Things Fall Apart is a 1958 Nigerian novel (written in English) by Chinua Achebe. The events depicted take place in the late 19th century. An allusion to historical events seems to date the story to the 1890s.Its hero is Okonkwo, a proud Igbo tribesman who watches his life change radically under the weight of his own decisions and the increasing encroachment of English colonial settlers and missionaries. The novel is considered one of the best books of the 20th century, partly because of its humanization of characters from both factions, and partly because it was one of the first novels in English to deal with African society from the viewpoint of Africans rather than the traditional Anglocentric viewpoint.
Broken Bird: Ekwefi was once the village beauty and is Okonkwo's favored wife, but a long series of stillbirths and miscarriages made her very bitter until Ezinma was born.
Daddy's Girl: Ezinma, who Okonkwo wishes had been born a boy.
Deliberate Values Dissonance: All aspects of Igbo tradition are presented in story, including things such as the subjugation of women and killing of twin babies. The English themselves are portrayed as holding the imperialistic views of the day. While there is one missionary, Mr. Brown, who tries to work peacefully with the Igbo, he gets replaced with James Smith, who goes out of his way to provoke conflict with the non-Christian Igbo.
Despair Event Horizon: Okonkwo commits suicide upon seeing that his neighbors are bewildered as to why he'd kill a messenger of the District Commissioner, and won't go to war.
Drowning My Sorrows: Okonkwo does this after killing Ikemafuna, the political prisoner he had raised like his own son for three years.
Fatal Flaw: Okonwo being explicitly modeled after the heroes of Greek Tragedy, it's no surprise that his flaw is hubris, leading to the atė (rashness) that caused his downfall. The pride itself is specifically pride in his own strength, and an obsession with being manly and powerful that makes him blind to consequences.
Firing in the Air a Lot: Okonkwo's gun exploding when he tries to do this ends up killing someone else. The elders convict him of manslaughter and he is sentenced to seven years in exile (per the customs of the village).
Freudian Excuse: The main reason Okonkwo is emotionally distant and obsessed with manliness and power is because his father was a lazy weakling who preferred to loaf around and play music, instead of taking care of his family and farm.
Jerk with a Heart of Gold: Okonkwo. On the jerk side: He once beat and attempted to murder his second and favored wife for making a snide remark about his poor gunmanship, and disowned Nwoye after he converted to Christianity. On the heart of gold side: He trekked to a distant and forbidden shrine four times in the dead of night after a priestess took his favorite daughter there, because he was worried about her.
Masculine Girl, Feminine Boy: with Nwoye and Ezinma. Nwoye is sensitive, more emotional and considered more "feminine" by Okonkwo, while Ezinma is bold and considered to be more "masculine". Even Okonkwo frequently says that he wishes Ezinma was born a boy instead.
My Hovercraft Is Full of Eels: One African who acts as a translator for the missionaries is given the nickname of "My Buttocks", because in the dialect he's speaking, which isn't quite the same as that of the viewpoint characters, whenever he tries to say "myself" it comes out as "my buttocks".
National Geographic Nudity: Most of the characters don't wear much clothing. It is explicitly pointed out at one point that Ekwefi must hold her breasts in place to keep them from flapping against her body.
No Name Given: Okonkwo's senior wife is only ever referred to as "Nwoye's mother."
Polar Opposite Twins: Okonkwo's daughters, Ezinma and Obiageli. Ezinma is sensible and otherworldly, while Obiageli is spoiled and childish.
Secret Identity: Tinkered with. Chielo acts and is treated as a different person on and off her job as a priestess, but everyone knows who she is. Also, while the spirits who judge the village on occasion are concealed in full-body costumes, any peculiar mannerisms or the fact that someone isn't where they usually sit are politely ignored.
Sociopathic Hero: Okonkwo has shades of this. Not very many people can be considered a hero after being convicted of murder and arson, but Okonkwo barely pulls it off.
The Stoic: Okonkwo is this for the most part; the only emotion he ever openly displayed was anger.
Sympathetic P.O.V.: Not just unique in substituting an African perspective for a British one, but the POV is pretty much that of Okonkwo and those who share his general views. Thus, while the reader is likely to sympathize with Okonkwo's son, who he abuses for not being manly enough, the narration isn't very sympathetic to the character.