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''Trzy kolory. Biały'' (English: ''Three Colors: White'', French: ''Trois Couleurs: Blanc'') (1994): Based on the principle of equality. After the beloved (French) wife (Creator/JulieDelpy) of Polish hairdresser Karol Karol (Zbigniew Zamachowski) divorces him thus rendering him destitute, he makes it back to Poland, manages to make it big by blackmailing his bosses and then schemes to extract revenge on his wife.

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''Trzy kolory. Biały'' (English: ''Three Colors: White'', French: ''Trois Couleurs: Blanc'') (1994): Based on the principle of equality. After the beloved (French) wife (Creator/JulieDelpy) of Polish hairdresser Karol Karol (Zbigniew Zamachowski) (Creator/ZbigniewZamachowski) divorces him thus rendering him destitute, he makes it back to Poland, manages to make it big by blackmailing his bosses and then schemes to extract revenge on his wife.
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* GirlInABox: Mikołaj helps Karol return to Poland by stashing him inside a suitcase on a flight from Paris to Warsaw. The suitcase is stolen upon landing, and when the thieves find Karol inside instead of something worth selling, they beat him up. To add insult to injury, he only has 2 FF and a cheap Russian watch to steal.
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* SecretlySelfish: Joseph believes everybody is like this, that all their "good deeds" are ultimately selfish. That includes Valentine, and he accuses her of this to her face. The events of the movie eventually prove him wrong.

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* SecretlySelfish: Joseph believes everybody is like this, that all their "good deeds" are ultimately selfish.for their own gratification. That includes Valentine, and he accuses her of this to her face. The events of the movie eventually prove him wrong.

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* BabiesEverAfter: A curious {{Subversion}} of this trope, since the pregnant woman is the mistress of Patrice.
* DefrostingIceQueen: Julie. She's actually a very nice person at heart, but the loss she suffers makes her very cold and detached for much of the movie (which suits the film's very cold lighting).

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* BabiesEverAfter: A curious {{Subversion}} of this trope, since the pregnant woman is the mistress of Patrice.
* DefrostingIceQueen: Julie. She's actually a very nice person at heart, but the loss she suffers makes her very cold and detached for much of the movie (which suits the film's very cold lighting).



* DownerBeginning: Julie's husband and little daughter are killed in a car wreck which she survives.
* FadeToBlack: Used to represent Julie's difficulty in moving on. It's an extremely unusual type of JumpCut since the film fades to black only to fade to the exact same moment.

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* DownerBeginning: Julie's husband and little daughter are killed in a car wreck which wreck, but she survives.
* FadeToBlack: Used to represent Julie's difficulty in moving on. It's an extremely unusual type of JumpCut since the film fades to black only to fade to the exact same moment.moment.
* {{Ghostwriter}}: Though it's not outright stated, it's implied that Julie could be the writer of her husband's music (or at least that they collaborated, but the works were published under his name).



* IJustWantToBeFree: Befitting the theme of this film -- the French ideal of "freedom" -- Julie says this at one point. What she means, though, is "freedom" in the Buddhist sense: freedom from attachment, connection, and desire,



* LettingTheAirOutOfTheBand: Julie collects her husband's (?) last manuscript. The music that he (?) composed plays on the soundtrack. When Julie takes that manuscript and throws it into a trash compactor, the music distorts, slows down, and stops.

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* LettingTheAirOutOfTheBand: Julie collects her husband's (?) last manuscript. The music that he (?) (perhaps) composed plays on the soundtrack. When Julie takes that manuscript and throws it into a trash compactor, the music distorts, slows down, and stops.



* PlayingCyrano: Though it's not outright stated, it's implied that Julie could be the writer of her husband's music (or at least that they collaborated, but the works were published under his name).


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* TraumaButton: Julie has sudden flashbacks of grief throughout the film, in one case while swimming. They're accompanied by the camera getting shaky.
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some edits for concision/accuracy


* BatmanGambit: Karol's plan to take revenge against Dominique requires her to come to Poland upon being informed of his (faked) death and the fact that she has inherited his entire fortune, so that he can then have the police arrest her on suspicion of having murdered him for his money. Sure enough, she takes the bait and is thrown in prison.

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* BatmanGambit: Karol's plan to take revenge against Dominique requires her to come to Poland upon being informed of his (faked) death and the fact that she has inherited his entire fortune, so that he can then have the police arrest her on suspicion of having murdered him for his money. [[[spoiler: Sure enough, she takes the bait and is thrown in prison.]]



* FrameUp: Dominique sets fire to the curtains of her studio in the beginning of the film and pins this on Karol, knowing that he won't be able to fight arson charges given this "evidence." [[spoiler: Karol gets his revenge by framing Dominique in turn for his murder, which gets her sent to prison.]]
* GirlInABox: Mikołaj helps Karol return to Poland by stashing him inside a suitcase on a flight from Paris to Warsaw. The suitcase is stolen upon landing, and when the thieves find Karol inside instead of something worth selling (and, to add insult to injury, he only has 2 FF and a cheap Russian watch on him), they beat him up.

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* FrameUp: Dominique sets fire to the curtains of her studio salon in the beginning of the film and pins this on Karol, knowing that he won't be able to fight arson charges given this "evidence." [[spoiler: Karol gets his revenge by framing Dominique in turn for his murder, which gets her sent to prison.]]
* GirlInABox: Mikołaj helps Karol return to Poland by stashing him inside a suitcase on a flight from Paris to Warsaw. The suitcase is stolen upon landing, and when the thieves find Karol inside instead of something worth selling (and, to selling, they beat him up. To add insult to injury, he only has 2 FF and a cheap Russian watch on him), they beat him up.to steal.



* LewdLustChasteSex: A failed attempt at sex is shown in all its glory to establish the desperation of the participants and of their relationship. Success much later on fades to white.

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* LewdLustChasteSex: A failed attempt at sex is shown in all its glory to establish the desperation of the participants and of their relationship. Success much later on fades to white.Later, when they actually do it, there's a FadeToWhite.



* MadLove: Despite having her arrested and jailed, Dominique finds herself pining for Karol, who pines for her as well. In the final shot of the film, Karol stands in the prison courtyard and looks at her cell window with a pair of binoculars; he weeps after he sees her mime that she would say "yes" if he asked her to marry him again.

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* MadLove: Despite Karol having her arrested and jailed, Dominique finds herself pining pines for Karol, him, who pines for her as well. In the final shot of the film, Karol stands in the prison courtyard and looks at her cell window with a pair of binoculars; he weeps after he sees her mime that she would say "yes" if he asked her to marry him again.



* CallBack: Right at the end of the film there's a freeze frame on Valentine as she's emerging from the police rescue boat. The freeze frame catches her looking to the left of the screen against a red background, framed in the same manner as the advertisement that was all over Geneva.
* CrazyJealousGuy: Valentine's boyfriend. He's not that crazy to commit a crime, but is very jealous, constantly demanding to know why she didn't answer the phone if it has taken several attempts to get her to pick up.
* {{Cuckold}}: Joseph's ex-lover was unfaithful to him, as is Auguste's partner. Auguste sneaks into her apartment and sees the two having sex.

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* CallBack: Right at At the end of the film there's a freeze frame on Valentine as she's emerging from the police rescue boat. The freeze frame catches her looking to the left of the screen against a red background, framed in the same manner as the advertisement that was all over Geneva.
* CrazyJealousGuy: Valentine's boyfriend. He's not that crazy to commit a crime, but is very jealous, constantly demanding to know why she didn't answer the phone if it has taken several attempts to get she hasn't picked up when he wants her to pick up.
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* {{Cuckold}}: Joseph's ex-lover was unfaithful to him, as is Auguste's partner. Auguste eventually sneaks into her apartment building and sees the two having sex.



** The opening sequence is a sped-up montage showing all the cables and wires a phone call from Britain to France travels through. We later find out that Joseph has been tapping into his neighbors' phone lines and recording their calls, just for kicks.

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** The opening sequence is a sped-up montage showing all the cables and wires a phone call from Britain to France travels through. We later find out that Joseph has been tapping into his neighbors' phone lines and recording their calls, just for kicks.to find out their sordid secrets.



** Auguste's girlfriend running a weather service and giving forecasts for trips across the English Channel. In the end, a storm sinks both a ferry and a pleasure craft.
* IAmNotYourFather: Valentine tells Joseph that her brother Marc only found out a year earlier that his father wasn't his mother's husband at all, and this has been part of the motivation behind his drug addiction.

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** Auguste's girlfriend running runs a weather service and giving gives forecasts for trips across the English Channel. In the end, a storm sinks both a ferry and a pleasure craft.
* IAmNotYourFather: Valentine tells Joseph that her brother Marc only found out a year earlier that his father wasn't his mother's husband at all, husband, and that this has been is part of the motivation behind his drug addiction.



* TheLostLenore: Joseph tells Valentine that he was in love once, many years earlier, but he caught her cheating on him, and she later died in an accident. His grief prompted him to give up on seeking love, which led to him becoming the embittered, eavesdropping shut-in he was when Valentine first met him.

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* TheLostLenore: Joseph tells Valentine that he was in love once, many years earlier, but he caught her cheating on him, and she later died in an accident. His grief prompted caused him to give up on seeking love, which led to him becoming the embittered, eavesdropping shut-in he was when Valentine first met him.



* MirrorCharacter: Auguste's life is very similar to Joseph--they both are judges, they both loved and lost when they were young, they both followed the love of their youth to England before losing them. They even both dropped a lawbook which fell open to a specific page that turned up on their judge's examination. Fortunately for the former, his meeting with Valentine at the end of the film means his life probably won't be the same as the judge (and maybe will turn out for the best).

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* MirrorCharacter: Auguste's life is very similar to Joseph--they Joseph's--they both are judges, they both loved and lost when they were young, they both followed the love of their youth to England before losing them. They even both dropped a lawbook which fell open to a specific page that turned up on their judge's examination. Fortunately for the former, Auguste, his meeting with Valentine at the end of the film means his life will probably won't be the same as the judge (and maybe will turn out for the best).take a better path than Joseph's



* SlidingScaleOfCynicismVersusIdealism: Valentine's idealism vs Joseph's cynicism. He ends up moving across the scale at the end, though.

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* SlidingScaleOfCynicismVersusIdealism: Valentine's idealism vs versus Joseph's cynicism. He ends up moving across the scale at the end, though.
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expanded some zero context examples


* RuleOfThree: Obviously.
* TheShutIn: Julie in ''Blue'', Kern in ''Red''.

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* RuleOfThree: Obviously.
It's a trilogy.
* TheShutIn: Julie in ''Blue'', ''Blue'' and Kern in ''Red''.''Red'' have both given up on social interaction, for different reasons.



* DiedDuringProduction: Patrice, in-universe.

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* DiedDuringProduction: Patrice, in-universe.In universe: Patrice dies before he can finish his symphony.



* WhyWeAreBummedCommunismFell: The overarching mood of the movie.

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* WhyWeAreBummedCommunismFell: The overarching mood of the movie.movie, which is in part an allegory for Poland's modernization after the 1980s.



* ManChild: Valentine's boyfriend.

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* ManChild: Valentine's boyfriend.boyfriend is emotionally insecure and commitment-phobic.

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* FrameUp: Dominique sets fire to the curtains of her studio in the beginning of the film and pins this on Karol, knowing that he won't be able to fight arson charges given this "evidence." [[spoiler: Karol gets his revenge by framing Dominique in turn for his murder, which gets her sent to prison.]]



* LanguageBarrier: Karol's French is shaky, which works against him in French court. Throughout the movie, he's seen listening to tapes to survive better in French society.



* TheLoinsSleepTonight: The reason why Dominique asks for a divorce is that "Tonight" was every day.

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* TheLoinsSleepTonight: The reason why Dominique asks for a divorce is that "Tonight" "tonight" was every day.



* {{Cuckold}}: Kern's ex-lover was unfaithful to him, as is Auguste's partner. Auguste sneaks into her apartment and sees the two having sex.

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* {{Cuckold}}: Kern's Joseph's ex-lover was unfaithful to him, as is Auguste's partner. Auguste sneaks into her apartment and sees the two having sex.sex.
* DreamingOfThingsToCome: Joseph tells Valentine he had a dream of her meeting someone and being happy well into her forties and fifties. He leaves it ambiguous who that "someone" is, but it's implied that he's invoking fate, and is right.


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* SecretlySelfish: Joseph believes everybody is like this, that all their "good deeds" are ultimately selfish. That includes Valentine, and he accuses her of this to her face. The events of the movie eventually prove him wrong.
* SleazyPhotoshoot: Valentine does a photoshoot advertising chewing gum. While reviewing the photos, photographer tries to take them in a sexual direction and propositions Valentine.
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* SexForSolace: Julie attempts this after her husband's death, calling up one of his collaborators who'd always had a thing for her and abruptly seducing him. She gets very little solace, though.


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* {{Cuckold}}: Karol's wife has met someone new, and as part of her humiliation of Karol, she makes him listen to them sleep together over the phone.


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* {{Cuckold}}: Kern's ex-lover was unfaithful to him, as is Auguste's partner. Auguste sneaks into her apartment and sees the two having sex.
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Critically-acclaimed trilogy of French/Polish drama films directed by Creator/KrzysztofKieslowski (also the director of ''Film/TheDecalogue'', ''Film/BlindChance'', and ''Film/TheDoubleLifeOfVeronique''), and released in relatively close proximity to each other in 1993 - 1994.

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Critically-acclaimed trilogy of French/Polish drama films directed by Creator/KrzysztofKieslowski (also the director of ''Film/TheDecalogue'', ''Film/BlindChance'', and ''Film/TheDoubleLifeOfVeronique''), and released in relatively close proximity to each other in 1993 - 1994.
1993–94.

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Image, then quote.


[[quoteright:325:https://static.tvtropes.org/pmwiki/pub/images/Trilogy_dvdcover_high_8053.jpg]]



[[quoteright:325:https://static.tvtropes.org/pmwiki/pub/images/Trilogy_dvdcover_high_8053.jpg]]

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** There are little details telling us the films are part of a same work, like characters from one movie making very brief cameos into another (for example, in ''Blue'', Julie accidentally intrudes on the divorce trial of Karol and Dominique, which we then see from their perspective in ''White'') or old people recycling glass.

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** There are little details telling us the films are part of a same work, like characters from one movie making very brief cameos into another (for example, in ''Blue'', Julie accidentally intrudes on the divorce trial of Karol and Dominique, which we then see from their perspective in ''White'') or an old people woman recycling glass.glass bottles (how she gets from Paris in ''Blue'' and ''White'' to Geneva in ''Red'' is never explained).


Added DiffLines:

** Valentine walks past a newsstand, and the headline next to it warns that Zurich's growing drug problem will soon affect Geneva as well. We later learn that Valentine's brother Marc is a heroin addict, and one of Joseph's neighbours is a drug dealer.
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Added DiffLines:

[[foldercontrol]]

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* HeWillNotCrySoICryForHim: Early in the film, Julie, who is still emotionally numb after losing Patrice and Anna in a car crash, finds her servant Marie sobbing piteously. When she asks Marie why she is crying, Marie says, "Because you're not."



* IMadeCopies: Anticipating that Julie would destroy the manuscript of Patrice's (or her, or both of their) pan-European composition after his death, his secretary made a copy and sent it to Olivier. Julie doesn't learn of this until she sees a television interview in which Olivier states his plans to finish the composition.



* OffscreenCrash: Though we do see the car smashed immediately after.
* OminousLatinChanting: Except that it's Greek.

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* OffscreenCrash: Though When the de Courcys' car crashes at the beginning of the film, the camera is focused on a young hitchhiker they drove past, though we do see the car smashed immediately after.
* OminousLatinChanting: Except that it's Greek.Greek instead of Latin, but Patrice/Julie/Olivier's composition features a chorus intoning the Greek translation of 1 Corinthians 13 (in English (KJV), "Though I speak with the tongues of men and of angels, but have not love, I have become sounding brass or a clanging cymbal").


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* ScatterbrainedSenior: Julie's mother is in an assisted living facility, and when Julie visits her, we see she is several years into dementia, repeatedly confusing Julie for her own sister, Marie-France, and only vaguely recalling that Julie's husband and daughter have died.
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* TheLostLenore: Joseph tells Valentine that he was in love once, many years earlier, but he caught her cheating on him, and she later died in an accident. His grief prompted him to give up on seeking love.

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* TheLostLenore: Joseph tells Valentine that he was in love once, many years earlier, but he caught her cheating on him, and she later died in an accident. His grief prompted him to give up on seeking love.love, which led to him becoming the embittered, eavesdropping shut-in he was when Valentine first met him.

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* ContinuityNod: There are little details telling us the films are part of a same work, like characters from one movie making very brief cameos into another or old people recycling glass.

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* ContinuityNod: ContinuityNod:
**
There are little details telling us the films are part of a same work, like characters from one movie making very brief cameos into another (for example, in ''Blue'', Julie accidentally intrudes on the divorce trial of Karol and Dominique, which we then see from their perspective in ''White'') or old people recycling glass.



* ThematicSeries: The series revolves around specific French ideals as opposed to specific characters.

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* ThematicSeries: The series revolves around specific French ideals as opposed to specific characters.[[note]] Sort of; Kieślowski said that the colour and revolutionary ideal motifs had more to do with the money behind the films being French. He said in several interviews that the films would have been substantially the same wherever the money came from, but the perceived "themes" would have varied, just as ''Film/TheDecalogue'' doesn't necessarily overtly focus on one Commandment per episode.[[/note]]



* BrokenBird / DefrostingIceQueen: Julie. She's actually a very nice person at heart, but the loss she suffers makes her very cold and detached for much of the movie (which suits the film's very cold lighting).

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* BrokenBird / DefrostingIceQueen: Julie. She's actually a very nice person at heart, but the loss she suffers makes her very cold and detached for much of the movie (which suits the film's very cold lighting).



* OutlivingOnesOffspring
* PlayingCyrano: Though it's not outright stated, it's implied that Julie could be the writer of her husband's music.

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* OutlivingOnesOffspring
OutlivingOnesOffspring: Julie's daughter Anna is killed in the opening car crash.
* PlayingCyrano: Though it's not outright stated, it's implied that Julie could be the writer of her husband's music.music (or at least that they collaborated, but the works were published under his name).



* BatmanGambit: Karol's plan to take revenge against Dominique.
* EverythingIsAnInstrument: Comb and paper.
* GirlInABox: This is how Karol travels to Poland.
* ICannotSelfTerminate: [[spoiler:Mikołaj]].

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* BatmanGambit: Karol's plan to take revenge against Dominique.
Dominique requires her to come to Poland upon being informed of his (faked) death and the fact that she has inherited his entire fortune, so that he can then have the police arrest her on suspicion of having murdered him for his money. Sure enough, she takes the bait and is thrown in prison.
* EverythingIsAnInstrument: Comb At his most destitute, Karol tries busking with a comb and paper.
paper. He plays the "instrument" in several further scenes once he returns to Warsaw.
* GirlInABox: This is how Mikołaj helps Karol travels return to Poland.
Poland by stashing him inside a suitcase on a flight from Paris to Warsaw. The suitcase is stolen upon landing, and when the thieves find Karol inside instead of something worth selling (and, to add insult to injury, he only has 2 FF and a cheap Russian watch on him), they beat him up.
* ICannotSelfTerminate: [[spoiler:Mikołaj]].[[spoiler:Mikołaj]] pays Karol to help him commit suicide; however, the gun is loaded with blanks.



* TheImmodestOrgasm: Dominique.

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* TheImmodestOrgasm: Dominique.Dominique is much louder during a successful sexual encounter with Karol than she was when she tormented Karol over the phone by making him listen to her having sex with her new boyfriend.



* MadLove: Despite having her arrested and jailed, Dominique finds herself pining for Karol, who pines for her as well.

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* MadLove: Despite having her arrested and jailed, Dominique finds herself pining for Karol, who pines for her as well. In the final shot of the film, Karol stands in the prison courtyard and looks at her cell window with a pair of binoculars; he weeps after he sees her mime that she would say "yes" if he asked her to marry him again.



* SpiritualSuccessor: To [[Film/TheDecalogue ''Decalogue Ten'']]. It shares its BlackComedy tonality and has a lot of other similarites, such as somewhat shady protagonists and quirky side characters. ''White'' also stars the same actors (Zbigniew Zamachowski and Jerzy Stuhr) as a [[SiblingTeam pair of brothers]] that [[{{Expy}} behave very similarly]] to their ''Decalogue'' counterparts.

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* SpiritualSuccessor: To [[Film/TheDecalogue ''Decalogue Ten'']].''[[Film/TheDecalogue Decalogue Ten]]''. It shares its BlackComedy tonality and has a lot of other similarites, such as somewhat shady protagonists and quirky side characters. ''White'' also stars the same actors (Zbigniew Zamachowski and Jerzy Stuhr) as a [[SiblingTeam pair of brothers]] that [[{{Expy}} behave very similarly]] to their ''Decalogue'' counterparts.



* CallBack: Right at the end of the film there's a freeze frame on Valentine as she's emerging from the police rescue boat. The freeze frame catches her looking to the left of the screen against a red background, framed in the same manner as the advertisement that was all over Paris.
* CrazyJealousGuy: Valentine's boyfriend. He's not that crazy to commit a crime, but is very jealous.

to:

* CallBack: Right at the end of the film there's a freeze frame on Valentine as she's emerging from the police rescue boat. The freeze frame catches her looking to the left of the screen against a red background, framed in the same manner as the advertisement that was all over Paris.
Geneva.
* CrazyJealousGuy: Valentine's boyfriend. He's not that crazy to commit a crime, but is very jealous.jealous, constantly demanding to know why she didn't answer the phone if it has taken several attempts to get her to pick up.


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* IAmNotYourFather: Valentine tells Joseph that her brother Marc only found out a year earlier that his father wasn't his mother's husband at all, and this has been part of the motivation behind his drug addiction.


Added DiffLines:

* TheLostLenore: Joseph tells Valentine that he was in love once, many years earlier, but he caught her cheating on him, and she later died in an accident. His grief prompted him to give up on seeking love.
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* SpiritualSuccessor: To Film/TheDecalogue. Just like that one, it's a series of seperate films that are all interconnected by [[TheCameo cameos of characters]] and an [[ThematicSeries overarching theme]], with each film covering one seperate aspect of that theme (TheTenCommandments in the ''Decalogue'' and the ideals of the French Revolution in the ''Three Colors Trilogy'').

to:

* SpiritualSuccessor: To Film/TheDecalogue. Just like that one, it's a series of seperate films that are all interconnected by [[TheCameo cameos of characters]] and an [[ThematicSeries overarching theme]], with each film covering one seperate aspect of that theme (TheTenCommandments (The Ten Commandments in the ''Decalogue'' and the ideals of the French Revolution in the ''Three Colors Trilogy'').
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/Trilogy_dvdcover_high_8053.jpg]]

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[[quoteright:300:https://static.[[quoteright:325:https://static.tvtropes.org/pmwiki/pub/images/Trilogy_dvdcover_high_8053.jpg]]
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-->--'''Three Color Trilogies''' [[https://www.rogerebert.com/reviews/great-movie-three-colors-trilogy-blue-white-red review]], Creator/RogerEbert

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-->--'''Three -->-- '''Three Color Trilogies''' [[https://www.rogerebert.com/reviews/great-movie-three-colors-trilogy-blue-white-red review]], Creator/RogerEbert



* FadeToBlack: Used to represent Julie’s difficulty in moving on. It's an extremely unusual type of JumpCut since the film fades to black only to fade to the exact same moment.

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* FadeToBlack: Used to represent Julie’s Julie's difficulty in moving on. It's an extremely unusual type of JumpCut since the film fades to black only to fade to the exact same moment.



* NiceGuy: Julie is a female example. When she lets go of her angst, she helps a lot of people on her way, even providing her husband’s mistress and her unborn baby with Patrice’s old home.

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* NiceGuy: Julie is a female example. When she lets go of her angst, she helps a lot of people on her way, even providing her husband’s husband's mistress and her unborn baby with Patrice’s Patrice's old home.



* OminousLatinChanting: Except that it’s Greek.

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* OminousLatinChanting: Except that it’s it's Greek.



* PlayingCyrano: Though it’s not outright stated, it’s implied that Julie could be the writer of her husband’s music.

to:

* PlayingCyrano: Though it’s it's not outright stated, it’s it's implied that Julie could be the writer of her husband’s husband's music.



* BatmanGambit: Karol’s plan to take revenge against Dominique.

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* BatmanGambit: Karol’s Karol's plan to take revenge against Dominique.



* IJustShotMarvinInTheFace: Karol stares at the inside of a gun’s barrel.

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* IJustShotMarvinInTheFace: Karol stares at the inside of a gun’s gun's barrel.



* CrazyJealousGuy: Valentine’s boyfriend. He’s not that crazy to commit a crime, but is very jealous.

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* CrazyJealousGuy: Valentine’s Valentine's boyfriend. He’s He's not that crazy to commit a crime, but is very jealous.



* ManChild: Valentine’s boyfriend.

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* ManChild: Valentine’s Valentine's boyfriend.



* MirrorCharacter: Auguste’s life is very similar to Joseph--they both are judges, they both loved and lost when they were young, they both followed the love of their youth to England before losing them. They even both dropped a lawbook which fell open to a specific page that turned up on their judge's examination. Fortunately for the former, his meeting with Valentine at the end of the film means his life probably won’t be the same as the judge (and maybe will turn out for the best).
* PlatonicLifePartners: Valentine and Joseph. The age gap might have something to do with it, although he says to her: “Perhaps you’re the woman I never met”.
* SlidingScaleOfCynicismVersusIdealism: Valentine’s idealism vs Joseph’s cynicism. He ends up moving across the scale at the end, though.

to:

* MirrorCharacter: Auguste’s Auguste's life is very similar to Joseph--they both are judges, they both loved and lost when they were young, they both followed the love of their youth to England before losing them. They even both dropped a lawbook which fell open to a specific page that turned up on their judge's examination. Fortunately for the former, his meeting with Valentine at the end of the film means his life probably won’t won't be the same as the judge (and maybe will turn out for the best).
* PlatonicLifePartners: Valentine and Joseph. The age gap might have something to do with it, although he says to her: “Perhaps you’re "Perhaps you're the woman I never met”.
met".
* SlidingScaleOfCynicismVersusIdealism: Valentine’s Valentine's idealism vs Joseph’s Joseph's cynicism. He ends up moving across the scale at the end, though.
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Not So Different has been renamed, and it needs to be dewicked/moved


* NotSoDifferent: Auguste’s life is very similar to Joseph--they both are judges, they both loved and lost when they were young, they both followed the love of their youth to England before losing them. They even both dropped a lawbook which fell open to a specific page that turned up on their judge's examination. Fortunately for the former, his meeting with Valentine at the end of the film means his life probably won’t be the same as the judge (and maybe will turn out for the best).

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* NotSoDifferent: MirrorCharacter: Auguste’s life is very similar to Joseph--they both are judges, they both loved and lost when they were young, they both followed the love of their youth to England before losing them. They even both dropped a lawbook which fell open to a specific page that turned up on their judge's examination. Fortunately for the former, his meeting with Valentine at the end of the film means his life probably won’t be the same as the judge (and maybe will turn out for the best).
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renamed


* AuthorExistenceFailure: Patrice, in-universe.


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* DiedDuringProduction: Patrice, in-universe.
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Added an example from the trope page.

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* LewdLustChasteSex: A failed attempt at sex is shown in all its glory to establish the desperation of the participants and of their relationship. Success much later on fades to white.

Added: 2005

Removed: 2005

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[[folder:The trilogy as a whole]]
* ColorMotif: In each film the color corresponding to the title is prominently featured. In ''Red'', the billboards of Valentine all over Paris have her against a red background, and the theater where she has a modeling gig is all done up in red as well. In ''Blue'', there is a "blue room" in Julie's mansion which is painted all blue.
* ContinuityNod: There are little details telling us the films are part of a same work, like characters from one movie making very brief cameos into another or old people recycling glass.
** At the end of ''Red'', a fatal ferry crash has only a few survivors: all of the main characters from the trilogy. The Judge sees the news report on TV.
* MythologyGag:
** Van den Budenmayer, a fictitious composer (even though he's treated as a real composer) mentioned in ''Blue'' and ''Red'', was mentioned earlier in both ''Film/TheDecalogue'' (more precisely, ''Decalogue Nine'') and ''Film/TheDoubleLifeOfVeronique''. The main theme of ''Decalogue Nine'' (written by Van den Budenmayer in-world) is featured on two occasions in ''Red''.
** There's also a re-use of a funeral march motif Preisner wrote for ''No End'' (his first collaboration with Kieslowski) as a prominent recurring musical theme in ''Blue''. In there, this composition ''also'' gets ascribed to Van den Budenmayer.
* RainbowMotif: Blue for liberty, White for equality, Red for fraternity, like in the French flag.
* RuleOfThree: Obviously.
* TheShutIn: Julie in ''Blue'', Kern in ''Red''.
* SpiritualSuccessor: To Film/TheDecalogue. Just like that one, it's a series of seperate films that are all interconnected by [[TheCameo cameos of characters]] and an [[ThematicSeries overarching theme]], with each film covering one seperate aspect of that theme (TheTenCommandments in the ''Decalogue'' and the ideals of the French Revolution in the ''Three Colors Trilogy'').
* ThematicSeries: The series revolves around specific French ideals as opposed to specific characters.
[[/folder]]




[[folder:The trilogy as a whole]]
* ColorMotif: In each film the color corresponding to the title is prominently featured. In ''Red'', the billboards of Valentine all over Paris have her against a red background, and the theater where she has a modeling gig is all done up in red as well. In ''Blue'', there is a "blue room" in Julie's mansion which is painted all blue.
* ContinuityNod: There are little details telling us the films are part of a same work, like characters from one movie making very brief cameos into another or old people recycling glass.
** At the end of ''Red'', a fatal ferry crash has only a few survivors: all of the main characters from the trilogy. The Judge sees the news report on TV.
* MythologyGag:
** Van den Budenmayer, a fictitious composer (even though he's treated as a real composer) mentioned in ''Blue'' and ''Red'', was mentioned earlier in both ''Film/TheDecalogue'' (more precisely, ''Decalogue Nine'') and ''Film/TheDoubleLifeOfVeronique''. The main theme of ''Decalogue Nine'' (written by Van den Budenmayer in-world) is featured on two occasions in ''Red''.
** There's also a re-use of a funeral march motif Preisner wrote for ''No End'' (his first collaboration with Kieslowski) as a prominent recurring musical theme in ''Blue''. In there, this composition ''also'' gets ascribed to Van den Budenmayer.
* RainbowMotif: Blue for liberty, White for equality, Red for fraternity, like in the French flag.
* RuleOfThree: Obviously.
* TheShutIn: Julie in ''Blue'', Kern in ''Red''.
* SpiritualSuccessor: To Film/TheDecalogue. Just like that one, it's a series of seperate films that are all interconnected by [[TheCameo cameos of characters]] and an [[ThematicSeries overarching theme]], with each film covering one seperate aspect of that theme (TheTenCommandments in the ''Decalogue'' and the ideals of the French Revolution in the ''Three Colors Trilogy'').
* ThematicSeries: The series revolves around specific French ideals as opposed to specific characters.
[[/folder]]

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!!''Blue'' provides examples of:

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!!''Blue'' provides !!These films provide examples of:
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[[folder:''Blue'']]




!!''White'' provides examples of:

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\n!!''White'' provides examples of:\n[[/folder]]

[[folder:''White'']]




!!''Red'' provides examples of:

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\n!!''Red'' provides examples of:\n[[/folder]]

[[folder:''Red'']]




!!The trilogy as a whole provides examples of:

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\n!!The [[/folder]]

[[folder:The
trilogy as a whole provides examples of:
whole]]




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[[/folder]]
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* FadeToBlack: Used to represent Julie’s difficulty in moving on.

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* FadeToBlack: Used to represent Julie’s difficulty in moving on. It's an extremely unusual type of JumpCut since the film fades to black only to fade to the exact same moment.

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* HookerWithAHeartOfGold

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* HookerWithAHeartOfGoldHookerWithAHeartOfGold: Lucille, the kindhearted prostitute and stripper who lives below Julie. A neighbor petitions to have her evicted for being a "whore," but Julie refuses to sign it, leading to her and Lucille becoming friends.


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* RightNowMontage: The film's ending is a montage of most of the major characters at one moment, all of them affected in some way by Patrice's death or Julie's actions.

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to:

* SpiritualSuccessor: Of Kieslowski's previous film ''No End''. They share the premise of a widow dealing with her husband's death. To further emphasize the thematical connection between the films, ''Blue'' reuses ''No End'''s main theme on several occasions.


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* SpiritualSuccessor: To [[Film/TheDecalogue ''Decalogue Ten'']]. It shares its BlackComedy tonality and has a lot of other similarites, such as somewhat shady protagonists and quirky side characters. ''White'' also stars the same actors (Zbigniew Zamachowski and Jerzy Stuhr) as a [[SiblingTeam pair of brothers]] that [[{{Expy}} behave very similarly]] to their ''Decalogue'' counterparts.


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* SpiritualSuccessor: To Film/TheDecalogue. Just like that one, it's a series of seperate films that are all interconnected by [[TheCameo cameos of characters]] and an [[ThematicSeries overarching theme]], with each film covering one seperate aspect of that theme (TheTenCommandments in the ''Decalogue'' and the ideals of the French Revolution in the ''Three Colors Trilogy'').

Added: 344

Changed: 609

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* MythologyGag: Van den Budenmayer, a fictitious composer (even though he's treated as a real composer) mentioned in ''Blue'' and ''Red'', was mentioned earlier in both ''Film/TheDecalogue'' and ''Film/TheDoubleLifeOfVeronique''.
* RainbowMotif: Blue for liberty, White for equality, Red for fraternity. You know, like in the French flag.

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* MythologyGag: MythologyGag:
**
Van den Budenmayer, a fictitious composer (even though he's treated as a real composer) mentioned in ''Blue'' and ''Red'', was mentioned earlier in both ''Film/TheDecalogue'' (more precisely, ''Decalogue Nine'') and ''Film/TheDoubleLifeOfVeronique''.
''Film/TheDoubleLifeOfVeronique''. The main theme of ''Decalogue Nine'' (written by Van den Budenmayer in-world) is featured on two occasions in ''Red''.
** There's also a re-use of a funeral march motif Preisner wrote for ''No End'' (his first collaboration with Kieslowski) as a prominent recurring musical theme in ''Blue''. In there, this composition ''also'' gets ascribed to Van den Budenmayer.
* RainbowMotif: Blue for liberty, White for equality, Red for fraternity. You know, fraternity, like in the French flag.

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