The Villain Song by the two priests (Playing with the big boys now...) didn't seem that amazing to me, it was more calling on their gods and doing some sleight of hand than anything particularly impressive happening. It might have just been that it was hard to make coolness contrast, given the soundtrack. Then I realized: This is a Bible story. These are priests calling on their gods in the face of a prophet. Of course it feels fake.
The blinding light in the sequence was the magicians' way of switching their staffs with snakes.
For the longest time, during the song "Playing with the Big Boys Now" I assumed the priests themselves were the 'big boys' named in the song. It was only after rewatching the film again that I realised that the Big Boys are Egypt's gods - which adds another dimension to the sequence, since the Big Boys that the magicians proclaim as giving them great power prove powerless before the one true God, who swallows their snakes!
In "When You Believe", the phrase, "We were moving mountains long before we knew we could" is sung. What were the Hebrews doing at the beginning of the movie? Building Egyptian architecture, which tended to involve cutting out massive blocks of stone from a quarry by the thousands.
Also, it could double as a reference to Matthew 17:20, which states that faith the size of a mustard seed can uproot a mountain.
Rameses is against anything that will make him look like "the weak link in the chain" because he wants to live up to his father's hopes, but his inability to bend and change was his downfall. In short, the kingdom fell, not because he was weak, but because he was strong. Or rather, he valued strength far too much. He had neither the wisdom nor the confidence in himself to realize the strength that lies in gentleness and mercy.
More Fridge Brilliance: Why is God voiced by Moses' voice actor? The same reason God was represented by a burning bush. It was a form Moses was comfortable with. What is more comfortable and secure than the sound of your own voice?
That's not the first time it happens. Moses' nightmare in which he learns the truth of his parentage and what happened to the Hebrews ends with Moses flying in the disk of Aten, that, in one (forcefully eradicated) variant of the Egyptian religion, was worshipped as the One True God, Creator and Bringer of Life. God was telling him who had sent him the dream in a way he could understand.
Water seems to represent some connection with a home:
Moses is found by Queen Tuya in the moat and immediately adopts him into the family. Thus, Moses enters find another home.
Moses tricks Tzipporah into falling into the moat. The next scene? He helps her escape so she can return back home.
Moses accidentally falls into a well. He is then welcomed to join Tzipporah's home and (eventually) her family.
The famous parting the sea. God helped lead Moses and the Hebrews to a newer home.
When I re-watched the movie again I was curious on why Moses looked older than Rameses, despite being the youngest. Then, I realized it was because of their effect on one another's character. Without, Moses, Rameses didn't mature into a better person; so his growth was stunted. And without his older brother, Moses was able to grow up.
It could also be their difference in lifestyle. Rameses remained pampered at the palace, while Moses had to do physical work for a living out in the desert. In the hot sun, no less! Then again, hard work builds character, as they say, so Moses' time in the desert helped him age both physically and emotionally much farther from Rameses.
Also, facial hair really "adds years" to ones appearance (speaking from experience).
As a kid, I loved Miriam's spunk and detested Aaron's cowardice. Miriam is always willing to stand up for truth, justice, and freedom. Aaron is constantly apologizing, groveling, and allowing injustice without a fight. When I grew up, I wondered how is she still alive? Realistically, Miriam should have been beaten within an inch of her life and/or killed for her insolence years ago. Then I realized Aaron is always there making excuses and apologies for her (like when she first meets "Prince Moses") or holding her back (like when he keeps her from trying to stop the old man from getting flogged). While the other characters and narrative scorn Aaron for his groveling and cowardice, it's possible he HAD to become that way to keep his sister from getting herself killed. Suddenly I had a lot more respect for the guy.
It just occurred to this troper that when Aaron asked Moses, "How does it feel when you get struck to the ground?" he may have been specifically referring to when Moses threw Miriam to the ground years before, rather than only in a general sense. Big Brother Instinct indeed.
In the scene where Moses and Rameses are touring the construction site, just after Rameses has been made chief architect and Moses has found out about his true heritage, it seems like Moses and Rameses are on totally different pages. Rameses is excited and optimistic, planning a grandiose new building project. Moses is depressed and ashamed, focused on the suffering of the slaves surrounding them. But really, they’re focused on the exact same thing—the damage done by the chariot race (one one hand), and the heritage they have to live up to (on the other hand). They’re just coming at it from opposite angles: Rameses is work-focused, thinking about what he can contribute to the Pharaonic legacy, while Moses is people-focused, thinking about what he has contributed (harmfully) to his people’s well-being. It also demonstrates how, throughout the movie, Rameses in consistently self-focused, while Moses is consistently focused on others. To this troper, this one scene epitomizes how Moses and Rameses are polar opposite people with very different destinies despite both being leaders and both growing up together in the same context.
During the first half of "When You Believe," many of the newly freed Hebrews seem to be in a daze, as if they're not quite sure what to think of being free. Many seem hesitant, and while some actually seem happy, none are ecstatic or "jumping for joy," etc. Viktor Frankl, who was a survivor of the Nazi concentration camps, wrote in Man's Search for Meaning that when the Nazis overseeing his camp surrendered and fled before the Allied forces arrived, the newly freed prisoners experienced this same thing:
"'Freedom'—we repeated to ourselves, and yet we could not grasp it. We had said this word so often during all the years we dreamed about it, that it had lost its meaning. Its reality did not penetrate into our consciousness; we could not grasp the fact that freedom was ours... In the evening when we all met again in our hut, one said secretly to the other, 'Tell me, were you pleased today?' And the other replied, feeling ashamed as he did not know that we all felt similarly, 'Truthfully, no!' We had literally lost the ability to feel pleased and had to relearn it slowly." (Italics added)
Then there's the fact that the Hebrews, at this point, had never experienced freedom, and life outside of Egypt. It was what they were familiar with. So, even without the burden of taskmasters over them, the prospect of heading out into the unknown, never to return, would be difficult to be overjoyed about.
As a kid, I didn't understand why Moses reacted more strongly to Miriam singing Yocheved's lullaby than to her saying that he was her brother. Then when I re-watched it, I noticed Moses humming the melody just after speaking to his Pharaoh father. He remembered, at the very least subconsciously. He must have spent whole his life inexplicably knowing that song, and now he hears again from the only one other source — a slave woman. Miriam's story by itself could easily be ignored but the song confirmed that story by providing a link between her and Moses. That's why he panicked.
Rameses' reactions to the Plagues: he looks sure and safe through most of them (until the final one, that's it), but the Mosquitoes, the Darkness and the Hail of Fire scare him and the Boils enrage him. It seemed strange that he could shrug off the others (especially the Locusts) but react to those, but three of them hit his beliefs hard: the Darkness? In his own words, Rameses is "the morning and the evening star", and as the Pharaoh he's the living incarnation of a number of sun and sky gods, and yet he can do nothing about this; the Hail of Fire? Hail and storms are the dominion of Seth, that at the time was not only not demonized yet but one of the most important gods of the Egyptian pantheon, from which Rameses' own father had been named after; the Boils? They fall under the dominion of Thoth, that is both God of Medicine and administrator of justice, and he's furious because he can't see what he did wrong to call for the punishment of that one god. As for the Mosquitoes, why did he show fear of that one before steeling himself? I had to rewatch the scene many times, but finally I got it: he was scared for his son, and was preparing to defend him with everything he had.
Also, the reaction of him and his guards to the First Plague: Rameses was indifferent and the guards were initially puzzled before realizing it was blood, at which point the guards panicked and Rameses demanded an explanation from the priests. The thing is, the Nile would become red once per year, right before the flooding (the red is the silt). That's why Rameses was indifferent and the guards puzzled: Rameses hadn't seen where the red had started to spread from and initially associated it with the flooding, and the guards were asking themselves why the sign of the flooding was spreading from the guy they were supposed to arrest. Then they realized that not only it wasn't that time of the year and that the Nile had become red of blood and not of silt, upon which the guards panicked and Rameses started having doubts.
The dying gasps in the scene with the Angel of Death. It's kind of a Freeze-Frame Bonus, but when the Angel of Death passes, it sucks their soul out. The dying gasp refers to the Hebrew concept of the soul leaving with the breath. And it also provides a (very small) Pet the Dog moment for the Angel of Death, as the way it's killing the children is both gentle and painless.
Moses being completely unhurt after a trip down the incredibly dangerous Nile River in a little basket looks highly improbable - that's the point. The fact that he even made it to the palace must have been what convinced the queen that he was sent to her from a higher power and she was right; she just got the source wrong.
That sequence of young Miriam watching her brother endure all that crap in the Nile, looking terrified as hell? At first glance, we may be used to it, because we've seen terrified characters before...but think about it. This is a terrified young girl who is watching helplessly as her infant brother narrowly miss getting nommed by crocs and hippos, being knocked around by oars, then raised up onto a net before dropping back into the Nile.
In the beginning of "All I Ever Wanted" Moses accidentally knocks over an old Hebrew man on the streets as he's running away from his sister. The man cringes in fear, as though he's expecting to be beaten. Moses might not seem imposing to the audience, but he's a prince of Egypt, after all. He’s one of the most powerful men in the world and has no reason not to horribly punish a random slave just for making him trip.
Moses seems to be Rameses's emotional support or Morality Pet during their youth. Rameses says so later that Moses was always the one who got him out of trouble and made him feel better. Well, it's very likely that Moses running away robbed Rameses of his only friend - thus turning him into the cynical tyrant he is years later.
Aaron's behavior early in the movie. As a kid? Kinda funny to see him acting like a complete doormat towards Prince Moses by first calling Miriam crazy from overwork and immediately adding "not that we mind the work, we quite enjoy it," and generally acting like a spineless coward. As an adult? You realize that this is the best way he knows to survive. Just look at the way he turns frantically to his work when the overseer starts beating the old man—he's seen things like this before and he can't do anything about it without getting himself and maybe his sister killed, so his only defense is to not watch.
Tzipporah was a Sex Slave. It's unknown whether or not she was captured specifically for this reason, but it is apparent (given Hotep's description of her, and probably her outfit too) that this was why she was brought into the court. She's aware of this, which explains both her rage/indignation and her fear (see the Oh Crap look she gives when she hears she's being sent to Moses' chambers).
At the same time (and this definitely counts as Fridge Brilliance), Hotep and Hoy seemed aware of Tzipporah's fiery, indomitable nature. Thus, they knew that she would cause Rameses grief—hence, they chose her as their "offering" to him in order to get back at him for his shenanigans. (This is why they're so excited to get her.) But that being the case, it's doubtful they expected things to end well for her, so this goes right back to being Fridge Horror.
During the mocking of Tzipporah, Queen Tuya is the only one who isn't laughing, she just looks on in silent grief. This single look probably speaks volumes of her personal life.