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* While the scene in the movie where Annie forces Paul to burn his manuscript for Fast Cars was [[SadisticChoice sadistic]] on her end and [[TearJerker tragic]] on his, Annie's demeanor shifting from intimidating and manipulative to surprised annoyance ("Oh my goodness! Goodness gracious! Oh my!") when burning the manuscript on a charcoal grill causes a huge mess with fluttering paper is priceless.

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* While the scene in the movie where Annie forces Paul to burn his manuscript for Fast Cars was [[SadisticChoice sadistic]] on her end and [[TearJerker tragic]] on his, Annie's demeanor shifting from intimidating and manipulative to surprised annoyance ("Oh my goodness! Goodness gracious! Oh my!") my! Heavens to Betsy!") when burning the manuscript on a charcoal grill causes a huge mess with fluttering paper is priceless.
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-->'''Annie''': He didn't get out of the '''cockadoodie''' car!
* In a rather brilliant move on the editor's part, after Annie gives the "[[CliffhangerCopout HE DIDN'T GET OUT OF THE COCK-A-DOODIE CAR!]]" rant, with the camera zooming in on her face, we cut to Paul, trying ''desperately'' to not look like [[BringMyBrownPants he crapped himself]].

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-->'''Annie''': He didn't get out of the '''cockadoodie''' car!
*
HE DIDN'T GET OUT OF THE '''COCKADOODIE''' '''''CAR!'''''
**
In a rather brilliant move on the editor's part, after Annie gives the "[[CliffhangerCopout HE DIDN'T GET OUT OF THE COCK-A-DOODIE CAR!]]" CliffhangerCopout rant, with the camera zooming in on her face, we cut to Paul, trying ''desperately'' to not look like [[BringMyBrownPants he crapped himself]].

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* In a rather brilliant move on the editor's part, after Annie gives the "[[CliffhangerCopout HE DIDN'T GET OUT OF THE COCK-A-DOODIE CAR!]]" rant, with the camera zooming in on her face, we cut to Paul, trying ''desperately'' to not look like [[BringMyBrownPants he crapped himself]].



* In a rather brilliant move on the editor's part, after Annie gives the "[[CliffhangerCopout HE DIDN'T GET OUT OF THE COCK-A-DOODIE CAR!]]" rant, with the camera zooming in on her face, we cut to Paul, trying ''desperately'' to not look like [[BringMyBrownPants he crapped himself]].
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[[caption-width-right:350:[[WebVideo/TheNostalgiaCritic "MY WIDE ANGLE LENS IS ABOUT TO BURST!!"]]]]

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[[caption-width-right:350:[[WebVideo/TheNostalgiaCritic "MY WIDE ANGLE LENS IS ABOUT TO BURST!!"]]]]\n
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** It becomes a bit of a running gag that she would actually be a fairly competent literary critic if she knew even an ounce of the jargon. If only someone sent her a link to TvTropes.

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** It becomes a bit of a running gag that she would actually be a fairly competent literary critic if she knew even an ounce of the jargon. If only someone sent her a link to TvTropes.Website/TvTropes.
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* While the scene in the movie where Annie forces Paul to burn his manuscript for Fast Cars was [[SadisticChoice sadistic]] on her end and [[TearJerker tragic]] on his, Annie's demeanor shifting from intimidating and manipulative to surprised annoyance ("Oh my goodness! Goodness gracious! Oh my!") when burning the manuscript on a charcoal grill causes a huge mess with fluttering paper is priceless.
-->'''Annie:''' Well, isn't that an oogy mess!
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-->'''Annie''': OH, MISERY IS ALIVE, MISERY IS ALIVE! Oh, this whole house is going to be full of romance! OOOH, I AM GOING TO PUT ON MY LIBERACE RECORDS!

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-->'''Annie''': OH, MISERY IS ALIVE, MISERY IS ALIVE! Oh, this whole house is going to be full of romance! OOOH, I AM GOING TO PUT ON MY LIBERACE RECORDS!RECORDS!
* A dark example at the end of the film, when Paul is having lunch with his agent and confesses that he's still tormented by Annie even if he know that she's dead. Cue Annie coming up to the table holding a knife... except that Paul was just mistaking a waitress for her.
-->'''Waitress:''' Excuse me, but are you Paul Sheldon?
-->'''Paul:''' ... yes.
-->'''Waitress:''' I just wanted to tell you [[IronicEcho I'm your number one fan.]]
-->'''Paul:''' [[HereWeGoAgain That's... very sweet of you...]]
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-->'''Annie''': OH MISERY IS ALIVE, MISERY IS ALIVE! OH, this whole house is going to be full of romance, OOOH, I AM GOING TO PUT ON MY LIBERACE RECORDS!

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-->'''Annie''': OH OH, MISERY IS ALIVE, MISERY IS ALIVE! OH, Oh, this whole house is going to be full of romance, romance! OOOH, I AM GOING TO PUT ON MY LIBERACE RECORDS!
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* Movie-only. Almost every scene with Buster (and especially with his wife), up until he goes to Annie's house, is comedy gold.

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* Movie-only. Almost every scene with Buster (and especially with his wife), up until he goes to Annie's house, is comedy gold.gold.
* When Annie reads Paul's new manuscript, she is overjoyed at Misery's resurrection:
-->'''Annie''': OH MISERY IS ALIVE, MISERY IS ALIVE! OH, this whole house is going to be full of romance, OOOH, I AM GOING TO PUT ON MY LIBERACE RECORDS!
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* The fact that Annie's scrapbook that details all of her crimes also has an [[TakeThat Elect Nixon]] pendant.

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* The fact that Annie's scrapbook that details all of her crimes also has an [[TakeThat Elect Nixon]] pendant. Works whether it's hers or it's loot.
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** It becomes a bit of a running gag that she would actually be a fairly competent literary critic if she knew even an ounce of the jargon. If only someone sent her a link to TvTropes.
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* The fact that Annie's scrapbook that details all of her crimes also has an [[TakeThat Elect Nixon]] pendant.
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-->What are you going to do, lie here and suffer for a book that would sell half as many copies as the least successful ''Misery'' book you ever wrote, and which Peter Prescott would shit upon in his finest genteel disparaging manner when he reviewed it for that [[SarcasmMode great literary oracle]], ''[[TakeThat Newsweek]]''?

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-->What are you going to do, lie here and suffer for a book that would sell half as many copies as the least successful ''Misery'' book you ever wrote, and which Peter Prescott would shit upon in his finest genteel disparaging manner when he reviewed it for that [[SarcasmMode great literary oracle]], ''[[TakeThat Newsweek]]''?Newsweek]]''?
* Movie-only. Almost every scene with Buster (and especially with his wife), up until he goes to Annie's house, is comedy gold.
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* In the novel, Paul forces himself to rationalize burning the manuscript by thinking that it'll be trashed by critics at the "[[SarcasmMode great literary oracle]], ''[[TakeThat Newsweek]]''".
-->What are you going to do, lie here and suffer for a book that would sell half as many copies as the least successful ''Misery'' book you ever wrote, and which Peter Prescott would shit upon in his finest genteel disparaging manner when he reviewed it for that great literary oracle, ''Newsweek''?

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* In the novel, Paul forces himself to rationalize burning the manuscript by thinking that it'll be trashed by critics at the "[[SarcasmMode great literary oracle]], ''[[TakeThat Newsweek]]''".
manuscript:
-->What are you going to do, lie here and suffer for a book that would sell half as many copies as the least successful ''Misery'' book you ever wrote, and which Peter Prescott would shit upon in his finest genteel disparaging manner when he reviewed it for that [[SarcasmMode great literary oracle, ''Newsweek''?oracle]], ''[[TakeThat Newsweek]]''?
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* In the novel, Paul forces himself to rationalize burning the manuscript by thinking that it'll be trashed by critics at the "[[SarcasmMode great literary oracle]], ''[[TakeThat Newsweek]]''".

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* In the novel, Paul forces himself to rationalize burning the manuscript by thinking that it'll be trashed by critics at the "[[SarcasmMode great literary oracle]], ''[[TakeThat Newsweek]]''".Newsweek]]''".
-->What are you going to do, lie here and suffer for a book that would sell half as many copies as the least successful ''Misery'' book you ever wrote, and which Peter Prescott would shit upon in his finest genteel disparaging manner when he reviewed it for that great literary oracle, ''Newsweek''?
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* In the novel, Paul forces himself to rationalise burning the manuscript by thinking that it'll be trashed by critics at the "[[SarcasmMode great literary oracle]], [[TakeThat ''Newsweek'']]".

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* In the novel, Paul forces himself to rationalise rationalize burning the manuscript by thinking that it'll be trashed by critics at the "[[SarcasmMode great literary oracle]], [[TakeThat ''Newsweek'']]".''[[TakeThat Newsweek]]''".
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** The best part is that she doesn't seem to think it's a StealthInsult.

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** The best part is that she doesn't seem to think realize it's a StealthInsult.
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** The best part is that she doesn't seem to think it's a StealthInsult.
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* In the novel, Paul forces himself to rationalise burning the manuscript by thinking that it'll be trashed by critics at the "that [[SarcasmMode great literary oracle]], [[TakeThat ''Newsweek'']]".

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* In the novel, Paul forces himself to rationalise burning the manuscript by thinking that it'll be trashed by critics at the "that [[SarcasmMode "[[SarcasmMode great literary oracle]], [[TakeThat ''Newsweek'']]".
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* In the novel, Paul forces himself to rationalise burning the manuscript by thinking that it'll be trashed away by critics at the "that [[SarcasmMode great literary oracle]], [[TakeThat ''Newsweek'']]".

to:

* In the novel, Paul forces himself to rationalise burning the manuscript by thinking that it'll be trashed away by critics at the "that [[SarcasmMode great literary oracle]], [[TakeThat ''Newsweek'']]".
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-->Suddenly he wanted a hit of rock and roll worse than he had ever wanted a cigarette. It didn't have to be [[Music/CyndiLauper Cyndi Lauper.]] Anyone would do. [[TakeThat Jesus Christ,]] [[Music/TedNugent Ted Nugent]] [[TakeThat would be just fine.]]
* In the novel, Paul forces himself to rationalise burning the manuscript by thinking that it'll be trashed away by critics at the "that [[SarcasmMode great literary oracle]], [[TakeThat''Newsweek'']]".

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-->Suddenly he wanted a hit of rock and roll worse than he had ever wanted a cigarette. It didn't have to be [[Music/CyndiLauper Cyndi Lauper.]] Anyone would do. [[TakeThat Jesus Christ,]] Christ, [[Music/TedNugent Ted Nugent]] [[TakeThat would be just fine.]]
* In the novel, Paul forces himself to rationalise burning the manuscript by thinking that it'll be trashed away by critics at the "that [[SarcasmMode great literary oracle]], [[TakeThat''Newsweek'']]".[[TakeThat ''Newsweek'']]".
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-->Suddenly he wanted a hit of rock and roll worse than he had ever wanted a cigarette. It didn't have to be [[Music/CyndiLauper Cyndi Lauper.]] Anyone would do. [[TakeThat Jesus Christ,]] [[Music/TedNugent Ted Nugent]] [[TakeThat would be just fine.]]

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-->Suddenly he wanted a hit of rock and roll worse than he had ever wanted a cigarette. It didn't have to be [[Music/CyndiLauper Cyndi Lauper.]] Anyone would do. [[TakeThat Jesus Christ,]] [[Music/TedNugent Ted Nugent]] [[TakeThat would be just fine.]]]]
* In the novel, Paul forces himself to rationalise burning the manuscript by thinking that it'll be trashed away by critics at the "that [[SarcasmMode great literary oracle]], [[TakeThat''Newsweek'']]".
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* At the start of Annie's story [[Main/FilmSerial the chapter plays]], Paul attempts to correct her by calling them [[InsistentTerminology cliffhangers]], which only proceeds to set her off more.

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* At the start of Annie's story about [[Main/FilmSerial the chapter plays]], Paul attempts to correct her by calling them [[InsistentTerminology cliffhangers]], which only proceeds to set her off more.
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* This gem from when Annie orders Paul to rewrite the story.
-->'''Annie''': You'll have to do it over again, it's not worthy of you. Throw it all out, except for that part of naming the gravedigger after me, you can leave that in.
* At the start of Annie's story [[Main/FilmSerial the chapter plays]], Paul attempts to correct her by calling them [[InsistentTerminology cliffhangers]], which only proceeds to set her off more.
-->'''Annie''': I know that, Mr. Man! They also call them serials! I'm not stupid, you know!

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