Fridge: The Lord of the Rings
- ->"You will never get it back. At the last need, Sméagol, I should put on the Precious; and the Precious mastered you long ago. If I, wearing it, were to command you, you would obey, even if it were to leap from a precipice or cast yourself into the fire. And such would be my command."
- So Gollum's fall into the Cracks of Doom was his obeying a command that Frodo (who still had the Ring on his finger, even if the finger wasn't attached) had given to Gollum some time back - to leap from a precipice and cast himself into the fire.
- Later than that, when Gollum attacks the duo in Mordor, Frodo tells him that if he touches the Ring again, he will be "cast into the fire". And that's exactly what happens. Effectively, Frodo uses the Ring to curse Gollum, in order to prevent his regaining it. And ultimately, that means that the malice of the Ring was its own undoing.
- This is also the one time that Frodo uses the Ring's true power. Invisibility and long life are side-effects (Sauron didn't need either power when he made the Ring). The real power of the Ring is to command. Perhaps this was the moment that Frodo crossed the line, making himself unable to throw the Ring away when the time came.
- Gollum's fall into Mount Doom serves as a fitting character arc for him. On one hand, he's an intensely tragic character who does show some hints at redemption and loyalty towards Frodo. At the same time, his obsession and corruption from the Ring are central to his character and he can't simply redeem himself due to its irrevocable damage. Thus, his final fall manages to fulfill both purposes; his reuniting with the ring manages to satisfy his base desire, while his inadvertent sacrifice to destroy the ring maintains at least some form of redemption. Gollum "possessing" the ring in any other fashion would've clashed with Frodo's wishes.
- The book specifically states "Sam saw the rivals with other vision. A crouching shape, scarcely more than the shadow of a living thing, a creature now wholly ruined and defeated, yet filled with a hideous lust and rage; and before it stood stern, untouchable now by pity, a figure robed in white, but at its breast it held a wheel of fire. Out of the fire there spoke a commanding voice. 'Begone, and trouble me no more! If you touch me ever again, you shall be cast yourself into Mount Doom.'" In other words it was not Frodo who cast the curse that sent Gollum to his death but the Ring itself having tired of him as Gandalf said it did. In the end the Ring with the help of Eru ex Machina destroyed itself!
- As you read the series, you come to realise that almost all the good races have at least one twisted, corrupted counterpart - Orcs, if you go with the published version of the Silmarillion, are Elves ruined by Morgoth, or at any rate were made in envy and mockery of the Elves; the Nazgûl are the evil counterparts of men, Trolls those of Ents, the Balrog is an evil Maia and therefore the ruined counterpart of Gandalf, and Gollum is a corrupted Hobbit. Dwarves are the only race that don't have an evil counterpart. In The Silmarillion it's revealed that Dwarves weren't designed by Eru in a time before evil, but by the lesser being Aule who knew he was sending his mortal creations into a world with The Corruption and built them spiritually as well as physically tough.
- The Sackville-Baggins' pretensions towards respectability and their political ambition are symbolised in their name: "Sackville" is partly "Baggins" translated into French (Fr. "sac"= Eng. "bag"), and with the suffix "-ville" (Fr. "ville" = Eng. = "town"), it implies that instead of Hobbiton, they want to live in Bagginstown. No wonder one of them gets himself elected mayor.
- The Rings of Power are pretty much the embodiment of Be Careful What You Wish For: they latch onto the primal racial desires of their Bearers, give them the means to achieve them, then give them an all-too-appropriate downside. This is also the reason Gandalf feared the One Ring so much he won't even touch it: as a Maia, wielding greater power than any Elf or Man ruler and the innate sense of superiority of a god, he (or Saruman as well) might have turned into a tyrant just as great as Sauron if the Ring dominated him.
- Mortal Men desire temporal power and long life. The Mortal Ringbearers are turned into the Nazgûl. They are deathless and immensely powerful, but they are basically ghosts in the thrall of Sauron: devoid of any real physical form, personality, or will of their own.
- Dwarves are miners, craftsmen, and merchants. The Dwarven Rings bring their Bearers great wealth and renown. They also bring their Bearers unchecked greed and paranoia, hostility with other races, and ultimately ruinous warfare with Orcs and Northmen.
- Elves want simply for things to continue as they are, unchanged. The Elvish Ringbearers are the leaders of the last three great Elven kingdoms in Middle-Earth, and are able to maintain their realms in peace and relative safety from the outside world. However these realms are little more than havens, little bubbles of Elvish culture in a changing world... and the Ringbearers can't do much outside of those bubbles. They have become isolated, withdrawn, and unable to affect the world at large. For the most part they don't even leave their realms; they simply live in the past, unable to deal with the present.
- And Hobbits just want to be left in peace, unnoticed, invisible.
- At first, Gandalf comes across as simply the prototypical grumpy old wizard. But upon a closer reading, you understand the real genuine reasons behind his grumpiness: he's the only wizard left who's actually doing his job. Of the five Istari, one turned evil, one went native, and the other two just wandered off somewhere. Gandalf is doing the job of five people all by himself. He's traveling far and wide, perhaps even the entire length and breadth of Middle-Earth, gathering information, rallying the Free Peoples, dispelling evil... and he's doing it all while constrained in the body of a wizened old man. No wonder he's cranky. He's got no time for your silly little Hobbit nonsense; he's trying to save the world here!
- When Frodo, Sam and Gollum are crossing the Dead Marshes a Black Rider flies overhead, around the hills and back to Mordor. A few days later, when they reach the Black Gate, another one flies over them, but this time it keeps going... to fly over the rest of the Fellowship after Pippin looks into the Palantír that evening. The Black Gate is northwest of Barad-dûr, and further northwest is Isengard.
- It seems kind of silly that Tolkien made the One Ring's power invisibility, considering it's toted as a power great enough to rule all of Middle Earth, but the professor was actually referencing Plato's logical questioning of morality in The Republic, the parable of the Ring of Gyges. The One Ring acts as the ultimate temptation to do whatever you want, so it is the ultimate test of one's morality! Gollum used the Ring for evil, since it helped him steal and kill whatever he wanted. Bilbo used the Ring to aid his friends and fulfill his quest, but later used it for more selfish purposes like avoiding nasty relatives and eventually had to give it up for the sake of his own sanity. Frodo went out of his way to avoid using it, and only ever used it by accident or under duress. Sam only ever used it once to save Frodo and then easily gave it up once Frodo was rescued.
- It makes some sense that the One Ring's default set of powers were invisibility and long life. The greatest threat to the Ring isn't being found by an Elf or Maia...such a powerful being would eventually be twisted into challenging Sauron, so it'd get back to Sauron that way. Its greatest threat is ending up in the hands of a nobody who'd never use it to command anybody, so Sauron would have no way to find it. Invisibility and long life are two things most mortals would want, but they're also two powers that people would eventually talk about...just like Hobbiton is talking about Bilbo at the beginning of LOTR. That way, all the Nazgul have to do to find the Ring is ask around about rumors about unusually old people with a tendency to vanish into thin air.
- In the Houses of Healing Pippin says of Aragorn, "Was there ever anyone like him? Except Gandalf, of course. I think they must be related." Aragorn is a descendant of Lúthien, and so of Melian the Maia, so in a way they are related.
- When Elrond warns Gimli against taking an oath to fulfill their quest he isn't just speaking in general but from experience. He knows someone who was broken by their oath, his foster-father Maglor. Not just that, but the Oath of Feanor just about destroyed his whole family on his mother's side. The Oath drove the Host of Feanor to topple not one, but two of Elrond's ancestral kingdoms and separated him from all of his direct relatives besides his brother.
- One common Headscratcher is "Why didn't the Eagles just take the ring to Mordor?" According to one theory, Gandalf secretly planned on taking the fellowship to where the eagles live and having the eagles fly them to Mordor. The eagles lived on the other side of the Misty Mountains but all the routes for crossing them were too dangerous and difficult, and Gandalf (along with his secret plan) ends up falling down a chasm in a battle with the Balrog. Just before falling with the Balrog he tries to surreptitiously tell them the secret plan ("Fly, you fools!") but was too surreptitious and they didn't understand. When he came back as Gandalf the White he had forgotten many things, including everything from his name to the plan to meet the eagles. Furthermore, we hear in "The Hobbit" that eagles aren't always kind and can be cruel and cowardly. It makes sense then that Gandalf doesn't want them near the ring. He can't risk the eagles being corrupted by the ring.
- A point made at the Counsel of Elrond is the need for subtlety in moving the ring to Mordor. Eagles or other flying creatures would likely draw attention and interception (if not the Nazgul on their flying steeds, then some other flying monstrosity we never meet in the books). This may also be why the Fellowship consists of mostly low-powered characters...an escort of elf princes, or something like, might've gotten Frodo through more dangers more easily, but also would've detected by Sauron through magical or spiritual means and then overwhelmed.
- In Cirith Ungol, Sam is talking about the old stories and Galadriel's light and suddenly realizes that with the phial, Eärendil's story is still going on and they're just in a new part of it. Well, Eärendil's light is from a Silmaril. A Silmaril's light is from the Two Trees of Valinor. In other words, Sam and Frodo are using the light of the Valar themselves to fight Shelob and break the Watchers' invisible gate. (As to why it fails later, a cup of the stuff, as powerful as it is, still isn't enough to overcome the ocean's worth of Sauron's darkness when they're on his doorstep.)
- Why has Radagast disappeared from his home? Other material reveals the Battle under the Trees in Mirkwood was going on during the War of the Ring and two Nazgul went to Dol Guldur. We know Radagast is devoted to animals - speech with animals is his 'thing' as fire is Gandalf's and mental influence is Saruman's. Maybe with the coming battle he went into Mirkwood to protect the animals.
- Crossover with Fridge Horror: J. R. R. Tolkien was a close friend of C. S. Lewis. And in the Nazgûl, we see men whose souls Satan devoured before they died.
- Why does Sauron only have nine fingers? The same reason none of Morgoth's injuries never healed - they are both completely consumed by their rebellion against Eru, the Giver of Healing.
- Witnessing Théoden's death probably had a lot to do with Éowyn's Character Development later on. Before that, she saw war as a valorous thing and preferred the idea of dying in battle to possibly leading her people as Queen if both Théoden and Éomer died at Minas Tirith. Théoden's death was sudden, brutal, ignoble, and unavoidable. Her own almost-death sent her brother into a rage, causing him to nearly lead a suicidal charge of his own. Seeing the former and hearing about the latter probably convinced her that war is not a good way to live, man or woman.
- So, Uruk-hai are supposed to be crossbreeds of orcs and humans. Just what exactly did the process of their... um... creation involve?
- On a related note, we don't hear of any human women accompanying the ruffians who take over the Shire. One wonders what kind of comfort they sought.
- The passages involving the Dead Marshes and the Morannon are depressing and bleak... but when you find out that they are based on Real Life -Tolkien's personal experiences in World War I specifically-, they become horrifying.
- There are - were - dungeons in Barad-dur, where prisoners were kept until their usefulness had expired. Squish.
- Which is probably a far preferable option for anyone who's spent any amount of time in there.
- Orlando Bloom's performance is rather stiff, but he becomes much more expressive whenever Legolas is speaking Elvish. So it might be that Legolas himself is inexpressive because he's not very comfortable speaking Westron. (Elves are known to be very insular, and Elrond and Arwen might be better at Westron because they're leaders and expected to have contact with the outside world. Meanwhile, Galadriel is magic.) Now that the Hobbit is out we know that he was raised away from the other races, was a bit racist towards Dwarves and later befriended a young Aragorn. That explains why he is so reserved all the time but gets emotional when Aragorn is insulted (the Council), presumed dead (the Cliff) or in danger (Pelennor Fields). He is more comfortable around Aragorn but not around the others because he doesn't know them at all. He does start joking with Gimli once they start up a friendship. Everything is done for a reason.
- May It Be by Enya is already an emotional, soothing and hope-inspiring song. But when you realise it's sung from the perspective of Galadriel offering the light of Eärendil to Frodo, it becomes that much more poignant and moving.
- Explosives and wizards:
- In The Two Towers, there's a scene where Saruman is preparing explosives. Wormtongue is curious (he's never heard of explosives before), and leans over, and Saruman looks at him funny. It looks like Saruman was implying "You're an idiot for not knowing what explosives are." But Wormtongue is holding a candle, and if he had leaned just a little bit farther over, it would've really changed the plot of the movie. This also doubles as a great moment reinforcing the "practical wizard" aspect: although it might look like magic to the natives, Saruman isn't just waving a wand around and repeating mumbo jumbo, he's using real intellect. It helps sell to the audience that there might be similar principles behind other things they can do, and ironically that it's NOT simply a case of A Wizard Did It.
- This makes more sense when you know Saruman is a Maia of Aule, the Smith Valar. Of course he knows more about technology.
- Also note the contrast between Saruman's knowledge of gunpowder and Gandalf's fireworks in the first movie. Both operate on the same principles, but Gandalf uses his knowledge for art and entertainment, while Saruman uses it as a weapon of war. It really underlines the differences between the two wizards' thinking.
- There's a whole layer of depth to Merry and Pippin's story arc that you don't realise first time around.
- Up until the moment where Gandalf separates them, they are practically attached at the hip, with Merry always looking after Pippin (nearly ten years Merry's junior). When they are separated, Merry finds a new close friend in Éowyn and Pippin does the same with Faramir. Pippin ends up looking out for Faramir and even risking his own life to save him, by getting up on the pyre. Meanwhile, Merry lets Éowyn take care of him (even stated in dialogue - "Whatever happens, stay with me. I'll look after you.") After the Battle of Pelennor they are reunited, and it is now Pippin who looks after Merry. This is something Peter Jackson cultivated for the actors. During the filming of the first movie and beginning of the second, Jackson had Billy Boyd and Dominic Monaghan stay together as much as possible. They became good friends as a result. Once Pippin goes off with Gandalf, Jackson kept them apart until they filmed there scene after the Battle of Pelennor Fields. Reportedly, one of they first things they did was argue about whose armor was cooler looking.
- Boromir dies to save Merry and Pippin (and actually does save them, since that orc seemed intent on hacking them to pieces when Boromir showed up). The Hobbits are later freed from the uruk-hai thanks to Éomer attacking. Pippin goes on to save Faramir's life and Merry to save Éowyn's. Faramir and Éowyn then fall in love. Thanks to Boromir and Éomer aiding the Hobbits, their siblings survived the war and ended up married.
- Éowyn and Merry are developmentally the same age; she is 23 and Merry is 37, (since hobbits' life cycles are about twice as long as that of humans); meanwhile Faramir and Pippin are both, in a sense, little brothers.
- While the charge of the Rohirrim has is one of the most epic movie moments ever, a lot of people thought it was slightly deflated by the ridiculous reaction shot of the stunned Orc commander. He couldn't really believe that three volleys of arrow fire would turn back the charge, could he? But from his position at the bottom of the hill, he couldn't see the vastness of the Rohirrim army. He couldn't imagine that Rohan could field a much larger force than the one Gondor sent to attempt to retake Osgiliath, which he had easily slaughtered. For Rohan to commit so many troops to the battle, they would have to leave their own lands undefended for the benefit of an ally, a risk that he couldn't imagine taking. So he's stunned not just by the fearlessness of the charge, but by the fact that so many Rohirrim are there at all!
- The scene near the start where Bilbo drops the Ring is one that is very, very unsettling. Something's not right, but you can't quite put your finger on it. Later, usually on another watching, you finally realize what it is: It does not bounce. It simply falls and stops. It's a fantastic underscore to the fact that the Ring is very unnatural. (The effect, incidentally, was created by using a very strong magnet under the floor.) It's meant to express the Ring's symbolic weight, both in importance to the Middle-Earth's fate and as a burden on Bilbo's, and later Frodo's shoulders. In The Return of the King, you can actually see scars on Frodo's neck, caused by chafing of the chain due to the Ring's heaviness. Specifically, it starts getting much heavier once Sam and Frodo have passed Sauron's tower and are continuing on towards Mount Doom. The burden of carrying the Ring isn't just growing because Frodo's had it for so long, it's because the Ring is trying to protect itself by hindering their travel. This might even resolve the Lava is Boiling Kool-Aid effect when Gollum falls into the Cracks at the end: while Gollum should be lighter than lava and not sink into it, the Ring is forcing him under with its unnatural weight, desperate to delay its own destruction for a few more seconds.
- At first the impact of the ring on Frodo seems rather extreme, but aside from Bilbo (who only handles it before Sauron's rise to power), and Gollum (and look what happened to him), Frodo is the only one to ever touch the ring. Everyone else just comes close to touching it, then pulls away or is forced away somehow. Well, except for Sam. He carried/wore it while Frodo was being held prisoner in the tower. Of course the only time he actually touched it was when he held it in his hand while confronting the Orc. He'd also shown himself resilient to the Ring when he resists becoming "Samwise the Strong" with a "garden of his delights", and he didn't carry it for very long anyway. Also, like Bilbo, Sam gave up the Ring willingly, which (combined with the very short time he held the Ring) accounts for its lack of lasting impact.
- There's European folklore explaining you have to kill a wizard three times to keep him dead. Interestingly, Saruman in the movie is stabbed with a knife, falls from a great height, and gets impaled on a spike. Naturally, an actor famous for playing Dracula gets impaled right in the chest...
- When Gandalf shows up at Mt. Doom, there are three eagles. The first, ridden by Gandalf, grabs Frodo. The second grabs Sam. Why the extra eagle? Just in case Sméagol had been redeemed by Frodo. Gandalf sees many possibilities.
- Why, when Frodo offered Galadriel the One Ring, did she mention about becoming "beautiful and terrible as the dawn"? What's terrible about dawn?
- Ask a Troll that same question... With Galadriel as a Dark Queen, all the Races of Middle-Earth may come to feel the same way a Troll feels about the morning rays. According to the backstory in The Silmarillion, Galadriel was older than the Sun, and actually saw what the first sunrise did. The light of the sun transforms everything that it touches - everything. The fact that it's nice happy sunlight doesn't lessen the impact.
- It is noted in The Silmarillion that while Men, awoken by the first rays of the sun, see sunrise as a symbol of new hope and a reason to rejoice, the Elves, who first saw only the stars, see it as a symbol of the end of their domain.
- This is probably also a case of the way characters in Middle Earth speak in archaic language. The original use of the word "terrible" meant awe-inspiring, begetting a feeling of insignificance and/or terror in those who see it. Being an amazing spectacle of nature, dawn can indeed be quite "terrible."
- The flag of Rohan is a white horse upon a field of green with the sun shining behind it. What happens at the end of the Two Towers? Gandalf, riding a white horse, leads the cavalry charge of the green-cloaked Rohirrim to Théoden's aid, with the sun rising behind them. Also happens in Return of the King, with Théoden, riding Snowmane, leads a mass of green cloaks with the sun rising behind them (albeit from the wrong direction).
- In the film of The Two Towers, Aragorn begs Théoden to ask Gondor for aid, and he retorts, "Where was Gondor when the Westfold fell? Where was Gondor when our enemies closed in around us? Where was Gon..." and then cuts himself off. The end of that sentence, the part he couldn't bring himself to say, was, "...when my son died."
- The Throw It In of Gandalf's hitting his head on a ceiling beam in Bag End was a happy accident that managed to achieve three things:
- It was funny.
- It reinforced the size difference between humans and hobbits by showing that humans don't fit comfortably into spaces designed for hobbits.
- It suggested that Gandalf is not all-knowing and that he can be taken by surprise. Thus, it's all the more believable that he is completely blindsided by Saruman's betrayal and that he doesn't see it coming when the seemingly defeated Balrog uses his whip to pull Gandalf off the Bridge of Khazad-dûm.
- What happens to Gollum upon falling into the lava of Mount Doom is surprising: He doesn't die right away and doesn't even seem to notice the excruciatingly hot lava that engulfs and slowly kills him. It makes sense, however, if the Ring's bestowing of "unnatural long life" to Gollum not only extended his years but also made him extremely difficult to kill. That would also explain how he survived what should have been a fatal fall outside Shelob's Lair; and it makes Gollum's death a foreshadowing of the Ring's own similarly slow death by lava.
- When watching Cate Blanchette's performance as Galadriel, something seems very odd about her. Her movements, mannerisms, and even how she speaks all seem off somehow (for example, her conversation with Frodo when he looks into her mirror). Something is also different about her eyes in the scene in which she greets the Fellowship, and a closer look reveals that she's the only character in the scene whose eye shine is made up of a globe of dozens of individual points of light. Everyone else's eyes (even Celeborn's) reflects a single point (this was a conscious decision by the video effects team). Then you remember: Aside from Gandalf and Saruman (and of course, Sauron), Galadriel is the only character we see in the films who has been to Valinor (she was born there), and it's made clear in the books that Elves who came out of the West are literally living in two worlds at once. Galadriel seems so odd and other worldly because she literally is living in two different worlds. Blanchette is invoking the Uncanny Valley to show that Galadriel is a woman who doesn't quite live at the same level of existence as those around her.
- Another thing they did to invoke the Uncanny Valley was her scene with Frodo predicting the future - normally scenes are filmed in 24 frames per second but that scene was filmed at 36 fps followed by 48 for her 'Dark Queen' moment. Why would the film-makers do this? Because when played at 24 fps the footage seems slower than it actually is to give Galadriel the allusion of being a being of endless age and wisdom.
- In the books, Aragorn refuses to hand over Anduril when Hama the Doorwarden asks the party to disarm before meeting King Theoden. Aragorn then clarifies that he would gladly comply with the rules of the house "were it only a woodman's cot" if he had any other sword but Anduril. In the film, Aragorn does not have Anduril yet at that point, and he hands over his own sword without a fuss.
- Why is Saruman so incapable of understanding the Ents and why does he prove to be such a Horrible Judge of Character when it comes to them? When the Dwarves were created, Yavanna, Vala of Nature, asked for her beloved trees to have a line of defense since trees are felled all the time and cannot protect themselves- so were the Ents made. She told her husband Aulë that no love will there be between her children, the Ents, and his children, the Dwarves, and the Dwarves will have little regard to things Yavanna hods dear because Aulë kept their creation in secret from her. Saruman was a Maia of Aulë- what if this means he, too, has little understanding of nature and Ents?
- The scene where the Corsairs of Umbar (well, their ships anyway) arrive at the Battle of the Pelennor Fields shows the orcs showing an Oh Crap! expression when Aragorn, Gimli, and Legolas step off seems a bit comical at first, since they're essentially showing fear of three people (remember, they don't even know about the Army of the Dead thing yet). Taking a moment to see it from their view, it suddenly becomes a lot more understandable: "Wait, these aren't the people we were expecting! Who are these people? What have they done with our reinforcements?"
- The extended films (well, at least in the box set) has each film divided onto two discs, which seems kind of odd aside from the obvious space limitations... until you remember that each part of the book was divided into two possible books, six in total. 6 DV Ds, 6 books as intended by Tolkien.
- The Account of Isildur which Gandalf reads, where Isildur details his claiming of the One Ring, has some disturbingly familiar language in it. Although it's a bit more formally and flowery-worded, the Account is basically Gollum's ranting about the Ring; Isildur at one point says that it is Precious to him. He's only had the Ring for a short time and already it's starting to warp his mind.
- There are many parallels in Smeagol and Frodo's stories. Both Hobbits, both with one dear best friend, both driven mad by the One Ring... What would have happened if Gollum hadn't gone with Frodo and Sam on their journey, if Sam had been left alone with Frodo? Would Frodo have wound up killing Sam the same way Smeagol killed Deagol, and ultimately would the Ring have remained with Frodo until Sauron had reclaimed it? Having Gollum along, a trio instead of a duo, changed the dynamics and thus the outcome of the whole story.
On the headscratchers