I have always had an interpretation of "He's Alive" that few people (as far as I know) have contemplated. As the spoilerized know, the ghost of Hitler directs the protagonist to become his ideological heir and start a new Nazi movement. But I never thought it was Hitler talking to the protagonist, especially after his famous line of "I invented darkness." Who could literally claim the mantle of inventor of darkness, who could appear in a form that the protagonist would be drawn to and offer limitless power? Satan.
This troper saw It's Still A Good Life from the Twilight Zone revival, and was initially confused by the behavior of Anthony's daughter, Audry. After a bit of thought though, her behavior suddenly made perfect sense. Throughout the episode, we see that Audry is the only one not afraid of Anthony and is able to subtly manipulate him (as shown when she keeps him from hurting someone in the bowling alley). In the episode's climax, she was put in a difficult position - she can defend her friends and grandmother and let loose her anger towards her father and punish him, but she also does still love her father and doesn't really want to hurt him. She knows that she can both send things to and bring them back from the cornfield. So she pitches a fit and pretends to side with him and sends everyone away, to show him the error of his ways. Anthony is clearly lonely and a bit afraid after she leaves them alone in the town, and as soon as he tells her as much, she brings everything back and convinces him to travel to New York. It was a clever plan that let him know the error of his ways without having to attack anyone permanently.
Why is the military covering up the crash in The Parallel? Because if they released the truth, that the ship crash landed completely intact after losing all contact, nobody would believe them and assume an even bigger coverup.
In "Five Characters in Search of an Exit", there's one scene where the Army major tries to get out of the cylindrical room by stabbing the wall with his saber, and the saber breaks like a twig. Now, the first time you see that episode, it gives you the impression that the wall is made out of some super-durable metal (lending credence to the Ballerina's theory that the characters are trapped in an alien spaceship). Then you find out the Twist Ending... Of course the sword snapped with one blow—the major was a doll, so his sword was made of cheap plastic.
A Nice Place to Visit adds a substantial Oh, Crap to the ending of The Sixteen-Millimeter Shrine.
The episode And When the Sky Was Opened involves three men slowly disapearing from existence. It's never explained exactly why, but it's implied that someone or something that controls the universe accidently let the men survive a space ship crash when they were supposed to die. To compensate for this mistake, this unknown force corrects destiny by erasing the three men and everyone's memory of them completly from reality. The thought of being erased from existence was already a terrifying idea to This troper. I just realized though that if something like this story happened in real life, there would be no way for any of us to know about it. You or I could have had a best friend for our entire lives who was wiped from existence the same way as the men in the episode, and nobody would realize it or be able to prove it.
In the episode "A Nice Place To Visit", Rocky Valentine, after spending the first few days in his personal paradise in the afterlife which is really an Ironic Hell, asks his spirit guide, Pip, how a thug like him managed to get into such a nice place, figuring that 'this place' would be more for schoolteachers or something. To which Pip says, "Oh, we have a few schoolteachers here." Let that sink in for a minute; at the time the episode aired (1960), schoolteachers were considered altruistic and number 3 on the list of adults that children could automatically trust, behind police and their own parents. The idea that there could be corrupt, evil schoolteachers would be Nightmare Fuel to some viewers.
The implications of being trapped in a frozen moment of time for all eternity is where the real horror of A Kind of Stopwatch lies. Not even McNulty deserved that!
In It's Still a Good Life, Anthony is able to manipulate the entire town to do as he wishes. They're all afraid of him and try to hide their hatred of him. But he was married and had a child before he sent his wife away.
The ending of "Caesar and Me," where Caesar convinces Susan to run off with him. In addition to the fact that the little girl implicitly agreed to kill her grandma, there's just something off about how Caesar, a dummy with the personality of a grown man, is offering to take a little girl to see the city, as well as the likelihood that the two would resort to crime as a way to make money. Susan may have been a brat, but that whole set-up can be easily seen as the beginning of a Break the Cutie scenario...
A clown, a soldier, a bagpipe-player, a ballerina and a hobo. Who donates a hobo doll to a little girls' charity, particularly in the 1960s?
It could just be a male doll of a destructive child or pet to ruin the clothes of?
Such characters were modestly popular in entertainment at the time, including children's entertainment.
Ok, so Anthony is a godlike child with the ability to turn people's lives upside down..but Why Don'tTheyJustShootHim? It's not like they weren't capable, they could've just shot him when his back was turned or something. He isn't omnipotent, per se.
He's not omnipotent but he is telepathic and can sense when someone is thinking bad thoughts especially about him. "Let's shoot the kid" would definitely qualify as a bad thought. You'd have to be really quick.