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Trope was cut/disambiguated due to cleanup


* "The One On The Right Is On The Left" is a cautionary ballad about how performers should leave their politics out of their music. The song describes a quartet whose members are mostly of widely diverging politics, leading the band to dissolve in an on-stage brawl. [[TheLastOfTheseIsNotLikeTheOthers Except for the One In The Back]], whose politics never come up, and ends up getting drafted by the end of the song.

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* "The One On The Right Is On The Left" is a cautionary ballad about how performers should leave their politics out of their music. The song describes a quartet whose members are mostly of widely diverging politics, leading the band to dissolve in an on-stage brawl. [[TheLastOfTheseIsNotLikeTheOthers Except for the One In The Back]], Back, whose politics never come up, and ends up getting drafted by the end of the song.
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* Actually, considering Cash's reputation of recording so many somber songs during his career, he also had a very large repertoire of humorous songs, ranging from gallows humor like "25 Minutes to Go" to ironic songs like "The Man Who Couldn't Cry" which often had audiences in stitches when they realize the song actually pokes fun at many of the trope associated with sad ballads. In 1967, he even released an entire album of comedy songs, ''Everybody Loves a Nut''.

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* Actually, considering Considering Cash's reputation of recording so many somber songs during his career, he also had a very large repertoire of humorous songs, ranging from gallows humor like "25 Minutes to Go" to ironic songs like "The Man Who Couldn't Cry" which often had audiences in stitches when they realize the song actually pokes fun at many of the trope associated with sad ballads. In 1967, he even released an entire album of comedy songs, ''Everybody Loves a Nut''.
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** In performances with the Highwaymen, he altered it to "...and if I ever have a son, I think I'm gonna name him... [[Creator/WaylonJennings Waylon]] or [[Creator/WillieNelson Willie]] or [[Creator/KrisKristofferson Kris]] or... ''after you!'' Any damn thing but Sue! I still hate that name!"

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** In performances with the Highwaymen, he altered it to "...and if I ever have a son, I think I'm gonna name him... [[Creator/WaylonJennings [[Music/WaylonJennings Waylon]] or [[Creator/WillieNelson [[Music/WillieNelson Willie]] or [[Creator/KrisKristofferson Kris]] or... ''after you!'' Any damn thing but Sue! I still hate that name!"
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** In performances with the Highwaymen, he altered it to "...and if I ever have a son, I think I'm gonna name him... [[Creator/WaylonJennings Waylon]] or [[Creator/WillieNelson Willie]] or [[Creator/KrisKristofferson Kris]] or... ''after you!'' Any damn thing but Sue! I still hate that name!"
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--> "...and if I ever have a son, I think I'm gonna name him... [[SubvertedRhymeEveryOccasion Bill! Or George! Any damn thing but Sue! I still hate that name!]]"

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--> ** "...and if I ever have a son, I think I'm gonna name him... [[SubvertedRhymeEveryOccasion Bill! Or George! Any damn thing but Sue! I still hate that name!]]"
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-->"What model is it? Well, it's a '49, '50, '51, '52, '53, '54, '55, '56, '57, '58', 59' automobile / It's a '60, '61, '62, '63, '64, '65, '66, '67, '68, '69, '70 automobile..."
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* His tale of assembling a "[[TheAllegedCar custom]]" automobile in "One Piece at a Time". A worker steals pieces of a Cadillac every day for years on end... but doesn't account for the changes in model over the years. When he finally puts it all together, he winds up with a horrifying Frankencar that's some twenty-five different models at once, but somehow ''runs''.

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* His tale of assembling a "[[TheAllegedCar custom]]" automobile in "One Piece at a Time". A worker steals pieces of a Cadillac every day for years on end... but doesn't account for the changes in model over the years. When he finally puts it all together, he winds up with a horrifying Frankencar that's some twenty-five different models at once, but yet somehow ''runs''.
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* His tale of assembling a "[[TheAllegedCar custom]]" automobile in "One Piece at a Time". A worker steals pieces of a Cadillac every day for years on end... but doesn't account for the changes in model over the years. When he finally puts it all together, he winds up with a horrifying FrankenCar that's some twenty-five different models at once, but somehow ''runs''.

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* His tale of assembling a "[[TheAllegedCar custom]]" automobile in "One Piece at a Time". A worker steals pieces of a Cadillac every day for years on end... but doesn't account for the changes in model over the years. When he finally puts it all together, he winds up with a horrifying FrankenCar Frankencar that's some twenty-five different models at once, but somehow ''runs''.
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* His tale of assembling a "[[TheAllegedCar custom]]" automobile in "One Piece at a Time".

to:

* His tale of assembling a "[[TheAllegedCar custom]]" automobile in "One Piece at a Time". A worker steals pieces of a Cadillac every day for years on end... but doesn't account for the changes in model over the years. When he finally puts it all together, he winds up with a horrifying FrankenCar that's some twenty-five different models at once, but somehow ''runs''.

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* His tale of assembling a "custom" automobile in "One Piece at a Time".

to:

* His tale of assembling a "custom" "[[TheAllegedCar custom]]" automobile in "One Piece at a Time".


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* "The One On The Right Is On The Left" is a cautionary ballad about how performers should leave their politics out of their music. The song describes a quartet whose members are mostly of widely diverging politics, leading the band to dissolve in an on-stage brawl. [[TheLastOfTheseIsNotLikeTheOthers Except for the One In The Back]], whose politics never come up, and ends up getting drafted by the end of the song.
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-->And you'll go to the Starkville City Jail

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-->And you'll go to the Starkville City JailJail."
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* "Starkville City Jail", which references a real situation where Johnny went out for a walk while at a hotel in Starkville, Mississippi, unaware that the town had a curfew. He wandered around for a while picking flowers, but was eventually spotted by a police officer and jailed until the next morning.
-->"Well, I started pacing back and forth, and now and then I'd yell
-->And kick my forty dollar shoes against the steel door of my cell
-->I'd walk awhile and kick awhile, and all night nobody came
-->Then I sadly remembered they didn't even take my name
-->At eight a.m. they let me out, I said "Gimme them things of mine"
-->They give me a sneer and a guitar pick and a yellow dandelion
-->They're bound to get you, 'cause they've got a curfew
-->And you'll go to the Starkville City Jail
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--> "And if I ever have a son, I think I'm gonna name him... Bill! Or George! Anything but Sue, I still hate that name!"

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--> "And "...and if I ever have a son, I think I'm gonna name him... [[SubvertedRhymeEveryOccasion Bill! Or George! Anything Any damn thing but Sue, Sue! I still hate that name!"name!]]"
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* Among Cash's many recordings, there exists one titled "Flushed from the Bathroom of My Heart".
* Cash occasionally inserted humorous comments into his live performances of "Rock Island Line" (in which he offered a definition for the song's reference to "pig iron" as meaning "slot machines), and the spoken-word section of "Orange Blossom Special".
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Adding another song

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* "Oney", which is about a man preparing for his retirement; those plans include sending a final message to the tyrant supervisor who tormented him over the years.
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* During "I Walk the Line" on the San Quentin album he [[NotSoStoic cracks up]] during the final verse and jokingly warns a camera man that [[PrisonRape he's in the wrong place to bend over.]]
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Spelling


* "Chicken in Black", which is often claimed to have been recorded as a TakeThat to Creator/ColumbiaRecords, who had been treating him poorly for years (though Robert Hilburn's biography ''Johnny Cash: The Life'' reveals this isn't the cast at all: Columbia offered the song to Cash, who loved it and had no trouble recording it, only to lose interest when his colleagues disappoved). Ironically, it actually became a hit and raised his status with Columbia for a time. The best thing about it is that John's delivery is pretty straight-faced and serious. Also had a legendary tongue-in-cheek [[https://www.youtube.com/watch?v=y_uM87NTFW4 music video]], complete with chicken brain transplant!

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* "Chicken in Black", which is often claimed to have been recorded as a TakeThat to Creator/ColumbiaRecords, who had been treating him poorly for years (though Robert Hilburn's biography ''Johnny Cash: The Life'' reveals this isn't the cast case at all: Columbia offered the song to Cash, who loved it and had no trouble recording it, only to lose interest when his colleagues disappoved). Ironically, it actually became a hit and raised his status with Columbia for a time. The best thing about it is that John's delivery is pretty straight-faced and serious. Also had a legendary tongue-in-cheek [[https://www.youtube.com/watch?v=y_uM87NTFW4 music video]], complete with chicken brain transplant!
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None


* "Chicken in Black", recorded as a TakeThat to Creator/ColumbiaRecords, who had been treating him poorly for years. Ironically, it actually became a hit and raised his status with Columbia for a time. The best thing about it is that John's delivery is pretty straight-faced and serious. Also had a legendary tongue-in-cheek [[https://www.youtube.com/watch?v=y_uM87NTFW4 music video]], complete with chicken brain transplant!

to:

* "Chicken in Black", which is often claimed to have been recorded as a TakeThat to Creator/ColumbiaRecords, who had been treating him poorly for years.years (though Robert Hilburn's biography ''Johnny Cash: The Life'' reveals this isn't the cast at all: Columbia offered the song to Cash, who loved it and had no trouble recording it, only to lose interest when his colleagues disappoved). Ironically, it actually became a hit and raised his status with Columbia for a time. The best thing about it is that John's delivery is pretty straight-faced and serious. Also had a legendary tongue-in-cheek [[https://www.youtube.com/watch?v=y_uM87NTFW4 music video]], complete with chicken brain transplant!
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None

Added DiffLines:

* Actually, considering Cash's reputation of recording so many somber songs during his career, he also had a very large repertoire of humorous songs, ranging from gallows humor like "25 Minutes to Go" to ironic songs like "The Man Who Couldn't Cry" which often had audiences in stitches when they realize the song actually pokes fun at many of the trope associated with sad ballads. In 1967, he even released an entire album of comedy songs, ''Everybody Loves a Nut''.
Is there an issue? Send a MessageReason:
None


--> "MY NAME IS SUE! HOW DO YOU DO!? ''NOW YOU GONNA DIE!''"

to:

--> "MY NAME IS SUE! HOW ''HOW DO YOU DO!? ''NOW DO!?'' '''''NOW YOU GONNA DIE!''"DIE!'''''"
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--> "MY NAME IS SUE! HOW DO YOU DO!? ''NOW YOU'RE GONNA DIE!''"
--> "And if I ever have a son, I think I'm gonna name him... Bill! Or George! Any damn thing but Sue, I still hate that name!"

to:

--> "MY NAME IS SUE! HOW DO YOU DO!? ''NOW YOU'RE YOU GONNA DIE!''"
--> "And if I ever have a son, I think I'm gonna name him... Bill! Or George! Any damn thing Anything but Sue, I still hate that name!"

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* "Chicken in Black", recorded as a TakeThat to Columbia Records, who had been treating him poorly for years. Ironically, it actually became a hit and raised his status with Columbia for a time. The best thing about it is that John's delivery is pretty straight-faced and serious. Also had a legendary tongue-in-cheek [[https://www.youtube.com/watch?v=y_uM87NTFW4 music video]], complete with chicken brain transplant!

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* "Chicken in Black", recorded as a TakeThat to Columbia Records, Creator/ColumbiaRecords, who had been treating him poorly for years. Ironically, it actually became a hit and raised his status with Columbia for a time. The best thing about it is that John's delivery is pretty straight-faced and serious. Also had a legendary tongue-in-cheek [[https://www.youtube.com/watch?v=y_uM87NTFW4 music video]], complete with chicken brain transplant!



* His tale of assembling a "custom" automobile in "One Piece at a Time".

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* His tale of assembling a "custom" automobile in "One Piece at a Time".Time".
----

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Fun is always funnier with some expanded context. Well, mostly...


* "A Boy Named Sue."

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* "A Boy Named Sue."Sue".



* "Chicken in Black": "For two long years my head hurt bad, so a doctor checked me and he shook his head. He said, 'I'm sorry to tell you, but your body's outlived your brain'."

to:

* "Chicken in Black": "For Black", recorded as a TakeThat to Columbia Records, who had been treating him poorly for years. Ironically, it actually became a hit and raised his status with Columbia for a time. The best thing about it is that John's delivery is pretty straight-faced and serious. Also had a legendary tongue-in-cheek [[https://www.youtube.com/watch?v=y_uM87NTFW4 music video]], complete with chicken brain transplant!
-->''"For
two long years my head hurt bad, so a doctor checked me and he shook his head. He said, 'I'm sorry to tell you, but your body's outlived your brain'.""''
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* "Chicken in Black": "For two long years my head hurt bad so a doctor checked me and he shook his head. He said I'm sorry to tell you, but your body's outlived your brain."

to:

* "Chicken in Black": "For two long years my head hurt bad bad, so a doctor checked me and he shook his head. He said I'm said, 'I'm sorry to tell you, but your body's outlived your brain.brain'."
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None

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* "A Boy Named Sue."
--> "MY NAME IS SUE! HOW DO YOU DO!? ''NOW YOU'RE GONNA DIE!''"
--> "And if I ever have a son, I think I'm gonna name him... Bill! Or George! Any damn thing but Sue, I still hate that name!"
* "Chicken in Black": "For two long years my head hurt bad so a doctor checked me and he shook his head. He said I'm sorry to tell you, but your body's outlived your brain."
* His tale of assembling a "custom" automobile in "One Piece at a Time".

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