The movie of 1997 (actually due to its December release, the movie of 1998). The most expensive movie yet made at the time and fraught with problems throughout the shoot, it was predicted for months to wind up a critical and commercial disaster. When people actually SAW the film, however, it was suddenly a very different situation. Titanic was a darling of most critics and audiences, a massive commercial splash (spending a staggering 15 consecutive weeks at #1 in the U.S. eventually becoming the highest grossing movie of all time and first to break the billion-dollar box office mark), won a record-tying 11 Oscars including Best Picture, and catapulted Leonardo DiCaprio and Kate Winslet to superstardom. Like most pop culture phenomena, it also prompted the proportional amount of backlash as well as quickly becoming a source of many Stock Parodies. Unadjusted for inflation, it's the now second-highest-grossing movie ever, beaten out by Cameron's own Avatar. (If you adjust for inflation, Titanic drops six slots, but even so it's still one of the highest-grossing films ever - the seventh, in fact!) In all likelihood, Cameron now has enough money to raise the Titanic and fire it toward Pandora.In case you don't remember '98 (or if you were living in a cave at the time), Titanic tells the story, in Flashback, of the two fictional Star-Crossed Lovers Jack Dawson and Rose DeWitt Bukater. Unfortunately, they both happen to be aboard the ill-fated ocean liner of the title, which, as we all know, struck an iceberg and sank on its maiden voyage in 1912. There's also a Love Triangle involving Rose's evil Disposable FiancÚ Caledon "Cal" Hockley, who decides the best solution is to literally Murder the Hypotenuse, Jumping Off the Slippery Slope in the process. This more-or-less leads to the film's Bittersweet Ending.Launched the A-list careers of Leonardo DiCaprio and Kate Winslet.The film was rereleased in theatres in April 4th, 2012 in 3D, ten days before the 100th anniversary of the Titanic's sinking.
This film provides examples of:
Abuse Mistake: When Rose tries to commit suicide, Jack talks her out of it. However, she slips and nearly falls to her death. After a struggle where Jack manages to drag Rose to safety, albeit accidentally tearing her dress and falling on top of her in the process, some crewmen investigating Rose's screams assume he's trying to rape her.
Accidental Aiming Skills: Rose with the axe. Not only was her aim bad, but her eyes were closed. She even hit Jack's wrist if you look carefully, but the chain broke anyway.
Action Girl: Rose has occasional glimpses of it when she doesn't have Jack around.
Adventurous Irish Violins: The film expresses and celebrates the optimistic resilience and joy of Irish culture through persistent use of this trope throughout its musical score.
Age Cut: Rose is an old lady reflecting on her time aboard the doomed ship. The movie is a series of flashbacks of her 17-year-old self.
Artistic License - History: Contrary to popular belief the third class passengers were NOT locked in steerage. Many, however, had a hard time finding their way through the maze of corridors to the lifeboats, with those who didn't speak English at an even greater disadvantage. Even though the cabins of the first class and second class passengers were closer to the decks and the lifeboats, the lifeboats were not loaded according to class. In fact, more third class women survived than first class men.
Ate His Gun: Cal is mentioned by Rose to have died this way when he lost his riches after the 1929 Crash.
Auto Erotica: A thousand beds on board, and they consummate their love in the back of a car.
Award Bait Song: "My Heart Will Go On". And James Horner had to wait for a proper moment to present it to the hot-headed James Cameron...
The band members certainly deserve this, at least.
Rose, the high society waif, picking up a fireman's axe to break Jack out of his handcuffs.
He gets a substantial downgrade from his Real LifeBadass status (and from the opposite-direction exaggerated version portrayed in the 1958 film A Night To Remember, made with the help of Fourth Officer Boxhall only two years after Lightoller's death) but Second Officer Lightoller still gets a small moment where he faces down a crowd rushing the lifeboats with a pistol and demands they keep order—then turns to order Fifth Officer Lowe into the boat, while showing him that he'd just bluffed the angry crowd with an unloaded revolver.
Badass Longcoat: Rose's pink jacket once the ship starts sinking and later, Cal's jacket once she starts wearing it. The ship's officers and Thomas Andrews also look pretty badass in their full-length overcoats.
Rose does this in the second half when she's had enough of her mother's self-centered attitude.
Jack and Rose do it to a White Star employee who complains about them breaking down the door to free themselves from a sealed portion of the ship.
Bittersweet Ending: Jack freezes to death, but Rose meets him again when she finally passes away. If you pay attention to her dream, she enters a room filled with passengers that died on the ship, and they all look at her as if to say 'nice of you to join us!'; evidence that she dies that this moment, and joins the rest of the dead on the 'ship of dreams'. If you want to see it that way.
This whole bit of dialogue existed purely to foreshadow the dangers and horrific deaths that awaited two thirds of the ship's occupants mere days later. If you jumped overboard, especially from the stern as it climbed ever higher, you'd probably be killed by the impact (or by the design of the lifejackets, which was such that it would break your neck if you hit the water feet first). If you jumped from lower down, or otherwise got into the water without maiming yourself, then you'd probably freeze to death.
Chekhov's Gun: Done literally with Lovejoy's pistol, which he shows to Cal when Cal is emptying the safe.
That safe itself is full to bursting with Chekhov's guns.
Chief Henry Wilde's whistle, which he uses multiple times during the sinking, saves Rose's life.
Chekhov's Skill: Earlier in the film, Jack teaches Rose how to "spit like a man," and she doesn't do too badly for a first try. Much later in the film, when the ship is sinking, Cal grabs her by the arm and refuses to let her go to Jack. So what does she do in order for him to let go of her? She "spits like a man" right in his face.
It's actually a Throw It In, as Rose was scripted as simply jabbing Cal with a hatpin before Cameron realized the spitting would be a neat callback.
Also, to an extent Jack's drawing skills, which become pivotal to the plot.
Cool Old Lady: Elderly Rose. Molly Brown too, although she's more middle-aged than old.
Crazy Cat Lady: Averted. Nice old lady Rose has a cute little white Pomeranian dog, showing that she's affectionate and soft, but without the implications of a cat.
Crying Little Kid: Played straight and subverted at the same time. Cal finds a crying, abandoned child and takes her onto a lifeboat in order to get himself a seat on that same lifeboat; any good will he might have gained from this act is lost as he'd dismissed the child earlier before realising that she was his ticket off the boat.
Dangerous Key Fumble: Rose and Jack are trapped behind a metallic gate as it floods. One of the cabin crew fumbles the keys while trying to help, before uttering this line and running away. Cue Jack attempting multiple times to retrieve them and open the gate while the freezing cold water rises.
Dark Reprise: The music that plays during the sinking (aside from that played by the actual musical trio, of course) consists heavily of the main theme of the movie, but in a darker and more frantic tone.
This is pretty much a James Horner trademark—create one melody and score the entire movie literally as a variation on the theme, preferably heavy on Our Lady of Soundtrack Sorrow. Listen to his score for Apollo 13 for a really blatant example.
Dead Artists Are Better: Cal taunts Rose that Jack's sketch will be worth a lot more in the morning, when the ship has sunk.
Demoted to Extra: Remember the blonde chick who dances with Fabrizio in 3rd class? She was written as an opposite counterpart to Rose, a girl who finds her love interest in her class and follows her strict parents' orders without question (down to refusing to go with Fabrizio once the ship begins to sink, despite the fact that he knows the way to the lifeboats better). She's also the blonde girl who hangs on the railing before falling to her death. The film's script identifies her as Helga Dahl (a name she indeed responds to in deleted scenes). The bulk of her scenes in the movie were cut, so it's likely only the most die-hard fans will know anything about her.
Determinator: Jack didn't give up where many people did. And as a result, Rose survives thanks to his efforts.
Dirty Coward: Despite the focus on all the noble victims willing to Face Death with Dignity, everyone Jack and Rose meet as they attempt to escape the ship leaves them to their fate, one crew member even sneering a "To hell with you!" at a hysterical Rose.
William Murdoch - but this isn't historically accurate. See Heroic BSOD.
There are contradictory eyewitness accounts concerning the real Murdoch's fate, so it's possible that he really did commit suicide as depicted in the film. Murdoch's hometown steadfastly disagrees, of course, and celebrates Murdoch as a local hero.
Dutch Angle: Used practically while filming to simulate the tilt of the ship's deck as it sinks.
Empathy Doll Shot: One of the Mirs spots a doll's head in the debris field. Inspired by Robert Ballard's account of Alvin coming across a doll's head during their explanation of the wreck.
Enormous Engagement Ring: Rose tells Jack that Cal is worse than her boyfriend and shows him the engagement ring from him. He tells her that if she had jumped off the boat, she would have gone straight to the bottom.
Benjamin Guggenheim: "No thank you, we are dressed in our best and are prepared to go down as gentlemen. But we would like a brandy!"
The band. Made all the more touching when you remember that this particular movie death is a reconstructed historical fact.
The couple portrayed holding each other in bed as the room floods are Isidor and Ida Straus. This was based on actual events, where Ida refused to leave her husband when offered a lifeboat seat. They gave her seat to their maid, and remained on the ship together.
Part this, part Heroic BSOD, Captain Edward J. Smith decides to face death at the helm of the ship that would have been his last command. Although it is not entirely certain that he really was going to retire. One story says he was planning to retire after the next big White Star steamship, the Britannic, entered service.
Fanservice: While teenage girls might have had to drag their boyfriends to see a period love story, those guys did get to see Kate Winslet naked. Sounds fair.
Fiery Redhead: Jack tells Rose that if she doesn't break free, sooner or later the fire in her is goin' to go out.
Follow the Leader: Pearl Harbor, which has a similar romance-against-epic-tragedy-of-the-20th-century concept, and like most following works, has almost no understanding of why it worked here. It works in both directions too - Cameron decided to make Titanic after seeing the 1958 movie A Night to Remember, to the extent that they have a lot of scenes in common.
Foreign Cuss Word: From some Swedish background passengers—"┼h herre Gud, det ńr ju vatten ÷verallt!" ("Oh God, there's water everywhere!")
Fabrizio curses quite a bit in Italian, especially when Tommy dies. After he and Jack win the Titanic tickets in the Southampton pub, Fabrizio randomly shouts "Figlio di putana!" which translates roughly into English as "son of a bitch!"
The present day characters—Lizzie is phlegmatic, Brock is choleric, Lewis is sanguine and Bobby is melancholic.
Fourth Date Marriage: "When the ship docks, I'm getting off with you," Rose announces to Jack after having known him for what, two days?
Somewhat understandable in that Rose is only seventeen, and doesn't really understand what she would be in for. She is also desperately unhappy in her life, and Jack is a way to escape it.
It should also be noted that this comes right after Jack and Rose have consummated their relationship. Being from those times, it was likely that Rose assumed they would marry otherwise she wouldn't have slept with him at all.
A Bilingual Bonus too, albeit between dialects not languages. In Ireland and the UK, "getting off with X" means "going to minimum second base with X". Which is also what Rose meant. Much chuckling in the cinema.
"Getting off" can also refer to having an orgasm. Cue some more chuckling, though probably less since the phrase as-is wouldn't immediately call this possibility to mind for most people (arousal and orgasm in the slang being less actions than reactions).
Truth in Television: Transatlantics were nicknamed "love boats" at the time because many couples met and fell in love during the 6 days or so that it took to cross the ocean. The unrealistic part is that in the movie they are of different classes.
Futureshadowing: The film opens with an extended tour of the ship's remains at the bottom of the ocean.
Framing Device: Brock Lovett and his crew trying to recover the Heart of the Ocean necklace, and listening to Rose relate her story aboard the Keldysh.
Grande Dame: Rose's mother and a number of the other female passengers are tragic variations on the character type, while "Molly" Brown is a subversion.
Hand Wave: How did they get that safe out of the Hockley's staterooms and to the surface? Well that ROV had robot arms, so that must be how they did it. Lets just ignore the fact that there's no way it had enough power to lift a heavy metal box full of equally heavy water, or the fact that the doorways were barely wide enough for the ROV even when it's not carrying anything.
Heroic BSOD: Captain Smith realizes just how many people there are still on board while almost all of the boats are gone.
Ship designer Andrews, having apologized to Rose for "not building you a stronger ship", stands alone in the stateroom and had taken off his life vest. He takes a moment to adjust with almost loving gentleness a timepiece on the mantle. Based on real-life account of a witness who last saw Andrews in the stateroom just staring at a clock as the Titanic reached its death throes.
One of the officers (Murdoch) has a My God, What Have I Done? moment after firing into the crowd with his revolver, and commits suicide immediately afterward.
Heroic Sacrifice: Jack. The scene where he clings to the wreckage while Rose lays on top of it is frequently derided, but it's likely he did it so she wouldn't be exposed to the freezing water.
Confirmed by the movie itself. Rose gets on, but when Jack tries to as well, he almost flips the wreckage (a fairly flat piece of wood), and they clearly have to give up. Rose is almost in the water as it is, and adding Jack's weight would half-immerse both of them. Since Rose barely survives, she certainly would have frozen with the added exposure before the search party came by.
Historical Villain Upgrade: Pretty much all the crew, except Smith (who ironically held the most responsibility for not understanding how to captain a vessel the size of the Titanic, made even worse because he had already commanded her nearly identical sister ship the Olympic) are depicted as incompetent at best and outright negligent or cruel at worst.
First Officer William Murdoch goes from an upstanding officer to shooting two men trying to rush the lifeboats and shooting himself in remorse. His family were not amused.
Second Officer Charles Herbert Lightoller becomes a nervous martinet instead of a hero who kept a couple dozen people alive on an overturned life raft.
J. Bruce Ismay is shown displaying total disregard for safety by pushing for a speed record the White Star Line already knew it couldn't win. The entire purpose of the three massive luxury ships - the Olympic, the Titanic, and the Britannic, was to beat Cunard and other rivals on luxury and technological novelties (and even that's subjective), not speed, as they knew they couldn't beat the Lusitania and the Mauretania on speed. Arriving early would not have led to applause but complaints from passengers whose hotel reservations were for the following day and annoyance from the New York customs. It should therefore surprise nobody that the whole speed thing is fiction.
About three times you also see a curly-headed Irish girl named Cora, who doesn't look much older than seven-years-old. You don't originally see her death on-screen, but in the final scene where Rose is surrounded by all those who perished on the Titanic, she's the first person you see. However, a deleted scene does show her and her parents, screaming and crying, trapped behind a third-class gate and being submerged by water. Cameron explains it was cut because it was just a bit too upsetting.
The Irish woman putting her two children to bed and telling them that everything was going to be alright in the lower decks, while the water slowly starts to rise... In an earlier scene, you see them below deck, the mother reassuring her children that it will be their turn to go up to the boats soon.
Another woman caresses her son just before the ship breaks up, telling him that it'll all be over soon.
It's All Junk: The "Heart of the Ocean" now really is the heart of the ocean. Also, passengers are seen hauling luggage and other prized possessions with them to the lifeboats early on, but once the danger becomes obvious the only things people struggle to take along are life vests. A special exception is made for one of the little girls in Lifeboat No. 2 (the boat Rose gets in and then jumps out of), who is allowed to take her rag doll with her.
Jerk With A Heart Of Jerk: Cal's single act of kindness was ensuring that an orphan girl would get on a collapsible. But even then, that was just so he could also get a spot on the boat. A later scene shows him pushing people away who are desperately trying to get on the boat. To his credit, the collapsible was swamped and was tipping dangerously at that point. If all those people had gotten on, the boat would probably overturn and kill them all.
In the original script, Cal killed Fabrizio in that scene. Even Cameron must have though that it was over the top.
Jack and Rose are trying to escape the rapidly flooding ship when they run into a man who yells at them in a language they can't understand and then runs into a hallway. Jack and Rose try to warn him not to go that way, but he can't understand them and gets swept away by a rush of water when he opens a door.
One family fails to escape the ship because they can't read the English signs that were clearly pointing the ways toward the exits.
Manic Pixie Dream Girl: An argument can be made for Jack Dawson being a rare male example of the MPDG trope: a mysterious, handsome, appealing, artistic and free-spirited boy who, because we see him entirely from Rose's perspective, we get very little sense of his interior life or character motivation beyond how he relates to Rose. All his actions throughout the film relate to Rose and are as much about defining her character as they are about his. His "big speech" moment is not about him, it's all about Rose and how he sees her as a beautiful creature trapped in her world who'll die if she can't break free.
Meaningful Echo: "I'll never let go" is said when Jack is holding Rose over the precipice, and when Rose is holding Jack in the ocean.
Money Is Not Power: Cal tries to bribe his way off the doomed ship. While it appears to work initially, the money is thrown back in his face when it matters most.
MRS Degree: Rose's mother says, "But the purpose of university is to find a suitable husband. Rose has already done that."
Murder Suicide: William Murdoch shoots and kills a fictional third class Irish passenger, then commits suicide from guilt. This is a Historical Villain Upgrade, as the real William Murdoch was regarded as a hero and was last seen helping passengers.
They had to take an apology to Murdoch's hometown as a result.
Nipple and Dimed: Subverted: Kate Winslet nude for Jack's painting of Rose only earned a PG-13. Reportedly, Cameron worked with the editors and the MPAA to determine just how many seconds he could get away with and keep it PG-13.
It helps that despite immense sexual tension, nothing actually happens in the scene (later in the cargo hold, on the other hand...)
Nobility Marries Money: Rose gets engaged to Cal. Rose's father got her family into debt, and their family name is their only real asset now.
Not a Game: Rose's mother, when she takes her to task for allowing her infatuation with Jack to threaten the betrothal to Cal and their financial future.
Of Corset Hurts: Rose wears them but doesn't like it, leading to the obligatory "tightening the corset lacings" scene, in which her mother lectures her on the restrictions that constrain a young lady in proper society as she laces the garment.
According to James Cameron, corsets were going out of fashion by 1912 and most girls of Rose's age didn't wear them so Rose's mother forcing her to wear one at all is also symbolic of their relationship.
Offscreen Karma: Old Rose mentions in the end that Cal lost all of his money in the 1929 stock market crash. He was so distraught that he killed himself.
Oh, Crap!: Andrews, Ismay, and Captain Smith poring over the blueprints of the ship after the collision with the iceberg, each coming to the realization that the ship will sink and there is nothing they can do to stop it.
This◊ image of Benjamin Guggenheim note who was willing to go down with the Titanicwitnessing the water rise within the ship as it is sinking.
Frederick Fleet and Reginald Lee, the two lookouts in the crow's nest, when they spot the iceberg, followed by the bridge crew, followed by the engine room crew when the bridge suddenly orders "full astern" and, back on the bridge, the crewman at the helm is given the order "hard to starboard" (which means the opposite of what you think it means, as it turns the rudder to port).
Jack, seeing the first water start seeping into the cabin where he's been left alone and handcuffed to a pipe.
Jack: Oh, shit!
Cal's expression when the first funnel starts to collapse.
Jack gets a more mild one in when he overhears Captain Smith and Andrews discussing just how severe the damage to the ship was, simply stating in appropriately worried tones "oh, this is bad."
Older than They Look: Many people can only hope to look as good as Rose does when they hit the big 100. Gloria Stuart, who played Rose was 86 at the time of filming, however.
They did try to age her with makeup and Stuart was apparently not very amused by the result. Even so, comparing her in the film to photos of when she was really 100 will reveal noticeable differences.
One-Woman Wail: Sissel Kyrkjeb÷'s ethereal voice croons with a sad tone in many scenes, particularly ones featuring the ship's wreckage.
Ooh, Me Accent's Slipping: There are Irish characters in this film. And you will be in stitches when they start talking. A more literal example occurs with the elevator operator; he fakes a British accent when talking to Rose, and is revealed to actually have an Irish accent as he panics.
Rose: I believe you are blushing, Mr. Big Artiste. I canĺt imagine Monsieur Monet blushing.
Jack: He does landscapes.
Reality Is Unrealistic: There have been constant complaints about how hard to believe it is that the lights were on up to the ship's breaking in two, or that the guys in the machine room kept working while the ship sank, how they "screwed up" the turning orders, or even that the Statue of Liberty shouldn't be there; well, when you do the proper research, it turns out that all these things happened in Real Life and the movie got them right.
Runaway FiancÚ: Rose DeWitt Bukater fakes her death in the Titanic disaster and changes her name to escape her engagement. Before the ship went down, she told her intended that she'd rather be Jack's whore than Cal's wife. Before that, she wanted to kill herself so she didn't have to marry him.
Say My Name: Ye gods. Make a Drinking Game out of the number of times Jack and Rose say each other's names, (Rose saying Jack's name = 80 times/Jack saying Rose's name = 50 times) and you'll be thoroughly plastered by the time the first hour is over.
Screw the Rules, I Have Money!: Cal tries to play this. Doesn't work. However, there's also a deleted scene of a possible Real Life case where a wealthy couple, Sir Cosmo and Lady Lucille Duff-Gordon, (in that lifeboat with twelve people in it) bribe the oarsmen to not go back and pick up survivors. In reality, though, the money they gave to the crew was to give them financial support after their rescue, as the crewmembers were at far more of a loss financially than the wealthy Lord and Lady.
Science Marches On: A study commissioned by Cameron for the 100th anniversary of the sinking indicates that the Titanic probably broke at 23 degrees or so, half of the approximately 45 degrees as depicted in the movie.
Shaggy Dog Story: The frame story in the present day involving the researchers. They are looking for the Heart of the Ocean, thinking that it had gone down with the ship. The reason why Rose is even there is because she claims to have useful information, but in telling her story she never even mentions that she had the diamond all of these years and throws it into bottom of the ocean.
Cameron and the set designer's conducted exhaustive research on the ship, from the measurements of the individual rooms, to the carpet designs to the china patterns, even going to Harland and Wolff - the original ship builders themselves - to look up rare blueprints and never-before-seen photographs to make sure they had every possible detail. In fact, Ken Marschall-the foremost expert on the Titanic design and the painter of almost every painting of either the Titanic wreck or the sinking in the past 30 some-odd years (seriously, he seems to be on-call whenever a documentary needs a painting) is quoted saying that he didn't call their set a set, to him it was the Titanic.
According to one of the tie-in books, Cameron personally logged more time with the real ship's wreckage than did any of its actual passengers.
In fact, the movie set may even have provided an alternative theory to why the Grand Staircase is missing at the real wreck: when the set was flooded during filming, the staircase set piece (which was supposedly built just like it was in real life) began to break away from its framework. If the construction of the set is accurate, then the new theory goes that the real Grand Staircase simply floated out of the ship during the sinking and disintegrated, rather than being eaten by microbes afterward.
Furthermore, there has been some debate as to why Funnel No. 1, the forward funnel, toppled first, when there were many reasons in the design that would have made that impossible: The funnels were designed to lean backwards, so they should have fallen forward at the same time if at all, or they should have fallen to the side, but only if the ship was listing considerably. During filming, they discovered that in order to get Collapsible Boats C and D on the starboard side into position, some of the guy-wires that hold the funnels in place had to have been removed, thus removing needed support later on as water weighed the bow down even more.
The Swedes who lose their tickets to Jack not only speak fluent Swedish, but also use the right accent for a working class person in the early 1900's.
The drunk cook that Rose meets on the stern just before the ship went under is Charles Joughin, who really was a cook, and who really did go back to his cabin to drink after the lifeboats were gone. He was one of the very few survivors that were taken from the water.
Significant Sketchbook: Rose first sees Jack as he is sketching on the deck, and he shows her some of the drawings. Later, there is the famous scene where she requests that Jack sketch her in the nude (her, not Jack).
Spectacle: The film is heavily reliant on this for its emotional impact; it loses a lot when not seen in a movie theater.
Spirited Young Lady: Outwardly, Rose was everything a well brought up girl should be, poised and well-mannered, but she dreams of riding, chewing tobacco, and spiting like a man. Despite her high-class upbringing she is very witty. After she tell Mr. Ismay that Dr. Freud's ideas about the male preoccupation with size might be of particular interest to him, Molly Brown calls her a pistol. When the ship is sinking she loses all her lady-like qualities and shouts that she's through being polite.
Stealth Insult: Common with Cal and Rose's Mother towards Jack and people they consider lesser than themselves. An example is, upon seeing Jack in a suit, Cal mentions he could "almost pass for a gentleman". Jack, of course, turns it back at him just as stealthily: "Almost."
Stiff Upper Lip: Some peoples' reaction to the fact that the ship has hit an iceburg.
Talk to the Fist: Tommy delivers one to the crew member still yelling at them after the third-class passengers break down the gate.
Take a Third Option: Onboard RMS Carpathia, Rose finds out that Cal has survived and is looking for her. She gives the people there a false name and quickly turns her face, allowing her to avert the undesired marrage to Cal without taking more drastic options.
Tear Jerker: In-Universe, at the end of Rose's story we see not only her granddaughter crying but even the ROV pilot, who vocally thought she was a fraud.
Together in Death: The film ends with Rose dying and being reunited, not just with Jack, but everyone who died that fateful night.
Also noteworthy is Ida Straus, the elderly woman who decided to die with her husband Isidor instead of taking a place on a lifeboat, a course of action that would have almost certainly resulted in her having to live on without him. Their last scene is of them in a bed, holding hands, as the water begins to pour in. This one actually happened.
Unkempt Beauty: Rose towards the end, even when she is battered and has bits of ice forming in her hair and eyebrows.
Upper-Class Twit: A lot of them. Special mention goes to Rose's mother, who, as the ship is sinking, lets it be known that she expects a cup of tea when she returns to her room, and asks if the lifeboats are to be seated according to class.
Uptown Girl: Rose DeWitt Bukater is, in Jack's words, a spoiled brat and an indoor girl, while he sleeps under bridges and goes where he pleases. She's trapped in that lifestyle and he just wants to make sure she's okay, but she tells him that it's not up to him to save her.
Villainous Breakdown: Cal, after Rose jumps back onto the ship to be with Jack. By the end of the scene, he's giggling when he realizes the irony of him losing the Heart of the Ocean.
What Happened to the Mouse?: Averted; the fate of a surprising number of minor characters and extras can be known either by reading the script or really paying attention to the background in the movie. Or looking into a real historical book if they are real people.
You Have Outlived Your Usefulness: As a reward for all his previous loyalty, Cal leaves Lovejoy to die when the ship starts to sink. Granted, the man was a jerk, but that's still pretty harsh.
Yandere: Cal. It's unclear if it's money, jealousy after Jack comes in, or any kind of love.