A movie from 1988 produced by George Lucas and directed by Ron Howard about a young farmer named Willow Ufgood (Warwick Davis), one of a hobbit-like people called Nelwyns, who is drawn away from his sheltered home to save Elora Danan, a baby girl with a destiny, from the evil Queen Bavmorda (Jean Marsh) who would see her destroyed.Willow is aided by the disillusioned swordsman Madmartigan (Val Kilmer), who has turned to a life of roguery, sorceress Fin Raziel (Patricia Hayes), who has been turned into a possum by Bavmorda, as well as two diminutive brownies Franjean and Rool. They are initially thwarted, but later joined, by the queen's daughter Sorsha (Joanne Whalley). As their journey continues, they face troubles and hardships beyond what any of them had imagined. Through it all, they find love, friendship, and wisdom. In the end we learn that the people we would never suspect are sometimes the bravest of all.Notable for many reasons, including the use of dwarf actors as major characters, as well as one of the breakout films for Val Kilmer (who played the Jerk with a Heart of Gold Madmartigan). Despite performing poorly at the box office it quickly became quite a cult film, if the books were any indication. The current reception is that it is a fun, enjoyable story with some great casting and was very well made for its time and still holds up well today.This film has had three game adaptations: one in 1988 by Mindscape for the Amiga, Atari ST and DOS; two in 1989 by Capcom for the Arcade and NES. The Arcade one is a side-scrolling action game, while the NES game is more of an Action RPG.There is also a trilogy of sequel novels by George Lucas and Chris Claremont. They do provide a great deal of additional Character Development, as well as World Building that the movie lacked.Not to be confused with the Cute Witch from Buffy the Vampire Slayer or the daughter of Will Smith.
All Swords Are the Same: Inverted when Madmartigan tries to use Airk's sword to avenge his friend's death against Kael. Airk's sword is kind of armored gauntlet with a long swordblade coming out of it called a pata, and initially Kael kicks Madmartigan's ass while trying to rely solely on it, up to and including breaking the sword's blade in half. Once Madmartigan started Dual Wielding the weapon with a regular sword though, he really started to kick some ass.
Animate Inanimate Object: In the last battle a stray bolt of magic turns an urn on legs into a moving creature that Willow briefly fights.
Arrogant Kung-Fu Guy: Madmartigan. "I'm the greatest swordsman who ever lived!" He may well be, too.
Bad Ass: Madmartigan. Among his deeds we have him single-handedly hold off General Kael's entire army, killing a two-headed dragon by himself, and eventually killing fellow badass Kael in single combat.
Baleful Polymorph: Finn Raziel has fallen victim to this. She changes shape several times over the course of the film.
This is pulled on the good guys' entire army near the climax.
Berserk Button: Played for laughs when Llug discovers Madmartigan's true gender.
Llug: Not a woman!
Madmartigan: Gentlemen, meet Llug.
Llug then spends the entire barfight continuing his rant. Hilarious.
Big Damn Heroes: When Rool & Fanjean return with Airk and his army to even the odds.
Chekhov's Gun: Subverted in the magic acorns; although Willow tries to use them in several situations, and they work, he is unlucky and misses against everything but the Big Bad, who is powerful enough to shake off the effect.
Chekhov's Skill: The pig trick. Willow actually screws it up when he tries to perform it for his fellow Nelwyn at a festival, but later succeeds when it's a matter of life and death.
To be fair, he actually succeeds in the pig trick - it's the pig itself that gives the trick away.
It also might not have been entirely a trick the last time. He falls to the ground clutching his wrist in pain afterwards, just as he does several times when using the wand goes slightly wrong.
The Chosen One: Elora Danan is prophesied to bring about Bavmorda's end. However, see the Prophecy Twist entry below.
Contemptible Cover: The DVD release doesn't use the well-made movie poster for its artwork, but rather a rushed clip job featuring Willow doing an extremely cheesy "Ta-da!" flourish.
Determinator: Willow of all people. He continues to push on throughout the entire film despite insurmountable odds placed in his way. This is never better illustrated during the battle at the castle, where he defends Elora from three trolls, a dragon, two soldiers, and only loses her when KAEL rides in on his horse. And not only did Willow SURVIVE his fight with Kael, he's dragging his wounded body after Kael, weapon in hand, ready to try and get Elora back. DAMN.
Fin Raziel. During the film, she harps on about how young and beautiful she is, and when she discovers she's an old woman, she has the briefest of Heroic BSOD, but then shakes it off and shows a look of determination on her face that leaves no doubt that she also embodies the trope.
Disguised in Drag: Madmartigan, in a hasty attempt to avoid the wrath of his paramour's husband. The trope is furthered by the husband's sudden lust for Madmartigan.
Dissonant Laughter: When Finn Raziel gets the better of Bavmorda during their fight at the end, she gives a laugh that's downright creepy, suggesting that, even if she was a good person, maybe her motives here weren't so noble.
Even without the novel's added backstory of the bad blood between them (Bavmorda seduced Raziel's lover, among other things), what is explained in the movie is enough to give her a pass. Sometimes you can do things for noble reasons and still enjoy the vengeance it brings in the process.
Distracted by the Sexy: Madmartigan. In his defense he was under the effects of a powerful love spell. And Sorsha was looking very hot at the time...
Later the roles are reversed when Sorsha is very much taken by Madmartigan's battle prowess.
The husband of one of Madmartigan's paramours who becomes smitten by him in drags, until he found out otherwise...
DVD Commentary: Warwick Davis provides one of the best commentaries ever heard. Everything you want to know about Willow is right here. He tells stories, talks about taking care a baby, points out scenes that were deleted, gives behind the scenes info, talks about working with Ron Howard and George Lucas and explains the joys of working with Val Kilmer.
Eldritch Abomination: The two-headed dragon. Maybe also at the end the four-legged metal barbecue thing that Willow pushes out of the tower.
Expy: A case can be made that all the characters are expys of ones from Lucas' previous Star Wars movies, but in a fantasy setting. Willow = Luke, Madmartigan = Han, Sorsha = Leia, General Kael = Darth Vader, Bavmorda = Emperor Palpatine, and so on.
Interestingly, both the novelization and Marvel Comics adaptation include a scene where Sorsha comes across her long lost father, who had been cursed by Bavmorda years ago. This causes enchanted blocks Bavmorda had placed on her daughter's memories to melt away, justifying her defection further beyond her experiences with Madmartigan.
Heroic Sacrifice: Ethna, the midwife who saved Elora from certain execution after she was born and who eventually lost her life protecting the child. All this despite owing neither her mother nor the child any loyalty at all.
So perhaps the main reason Willow was able to defeat Queen Bavmorda was because The Force was with him?
Years later, Warwick Davis returned to play a number of roles in Episode I, including an unnamed person seated in the tier above Watto at the pod races...wearing a blue costume, creating the momentary effect of "Willow goes to the pod races?," furthered by Star Wars.com creating a character page combining Willow and the unnamed spectator as an April Fools joke.
The novels, perhaps actually inspired by the look of the actors, actually describes them with traits more often used in association with fantasy dwarves than hobbits/halflings: stocky, broad, and with impressive upper-body strength.
Hypocritical Humor: Lug is jealous when it comes to his wife, but has no problem with adultery, as Madmartigan finds.
Inept Mage: In a fashion, the High Aldwin. He admits to Willow that the bones he uses for prediction purposes are really useless, and he purely interprets them according to his own judgment. However, he does supply Willow with genuine magical artifacts.
Indy Ploy: Right at the climax, Bavmorda has Willow and Elora cornered. The only thing Willow can think of is to try and protect Elora using the same sleight-of-hand trick that he failed at in the beginning of the film. And it works.
Magical Incantation: Most magic which doesn't make use of some kind of object is of this type, and Willow is usually channeling it through Chelindria's wand. Strangely, it includes various ritual chants in its own language as well as English.
Magicians Are Wizards: Invoking this trope is Willow's main goal throughout the movie, struggling to transition from performing stage magic to real magic. Then he subverts it by using his stage magic to trick real magician Bavmorda. This allows him to then play it completely straight as he becomes a true sorcerer in the ending.
Meaningful Echo: A clever one. Madmartigan claims he serves "no one". Later, he says he serves "the Nelwyn", which is very similar to "no one".
Mistaken Age: We are told that Fin Raziel is a young beautiful woman after Madmartigan asks her what she actually looks like. However it seems exile in her animal form has made her grasp of the years gone by tragically wrong.
Fin Raziel:(shocked at her own age) Has it been so long?
Either that or, because she was in an animal form, she may have aged like an animal.
They should have picked up on it instantly - Bavmorda and Fin Raziel were contemporaries.
Papa Wolf: Willow is very protective of his children, including Elora Danan.
Prophecy Twist: Elora Danan is prophesied to bring about Bavmorda's end. However her defeat comes by the hands of those protecting the infant princess; Elora Danan is the catalyst who brings about Bavmorda's end, not herself the agent of it.
Rasputinian Death: General Kael. Madmartigan smashes his skull-mask, and Kael chases Madmartigan up a flight of stairs. Madmartigan stabs him in the chest; Kael responds by punching Madmartigan in the face and trying to strangle him. Madmartigan slashes Kael's belly, then twists the blade still in his chest. Kael does not appear to notice. Madmartigan impales him on his own sword. Kael is still on his feet when Madmartigan finally shoves him off the walkway. Even then he's still moving so Madmartigan throws a dagger into him just for good measure.
Retreat! Retreat... Attack! Attack!: Madmartigan and Bavmorda's army run away from the two-headed dragon. Then Madmartigan realize he's with the the army. Then he runs back inside the castle where the dragon is, with the army chasing after him.
Real Men Wear Pink: the first time we actually see Madmartigan in action, he is driving a carriage at high speed and fights off the soldiers that follow them, while still wearing the pink dress from his Paper-Thin Disguise.
Sexual Karma: Madmartigan Paper Thin Disguises himself as a woman to dodge an angry husband, only to catch the hulking oaf's eye (which is pretty darn chauvinist of him, considering he barged into the room in a jealous rage). Hilarity Ensues.
There Is No Kill Like Overkill: Not content with simply killing baby Elora to ensure she cannot bring about her end, Bavmorda intends to banish her very soul into oblivion in the process. Apparently just in case her soul is reborn in a new body.
After Madmartigan runs Kael through with Airk's pata, he props up Kael's own sword by his foot on the hilt, and skewers him again with it!
Although, considering how tough Kael is, this may not be overkill.
What the Hell, Hero?: Madmartigan calls this on Airk after the latter greets him eagerly when they find him in a tough situation, after Airk rather smirkingly left Madmartigan to die horribly in a cage.
Wizard Duel: Between Fin Raziel and Bavmorda. Willow very briefly tries, but Bavmorda obviously is too powerful to combat. So he thinks outside the box and hides Elora under the guise of a magic teleportation spell.