Counterclockwise from the upper-left: Nagamimi, Momosuke, Mataichi, Ogin.Requiem From The Darkness
(Kyogoku Natsuhiko Kosetsu Hyaku Monogatari
, Hundred Stories) is a series of novels; these novels were adapted into an anime and a Live Action show. The anime especially is known for it's rather bizarre plot-lines and story elements; said story follows Momosuke
as he travels around Feudal Japan
in a search for one hundred ghost stories. But while doing this, he runs across a Ragtag Bunch of Misfits
. They fight evil; well, kind of, anyway. Think Darker and Edgier Scooby-Doo
. The series is also known for making lazy animation an artform, seriously they turn it into an advantage.
Also has a page under Kyogoku Natsuhiko Kosetsu Hyaku Monogatari
- Absurdly Sharp Blade
- Abnormal Ammo: A slightly less fantastic case than the norm, the Nodeppou gun can fire any normal rock like a musket ball.
- Adorkable: Momosuke, especially early on.
- Amazing Technicolor Population: Now and then.
- Ax-Crazy: Most of the sinners that the group encounters will either be this already or will devolve into this once their sins are revealed.
- The BeastMaster: Nagamimi can control animals.
- Bittersweet Ending: Although they win in the end, Mataichi, Nagamimi, and Ogin all die, leaving poor Momosuke alone, just as Ogin finally says his name instead of referring to him as "author." However, it does leave open the possibility that they may still be alive after Momosuke publishes his book.
- Big Bad: Kyogoku Tei
- Black and Grey Morality: While some of the work they do is explicitly good, Nagamimi, Mataichi, and Ogin have been known to enter this realm when it comes to punish sinners.
- The Blank: see No Mouth.
- Blood from the Mouth: Happens during a few death scenes.
- Body Horror: My word yes.
- Broken Bird: Ogin has shades of it, mostly thanks to her horrible backstory.
- Catapult Nightmare: more than once.
- The Chessmaster: Kyogoku Tei
- Conspicuous CG
- Dark Is Not Evil: Mataichi, Ogin and Nagamimi.
- Dark World
- Deranged Animation: Just look at several of the "people" in the crowd scenes, and then watch some of the action scenes and you'll know why this trope is almost omnipresent here.
- The Dragon: Tatsuha
- Eye Scream: A particularly squirmy example in "Floating Head."
- Gainax Ending
- Giggling Villain: Tatsuta.
- Gorn: There's even an episode concerning a series of pornographic scrolls detailing the various stages of corpse decay.
- Gonk: 100 Stories features an extremely bizarre art style, particularly notable in its depiction of villagers and other incidental characters.
- Half the Man He Used to Be: Men, women, children... the Absurdly Sharp Blade makes no distiction
- Hello, Nurse!: Ogin. Which is a bit creepy, considering she's dead. This does not deter Momosuke.
- Humans Are Bastards:
- The entire point of the show, though "bastards" might be too kind a term.
- The final episode has shades of it at the beginning, but overall the show has a bit of an optimistic approach to this trope.
- I Just Want to Be Special: Despite his efforts to join Mataichi and the gang, Momosuke is repeatedly told to turn back before it's too late.
- I Love the Dead: "Katabira Crossroads".
- I'm A Humanitarian: "Salty Choji."
- Infant Immortality: Sickeningly averted in several episodes, including the first two.
- Jade Coloured Glasses: Momosuke dones these near the end of the series.
- Kabuki Sounds
- Knight Templar: The Three Protagonists.
- Laser-Guided Karma: Mataichi & Co.'s mission. Mataichi is even called a "karmic enforcer" at one point!
- Marshmallow Hell: Ogin does this to Momosuke in the first episode.
- Meaningful Name: Nagamimi ("Long Ears").
- The Messiah: Momosuke, who repeatedly believes the best of the worst people and usually ends up almost being killed because of it.
- Mind Screw: Sometimes it's very difficult to understand just what the heck is going on here, thanks to long bouts of Exposition on things that may have been mentioned once in the episode in question.
- Morphic Resonance: No matter what form he takes, Nagamimi can't change his unusual ears.
- Mr. Exposition: Mataichi is just about this trope personified.
- Ms. Fanservice: Ms. Ogin, of course.
- Never My Fault: A few sinners desperately try to use scapegoats to absolve themselves. Mataichi and Co. are never impressed.
- No Mouth: Most of the minor characters. The pic on that page is from this series.
- The Noseless: see No Mouth.
- Norio Wakamoto: Nagamimi.
- Off Model: Used to great effect. Some characters' proportions are drawn radically different from scene to scene, or even within a scene. This technique usually highlights the characters' mental instability.
- Omnicidal Maniac: Kyogoku Tei
- Only Six Faces: There are a limited number of models for background characters and other "extras", all of them quite surreal.
- Parental Incest: "Floating Head."
- Perverse Puppet: Ogin's puppet, which is very pretty...until it looks at you.
- Powers That Be: Kyougokutei and the White and Black Hags.
- Pyromaniac: Shiragiku (actually Tatsuta impersonating her)
- Schizo Tech: Momosuke's goggles.
- Scooby-Doo Hoax: A fair few of the sinners operate under this idea.
- Shape Shifter: Nagamimi.
- Sick Sad World: And how.
- Transvestite: "The Willow Woman."
- Tears of Blood
- The Trickster: The entire crew, but especially Mataichi.
- Too Dumb to Live: Momosuke is Too Well-Meaning To Live. Luckily Mataichi's team is there to save his ass.
- Verbal Tic: Quite a few. Mataichi's speech is highly archaic, and Nagamimi...well, Nagamimi is Norio Wakamoto.
- Weapon of Mass Destruction: A mystical WMD powered by human atrocity, no less. Becomes the focus of the final two episodes.
- Weirdness Magnet: Momosuke can't go five steps without running into some demon or serial killer. Then again, it is mostly his fault for actively seeking these things for his book.
- Wide-Eyed Idealist: Momosuke, initially at least.
- When Trees Attack: Two for one special; decapitates a woman holding a baby. The women drops the baby. Then she falls on and crushes the baby.
- Writers Suck: Poor Momosuke is everyone's Butt Monkey.