Flaubert's uber-detailed novel about the eponymous Madame Emma Bovary, a middle-class doctor's wife who has the imagination to want more out of life, but not the cleverness to avoid unrealistic romantic fantasies. When first her stolid husband and then her adulterous lovers refuse to behave as they do in her favourite novels, the betrayal leads her to violent dissatisfaction, ruinously extravagant debt, and finally suicide.Purposely melodramatic, it was an implicit critique of the bourgeoisie, a class of which Flaubert was unashamed to be a member. It was also a deconstruction of the Romantic novel. Since modernism is a reaction to Romanticism, said to be the forerunner of modernism à la Franz Kafka.
Charles Bovary (and later Emma, when she takes his name) has a name that, even in story, clearly evokes cattle, and not to their benefit.
Madame. Bovary's lover, M. Leon, marries a woman by the name of "Leboeuf" which reflects this nicely.
A Simple Plan: Homais’ idea to try to cure clubfoot is meant to be just a simple exercise in cutting the errant tendon for Charles. Then the foot grows gangrenous and the limb ends up having to be amputated.
As the Good Book Says: Both Bournisien, the local priest, and the chemist Homais frequently quote Bible in their religious arguments.
Cessation of Existence: Surprisingly for the time period, death, particularly the death of Emma is described just like that, with terms like the sudden advent of nothingness.
Chekhov's Lecture: The lecture when Homais tells off Justin for being careless with handling of their chemicals, and reveals the location of arsenic in front of Emma, who uses it on herself in the end.
Chiaroscuro: Inasmuch as you can pull off a visual trope on the written page, Flaubert invokes this in his descriptions and symbolism, both to highlight Emma's ideals and just how far from reality they are.
Description Porn: Lots of it: see Purple Prose below. During the ball in the middle of the book author even describes the fake roses in the jackets with drops of artificial water to make them look more natural.
Consummate Liar: Emma becomes one during her tryst with Leon, when it becomes a mania, a need, a pleasure,for her.
Deconstruction: Flaubert wrote this in response to a dare to write a story that differed from the romantic works he'd written before - Emma is a woman trying to live her life by the tropes of her favorite romantic novels, and utterly failing.
Film of the Book: Thirteen film adaptations to date. Renoir's 1993 movie version is probably best known.
Foil: Homais and his family end up as counter-foils for Charles Bovary. They’re both medical practitioners of average skill in slightly different fields, yet while Charles was married to the beautiful, strong Emma, Homais had a plain, steadfast wife. By the end of the novel Charles’ household is bankrupted by Emma’s lavish spending and they die within a year of each other, while Homais is still prosperous and happily married with three children, and ended up with an Imperial Cross.
The Fool: Charles is pretty much established as this from the get-go. His opening scene, which recounts his schooldays, ends with him in the corner wearing the dunce cap.
Genre Launch: As mentioned above, it also led to the beginning of literary Modernism.
Good Is Dumb: Charles may not be bright, but he's at least one of the moral characters in the novel. His dumbness makes him easily exploitable by Emma, though he still barely outlives her.
Hypocrite: Emma and Rodolphe are very frequently hypocritical in their manners and behaviour.
Irony: For all that Emma tries to distance herself from Charles due to finding him dull and far from her Romantic ideal, he ends up being the character who best lives up to it. Of course, he doesn't do that until after her death, and it ends up being the death of him, too.
It's All About Me: Really brought home at Emma's death scene. She doesn't want to see her husband, her child, or even a crucifix... but she asks for a mirror to stare at her own reflection.
Ms Imagination: Oh, Emma! She was a victim of this trope, being an intelligent and beautiful woman with vivid imagination who lacked common sense. She imagined herself as an aristocrat or at least a noble city dweller. She a farmer's daughter who married a stupid middle class doctor and they live in a small town. She suffers terribly, and her family even more so.
My Girl Is Not a Slut: Double-subverted. When Charles finds one of Emma's extramarital love letters after her death, his first reaction is jealousy, and then, tormented by grief as he is, he decides that this makes Emma more alluring and desirable, as no man could have helped falling in love with her! But when he finds the rest of the letters, he falls apart, realizing that she loved other men.
National Stereotypes: Homais mentions a detailed collection of stereotypes of women from various nations, including German women as moody, Italian as passionate and French as adulterous.
New Media Are Evil: Given that the novel is set in the first half of 1800’s, the “new” media in question is theatre, at least from the local priest’s perspective.
No Dead Body Poops: When Emma commits suicide the corpse is stated to have a stream of black liquid coming out of its mouth when it’s accidentally moved.
When Voltaire is mentioned at one point in the book, it’s with a myth that he died eating his own extrement.
Not Distracted by the Sexy: When Bovary attempts to convince Lheureux to extend her debt period, she puts her hand on his knee and is repulsed with disgust.
One Of These Is Not Like The Others: After Homais succeeds in getting a homeless leper locked away through his press campaign, he turns his attention to other matters like social reform, morality in the poor, fish breeding, rubber, railroads.
Pair the Spares: Felicite, the servant of Emma, and Justin, the apprentice of Madame Homais, are implied, but never outright confirmed, to be in a relationship.
Parental Neglect: Emma hardly cares at all about their daughter, leaving the nurse and her husband to care for her. Having said that, it wasn't all that uncommon at the time amongst lower middle class.
Perfect Poison: Averted, and how. The death by poison is long, drawn out, and disgusting — the final betrayal of Emma's romantic fantasies.
Porn Stash: Homais discovers Justin ordering the book Conjugal Love, which includes illustrated engravings.
Pretentious Latin Motto: One is put onto the Emma’s tomb by Homais. He has racked his brains to come up with Sta Viator amabilem conjugem calcas.
Took a Level in Jerkass: Homais does it near the end after Emma dies, embarking onto a press campaign full of lies and exaggerations against a homeless leper to get him locked away in an asylum for the rest of his life. After he succeeds, he keeps going with other press campaigns in the name of the public good.
Tranquil Fury: Charles enters one when he finally confronts Rodolphe after his wife’s suicide but it doesn’t last.
You Can't Fight Fate: Emma often attempts to justify her actions like this, having consumed dozens of romance novels which play it straight. Similarly, Rodolphe also initiates relationship with her by claiming it all to be fate.