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What should I know about the vast territory that lies beyond the confines of my little subculture of textbooks, Ramen noodles, coin-operated laundry and TV shows that seem to think they can skate by with random jokes about giant chickens that have absolutely nothing to do with the overall narrative? The boys at South Park are absolutely correct: Those cutaways and flashbacks have nothing to do with the story! They're just there to be... funny. And that is a shallow indulgence that South Park is quite above, and for that I salute them.
-- Seth MacFarlane, Harvard Class Day 2006
I’ll go where the humor takes me, and if that happens to create gross inconsistencies, then so be it.
I take my Duck comics far too seriously and I will never, never, never compromise the realistic aspects of my $crooge stories, ever, not no time, not no how... until it's funny to do so.
--Don Rosa, comic book writer/artist
Any violation of continuity, personality, or even physics is permissible if the result gets enough of a laugh.
This is the comedy equivalent of the Rule Of Cool, and is accordingly weighted more in comedy shows. It can be used in more action-packed or dramatic environments as well, but if the audience isn't expecting humor in general, or (more likely) the specific kind of humor employed, the joke falls flat and all that's left is "that made no sense!" Due to the natural subjective nature of humor, a series that relies extensively on Rule Of Funny usually slips into Your Mileage May Vary.
Especially easy to invoke in humor-based American animation and webcomics, where people expect the lack of realism in the art to translate to other areas.
Compare Rule Of Fun.
Tropes existing purely due to the Rule Of Funny:
Examples:
- The Afterlife was never discussed in Season 1 of The Boondocks. However, in Episode 201, Stinkmeaner comes Back From The Dead. This is officially the funniest Episode.
- Terry Pratchett, author of the Discworld series, has cited this rule in interviews.
- The film Who Framed Roger Rabbit declares this to be an actual law of cartoon physics:
Eddie: You mean you could have taken your hand out of that cuff at any time?!
Roger: No, not at any time. Only when it was funny.
- An extreme webcomic example: 8-Bit Theater. Fighter and Red Mage regularly take actions that other characters realize should be completely impossible. The creator has said that the comic's continuity is whatever makes for the funniest joke at the time.
- Black Belt, who is notoriously bad at navigating, manages to get himself so lost that he goes back in time. Without any outside help. In a straight hallway. Yeah.
- Lampshaded recently when the character Drizz'l uses a joke to "break the ice". Literal ice. Everyone involved is amazed it worked. Drizz'l outright states he hates that it did.
- As does the webcomic Bob And George where this is called "The Gag Reflex"
 .
- Any "plot" elements in Mystery Science Theater 3000. See the mantra.
- The title character of Angel could go from dead serious to goofball surprisingly fast.
- The "flashback"/manatee gag moments in Family Guy often depict moments that almost certainly never happened (e.g. Stewie and Brian running a talk show). Their prevalence amped greatly following the series' return, which attracted criticism from various other cartoonists and comedians and was parodied in the "Cartoons Wars" episodes of South Park. MacFarlane's response is quoted at the top of the page.
- Red Dwarf has briefly flanderized Holly's senility for a joke multiple times, with the extreme being "White Hole" (in which (s)he was counting by banging her head on the screen). However, (s)he is shown to be much more lucid (if not necessarily brilliant) in other episodes, notably in "Queeg" with a well-planned hoax based on the idiot-perception and in "Back to Reality" when (s)he saves the entire crew. Also, "White Hole" itself establishes that the ship's power generation requires her input, making you wonder why something hasn't exploded yet.
- Although it could be that so much of Holly is required to keep the ship running that there's only enough left to communicate with the crew at idiot level. In which case, one has to wonder just how much of the ship had to be deactivated during the run of "Queeg"...
- Perhaps the flaw of the final two series where whole scenes seem to have been tacked on mainly for laughs. The most glaring are the tap dancing shuttle craft scene and the Tyrannosaurus rex, (of course) eating a giant curry. Pretty base stuff by the series previous standards and not helped by some not-very-convincing CGI.
- Any given Jackie Chan fight sequence.
- This is the entire point of Jesus Christ, Vampire Hunter.
- Spongebob Squarepants takes this trope to physics. For some reason, the characters can light fire, have snow, and running water, while the series takes place under water. Naturally, this leads to Lampshade Hanging:
Patrick: Hey, if we're underwater, how can there be a fi--(fire goes out)
- A similar instance occurs in the Futurama episode "The Deep South", when Zoidberg's house burns to the ground... underwater. Zoidberg wails "How could this have happened?" and Hermes notes, "That's a very good question." Implicitly claiming responsibility, Bender picks his still-lit cigar out of the ruins and puffs on it — eliciting a cry of, "That just raises further questions!"
- Futurama is fond of both this rule and lampshading it. In an early episode, aliens are threatening to invade Earth and the planet sends Zapp Branigan to destroy the mothership. After an epic battle with a massive, well-guarded space installation, Earth succeeds in destroying the thing. Zapp celebrates the victory, before a substantially larger ship pops into view. This, it turns out, is the mothership. When Zapp asks what they just destroyed, Kiff looks at a computer screen, groans and says, "The Hubble telescope." Series producer David Cohen said in the episode's commentary track that he knew the joke made absolutely no sense, but loved it so much he had to keep it in.
- On The George Burns And Gracie Allen Show, George made it clear in his occasional asides to the audience that he would go along with anything as long as it was getting laughs.
- Most Saturday morning cartoon shows, particularly Tom And Jerry, Looney Tunes and much of the oeuvre of Tex Avery. Don't question where the anvils are coming from, just laugh at it because it's silly.
- This editor firmly believes that the extended scene in the 2007 Transformers film with the Autobots in the Witwicky's backyard would've been seen as a travesty had it not been so genuinely funny. Still others side with Bill Corbett, who remarks aloud in the Rifftrax edition: "I never thought I'd say this, but I could really go for a pod race right about now."
- Transformers Animated has a scene where Starscream, revived and granted immortality by a fragment of the Allspark, repeatedly tries, and fails, to kill Megatron. You'd probably spend the whole time wondering why the other Decepticons didn't try to get rid of him in any other way, were it not so amusing to see him getting blasted to crap and tossed into a river repeatedly.
- The final scene of the 1960's version of Casino Royale is so completely nonsensical that it's impossible to describe. Allegedly, the scene is the heroes trying to get out of the casino before it explodes. So why the cowboys, indians, flying roulette table, bubbles, kinescope police dispatchment, gun-turret banister, etc.? It's funny...at least if you're high enough to write a scene like that.
- The climactic battle of Blazing Saddles, which features the characters leaving their soundstage and breaking up a dance number on another set, getting into a pie fight in the studio commissary, then (eventually) getting to the end of the movie by sneaking into a theater playing Blazing Saddles and watching it with us.
- A running sight gag in Azumanga Daioh is Sakaki, after winning a race, running with the ribbon held up by her (for a Japanese teenager) extremely large breasts. Of course, this means that the ribbon was chest-level on the tallest girl, putting it high enough that some of the contestants would have run right under it...but it's still funny.
- That's not Fridge Logic? Guess I'm not as perceptive as I thought. But yes, Chiyo would've passed a few centimeters under. That's why she's not the anchor.
- In Stickman And Cube, Humour is one of the main guiding forces of The Verse, the other being Necessity, that is to say, stuff happens according to what is funny or needed at the time.
- The The Wotch spin-off webcomic Cheer! features a pie catapult with an automatic targetting system designed to maximize laughs.
- More a violation of historical fact this one, but the trope applies- Kelly's Heroes. This film features what is essentially a hippy. In 1944 Normandy.
- I believe they had sort of hippies back then. They were called Beatniks. But, yes, he is more hippy than beatnik.
- Kingdom Of Loathing.
- CHIKARA Pro Wrestling, Incredibly Strange Wrestling, and Lucha Va-Voom practically run on it.
- Certain comedy films can't go one minute without violating all sanity for a joke. Consider Top Secret, featuring a very young Val Kilmer as a rock & roll star protagonist in a spy plot: this movie includes a motel called Gey Shluffen, a high speed action chase to change a radio station, and an underwater bar brawl. Or watch Airplane for the sheer number of visual pun gags.
- This very much governs the webcomic Brat Halla. It tends to hew surprisingly closely to accurate Norse mythology within the confines of its premise... except when it would be funnier not to. Thus, Tyr is a pacifist, Fenrir is a rock star, half the dark elves are poser goths who hang around coffee shops, and the closest thing the comic has to a Big Bad is the eye Odin sacrificed to the Well of Mimir, imbued with sentience and severe abandonment issues.
- In perhaps one of the most bizarre applications of the rule ever, the size of the character Endive in Chowder is governed by Rule of Funny. She can vary from about the same size as everyone else, if rather... large, to a towering giant, depending on what's needed for the joke at hand.
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