The Social Network is a 2010 film by David Fincher. Largely in flashback, it tells the story of the founding of the phenomenally successful friending networkFacebook and the rise of its founder, Mark Zuckerberg, to the status of youngest billionaire in history (with some artistic liberties).Set at Harvard, in the winter of 2003 Mark develops a student "hotness" rating website (using illegally obtained pictures) that becomes so popular it crashes Harvard servers. His resulting publicity catches the attention of the twin Winklevoss brothers, who conscribe him to develop a Harvard exclusive networking website. Mark takes that idea and works out a related networking website with his close friend Eduardo, who fronts the money for the start-up costs."The Facebook" becomes an instant hit, with neither Mark nor Eduardo knowing exactly where to go from there. Along comes Napster legend Sean Parker who wiggles himself into the business and outlines how big this project is going to end up. Mark is enraptured by Parker's vision but Eduardo is constantly worried that it's growing too big too fast. On another front the Winklevoss twins are enraged that Mark effectively "stole" their idea, which raises the question of how closely The Facebook matches their original idea and the validity of Intellectual Property.Jesse Eisenberg stars as Zuckerberg, Andrew Garfield as Eduardo Saverin, Brenda Song as Christy Lee and pop singer Justin Timberlake as Sean Parker. The script was written by Aaron Sorkin, adapted from Ben Mezrich's 2009 book The Accidental Billionaires. None of the Facebook staff, including founder Mark Zuckerberg, were involved with the project. One of the co-founders, Eduardo Saverin, was a consultant for Mezrich's book.Film critics praised it to high heaven; among its accolades is declaration that this film is "the Citizen Kane of the 21st century". Among the frequently-mentioned strengths include the well-written script, beautiful visuals, and its tackling of the question of what it really means to be "connected" (or rather disconnected) in modern society. The general consensus seems to be that the film is one of those rare milestones that captures the spirit of the time it was made.It won three Oscars: Best Adapted Screenplay (for Aaron Sorkin), Best Film Editing, and Best Original Score (Trent Reznor and Atticus Ross), but lost Best Picture and Director to The King's Speech.
This film provides examples of:
Actually Pretty Funny: Despite their best efforts to maintain their professional composure, Sy and Marilyn have this reaction to several of Mark's snarky comments.
Adapted Out: Of all of this movie's instances of Artistic License, probably the biggest is that there's never any mention of Mark Zuckerberg's then-girlfriend (now his wife) Priscilla Chan. Of course, if the filmmakers had depicted Zuckerberg as having a stable love life, it probably wouldn't have made the whole Lonely at the Top theme quite so dramatic, and they wouldn't have been able to portray his breakup with "Erica Albright" as such a defining moment in his life.
Adults Are Useless: Granted the main characters aren't small children, but all the adults they go to for help simply blow them off - Prince Albert, the lawyers (one can almost forgive Mark for his Jerkass behaviours towards them) and most of all the Harvard president Larry Summers.
Affably Evil: Sean. For a Jerkass like him, he's very charming.
All Men Are Perverts: The principle Facemash operates on in the film. In real life, however, Facemash featured comparison of male faces as well as female ones.
Avoid The Dreaded R Rating: The DVD Commentary mentions that the note that says "u dick" was originally supposed to say something else. Also, strong language (as evidenced by the behind-the-scenes footage) and shots of drug use were cut for the PG-13 rating, and apparently scenes with more nudity were filmed - movie news websites said that the filmmakers were deliberating whether to keep or cut them.
Armor-Piercing Question: Sean Parker argues that the music industry lost against Napster. Eduardo pointed out that the music industry won in court. However, Sean's subsequent question about a former records store shuts Eduardo up.
Sean: I brought down the record companies with Napster, and Case'll suffer for their sins too.
Eduardo: Sorry, you didn't bring down the record companies. They won.
Sean: In court.
Sean: You wanna buy a Tower Records, Eduardo?
Artistic License - Linguistics: The French Literature major who sleeps with Sean Parker speaks grammatically correct French, but her pronunciation is preeeeetty rocky (which may be simply indicative of her inexperience, considering she's an undergrad).
Beware the Nice Ones: Eduardo when he decides to seek revenge on Mark and Sean by suing them for all their worth after they stab him in the back.
Bilingual Bonus: Amy's line, "Tu fais l'amour a la jolie fille" ("You've just made love to a pretty girl").
Bittersweet Ending: Mark succeeds in creating Facebook and turning it into a company, but he's lost his best friend, his hero, and just about everyone else important to him. At least he's realized the consquences of his actions... maybe.
Book Ends: Beginning and ending scenes feature Zuckerberg being assessed by a more grounded female character; specifically whether he is an "asshole."
Also, an Ironic Echo version — the movie begins with Mark working with Eduardo on Facemash after being dumped by Erica. The movie ends with Mark trying to friend Erica on Facebook after seeing just how much of a chasm is now between him and Eduardo.
Sean after the drug bust. He displaced Eduardo as Mark's greatest ally and helped orchestrate the plot to throw him out of Facebook, returning his now worthless check to rub it in his face. The look on his face when he realizes that now it's his turn to get the boot is priceless.
Brick Joke: Mark's business card. "I'm CEO, bitch." Of course, given the context of the second scene, it's not as funny as it should be.
Broken Pedestal: Mark is quite admiring of Sean's power & ideas, but his faith in him wavers when he finds out about Sean's arrest.
Or possibly earlier, when Sean helped force out Eduardo: it's implied that Mark may have been responsible for the arrest
California Doubling: The filmmakers couldn't shoot at Harvard and had to shoot at Johns Hopkins University in Maryland. Some scenes were filmed at UCLA Film Schools in California. There are a few shots in the film that were sneak shoots of the greater campus area.
A few places in the film were also sets.
They did actually film in Massashusetts at the prep schools Phillip's Academy and Milton Academy. Admittedly California Doubling is the easiest when it comes to universities since most higher education universities and prep schools look the same.
Cameo: An unaltered Josh Pence (who played the body of one of the Winklevoss Twins) as the guy asking if the bathroom's busy after Mark and Eduardo hook up with Alice and Christy inside.
Chronic Backstabbing Disorder: Mark, to a varying extent and with varying degrees of justification, ends up screwing over just about everyone else involved in the creation process of Facebook.
Cycle of Revenge: If the main characters would lose some resentment and learn some forgiveness, Mark and Eduardo's friendship could have been saved instead of being destroyed by escalating vengeful acts.
Deadpan Snarker: Mark. Also, Harvard President Larry Summers in his verbal beatdown of the Winklevoss brothers.
Almost everyone at one point or another. It was after all written by Aaron Sorkin.
Determinator: Eduardo, spending 14 hours a day riding subways in New York so that he can go around trying to attract advertisers for the site. And getting almost no name-brand takers.
Digital Head Swap: To portray the Winklevoss twins, using two different actors with the first actor's head placed on the other's body.
Dirty Coward: Sean flinches like a sissy when Eduardo fakes like he's going to hit him after Sean and Mark screwed him out of the company. For a moment Eduardo gets to grin like a smug bastard, commenting that Sean's cowardice makes him feel "tough".
Does This Remind You of Anything?: In the final scene where Marilyn, the junior lawyer on Mark's team explains to him how easy it would be for her to win the cases against him, she mentions how she doesn't have to prove anything, just ask the right questions that people will form the answers to in their own minds regardless of what he says. This is very much the trick the film uses too when it's making more serious implications about the actions of the characters. Did Mark steal Facebook? Did Mark try to cheat Eduardo out of Facebook? Did Mark leak the story about the chicken, did he call the cops on Sean's party? Is he an asshole? The film never outright says any of it, just gets you wondering...
The film makes it hard not to compare Eduardo's behaviour as a partner to Chrissy's behaviour as a girlfriend.
Double Vision: Did you know that the Winklevoss twins were played on set by two actors (Armie Hammer as Cameron and Josh Pence as Tyler), but Hammer's face was digitally superimposed in post-production onto Pence's body, so that the twins would look exactly alike? No, you didn't. Because it is seamless.
Even Evil Has Standards: Mark felt that Sean's treatment of Eduardo in the scene where Eduardo gets fired from the company was going too far. He was also disgusted when he heard Sean was partying and doing drugs with a group of underage interns, and his reasons for (possibly) exposing him were more than just as an executive decision.
Eureka Moment: When Dustin asks if a girl in his class is in a relationship, Mark gets this which leads him into creating the relationship status.
Everything Is Online: Played with: in the beginning of the movie, Mark specifically mentions that because a certain college house's database isn't online, he can't access any of the photos for Facemash. But this is a movie about Facebook, so one of the major themes is, of course, everything (from angry drunken break-up rants to the dreaded relationship status) becoming available online.
One of Sean's big lines is how society has moved to bigger and bigger communities, farms to cities. Now, everyone will live "on the internet."
Evil Mentor: Sean Parker for Mark. Although he's not actually actively mentoring Mark in being evil, he's just a morally reprehensible person giving business advice.
Fanservice: Sean Parker is first introduced shirtless in bed after sleeping with an attractive college student, who spends her only scene wearing nothing but a college sweatshirt and a pair of panties (with the camera lingering on her backside for a suspiciously long time).
Foregone Conclusion: Even ignoring the fact that the film is (loosely) based on true events, the opening scenes make it apparent that Eduardo has been screwed out of Facebook and is suing Mark for that reason.
Framing Device: Dual depositions, one of Zuckerberg v. Saverin, and the other Zuckerberg v. the Winklevoss twins.
Freeze-Frame Bonus: During the millionth member party, the screen is refreshed to show 1,000,046 people have joined Facebook. This is at exactly 1 hour, 46 minutes, and 46 seconds into the movie.
Frivolous Lawsuit: Mark considers the Winklevoss's and Divya's lawsuit to be one of these, and Marilyn freely admits that they could probably win the case against them if Mark himself was not so socially awkward and unfriendly. Fincher and Sorkin have in fact been criticized by writers such as this one for presenting their case in an overly sympathetic light (Larry Summers's epic verbal beatdown of them notwithstanding).
Gentleman and a Scholar: Cameron Winklevoss is very reluctant to sue initially because "gentlemen of Harvard" do not drag other students through the courts.
COMPLETELY averted with Mark Zuckerberg
GIFT: Mark, absolutely. While obnoxious enough in person he becomes even worse behind a computer screen.
Girl on Girl Is Hot: Two women are shown kissing in the FaceMash montage. Partially justified; it's open for interpretation whether it's actually happening in the elite clubs or simply a figment of the characters' imagination.
Grey and Gray Morality: None of the main characters are presented as either totally sympathetic or despicable. Mark is an arrogant Jerkass, but a smart one with shades of a tragic hero; the Winklevosses are just as arrogant and jerk-y rich boys who seem to think the world owes them one, but they don't want to drag Mark through the court system and are honestly convinced that he stole the idea for Facebook; Divya is right up there with them; Sean is selfish and obnoxious, but more of a weakling than a straight-up asshole and he does know what he's talking about business-wise; Christy is just bat-shit crazy rather than truly malicious; Eduardo comes the closest to being a straight up good guy, but shows some of the most hesitance and timidity over the importance of Facebook.
Eduardo's great flaw is that he can be incredibly passive-aggressive and vindictive when someone crosses him. Pointing out that he hadn't grabbed any investors yet was enough for him to basically take his ball and go home. While it comes off as a CMOA, his reactions after Mark and Sean dilute his shares to nothing is essentially that of a child whose been told he can't play in the sandbox anymore. Of course that still doesn't justify the way Mark and Sean screwed him over.
Eduardo acts snarky and condescending towards Sean from their first meeting. Perhaps justified by Sean's reputation and later actions, but needlessly creating an enemy from a potential friend/partner isn't a smart move.
Then again, Sean is a Jerkass, and he was clearly manipulating Mark and Eduardo against each other so that he could have Mark all to himself as he clearly targeted Mark as his next meal ticket.
Green-Eyed Monster: Mark is jealous of Eduardo for securing a place in the Phoenix club, and Eduardo's lawyer suggests this might have been part of the reason he cut Eduardo out of the company. It's also suggested that Eduardo is jealous of Sean and his success.
Hide Your Gays: Perhaps an inadvertent consequence of the film's focus on the characters' misogynistic world. Or deliberate because of the chosen narrative. Of the four Facebook founders (and Sean Parker), the openly gay Chris Hughes is the only one whose romantic life or sexuality isn't depicted in any way (on the other hand, he simply didn't have many lines at all). However, nameless women are shown kissing each other during the FaceMash montage.
In all fairness the shot of two girls kissing at the party is a counter point to four nerds staring at a computer screen. It's used to show that they are not the cool kids on campus.
In the audio commentary, Fincher states that he had conducted auditions and had read hundreds of Indian actors in several countries for the role, but settled on Max because of the "ambiguity" of his look - he cast a non-Indian actor to play an real-life Indian American character...because he wasn't too "Indian".
Played straight with several of the other characters though, notably Eduardo. Somewhat with Mark.
Historical Upgrade: Prior to the movie, Shawn Fanning was the most well-known person behind Napster, with many unaware of his business partner Sean Parker. The film frames Sean, not Shawn, as the well-recognized sole founder of Napster. It's been argued that the film's Sean Parker is intended as a Composite Character of the two.
Hollywood Hacking: Largely averted, with some lapses. The hacking shown in-film is, as in real life, a process of reading code and trying out strategies based off of the security settings of the target. The character's progress through the Harvard databases is even shown through on-screen time markers to match up with what really happened in 2003. This sequence is lifted verbatim from Zuckerberg's diary and is thus very accurate. However, later in the film Zuckerberg tests potential interns with a hacking challenge, described with a burst of incoherent jargon, and to be performed while drinking shots in front of a cheering audience.
Zuckerberg's real diary was not on LiveJournal, but is depicted there in the film. Brad was amused.LiveJournal is depicted with a derivative of the Xcolibur site scheme, which did exist in 2003, although the default was still Dystopia. The page closely resembles the actual light version of update.bml though the movie version lacked LJ's actual automatic timestamping.
As noted under The Rashomon, the second example may be justified considering Eduardo (who knows little about computers) is recounting the story.
Honor Before Reason: Tyler and Divya want to sue Mark after they find out he started his own social network site. Cameron refuses to at first because "We're gentlemen of Harvard."
Hypocritical Humor: The girl Sean was sleeping with in his introductory scene started to get angry when he jokingly pretended to have forgotten her name, but clearly didn't know his name given her surprise when he reveals that he's Sean Parker.
In Name Only: The film was marketed as an adaptation of Ben Mezrich's The Accidental Billionaires. However, Mezrich received a publishing deal based on a 14-page treatment he'd written before even starting work on the book, on the basis of which his publisher also sold the film rights. Sorkin expected that he would be asked to wait until the book's completion before starting work on the screenplay, but the film studio urged him to start work on it immediately, so the book and the screenplay were written concurrently and largely independently of one another, with occasional meetings between Mezrich and Sorkin (Sorkin himself only saw the final version of Mezrich's book after having nearly finished his screenplay). As such, the book and the film are very different from one another in terms of tone, style and pacing, and while both take significant liberties with the truthfor dramatic effect, the liberties in question are very different in each case. Sorkin included a handful of direct references to Mezrich's book however (such as Cameron's reference to The Karate Kid, a direct quote).
Mark: [after the opposing lawyer asks if he has Mark's full attention] I think if your clients want to sit on my shoulders and call themselves tall, they have a right to give it a try, but there's no requirement I enjoy sitting here listening to people lie. You have part of my attention. You have the minimum amount. The rest of my attention is back at the offices of Facebook, where my colleagues and I are doing something no one in this room, including and especially your clients, are intellectually or creatively capable of doing. Did I adequately answer your condescending question?
It probably offends Mark to no end that the Winklevoss twins lawsuit accusing him of stealing the basic idea of Facebook from them pretty much implies that Mark is not as clever or intelligent as he thinks he is.
The first scene ends with a woman accusing Mark of being an asshole. The movie ends with a woman reassuring Mark he isn't an asshole, but he's trying hard to be one.
Mark claims he would bring Erica to final club events to help her meet a higher caliber of people. She seems to respond sincerely "You would do that for me?", but immediately breaks up with him, having considered his offer an insult. When the Winklevosses and Divya pitch the Harvard Connection project to Mark, they offer it as a chance to rehabilitate his image after Facemash.com. He responds "You would do that for me?", and proceeds to create a similar website without them. Eduardo notes he does so because he found the idea that would need to rehabilitate his image since Facemash gave him the notoriety he wanted.
As to Mark assuring Erica that he'd introduce her to a better class of people, contrast their companies the next time they see each other: she's sipping wine and enjoying dinner and conversation with polite and intelligent-looking people, and he's just gotten a semi-anonymous blowjob in the men's room.
Mark and later Sean complain that the larger organizations they've upset don't "have a sense of humor." The latter says this when the two first meet, which seems to earn Mark's admiration and loyalty.
Irony: Erica's statement that Mark acts "as if every thought that tumbles through [his] head was so clever it would be a crime for it not to be shared" mirrors a common complaint of Facebook (and also Twitter) detractors.#
First scene has Mark telling Erica "I don't want to be friends." The movie ends with Mark adding her as a friend on Facebook.
It's All About Me: Mark, full force. He sees everyone only for their use to him and is incapable of understanding why he should care about anyone else but himself. Shown tellingly when he angrily admonishes Eduardo for nearly destroying what he has been working on, before Eduardo corrects him with "We have been working on".
Ivy League For Everyone: Subverted, and that's kind of the point. ("You go to BU!") Originally, Mark only intended the website to be for Harvard students, and then after that only to top-tier schools like Stanford.
Jerkass: Even compared to the assholish things Mark did, Sean definitely qualifies.
Kick the Dog: Sean handing Eduardo his paltry check to rub salt in his wounds after the company ditched him. It almost got him punched, and even Mark called him out on it.
Lack of Empathy: Mark, Mark, and did we perhaps mention Mark? Interestingly, he's seldom overtly malicious. It's just that he doesn't generally know or care about the damage he's causing. Even after his Heel Realisation, it's still implied that he doesn't quite get it.
Let's Just Be Friends: Erica to Mark. When he replies that he doesn't want friends, she says she was just being polite and has no intention of actually staying friends with someone like him.
Lonely at the Top: Mark is clearly not a happy man by the end. The final shot of the film is him alone, staring at a computer screen, with the text "Mark Zuckerberg is the youngest billionaire in the world" appearing onscreen.
Love Hurts: Erica breaking up with Mark, which led to the creation of Facebook.
Male Gaze: There are quite a few shots simply of attractive women walking away from the camera.
Particularly with Amy, whose one three-minute scene consists almost entirely of lingering shots of her butt in a pair of Stanford panties (to the point that she's just known as "Stanford" to many viewers). And, of course, one of these lingering shots was prominently featured in the trailer.
Sean. While he's not as bad as other examples, he's quite childish in the way he expresses himself. Mark suffers from this as well.
Mark too has shades of this, albeit he is far smarter about expressing it. Many of his actions, such as slagging off his ex-girlfriend after she dumped him, are immature and other characters seem to be aware of how disturbing his personality is on a young adult. Hell, his dismissal of the Winklevoss twins initial cease and desist letter threatening court action over Facebook - "They had an idea, I had a better one" is not only flippant but incredibly childish.
Man Scorned: Mark's behaviour after Erica dumps him is an inversion of the trope usually applying to females.
Motor Mouth: Both Mark and to a greater degree, Sean. Eduardo even remarks that the latter must have set some sort of record. Of course, any Aaron Sorkin character at least comes close to this at some point; Fincher directed the actors to talk faster, as the script was a little too long.
Never My Fault: Sean in particular has this problem, blaming the Winklevii and/or Manningham for planting the coke and calling the cops even though it's pretty clear Sean could have stopped the coke use and flushed it all if he really wanted to. He also doesn't seem to understand how record companies would be pissed to see you take money away from them, chalking it up to them not having a sense of humor. Most of the rest of the crew does this as well, blaming others when it's either partially or completely their own fault.
Mark has some of this too. He can't fathom why Harvard is angry that he hacked into their records and believes they should give him credit for pointing out flaws in their system. He also seems angry with Eduardo for suing him even though he brought it entirely on himself. Heck, his intro has him writing horrible things about his girlfriend after she dumped him for being a complete jerk to her, and he doesn't see his own culpability.
Every minute this site is up HarvardConnection becomes less valuable. I want an injunction, I want damages, I want punitive relief and I want him dead.
Pet the Dog: No matter what happened, Mark seemed to genuinely appreciate Eduardo for his contributions ("I need you!") and even after their schism would apparently defended him on reputation destroying evidence his lawyers dug up. The biggest moment was Mark telling Sean that he went too far whilst kicking out Eduardo from the company. It's pretty much the only time in the film that he shows any sign of regret.
Sean: Did you think we were going to let you parade around in your ridiculous suits pretending you were running this company?
Eduardo: Sorry! My Prada's at the cleaners! Along with my hoodie and my 'fuck you' flip-flops, you pretentious douchebag!
Power Trio: Tyler Winklevoss (Id), Cameron Winklevoss (Superego), and Divya Narendra (Ego)
"Rashomon"-Style: Sorkin specifically mentions this movie as the way he wrote the screenplay, though we never see the same events twice. Instead, it's subtly implied that segments of the film may be from the viewpoint of whichever party (Mark, Eduardo, or the Winklevoss twins) is currently testifying in the deposition Framing Device. To wit, this exchange after the Eduardo deposition:
Mark: I'm not a bad guy.
Marilyn: I know. Any time there's emotional testimony, I assume 85% of it is exaggerated.
Erica: Listen, Mark. You're probably going to be a very successful person in computers, but you're going to go through life thinking that girls don't like you because you're a nerd. And I want you to know, from the bottom of my heart, that that won't be true. It'll be because you're an asshole."
Red Oni, Blue Oni: Tyler Winklevoss wants to sue Mark immediately. Cameron Winklevoss consistently has cold feet regarding the idea, being too concerned about their image as Harvard gentlemen.
Rule of Drama: Yes, the filmmakers have freely admitted to making scenes up and playing around with the date of events, but their purpose was to make a Citizen Kane-esque story of success-with-tragedy. The screenwriter's done this before.
Not to mention the final exchange between Mark and Marilyn casts doubt on the authenticity of the testimonies concerning Mark's alleged wrongdoings. Basically, the film is not trying to be a just-the-facts story of the minds behind Facebook, because some of those minds may not be telling the truth.
Scenery Porn: The amazing views of Harvard in winter can make a viewer wish he or she had studied a ludicrous amount and was born much, much richer. Ironically, a majority of the film was actually shot at Johns Hopkins University, as Harvard has refused most filming permits for decades. The crew was allowed to shoot at Harvard only for select, uncomplicated shots.
Cameron Winklevoss: Like my brother and I are in skeleton costumes chasing the karate kid around a high school gym.
The unidentified movie star at Harvard in 2003 was Natalie Portman, who was a consultant on the film.
During the scene where Eduardo finds out he's been accused of animal cruelty, Mark tells him he's created an alias account on Facebook to help him cheat on his final. Looking at Mark's computer shows the name he has decided on: Tyler Durden.
Sidetracked by the Analogy: Sean Parker uses the metaphor of a fisherman having his photo taken with one big Marlin instead of 15 trout. Eduardo goes into all the technical details, like how much a Marlin could weigh in real life and how strong the fisherman would have to be, while an irate Mark tells him that he's missing the point.
Once David Fincher discovered in his own research that Mark was actually drinking a specific brand of beer when he created Facemash, Fincher insisted on changing the drink for the movie (over Sorkin's protests). Of course, given Fincher's reputation as a perfectionist, this is to be expected.
Also, for a completely different campus dressed up using set decoration (a majority of filming for the Harvard scenes took place at Johns Hopkins University, due to Harvard's refusal to allow much filming on campus), they spent much care in trying to replicate the look and feel of Harvard.
The real Mark Zuckerberg, although he's been understandably quiet about his portrayal or the film's plot in general, has seen the film and has publicly expressed only a single comment about the movie's content: it was extremely accurate in its depiction of his wardrobe. Every pullover or t-shirt Zuckerberg is seen wearing is something that the real Mark Zuckerberg actually wore in college.
Larry Summers has confirmed that the scene in which he dismisses the Winklevosses is not too far from the truth, even going so far to as to call them a pair of "assholes".
Smug Snake: Eduardo very clearly considers Sean to be this. Sean seems to be a subversion of the trope though, as despite being a jerkass who does himself in eventually, his ideas about what direction to take Facebook are all correct from a business sense. To this end, Dustin Moskovitz said the following about the real-life Parker: "He deserves less credit for making Facebook what it is than he thinks he does, but more than anyone else thinks he does."
The Sociopath: Mark and Sean both get turned into examples. Mark is a bit worse given his seeming disdain for everyone around him though Sean nearly edges him out with his treatment of Eduardo.
Sorkin Relationship Moment: This time in a non-romantic friendship. Eduardo cutting off funds was framed in the film as him trying to get Mark to cut the crap and pay attention. (A little bit of a stretch, but possibly worth mentioning since the screenwriter is the Trope Namer.)
The comparisons to Citizen Kane can also fit in that some critics noted that both films are about the tragic rise of the most powerful media mogul of their time (Kane being a thinly-veiled version of William Randolph Hearst).
Tyler Winklevoss: I'm 6'5'', 220 [pounds], and there's TWO of me.
Technician Versus Performer: Mark considers himself both a technician and a performer in CS (in his "Do I have your full attention?" speech, he claims that some of the things he is doing with Facebook are things that no one else in the room is intellectually or creatively capable of doing). Eduardo's focus on playing the company safe and not taking any large financial risks places him more at the technician end of the scale, whereas Sean freely acknowledges he's more akin to a performer than a technician, which compensates for his lack of expertise.
Sean (talking about Napster): It may not have been good business, but it pissed a lot of people off.
Trailers Always Lie: The soundbite in the trailer of Mark being read his charges ("You are being accused of intentionally breaching security, violating copyrights, violating individual privacy...") gives the impression that he's being accused of doing all of this by making Facebook. It's actually the Harvard Ad Board referring to Facemash, an unrelated website that he created in college.
Trailers Always Spoil: True, it's based on real events, but multiple events from the final act (the party; Eduardo's last scene; reaching 1,000,000 members on the website) are featured prominently as money shots in the trailer. It can leave a "that's it?" effect when the "Where Are They Now?" Epilogue begins.
Those familiar with intercollegiate relations amongst Boston-area schools may find themselves seeing the standard stereotypes of those students quite easily in the characters. Since they get the most screen time, those familiar with the stereotypes of Harvard students find themselves feeling like they're really dealing with Harvard students while watching. Whether that's a good thing or not depends on which Harvard students you're familiar with.
Christy's overreaction to Eduardo not changing his relationship status is surprisingly similar to actual reactions based on Facebook settings.
Twofer Token Minority: In-universe - Eduardo, trying not to get his hopes up too soon, suggests that he only got punched by the Phoenix for diversity purposes (Eduardo is both Jewish and half-Brazilian), and Mark snidely agrees with him.
Underestimating Badassery: Mark and Sean both believed they could get away with forcing Eduardo out of the company without any consequences... only to have Eduardo file a lawsuit against them. Similarly, Mark blithely ignored the Winklevoss twins attempts to do things nicely with their cease and desist efforts, fully convinced they didn't have the guts to take him to court. Boy was he wrong...
Very Loosely Based on a True Story: Many of those depicted have spoken about how inaccurate they felt the film was. Zuckerberg, for instance, did break up with his girlfriend and create Facemash, but she was not really a motivating factor for the creation of Facebook, as in the movie. Sorkin openly acknowledged that the film is not accurate, saying: "I don’t want my fidelity to be to the truth; I want it to be to storytelling."
Facemash.com included guys of Harvard, not just women.
Perhaps most egregiously, Mark Zuckerberg actually had a girlfriend during most of the events depicted in the film. Her name is Priscilla Chan, and they've been together since 2003, marrying in 2012. Much of the movie hinges on depicting Mark as a lonely nerd who never got over losing his college girlfriend.
Villainous BSOD: Mark does when on the phone with Eduardo, and Sean gives a somewhat calm but clearly shaky one speaking on the phone with Mark during his arrest.
"Well Done, Son" Guy: Eduardo is looking for acceptance by his father, subtly mentioned in a few scenes.
We Used to Be Friends: Mark and Eduardo were good friends as they worked together to make Facebook. When Mark kicks Eduardo out of the company, things go downhill.
You Have Outlived Your Usefulness: Mark may or may not have pulled this on Sean, by possibly calling the cops on Sean's party, thus creating a situation where Sean would have to be fired to avoid embarassing the company. He also essentially did this to Eduardo when he diluted Eduardo's stake in Facebook down to a pittance.