The Ref (Hostile Hostages in some countries) is a 1994 black comedy film directed by Ted Demme and starring Denis Leary, Judy Davis and Kevin Spacey.Leary plays Gus, a cat burglar who breaks into the house of a millionaire in the hopes of pulling off a job that will let him retire, but he gets tripped up by an... eccentric trap and suddenly has to hide out from the bungling local cops until his partner Murray can secure a way to escape after the entire area is put on alert. To avoid the police patrolling the streets, Gus takes Lloyd and Caroline Chasseur (a highly dysfunctional middle class suburban couple) hostage so he can hide out in their home until the escape is ready. There's just two problems; 1) Lloyd and Caroline are so dysfunctional and angry with each other that they would rather fight than pay any attention to Gus, and 2) it's Christmas Eve and everyone from Lloyd and Caroline's bright delinquent son Jesse (Robert J. Steinmiller Jr.) to their whole extended family is coming over for dinner. (And since this is 1994 and cell phones are very far from common, there's no way to call the Christmas dinner off.)Hilarity Ensues.When Murray can't arrange an escape prior to the extended family arriving, Gus gets Lloyd and Caroline to pass him off as their therapist so he can continue hiding from the cops and make sure they won't blow his cover. However, with all the nasty, petty resentments rising to the surface within the family, it's quite likely that Gus' rapidly dwindling sanity will run out before he can get out of town.
555: The number to Lloyd's house, as reported by Gus.
Big Screwed-Up Family: Lloyd's family embodies this trope and then some. Lloyd is a spineless mama's boy who goes crying back to her when things don't go his way, his son is a juvenile delinquent, and his brother is just as bad and married to an annoying shrew of a woman who walks all over him. The brother and shrew do have some well-adjusted kids, though.
Blackmail: Jesse's latest scheme is blackmailing the head of his military school.
Booby Trap: The sort that sprays you with cat urine, opens a trap door under your feet, and sends you down a chute where you crash right in front of a very large guard dog. Interesting security there...
Bound and Gagged: Aside from Gus and Lloyd's niece and nephew, just about every single character spends part of the movie in this state.
Children Are Innocent: Subverted, as Gary and Connie's two kids are hugely entertained by the spectacle of their adult family members descending into profanity-laced tirades against each other, and even gleefully help Gus gag their (admittedly evil) grandmother.
Cluster F-Bomb: Gus' tirade at the end of the film. This trope could apply to the whole film as well.
The Dog Bites Back: Lloyd and Caroline are anything but meek hostages towards Gus. This can also apply to when Lloyd's family turns on his mother at the end, Lloyd's sister-in-law even going so far as to give Gus permission to shoot her.
Also the town Santa, who turns out to be a mean drunk.
Being fired wouldn't be so bad, if most of us had a comeback available like the one Lt. Huff does.
Evil Debt Collector: Caroline regards Lloyd's mother as this due to the fact that they're living in her house and paying her rent. When Lloyd gives her the next payment, she even remarks "we'll have to see what happens with interest rates in the new year."
Even Gus calls her out on this, specifically noting that he knows Loan Sharks more forgiving than her. It's worth noting that she is apparently charging Lloyd 18% interest on the loan she made him.
Hot-Blooded: When he can keep his head, Gus is a fairly intelligent Deadpan Snarker. Most of the time, he's lashing out at anything nearby and only causing more destruction in doing so.
Ignored Enemy: Gus often winds up being the ignored one so other people can argue and fight, usually over rather petty issues. This generally only ends when he pulls out his gun.
It's All My Fault: Lloyd's climactic speech at the Christmas tree, where he calls Caroline out for being just as much to blame for the state of their marriage as he is due to her indecisiveness, her desire to live beyond her means, and forcing him to make all the tough decisions in their lives:
Lloyd: I told you what moving here could mean, but you were the one who said we should consider it! Not the actual moving, just the considering. The actual moving in part was left to me! Why? Because you didn't know what to do. You were... confused; you didn't know if it was the right thing. But you were sure as hell sick and tired of living in a one-bedroom apartment in New York City, so don't hand me that 'it was the best of times' bullshit! You didn't want to work anymore and you didn't want any help with the baby because you wanted to do it all by yourself! And you hated New York because we weren't as rich as your college friends were to enjoy it! We couldn't afford a bigger place, and you were miserable being around people who could! AND... we were up to our EARS in debt! But moving here was my decision! RIGHT! And the loan was the same situation!
It's Pronounced Tro-PAY : Both Lloyd and Jesse Chasseur make a Running Gag out of correcting mispronunciations of their last name. "It's pronounced chas-OOHR! It's 18th century French Huguenot!"
Jerk Ass: Lloyd's mother. There really are no words to describe how rude, inconsiderate and self-centered this bitch is.
One could also argue that Jesse, (Lloyd and Caroline's son) mostly falls under this category, although it's somewhat undermined by his need to act out via petty acts of delinquency and rebellion, regardless of how dumb and needless said acts of delinquency might be.
Precision F-Strike: Mostly carpet bombing, but there is one nicely-timed unison strike by the Chasseurs against their marriage counselor.
"The Reason You Suck" Speech: Gus tosses these around like candy, mostly about how everyone takes what they have for granted. Also, when Jesse asks to become Gus' apprentice, Gus not only tells Jesse why Jesse sucks, but also explains why Gus himself sucks.
Let me explains something to you kid. What I do, running around stealing shit, that may sound great when you're 15 years old, but it sucks just a little bit when you're 35, you got no family, no house, I've got a partner who's a 56 year old alcoholic who can't figure out why they took Happy Days off the air, and then I got to turn on the TV everyday and see kids like you, one after another on these talk shows, you got everything, opportunities up the ass, you got a family to come home to, and what do you do? You sit around, and you bitch and you moan, because things don't go your way. Well, you know what kid, welcome to the real world where most times, things don't go your fucking way.
Take That: There's a character named Siskel, and he's played by J.K. Simmons. The resemblance to film critic Gene Siskel is not a coincidence. (Gene Siskel gave "The Fisher King," another movie by the same screenwriter, a negative review.)
Technology Marches On: Christmas dinner can't be cancelled because the extended family is already on the road. 10 years later Connie and Lloyd's brother would have presumably gotten a call on their cell phone and a convincing lie to stop them from coming over, averting most of the movie.
Women Are Wiser: Generally subverted. Caroline tends to come off as more sympathetic, nurturing and understanding than Lloyd, but she's also caused just as many screw ups in the marriage as Lloyd has, complete with refusing to take any responsibility in major life decisions for the Chasseurs and later having a Self-Serving Memory about the past. And the other major female characters are an Evil Matriarch and Connie the shrew, so...
You Need to Get Laid: At the very beginning of the movie Caroline voices this opinion of Lloyd's mother. In a therapy session of theirs when Lloyd mentions that their son Jesse started an escort service in 9th grade by passing around Lloyd's mother's phone number, Caroline snaps back "And I say getting laid by an 18 year old linebacker is just what she needs!"
Also, Caroline and Lloyd apparently haven't had sex in years, at least according to Caroline.
Caroline hits Lloyd with a devastating one, regarding his mother: "Why don't you just sleep with her and get it over with?" Even Gus is stunned by that one.