Horror film directed by Steve Miner and starring Julian Sands, Richard E. Grant and Lori Singer. The story opens in the year 1691, where the eponymous villain (Sands) is sent 300 years into the future, arriving in 1991 (technically 1988, as the film was completed that year, but didn't find a distributor until three years later). He is pursued by witch-hunter Giles Redferne (Grant).The Warlock is tasked by Satan with finding the three parts of the Grand Grimoire, which contains the true name of God. Redferne meets Kassandra (Singer), a young woman who was cursed by the Warlock to age rapidly until she dies of old age, and informs her that speaking God's true name backwards will cause The End of the World as We Know It. So Redferne and Kassandra join forces to stop the Warlock before he finds all three parts of the Grand Grimoire.The film was followed by two sequels, Warlock: The Armageddon (1993) and Warlock III: The End of Innocence (1999).Not to be confused with 1959 Henry Fonda Western of the same name.
This film contains examples of:
The Antichrist: What the Warlock hopes to become once he gets the Grimoire.
Badass Boast: The Warlock's invocation to reunite the pages of the Grimoire.
The Warlock: I am he of empty crib and stillborn foal. I am he whose coming the stars have foretold. I am he with heart forged by blackest coal. I am he who makesth whole the glorious goal of Satan's unborn soul!
Badass Normal: Redferne has only his combat skills and his limited magical knowledge to defeat the powerful Warlock.
Blond Guys Are Evil: The Warlock oughta be the poster boy for this trope, he's as evil as they come and has a head full of blond hair.
Chekhov's Gun: Kassandra's diabetes syringe delivers the final blow.
Deadpan Snarker: Kassandra. The Warlock, too, has his moments, especially in the sequels.
Deal with the Devil: Of a sort; the Warlock is acting on Satan's behalf, but as his willing agent. He thanks the Devil for freeing him from his captivity, but demands a hefty reward before carrying out his plan to destroy the world.
Demonic Possession: The Warlock tricks a phony medium to channel the Devil by providing her with one of his lesser known names. The medium mutates to something more demonic and the Devil offers the host's eyes for the Warlock's use.
Depraved Homosexual: The Warlock is a sadistic satan-worshipping sorceror, "the rudest of them all", and the first thing he does upon being transported to our time and given shelter by a gay dude, is murder his hapless host by biting off his tongue in what looks like a sensual kiss and then (implied) raping him to death.
Evil Brit: The Warlock speaks in an English accent, implying that he was a recent colonist in the Boston area during his initial capture in 1691.
Evil Gloating: Really, Why Don't Ya Just Shout The True Name Of God Backwards Instead Of Gloat Your Victory?
Evil Is Not a Toy: Or rather, Talking With The Dead Is Not A Toy, even if you're just pretending.
Evil Laugh: The Warlock gives one when a young boy asks him what he needs to be able to fly, which is to kill the child and use his fat.
Evil Sorcerer: The Warlock is a servant of Satan, tries to destroy the world and mutilates innocent people for fun.
Eye of Newt: The Warlock uses the body fat of a non-baptized child as a levitation potion. Baptize your children, people!
Eye Scream: A seer offers her assistance helping the Warlock find what he is missing. He takes her up on the offer, literally, by taking her eyes. Later, you can see the eyes, with some of her optic nerves still attached, moving in the direction of the Warlock's book.
Fate Worse than Death: Discussed when Kassandra questions why the Warlock didn't just kill her instead of casting a Rapid Aging curse on her that would do the process much more slowly, and says she can't imagine a worse fate. Redferne confirms that this was the Warlock's intention.
Faux Affably Evil: The Warlock provides a pleasant demeanor before he starts butchering people.
Fingersnap Lighter: The title character does this a couple of times, including generating a green flame to heat up some food and red flames while performing a magical ritual.
Fingore: After the Warlock has been taken care of by Chas, he notices that the man's ring actually has magical properties. When Chas explains that he can't get it off, the Warlock simply hacks off the finger with a kitchen knife and murders the poor guy.
Fish Out of Temporal Water: Subverted, as Redferne mostly adapts to our time surprisingly well, sometimes even better than its native residents. He ends up having to remind Kassandra to keep her eyes on the road when they're driving her car.
Flight: If the Warlock performs a certain spell for which he needs to kill a child and harvest his fat, he can fly through the air at his own discretion.
Ham-to-Ham Combat: Redferne and the Warlock get to be very hammy to each other at times.
Healing Factor: Redferne stabs the Warlock to kill him, but finds that even the incomplete Grimoire gives him the power to recover from the wound almost immediately.
Holy Burns Evil: Zigzagged. When the Warlock's Dynamic Entry into a priest house shakes a crucifix off the wall, the first thing the villain does is pick it up and hang it back. However, he cannot step on holy ground or touch it.
Hostage For Macguffin: During the final fight in the graveyard, the Warlock takes Kassandra hostage and demands the Grimoire from Redferne in exchange for Kassandra's freedom.
I Have Many Names: The Warlock uses this to trick a professional medium into channeling Satan. When he asks her to channel his father's spirit and she asks for a name, the Warlock replies "he has many names." When she says that she only needs one, he deliberately gives her one of the Devil's more esoteric names.
Imperiled in Pregnancy: In the first film, the Warlock threatens to kill a priest's pregnant wife along with the child she's carrying to get the information he wants. Presumably subverted because the priest ultimately caves in to the Warlock's demands, although we don't get to see if he did leave them unharmed.
Infant Immortality: Averted. The Warlock strikes up a conversation with a young boy when he learns his family aren't church-goers. In the next scene, the heroes come across two constables and a grieving mother, staring at the boy's off-screen body and assuming coyotes must have skinned him.
Redferne: There's only one reason he'd need the fat of an unbaptized male child.
Kindness Before Reason: Redfrene refuses to abandon a Warlock's victim to their death even though it means letting the villain get away when they almost got him. He admits that it was inexcusable of him, but he just couldn't bear letting another person die because of the monster who had already claimed so many.
The Warlock is at his hammiest near the end with his "I KNOW THEE! I KNOW THY NAME! I KNOW THE WORD THAT CAN UNDO ALL OF CREATION!"
Redferne gets his moment with this quote:
Redferne: (to Pastor) Our interest lies in stopping those who would see all good falter. It lies in stopping the powers of misrule from coming of age. It lies in finding that damned book, and thwarting a vile beast of a man who shall not rest until God Himself is thrown down, and all of creation becomes Satan's black, hell-besmeared farting hole!
Magic A Is Magic A: At one point, Kassandra is hunting the Warlock through a trainyard, driving nails into his footprints to slow him down. The Warlock then holds a board against his feet to protect himself. At this point, Kassandra quickly notices that he's not screaming anymore, but also notices an interesting set of prints where the Warlock not only sat down, but rested his head against a pile of dirt. Kassandra gets an inquisitive look on her face and drives a nail into the latter. Turns out that ALL of a warlock's bodyprints have that weakness. Would have been hilarious if she'd gone for the front of the buttprint...
My Nayme Is: The heroine is named Kassandra. She says that it's "Kassandra with a K" and Redferne calls her that when speaking to her.
Omnicidal Maniac: The Warlock tries to collect the Grand Grimoire to reverse God's work and unmake creation itself to advance himself in Satan's eyes.
Only Sane Man: Redferne seems to view himself as this, as the Warlock's deeds are perfectly understandable if you believe in witchcraft, which most of the modern world no longer does. The owner of the farm they track the Warlock to protests, but Redferne finds an ally in the man's "old ways" Mennonite father, who unquestioningly accepts Redferne's story based on the evidence.
Outgrown Such Silly Superstitions: Pretty much the crux of Satan and the Warlock's plan. In the 1600s, The Warlock was being hunted by Redferne and everyone knew to be on the lookout for witches and their modus operandi. Sending the Warlock into the future to 1991, where modern people thought of witches as fantasy, would have allowed him to operate with impunity. That is until Redferne follows him to the present.
Pocket Protector: The Warlock makes use of a magical variant at one point when he regenerates from being stabbed by keeping a page of the Grimoire beneath his coat.
Powered by a Forsaken Child: According to the Warlock, one of the ingredients of a flying potion is the rendered fat of an unbaptized child. While in modern times, there are alternatives that are not fatal to the child, the character is from the 17th century, back when there were no alternatives, and kills the child, extracting it. The potion is based on a (supposed) actual witches recipe of the era ("fat of unbaptized brat" even gets a mention in Shakespeare). Likewise, the nail in the footprint has a real-world source.
Rapid Aging: The curse placed on Kassandra by the Warlock causes her to age twenty years each night. Since she was about twenty years old already, this gives her and Redferne only three or four days to find and defeat the Warlock before she dies of old age.
Rasputinian Death: The Warlock is still alive as an immolated skeleton, Redferne has to crush his skull before he finally dies.
Satan: The Warlock considers Satan his father, and conjures him in a human vessel to receive further orders.
The Shadow Knows: The poster has the good-looking villain sorcerer casting a shadow showing him for what he really is—a being of pure evil.
Shown Their Work: A surprising amount of genuine witchcraft lore, such as the weakness to salt, the various signs a witch is near (horses sweating, cream going sour, bread not rising), the nailing of the footprints causing pain and even the fat of an unbaptized child being used for flight.
Spanner in the Works: While Redferne is deliberately trying to stop the Warlock and defeat his plan, following the Warlock into the present was definitely not planned by either party.
Spell My Name with an S: Kassandra notes that her name is spelled with a K, and Redferne takes this to be her name.
Spooky Seance: The Warock went to a supposed medium to contact his demonic boss and has his patience is tested when it is obvious that she is faking it. However, his demonic master suddenly takes possession of the medium for real and they get down to business.
Squishy Wizard: Subverted. For the most part Warlock indeed relies on his eldritch powers and avoids physical confrontation. In the climax Redferne dares him to take the final pages of the Grand Grimoire by force alone, without magic. The Warlock agrees and it looks like a typical Batman Gambit when the hero plays on the villain's hubris to even the scale, but the Warlock holds his own pretty well in a fight and it's Redferne who has to resort to supernatural means to stop the Warlock from kicking his ass.
Technicolor Fire: When the title villain is nearby, ordinary fire becomes an eerie shade of blue.
Terminator Twosome: A variant; the Warlock escapes to the future and Redferne follows to hunt him down.
Tome of Eldritch Lore: The Grand Grimoire is a Satanic book broken up long ago. When brought together, it reveals the hidden name of God which, if said backwards, will undo all that he created and destroy the world.
Tongue Trauma: The first thing the Warlock does in the movie of the same name is bite some poor shmuck's tongue off and make an omelete of it.
Ungrateful Bastard: The Warlock's reward to Chas, the first man who offered the unconscious and time-teleported sorcerer shelter, is to murder him in his own kitchen.
Walking Wasteland: The title character has a power often attributed to witches in Real Life—when he's in the area, milk turns sour.
Weaksauce Weakness: The Warlock has a couple of weaknesses in the first movie that are easily exploited. The first is holy ground, which is obvious since he's a minion of the Devil. The other is one is salt, which can be found almost anywhere. This weakness is actually taken from folklore. Salt was used historically in European countries and their derivatives in order to detect or fight witchcraft. In fact, one method of torture used to attempt to force a confession from a witch was to feed them salty food and deny them water. Driving a nail into his footprints also causes him pain as if it were being driven into his foot. At one point, he cleverly holds a board against his feet to prevent this.
Whip It Good: Redferne uses a whip coated in salt against the Warlock.
The Witch Hunter: The 17th-century Giles Redferne is a fairly benevolent example, contrasting strongly with the immensely evil Warlock. He ostensibly became one after the Warlock murdered his wife, and tries to save as many lives as possible from his enemy's magical malice. He only has his salt-coated whip, knives and some limited knowledge of the Warlock's weaknesses to defeat him.
Would Hurt a Child: The Warlock skins a young boy because he was an unbaptized firstborn son, which means he can use the boy's fatty tissue for a spell that will allow him to fly unguided. He also takes note of a priest's pregnant wife and threatens to kill the man's unborn children if he doesn't cooperate.
Younger than They Look: This happens to Kassandra, who spends about half the film looking forty, then sixty, thanks to the Warlock's curse.
The second film contains examples of:
And I Must Scream: The Warlock gets an art collector to hand over one of the gems that he is seeking by offering him "the greatest piece your gallery has ever seen." He didn't tell him that the collector himself would become that piece.
Evil Wears Black: The next Warlock kills a side character and steals his clothing, noting with approval that it's black.
Express Delivery: The new Warlock is born when a Satanist preaches to the Devil. To her horror, she becomes massively pregnant within minutes and gives birth to a black, slimy thing which quickly morphs into Satan's new minion and kills his "mother."
Fate Worse than Death: After an initial fake-out in which he believed he had escaped, an unlucky guy is forever trapped by the Warlock in a dark nightmare world beyond the mirror.
Gorn: The Warlock doesn't spare any power when it comes to murdering people in visceral fashion.
Hell on Earth: The Warlock, the son of Satan, tries to bring his master to Earth and bring about this scenario.
Ignore the Fanservice: The Warlock picks up a promiscuous woman on the road, who then makes a pass at him in his car. He doesn't react at first, but eventually responds by scalping her and throwing her out.
Magical Abortion: An odd film example comes in a flashback scene at the beginning. A nameless female that becomes mystically pregnant with the titular Warlock is shown having the full-term foetus exorcised out of her with mystical jewellery. No, seriously.