer and beat the Nations of the Earth into the dust and reforge them in our self wrought Image; the Final Society, a new humanity without weakness or mercy, hard and pure. Our descendants will walk the hillside of that future, innocent beneath the stars, with no more between them and their naked will than a wolf has. THEN there will be Gods in the Earth."
It's worth noting that in the Draka series, Nietzsche immigrated there and his views became part of their philosophy.
In G. K. Chesterton's "The Unmentionable Man" (in The Paradoxes of Mr. Pond) the Communist talks like this:
"No, no, no," cried Huss, beating on the table with his two fists. "Never, never, shall he lead the movement! Understand me! We are a scientific movement. We are not moral. We have done with bourgeois ideologies of right and wrong. We are Realpolitik. What helps the program of Marx is alone good. What hinders the program of Marx is alone evil. But there are limits. There are names so infamous, there are persons so infamous, that they must always be excluded from the Party."
In John C. Wright's Count To A Trillion, Menelaus asks whether they are going to teach post-humans morals, and gets the answer that they would be above it — it would make no more sense than preaching monogamy to bees or veganitarism to lions.
In Poul Anderson's "Time Patrol", the instructor, describing how the Danellians (our far future descendants) insisted on the founding of the Patrol, said they were neither benevolent nor malevolent, they were so far beyond us.
Word of God notes that the three Ravers, Co-Dragons to Lord Foul from the Chronicles of Thomas Covenant are like this, believing that by becoming immortal possessing spirits they transcended all moral restraints (their true, personal names- Moksha, Turiya, and Samadhi are a Bilingual Bonus reflecting their mistaken belief in their own enlightenment). Furthermore, Donaldson seems to consider this a trait of truly evil people in general, and notes that even Foul himself has shades of it.
The Angel of Death calls out Prue on her initial belief that he's inherently evil because of what he does, pointing out that some magical beings aren't good or evil, they just are.
In Doctor Who, John Lumic justifies his illegal creation of the Cybermen with "I am governed by greater laws, old friend. The right of a man to survive."
The original Cybermen in their first appearance had an equally chilling statement about their reasons for their actions, delivered in an utterly inhuman voice: "We Will Survive."
Gary Mitchell from the second Star Trek pilot follows the A God Am I variety of this: "Morals are for men, not gods." Kirk points out moments later that his own actions don't fit the definition of God quite so much as Lucifer, and that in fact Gary Mitchell is behaving as one would expect a Fallen human being to behave given free rein.
Q in Star Trek: The Next Generation has some kind of point to make generally but it doesn't make sense in any conventional morality, and he imposes his tests on Picard mainly because he can. He is another who trends towards Neutrality.
Alpha in Dollhouse sees himself as this, to the point of explicitly referencing Nietzsche and referring to himself as the Ubermensch.
Topher in the same series appears to be in this camp, at least at first. He's not mean-spirited, he just loves the science and doesn't care much about the human implications (he does get better later on).
Adelle: We are all here because we've been morally compromised in some way. All except you, Mr. Brink. You are here because you have no morals. You see people's minds as toys for you to play with. I don't say this as a criticism, you've always taken good care of your things, but you're going to have to let this one go.
This is argued over in True Blood. A lot of vampires would agree with Godric's claim "There is no right or wrong. These are human notions. There's only death or survival." He himself renounces this idea finally.
Will: "You can't reduce me to a set of influences. I'm not the product of anything. I've given up good and evil for behaviourism."
Hannibal: "Then you can't say that I'm evil."
Will: "You're destructive. Same thing."
Hannibal: "Evil is just destructive? Storms are evil, if it's that simple. And we have fire, and then there's hail."
Angel: The Blood KnightGod of Gods Illyria states that he is "as moral as a hurricane. Empty, but for the force of [his] gale." His life's goal has always been "[t]o never die and to conquer all." In a rare non-villainous version, he works alongside the good guys because the bad guys pissed him off.
A repeating theme in the Manowar song "The Power".
British Post-Punk band The Pop Group titled their debut single "She Is Beyond Good and Evil".
The song Beyond Good and Evil by Swedish metal band Grand Magus. It is chock full of allusions to this, for example: "Your black and white will lose to the grey", "You might be right but I'm not wrong"
The Ogres of Warhammer. Or more precisely, they're below good and evil. They have absolutely no concept of morality at all, although they may believe in Might Makes Right. To give you an idea: in their culture, iron is viewed as more valuable than gold, because with gold, you can buy an iron weapon from a merchant and lose the gold, but with an iron weapon, you can kill the merchant and then have both the weapon and all of his gold.
In Seneca's Thyestes, Atreus claims that as a king, he can do what he likes, and in fact goes out of his way to make his revenge on his brother as cruelas possible. He pretends to extend Thyestes the olive branch, serves him a banquet, and then afterwards reveals that his [Thyestes'] sons were the main course. This sets the stage for the cycle of murder covered in the Oresteia.
The Elder Scrolls III: Morrowind casts the Daedra as divine beings whose actions are driven by concepts far too alien to reasonably compare to straight-up Good or Evil. In practice, however, they come across as more like Chaotic Neutral. It does not help that death is a temporary inconvenience to them.
Though since the TES universe uses reincarnation if you haven't pledged your soul to a daedric lord, and an afterlife of sorts if you did, death is also only a temporary inconvenience to you, too.
In Sly 2: Band Of Thieves, the Contessa says this about herself while pressing Sly to give her the MacGuffin. Sly points out that saying that makes her only less trustworthy.
In the Knights of the Old Republic II: The Sith Lords there is Kreia. She insists that the Dark and Light Side are merely manners of perceiving the Force and that a true master walks a balance of the two. Much like Jolee, however, she too leans more heavily towards one school of thought: The Sith. She constantly urges the player to allow suffering to continue as it will help the survivors become stronger. In the end she returns to her Sith origins and becomes the final Big Bad.
Kreia is True Neutral. Just take a look. While she doesn't approve of a Light Side PC going around and helping out every beggar and kitten she equally disapproves of a Dark Side PC going around and killing random people For the Evulz. If the PC decides to take the Dark Side route with the Jedi masters (read: kill them all) she'll give you a "Reason You Suck" Speech, as seen here She is a mastermanipulator and approves of the PC being one as well.
In The King of FightersMaximum Impact 2, Big Bad Jivatma invokes this trope in the Pre-Final Battle one-liner if you fight him with Kim Kaphwan:
I do not wish to be bound by notions of justice and evil.
The villain in the second Gabriel Knight game says that he is above such silly distinctions such as good and evil, and that man should just embrace his animal instincts.
In Final Fantasy X, Yu Yevon is described as this. He may have started off evil, but now he only exists to summon Sin.
In Guild Wars 2 the Norn are this. As a race, they do not particularly care whether your actions are good or evil, merely that they are worthy of legend. They do understand good and evil, but are far more apathetic about it than the other races (generally speaking).
Pious Augustus in Eternal Darkness. He states it clearly during Paul Luther's chapter:
Evil is nothing but a mere perspective that no longer concerns me.
Though labeled an "evil" character ("dark" is more apt), Street Fighter's Akuma does not believe there is any merit in tagging one's self as 'good' or 'evil'. His ultimate goal is simply to be the most perfect example of a warrior, and that means anyone who has the might to stand against him will not be spared his full power, regardless of where they are morally.
Kim: Why do you not use such overwhelming power for the sake of justice?
Akuma: There is no good or evil to strength! I seek only pure power!
The Grey Wardens of Dragon Age are the Grey Wardens for exactly this reason. They don't care if you're a prince or a commoner, a paragon of virtue or a mass murderer. If you've got the strength to withstand the incredibly painful and often fatal ritual of the Joining, thus gaining elevated skills and abilities with which you can fight the darkspawn, they'll accept you into the fold with no questions asked.
in Metal Gear Rising: Revengeance the protagonist and his named enemies show good amount of it, though for different reasons: Mistral plainly does not have strong attachments, Monsoon is a Straw Nihilist, Sam claims to have justice as his reasons, but has no issues with collateral damage or temporary teaming with bad guys to wait for a proper moment to strike back, Armstrong is Social Darwinist and Raiden is named Jack the Reaper for a reason. However, probably only Monsoon is the pure example of this trope, others do have a sense of right and wrong, even if it is not the same as the social norm.
Sonic the Hedgehog: Sonic himself, surprisingly. It's laid out quite clearly in one of his theme songs, "It Doesn't Matter", that he cares little for the definitions of good or evil, or who is right and who is wrong in any given situation or belief; Sonic just follows his heart, doing whatever he feels is appropriate at the moment. Fortunately, his heart generally steers him in the direction of heroism, but there have been occasions where he's taken actions that clash with the "hero" perception, and he's generally completely unrepentant about them.
George: Uh — is that a good thing or a bad thing? Bob: Oh, you and your moral sense of right and wrong. When will you realize you're above all that? George: Are you trying to recruit me to the ways of evil again? Bob: Maybe. George: Leave me alone.
The Sovereign of Sorrow in Captain SNES is described as this once, but it's unclear whether this is because she actually is, or because the character speaking is simply a video game sprite with an incredibly simplistic view of what evil is.
In The Adventures of Dr. McNinja, Mitzi believes this, but as an assassin-for-hire, it's more along the lines of not being picky about who signs the paycheck. It's also part of the reason with her family problems with Doc, as her using Batman as a role model caused him to align himself on the Chaotic Good side instead of the family's True Neutral status.
Sebastian of True Villains has reached this point in his development from one side of morality to the other.
In The Gamers Alliance, the Godslayer considers itself above other creatures, sees gods as relics of the past which must be wiped out, feels good and evil are needless concepts, uses its acolytes to spread prosperity and a new world order, and wishes to increase its knowledge by any means necessary. In its views the needs of the many outweigh the needs of the few, even if that means sacrificing many innocents along the way.
The Warlord, from the Global Guardians PBEM Universe, is a traveler from the future who came back to the present because he was bored. He didn't like the way things were going in his time, and he changes historical events at a whim. He considers himself "beyond" such petty concerns as right and wrong.
Altair, according to the Grand Unifying Guesses: "(Altair) serves a higher power now. One that transcends the notions of race, gender and any concept of good and evil."
Wan Shi Tong, the knowledge spirit from Avatar: The Last Airbender lands on the True Neutral(technical) pacifist side. He didn't care that the Gaang was looking for knowledge to stop the Fire Nation from destroying the world. To him, one war was the same as the other and the sides and reasons didn't matter. All that mattered to him was collecting knowledge and keeping that knowledge from falling into the "wrong" hands (read: anyone who actually wanted to use said knowledge). He went so far as trying to trap them in the hidden library once he discovered Sokka trying to smuggle out info on when the Day of the Black Sun would occur.
The Gaang tried to argue with him based on their having good intentions and a desire only to protect people. Not gonna work on someone like this. They should have tried to argue that he has a responsibility for the damage already done by those who have used his knowledge. By allowing some people to access his library, Wan Shi Tong is at least partially responsible for how that knowledge was used (ie almost destroying the entire balance of the world). An argument along those lines might have swayed him to help them or even just let them leave before sinking the library.
Another argument that might have held more weight with Wan Shi Tong would be to point out that his own beloved library would be among the things a victorious Fire Nation would have destroyed.
It wasn't that Sokka wanted to take and use information, it's that he wanted to take and use information to fight a war. The owl was fine with them looking around, and didn't seem to mind Sokka nicking things too much, until he heard Sokka say candidly that they were going to destroy the Fire Nation when they're at their weakest.
X-Men — in the appropriately-named "Beyond Good and Evil" four-parter, Apocalypse declares he is "not malevolent. I simply am." Eventually, after nearly destroying the world more than once, he starts to wonder if they actually have a point about the whole "malevolent" thing. He goes right back to destruction after that, though.
A mad scientist supervillain in Mighty Max. He turns his de/evolutionary ray gun on himself to increase his evolutionary level. The first time, he turned into a large brained psychic. When he returns for another episode, he turns it on himself again and turns into a multicolored orb of "pure thought". He uses it a third time and starts babbling about "ultimate knowledge" and "hearing the music" before flying off. Wise fowl-man Virgil proclaims that he has "evolved towards the infinite, far beyond such primitive concepts like good and evil", which is funny considering Virgil is firmly on the "good" side.
The Wizard Merklynn from Visionaries. His only desire is to see magic restored to its former prominence. As such, he doesn't care one way or the other about whether or not his agents are good or evil, so long as they perform the tasks he gives them. At the start of the series, he would also bail out whichever side needed his aid, in order to keep his agents in play (setting captured Darkling Lords free, for example). However, after one too many attempts by Darkstorm to steal his power, Merklynn decided to start letting the Darkling Lords get themselves out of trouble. He also became friendlier to the Spectral Knights over time, and took action against legitimately evil sorcerers.
The Sociopath is usually the natural version of this trope. Sociopaths are not "evil", per se; their social conscience is just weak ("socio-" = social, "-path" = disorder), so they have the ability to easily disregard good and evil when they feel like it. A sociopath does not always base actions on good and evil; some sociopaths can be harmless, good, or even heroic, but their quality of goodness hinges on whether they personally want to do what happens to be needed, or whether they see a benefit to being good. If you have a sociopathic friend, sometimes the only way to persuade them of anything contrary to what they want is through cold hard logic based on best individual benefit, stripped of ethical relevance. And that's assuming they're rational people and they agree with you.
A variety of real life religions or theological traditions are built on this sort of spiritual power, including:
Hinduism — In the Bhagavad Gita, all good and evil is part of a great game going on within the being of one greater deity.
In some interpretations of Buddhism — Good and Evil are among the illusions with which we wrestle, both distracting us from following the Middle Path and achieving Nirvana. However, since what comes around goes around, it is beneficial to be a nice person.
Some strains of Deism and Pantheism, especially including Pandeism (where our Universe is a sort of experiment in generating all sorts of experiences).
Most religions don't (or did not) actually base their concepts of good and evil on societal consensus. Instead, 'good' was everything in line with their deity's or deities' will and 'evil' was everything else. If a deity willed that a group of humans must die, that was good and defending said humans would have been considered evil. This is obviously very different from the modern concept(s) of good and evil and followers of religions with such a basis regularly struggle with Values Dissonance.
Career diplomats and intelligence officers often develop a version of this trope where good and evil fade into nothingness before nation.
And those are the good ones. The bad ones replace Nation with Promotion.
Several Christian philosophers, most prominently C.S. Lewis, invert this trope and speak of people being below good and evil of certain kinds, because they lack the ability to go right and therefore cannot go wrong either. As Lewis puts it (somewhat paraphrased) "It is not the ordinary selfish man that one makes an Inquisitor or a Hitler from, but the great saint or the great patriot."