Literature: The 13th Warrior aka: Eaters Of The Dead
The 13th Warrior is an adventure story that inserts the Real Life Arabic traveler Ahmad ibn Fadlan into a tale of Nordic saga. Ahmad ibn Fadlan is an educated Arab courtier who is sent to foreign lands as punishment for a courtly indiscretion. He is recruited to serve as the thirteenth member of a group of Norse warriors who answer a call for help from a far-away Nordic king. The kingdom is under attack from the Wendol. The bookish Ahmad ibn Fadlan narrates his adventure and his growing respect for the barbarians around him.The story is a reworking of the classical tale of Beowulf. Buliwyf is an Expy for the hero Beowulf and the remaining warriors form his band. The classic battles are all reworked to replace the monsters with the cannibalistic Wendol. Rather than Grendel bursting into a mead hall, a group of cannibals attack. Rather than attacking Grendel's aquatic mother, the band sneaks into the Wendol's den through water. Rather than a dragon, the Wendol attack force looks like a "glow wyrm" when holding torches aloft.Michael Crichton wrote the original novel, called Eaters of the Dead, and it was something of a departure from his usual science-fiction fare. He supposedly wrote the novel on a dare from a friend who demanded he "find a way to make Beowulf interesting." As Crichton was aware of the notoriously dry, bland Ahmad ibn Fadlan and his ability to make any miraculous new wonder sound prosaic and dull, he put the two together as if it were Ahmad giving an actual historical account. The Neanderthals serving as the film's villains are an expected flourish of science fiction.The novel was later adapted into a feature film starring Antonio Banderas and directed by John McTiernan. Crichton himself performed some reshoots after test screenings, such as making the tribe's queen into a lithe Dark Action Girl. Depending on how the numbers are calculated the film is possibly the biggest box office failure of all time, with an upper figure of 180 million dollars lost on the production.
Contains Examples Of:
Adaptational Attractiveness: The case of the Wendol queen mentioned above. She was originally a fat old woman, embodying the Wendol's "prehistoric Venus" stone figures.
Adaptational Badass: While the Ahmad in the book was banished for fooling around with another man's wife (in a random, loveless encounter), has no particular skills, and barely manages to keep himself alive in fights, the Ahmad in the movie was banished for his (implied to be unconsummated) love of a woman forced to marry another against her will, is a talented equestrian and swordsman and capable of learning language just by careful observation and listening (at least in an immersive environment), and probably racks up as many kills as the battle-hardened Vikings he accompanies. He starts the movie about as competent in a fight as his book equivalent, but it turns out it's because he doesn't know haw to use that style of sword.
Advantage Ball: As long as the Wendol are considered supernatural, they seem almost invincible, slaughtering the 13 with ease. The moment their true nature is revealed, they start dying and fighting like standard Mooks.
A Good Day To Die: When wounded Helfdane decides to stay behind in the cave tunnels, he remarks to the sorrowful Ahmad, "today was a good day," even smiling. As said below, all of the vikings are invigorated by battle, and do not fear dying in combat.
A Real Man Is a Killer: In the novel Ahmad is timid and wimpy until he learns how to fight and be a real man from the Norse warriors. In the movie, it is heavily implied that he already has some skill with a scimitar, and the Norse gain a great deal of respect for him once it becomes apparent he can hold his own.
Automaton Horses: While some care & feeding of the horses belonging to the Viking band is depicted (Ahmed is shown carrying hay for his horse) and some sense of the difficulty of transporting horses by longship is shown, the movie would have the viewer believe that not only was a tribe of hundreds of Wendol able to live undetected in a cave within miles of the Viking settlement but that they also kept hundreds of horses there. (A single horse would need at least an acre of excellent pasture, year-round.)
Badass: All the Vikings and Ahmed. But Buliwyf is head and shoulders above the rest.
Badass Beard: All the Vikings. Buliwyf is beardless, but he's still the most badass character in this movie.
Ironically, get reprised as Survival Mantra before final battle. The heroes are facing down an entire army and the heroes' leader, who starts the chant, already knows he is dying from being poisoned in the last confrontation. The others join in as they don't expect to survive either and it gives them the courage needed to fight anyway.
Bilingual Bonus: In an early scene, there's a fairly lengthy speech in Swedish.
Black Is Bigger in Bed: Deconstructed in the novel The 13th Warrior, in which every culture apparently has this myth about one ethnic group or another. The Nordic women encountered by the Arabic narrator assume he'll be massively endowed; being well-traveled, he remarks that he's heard identical rumors in most countries, usually about a population that lives far away from whoever is spreading the rumor.
Blood Knight: All of the Norsemen, who seem to enjoy battle more than anything else in the world.
Boisterous Bruiser: Many of the Norsemen, but mainly Herger the Joyous, Ahmad's caretaker.
Bullying a Dragon: Inverted. When Herger is purposefully bullying Angus, he's doing it exactly to get him angry, force a duel and kill him by surprise.
Conservation of Ninjutsu: In the first skirmish, the 13 take casualties against a small raid. In the first main battle, the remainder backed by the locals lose several more. In the caves, they lose yet more in tunnel fighting but take many enemies with them. In the last battle, four drive off an army and the only casualty was already dying from an earlier wound.
Crouching Moron, Hidden Badass: Herger won the duel using this. From the point of view of his opponent he was older, shorter and weaker guy with a really big mouth and ego to match. What Angus didn't know was that the whole situation was a set-up to get him killed and send a message to his boss.
Herger: Deception is the point! Any fool can calculate strength.
Debut Queue: The seer casts the runes and names the warriors to be appointed on the quest one by one.
Demythtification: One of the more obvious examples of the trope, since Crichton wrote the book exactly as such, having been challenged to "historicize" Beowulf by one of his students.
Deadpan Snarker: Several of the vikings have their moments. But perhaps the most memorable moment is when the vikings are told that the oracle they must consult is a mad old woman, and Herger comments "the perfect advisor."
The Fatalist: The movie presents Norse culture as such, leading to Not Afraid to Die. Before their first battle Herger tells Ahmad not to fear death because his fate is fixed and nothing he can do will change that. Real Life Islamic culture of course tends at least as much towards fatalism as Norse culture possibly didnote most descriptions of Norse psychology stemming from the sagas, written centuries later.
Flat Character: Vladimir Kulich, who played the lead would later lament that one of the reason why the movie didn't live up to its true potential was because the 13 characters weren't developed properly. Half of them don't even have spoken lines.
Going Native: Ahmad begins to adopt Viking culture more and more, culminating in the novel with his sleeping with and helping strangle the girl chosen for a Viking Funeral. In the film version it's almost entirely omitted.
Good Bad Translation: What Omar Sharif comments on what the Vikings say is pure comedy gold for anyone who understands Scandinavian. Not in the book though.
Informed Ability: The end credit lists the warriors with their attributes like, for instance, Helfddane (Fat). Apparently, the seer called for men with this attributes in the Debut Queue. But most of this is not displayed on screen, Edgtho the Silent gets more lines than Halga the Wise, Weath the Musician never plays music, Skeld doesn't seem any more superstitious than the others (or than any 10th century norseman would be). The only ones who seem to match their attributes are Heger the Joyous and Rethel the Archer.
Instant Awesome, Just Add Dragons: Subverted and lampshaded. It turned out the "fire wyrm" is just a cavalry column with torches, and Herger said he would have preferred an actual dragon. Of course, given that the size of the fire wyrm in question meant it was comprised of literally hundreds of warriors, all mounted on horseback and moving independently, his preference for a straight-up lizard is understandable.
Loophole Abuse: Herger offers Ahmad a post-battle drink, which Ahmad refuses saying he cannot partake of alcohol made from grape or grain. Herger cheerfully points out the mead is made from honey, so Ahmad shrugs and joins in.
Mad Oracle: As one of the Vikings sardonically notes, "The perfect adviser."
Maybe Magic, Maybe Mundane: In addition to the strange oracles, Buliwyf's reappearance at the end of the novel for the final battle is rife with pagan symbolism of the god Odin, implying a supernatural source for his Heroic Second Wind.
Mighty Whitey: Subverted. Ibn Fadlan impresses the vikings with his skills, not least his literacy and horsemanship, but he never surpasses the vikings in the skills they teach him, and he is most definitely not a fighter. If anything, the vikings consider him the Tagalong Kid, even going so far as to call him "little brother". And of course, Ahmad ibn Fadlan is an Arab.
He is actually a fairly competent fighter, particularly in the film, but he can never hope to match the Vikings in battle because... well... they're Vikings.
Rule of Cool: Ahmad cannot swing his standard-issue Viking sword (based on the false idea that Western swords were more heavy and unwieldy than Eastern swords; such a Western sword would actually weigh 2-2.5lbs at most) so he grinds it into a pseudo-scimitar. The process would have destroyed the blade's cutting edge in reality, because of its blade geometry (such as the cross section would not take to grinding, nor be as strong when changed from straight to curved). But it does make him look more badass when he gets it to the shape he wants.
Rule of Funny: The Vikings mock Ahmad's little Arabian horse. While Arabian horses were relatively small at the time to better survive in the desert, Scandinavians rode ponies, which were also small to survive in the cold.
Sadly Mythtaken: In the film, Herger tells Ahmad that the All-Father (Odin) "wove the skein (thread) of your life a long time ago." In Norse mythology it was the Norns who wove the threads of fate (comparable to the Fates in Greek mythology), not Odin.
Shown Their Work: As per the course, Crichton displays his erudition. His worldbuilding was and is so convincing that years later, he later couldn't tell which parts he made up. He said one of the annoying parts was that he'd fabricated his references so well that he'd spend hours trying to look up a book, and sometimes still wasn't sure whether he just couldn't find it or he'd made it up himself.
While the movie is historically speaking a step down from the scrupulously researched book since it introduced many anachronisms and errors, it did have a more or less direct quote from Beowulf:
"Luck, often enough, will save a man if his courage holds."
Wyrd oft nereš unfęgne eorl žonne his ellen deah (Wyrd often spares an undoomed man when his courage endures.note Wyrd can be translated as Fate or Luck)
Sword Drag: Right before the final battle starts, Buliwyf shows up as the last act of defiance. Since he's fatally poisoned, he can barely walk and drags his sword behind him.
Token Minority: Ahmad is the only Arab in a group of Scandinavians (although he's played by Antonio Banderas, who is actually of Spanish descent).
Translation Convention: In the beginning of the film, Ahmad ibn Fadlan speaks Arabic, which the movie-goers hear as English. He travels with Norsemen, who speak only Norse. Over a montage, he makes a dedicated effort to learn their language. The dialogue changes slowly but surely from Norse to English, showing that Banderas's character has learned the language. In the book, his character spends most of the story slowly learning the language and having most things translated into Latin by bilingual Norsemen (usually Herger).
Tyke Bomb: The Wendol take the children of slain families and raise them as their own to boost their army
Wendigo: the fictional legend of the Wendol which the troll-like Neanderthals are mistaken for, on which Grendel is supposedly based in this version.
What Happened to the Mouse?: The prince and his remaining henchmen are never seen nor mentioned after the sham duel. Most likely they were lost somewhere in the cutting room with other lacking pieces of the film.
In the novel, Herger kills the Prince in a duel following the final battle because the Prince made disparaging remarks about the recently-departed Buliwyf. Although it's unknown if a similar scene was ever filmed for the movie.
Worthy Opponent: Buliwyf gives the leader of the Wendol a respectful salute at the end of the first siege.
You Can't Fight Fate: When the Northmen's oracle decrees Ahmad is to be the 13th warrior, his protests are ignored.