Film / The Christmas That Almost Wasn't

Il natale che quasi non fu (aka The Christmas That Almost Wasn't) (1966) is a fairly low-budget Italian-made Christmas special, directed by and co-starring Rossano Brazzi.

Phineas T. Prune charges an exorbitant amount of rent to Santa, his wife and their elf workers up at the North Pole; Prune locks down the sleigh and Santa's gift-giving operations unless he pays through the nose. What can be done?

Enter Sam Whipple, a lawyer who, as a child, offered his help to Santa in his letter, and just before Christmas, Santa shows up to see the offer fulfilled...

Though initially released to theaters in 1966, it enjoyed a run on HBO in the 70s and early 80s. In 2017, it made a return as one of the films riffed on in the Netflix revival of Mystery Science Theater 3000. For more information on that episode, click here.

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The Tropes That Almost Weren't:

  • Animated Credits Opening: Complete with a very catchy theme tune.
  • Card-Carrying Villain: Prune hates compliments and kindness, and enjoys being called evil.
  • Child Hater: Phineas T. Prune. He hates everything about them, hates to see them happy, and especially hates Christmas. He's forgotten that he ever was a child, a fact he's reminded of at the end when his Freudian Excuse is rectified.
  • Dastardly Whiplash: Prune, to a T. Evil Banker holding the mortgage on Santa's home? Curling black mustache? Dramatic dark coat and top hat with cane? Over the top villainy? The man ticks every box.
  • Despair Event Horizon: After Prune buys Prim's Department Store and basically steals the rent money to pay for toys he damaged, Santa and Whipple stroll listlessly down the street, hoping desperately for a miracle...
  • Deus ex Machina: ... until Charlie, improbably dragging his last-minute Christmas tree down the same street Santa and Whipple are sitting, learns of their predicament and summons all the children on the street to contribute, lifting Santa and Whipple's spirits.
  • The Edwardian Era: The fashion and sets give off an early 1900's vibe.
  • For the Evulz: Prune also seems to have no concrete explanation for why he does what he does, until the end, when he gets better.
  • Freudian Excuse: Because his letter to Santa was accidentally misplaced and never processed, Prune never got the sailboat he asked for as a kid, and so decided to forget he ever was one (a kid, that is, not a sailboat).
  • Hard Work Montage: Whipple, Santa and his Mother help to clean and decorate Prune's dusty old house at the end, with "We Wish You A Merry Christmas" accompanying.
  • Have a Gay Old Time: One song wonders 'why can't every day be gay?'
  • Heel–Face Turn: As we see Prune gripping his sailboat which he finally got at the end. And hammered home when he gives it to a little boy at the VERY end!
  • Hollywood Law: Under international law, no nation owns the North Pole, so Mr. Whipple could have made a valid case that whoever Mr. Prune bought the North Pole from didn't have it to sell in the first place, making his status as Santa's landlord legally void.
    • Also, because Santa has lived continuously on the property for centuries, he may have a right of adverse possession ("squatters rights") that would limit the right to evict him. Really, Mr. Whipple should have at least filed for a preliminary injunction against eviction until these questions were settled.
    • Generally, owning a piece of property does not grant a person any rights over the possessions that a tenant living in that property might bring there. A landlord evicting a renter who fails to pay the rent can lay claim to any items left behind after the leave-by date, or possibly make an arrangement to claim some of the renter's possessions in lieu of cash, but cannot arbitrarily seize the personal possessions of the people being evicted. As such, Mr. Prune might have a claim to evict Santa if he can get through the other legal points, he would not have the right to take away the reindeer, sleigh, and whatever items Santa could load into it when moving out. On top of that, Prune exerts his questionable authority on what Santa can do with his own belongings BEFORE the rent is due.
  • Hypercompetent Sidekick: Blossom views himself as one to Prune.
  • Informed Ability: Mr Whipple claims to be a good lawyer, but the resolution of the story has nothing to do with his alleged legal skills, despite the fact that the Hollywood Law examples above would at least buy Santa enough time to have one more Christmas before he needs to find a new workshop.
  • Ironic Echo: Prune, after his Heel–Face Turn, reprises "Why Can't Every Day Be Christmas?" originally sung by Whipple in the department store.
  • Large Ham: Prune, who embraces every evil villain stereotype with gusto.
  • Making a Spectacle of Yourself: Prune sports a rather steampunkish pair of goggles when he visits Santa at the department store.
  • Man Child: Prune exhibits this, even before rediscovering his forgotten childhood. He's extremely petty in his actions and outlook, even breaking toys and blaming it on Santa so the rent money all goes to repairs, and fusses like a little boy when Blossom tries to give him his "soothing tonic".
  • Nothing Personal: Prune has nothing against Santa—it's the children that he hates.
  • Rhymes on a Dime: A rare instance of this trope that overlaps with Painful Rhyme. The rhymes during the song "The Name of the Song is Prune," are all fairly natural, but have nothing to do with Prune himself and exist solely to fill out the melody.
  • Servile Snarker: Blossom, Prune's butler.
  • Sycophantic Servant: Blossom again, who's way into Prune's plans to stop Christmas. The only reason he begins showing kindness to everyone at the end seems to be because of his boss's sudden change of heart.
  • Time-Compression Montage: When Santa finally gets to deliver his gifts, after a reprise of "I've Got A Date With Santa."
  • Villainous Breakdown: Near the end when Santa finally turns in the rent money, Prune is so beside himself, he can't even bring himself to stop Santa, Mrs. Santa and the elves from loading the sleigh up (or to take the money with him, for that matter)!
  • Voodoo Shark: Whipple doesn't just pay the rent himself because he's behind on sending bills to his clients and so has little cash in hand. He then spends a month working in a toyshop instead of just mailing those bills.