The First Age (chapters referred to as a##), in which a witch, a soldier, and a space girl encounter a laser gun and try to uncover its source;
Forsaken Shores (chapters referred to as fs##), in which a battle witch, a mathematician, a space girl, and an elf explore the western continent;
London's Fog (chapters referred to as lf##), in which a small party of people attempt to prevent a war from happening;
The Second Age (chapters referred to as sa##), a collection of side stories taking place after The First Age and running concurrently with the series from Forsaken Shores onward; and
Stars Fall (chapters referred to as sf##), in which things come to a head.
Currently, all but The Second Age are available for sale, both as actual books and in Kindle format; each novel contains an extra story not available on-line. The series is now complete.
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After the End: The series takes place two hundred years after the Pandora Event.
all lowercase letters: The author never capitalizes "anachronauts" or any of the titles of the books or chapters.
Another Dimension: Each different faction introduced in the Pandora Event comes from other dimensions.
Apocalypse How: The Pandora Event appears to be a societal disruption of regional (/multiversal) scope, although inversed: large sections of Earth As We Know It were invaded by other Earths, and only the northeastern quadrant of the USA is populated by humans as we know them. It's actually an attempted species extinction of a planetary/multiversal scope.
Applied Phlebotinum: Aleph radiation powers the Mass Capacitors the Orbitals use in their technology. A significant arc throughout the series involves finding new ways to harvest the Aleph Radiation, as the Orbitals have a limited supply.
Arc Number: A minor one: "91%" is both Una's average grade (considered below-average in Orbital culture) and Elisa Morales' mission success rate (third-lowest in the FACT Team).
Arc Words: "The stars will [rise/fall], " introduced in LF and carry through SA and SF (as well as inspiring the title of the latter)
Insistent Terminology: A reversal, as Emily insists the word "anachronauts" sounds stupid, and is only a working title.
Loads and Loads of Characters: Each book has further expanded the cast, but perhaps none more than SA, in which each chapter is a stand-alone story focusing on different characters throughout the ages. The character page is a work in progress.
Magic Versus Science: Orbital technology is vulnerable to being bypassed or attacked by Fae magic and tends to go haywire whenever it tries to analyze magical beings or objects.
Our Zombies Are Different: Between the Winterhounds (Type R) and Los Muertos (Type P), you have both spans of the undead covered. In sa04 you have a Type M (when Daelyn, a Winterhound, is infected; the Winterhound regenerative effect isn't enough to deal with the infection of Los Muertos), and in sf02, it's discovered that Los Muertos also have an element of psychic communication between one another and gain knowledge from their victims' experiences, thus throwing in a bit of Type O to the mixture.
The Remnants: Because of the nature of post-Pandora Earth, there are at least two of these factions out there. Neither of them are the actual enemy, but do get in the way:
The Braid of Dawn is a group of Well Intentioned Extremists for the Fae, which was a peaceful group in the First Age but got more violent from the Second Age.
Some shout outs are acknowledged as such what with the story taking place on an After the End Earth with many examples of media surviving.
Tactical Rock-Paper-Scissors: A variation: Humans utilize iron-based weapons, to which the Fae have a weakness; Fae magic can cause Orbital technology to fail; humans have no recourse against Orbital technology.
a08, being the book finale but the end of the introduction to the anachronauts universe, contains numerous developments which change both the world and the characters significantly, all of which culminates in the Second Age.
lf04 is one for the characters with Jeeves choking Chloe to death, being revealed as the traitor; lf06 proceeds to significantly change the status quo in the universe with Benny and Chloe working in tandem with the British Crown.
sa07's final scene contains some major revelations, including the suggestion that the film version of The Mister managed to get away, as well as the revelation that President Petersen is Archivist Sen, head of The Gatherers.
sa08 also details the story of Kas, who they say eventually becomes the savior of the Orbitals, and show some of what she did to earn that title. It contains some significant, world-changing details.
sf01 opens on so many changes it's difficult to know where to begin. The murder of Ono, Esrever and Kas; the decimation of the mutants, Los Muertos, and the Kraken, and the revelation that Lar is behind it all.
You Can't Fight Fate: An underlying theme of Emily's arc from the dawn of the Second Age on, as well as of sa05.
Chekhov's Gun: A short list of examples, because the book is full of them:
Emily considers using her last Escape tattoo in a01 when first imprisoned with Scout. She eventually uses it in a08.
The bands controlling the ogres in a01 are revisited in a04 and a08. It turns out that the conspirators used the same technology to murder Lea and attempt to use it to frame the Orbitals for the destruction of the Earth.
Una talks about how her family would picnic in the arboretum in Arcology #BE12 as she was growing up. The group encounters this arcology in a05 and Una's care of the arboretum becomes vital to their survival.
Tempting Fate: a01 starts it off with "Why bother ambushing? A simple human roadblock would be enough for a mere slip of a girl" and then subsequently lampshaded in the narrative with:
(It wasn't the biggest blunder that these generic thugs could've made, but it certainly was one of the classics. Right up there with "He's just one man! We can take him easily!" and "Surrender? To the likes of you?!".)
Cassandra Truth: The Mister actually manages one of these when he says that "...all of this is going to end with [Jesse] stabbing [Gilbert] in the back." (Turns out it's a Healing Shiv.)
Metafictional Paradox: fs05 is dedicated to a live manifestation of the Cthulhu Mythos, complete with a Nyarlatholep, Yog-Sothoth, Shub-Niggurath, and a reference to an as-yet-unwoken Cthulhu. They do not like it when H.P. Lovecraft is mentioned.
Kiss of Life: Delivered in fs04 between Jesse and Gilbert, with Jesse delivering it in the most tsundere manner possible.
Lotus-Eater Machine: Happiness, from fs04. Complete with Orphean Rescue bandits working with and against each other to free people from Happiness. Happiness is allowing this because she believes it makes them happy.
Louis Cypher: The Mister, from fs02. While not Satan himself, he introduces himself to each of the party members with a name beginning with L. (In fact, he introduces himself to Una with the name "Luc.")
What You Are in the Dark: If you're in The Mister's presence, you will receive a private visit from him that nobody else sees. He is willing to grant you any one thing you desire. All you have to do is be complicit in murder. Not kill anyone, mind—just be complicit. Nobody else has to know. The heroes don't take the bait. In a situational inversion, Lilith does, via teleconference, while Morgana—her sister and victim—is right next to her and fully aware of the proceedings.
Deus ex Machina: Nigh-literally. The aetheric steam that powers all machines in the British Empire is actually the breath of the archangel Raphael.
Expospeak Gag: Combined with Waxing Lyrical, lots of Ichabod Turner's dialogue in lf03 consists of archaic renditions of popular rap refrains:
No Plans, No Prototype, No Backup: An aversion of this is what triggers the story in the first place: the device which allowed Gilbert to cross the sea in FS has been completed and in mass production, allowing the possibility of invasion; the anachronauts (and the ATF consultant) need to prevent this possibility from occurring.
London's Fog contains a fairly sizable number of shout-outs to popular Internet culture, but this is most evident in lf04, in which we discover the Empire's communications system is a literal series of (pneumatic) tubes, and the protagonists pose as L'Anonyme, while wearing the cape and Guy Fawkes masks associated with Anonymous protests. A reference to "Never Gonna Give You Up" appears in a later chapter.
Because Destiny Says So: sa05 firmly embraces this concept: the narrator has an idea of how she would die, and won't change it because of what she saw.
Character Blog: sa05 is this for a character we don't actually know, although it features a number of known characters in the anachronauts narrative posting under online monikers. A few examples:
SexyElf86: Yavain, from the First Age TrinitySix: Chloe Manchester, from sa01 and London's Fog WitchBlogGwen: Gwen Berners-Lee, from sa03 ArielSkydancer: Ariel, the Wind Elemental, from sa03 Emily makes one anonymous post in the beginning and at the end, as well.
A Day in the Limelight/Lower Deck Episode: Second Age is the series in which many of the minor characters who would become major (or significant) players are introduced. Benny and Chloe, two of the main characters, are introduced in sa01, and establish their history enough that the print edition of London's Fog will include this chapter. We also meet characters like Kas (sa08), Elisa Morales (sa04), and Carrie Lane (sa06), who are set up to be major characters in Stars Fall.
sa03's Melvin Tinker serves as the Pandora equivalent of Harry Potter (down to his names; both his given name and the moniker he was given, "The Boy Who Didn't Die"), and Sylph Starlyte a riff on HP Mary Sues, what with trying to disown her "muggle" name in favor of a more glamorous one, looking every bit like the ideal witch of her mind, and making suggestions that sound very much in line with the HP-verse.
Odd Couple: sa08's Kas and Yew, despite both being Pragmatists, are still pretty much polar opposites, personality-wise. Yew can be considered Kas's Manic Pixie Dream Girl, despite her not being a romantic interest.
Ret Gone: Oblivion, a large and ornately-decorated revolver which never runs out of bullets, does this to anything it shoots. It's lampshaded several times in the text that its "edits" are relatively clumsy, as these things go; it's a freakin' Hand Cannon, it doesn't do "subtle". The full horrific potential of such a weapon comes up a couple of times, such as when Carrie realizes why the current owner has no parents (an accident; it's implied the thing is more than a little cursed), and when he brings it to school and opens fire in an empty library.
Previously On: As the Second Age books set the stage for a number of characters in Stars Fall, the latter includes a prelude chapter which functions as an introduction to these characters for people who may only be following the print editions, as Second Age was deemed too expensive for print form.
Human Resources: It is revealed in sf02 that the new Essence Capacitors the Ascendancy introduced involves reaping human souls. While a single human's soul can power an Essence Capacitor (and it's revealed that this is what happened to Nel's mother and the leader of the Federalists), the Ascendancy has been harvesting the souls of Los Muertos and mutants, a dozen at a time, on order to compensate for the corruption of their souls.
Not Using the Z Word: "Los Muertos" is the accepted terminology of the undead pervasive throughout South America; this fact is lampshaded by Gwen in sf02.
Gwen: Of course, the city's completely overrun by zombies... Una: Los Muertos. ...Ah. Sorry, just... zombies sounds so silly... Gwen: It's completely overrun by zombies. Flesh-eating zombies. Grrrr chompy.