Ego's review of Gusteau's in the finale. Yes, the restaurant was closed by health inspectors, but it's truly incredible if you don't come out of that monologue feeling inspired, or with a new respect for some critics, to a degree.
Don't forget Ego's Flashback upon actually tasting Rémy's ratatouille. If that sunny kitchen and the warm, reassuring smile of Anton's mother as she cheers her son up with a bowl of homemade soup don't melt your heart... No wonder he gave them a rave review.
It's so simple and sweet — and a perfect example of everything Pet the Dog should be.
Fridge Brilliance: Ego considers his mother to be the best cook he ever knew, and holds all other cooks to her standard.
And then, there's the way Ego reacts after tasting the dish : he drops his pencil in shock and, for the first time in the whole movie, he starts smiling as he eats the ratatouille with delight. He's not evaluating the quality of the meal : he's actually enjoying it !
Which segues very nicely into his review of the restaurant: even after meeting Remy and having the situation explained to him, he gives it a highly positive rating, which eventually costs him his job. And just as a pick-up-and-cuddle-the-dog moment, Anton loses his credibility but is a regular customer at Remy's new restaurant, where he consistently orders the ratatouille. Say it with me: d'awwwww!
Not just a regular customer. It's highly suggested that Ego helped front the money to open La Ratatouille in the first place, making him co-owner along with Linguini and Colette.
A subtle moment during that scene: Colette has mentioned how being a woman has handicapped her and forced her to work twice as hard to get where she is. Then she goes out to speak with Ego, who immediately assumes she's the chef and begins congratulating her. The fact that she's a woman doesn't make any difference to him.
Fridge Brilliance again: Of course he's not surprised by the (admittedly false) notion of her being the head chef. The best chef he's ever known is, as always, his mother.
Colette signals Remy that it's time to get back to work with a look of warm acceptance, a look that says she truly accepts him as her comrade and a master of the kitchen.
Not to mention Remy's teeny-tiny little chef's hat. Awwww.
Remy's dad whistling for the rat colony to come out of hiding and help Remy save the day. He was opposed to Remy's wild-eyed cooking dreams from day one, but when his son needed help, he was they were there. He caps it off with just nine words.
"We may not be cooks... but we are family."
Actually, Remy's dad gets a fridge instance of this much earlier. Remy's activities alerted the old lady the colony was living with to their presence, and eventually, resulted in them being forcibly displaced, separating Remy and his family. His father's reaction to his return is a big party in his honor. Prodigal son much?
"And this rat... this brilliant, little chef... can take us there." No wonder it convinces Remy's dad that he was "wrong about... your friend."
Remy's final conversation with the imaginary Gusteau.
Remy: I'm sick of pretending. I pretend to be a rat for my father, I pretend to be a human for Linguini. I pretend you exist so I have someone to talk to! You only tell me stuff I already know! I know who I am! Why do I need you to tell me? Why do I need to pretend?
The montage of Colette helping Linguini to learn how to operate in the kitchen - she starts off very harsh and often corrects his mistakes with yelling, but eventually their interactions turn friendly.
Colette: Of course. You're one of us now.
Although he causes trouble later, Emile and Remy have a strong family bond. Even though he doesn't really understand Remy, Emile accepts his brother unconditionally, which is saying something considering what their dad thinks.