Richardson:We... are the people that make sure things happen according to plan.
The Adjustment Bureau is a 2011 film based on the Philip K. Dick short story "Adjustment Team".David Norris (Matt Damon) is a charismatic Congressman whose campaign for Senate is derailed by a last-minute press leak. He practices his concession speech in the men's room, not realising that he is being overheard by Elise (Emily Blunt), who is hiding from security in one of the stalls after crashing a wedding. She eventually owns up to being there, and the two have a romantically-charged conversation that ends in a passionate kiss. Afterwards, he abandons his planned speech for a heartfelt and impassioned tirade that propels him to the forefront of public consciousness, earning him strong support for the next Senate election.A short time later, David runs into Elise on a bus and gets her phone number. However, when he gets to his office, time is frozen and he is accosted by a cabal of suit-clad, hat-wearing men who knock him unconscious and teleport him to a mysterious warehouse. The men explain that they are the people who make sure things happen as they are supposed to, and that he must not see Elise again (burning the paper with her number, which he had not memorised).Three years later, David finally finds Elise again, reconnects with her, and decides that he's going to be with her, no matter what the mysterious cosmic bureaucrats say. But it won't be easy...
Adaptation Expansion: The original story is very short and has a much different plot, focusing on the tribulations of an insurance salesman named Ed Fletcher as he sees the Bureau's activities and starts worrying that he's losing his mind.
Affably Evil / Anti-Villain: The Adjustment Bureau as a whole is actually a fairly benevolent organization, forcing people onto the paths as dictated by the Plan for the greater good. Until David reveals their existence to Elise, their tactics mostly revolved around delaying or distracting David or offering him alternatives to stop him from pursuing Elise
Anti-Climax: After chasing David and Elise throughout New York (eventually having them cornered by Thompson), the Chairman decides to let them have free will and let them go without a fuss, all without even showing his face.
Artistic License - History: It is referred to on a couple of occasions that David Norris is the youngest person elected to Congress at the age of 24. According to the most basic research, there have been three others (Jesse Wharton of Tennessee, William Rufus deVane King of North Carolina, and David W. Dickinson of Tennessee) who have been elected at the age of 24. While that is not conclusive territory for this trope (he might have been 24 years and 8 months, where as those three were 24 years and more than 8 months or the like), one must take into account William C.C. Claiborne, the second U.S. Representative from Tennessee (after Andrew Jackson), who, according to some reliable sources, was as young as 22 years of age when he was elected and sworn in as a member of the House.
There is also the appearance of some Artistic License in the area of Congressional eligibility, since under Article One of the United States Constitution, anyone under 25 is not eligible to be a member of the House of Representatives. However, it is generally accepted that 24-year-olds can be elected to the House if they will be 25 at the time they are sworn in; today, this means that they need to have a November or December birthday, or be born on New Year's Day or the 2nd of January (this means that he cannot be actually the youngest member).note If you're wondering how the early-period youngsters were eligible, no fear: back then, the swearing-in of Congress was moved from 4 March to 3 January by the 20th Amendment in 1933. (Incidentally, Joe Biden used this nuance in his first election to the Senate in 1972: he was 29 at the election, but turned 30—the relevant age for the Senate—about two weeks later.)
The Atoner: Harry's guilt over his part in the deaths of David's father and brother leads him to help David.
And subverted in that they have no physical fighting abilities whatsoever. David can shove them out of the way or punch them in the face without much fear for his physical well-being (just his mental well-being if they can hold him long enough).
Subverted in another way too; they are psychic, but one of them lies about the extent of his powers to seem more badass than he really is.
Because Destiny Says So: Richardson's only justification for why David cannot see Elise again is "because the plan says so". After hearing this, David makes Richardson admit that he doesn't know why the plan says so.
Beneath the Mask: David exposing his fake public image in his concession speech.
Bizarrchitecture: The bad guys could, among their many powers, turn ordinary buildings into messed up mazes.
Book Ends: First time we see Elise, she is hidding in the toilets from some men in black, because they found she is crashing a wedding. Toward the end, she is AGAIN hidding in the toilets during a wedding, though it is her own wedding. And David appears to crash the wedding, pursued by other men in black.
Break Her Heart to Save Her: David does this to Elise After hearing from Thompson that if he stays with her, she won't become a world famous dancer, so he leaves her without explanation in the hospital.
Broken Aesop: The main message of the movie seems to be Screw Destiny, as the main character fights to defy "The Plan" and be with the girl he loves. Yet, we find out that the only reason he's so obsessed with this girl is because they were originally meant to be together in the first place, before the plan changed. Also, David can only effectively fight the plan by receiving help from an Adjustment Bureau Agent on the inside. Also in the end even that isn't enough as they only succeed when the Chairman allows them to continue.
Brutal Honesty: David salvages his political career after a FUBAR election by giving an atypically frank concession speech with some very unflattering remarks about his spin doctors, restoring his credibility as a "people's candidate".
Celestial Bureaucracy: The Adjusters are supernatural beings in charge of human destinies... and they dress like 50's office clerks and work in what appears to be a huge chancellery.
Chekhov's Gun: Harry Mitchell warns David that turning the door knobs counterclockwise is "only for us", then promptly returns to the Bureau building by doing just that. Guess what David ends up doing?
Subverted in the same conversation: Harry also pointedly tells David not to let go of him until they cross the threshold. Even while frantically running around with an uninitiated Muggle in tow, this never becomes an issue.
Clock King: The Adjusters rely on other people adhering to strict schedules, timetables and patterns. When their target starts to improvise (or, worse, one of them fails to act at the exact time prescribed by the plan), a Spanner in the Works is inevitable. On the other hand, the adjusters seem astonished that David has ridden the exact same bus to work for the past 3 years and fail to keep Emily from crossing paths with it despite how strictly he rides it.
Determinator: David knows for a fact that there are beings with supernatural powers trying to keep him from Elise. His plan, at the start, is essentially to keep trying until they give up.
Deus ex Machina: The movie ends happily for the protagonists basically because The Chairman literally wrote a different ending for them.
Based on the context of the film, this is more of an in-universe 'Deus Ex Deus'.
Disposable FiancÚ: Elise broke up with her fiancÚ because of her lingering feelings for David, despite only having met him twice briefly three years beforehand. She ends up ditching the same fiancÚ again on the day of their wedding, when David decides to Screw Destiny.
Earn Your Happy Ending: Similar to the above, the only reason David and Elise get their Happily Ever After rewrite is because their sheer determination in the face of so many obstacles impresses The Chairman.
Empty Shell: Richardson threatens to erase David entirely if he reveals the existence of the Adjusters.
Though for good reason. The Bureau specifically uses small things to push people into the right path. People who start moving in a slightly different direction all the sudden spiral things out of control as their actions move other people out of the way of those initial small disturbances.
Foreshadowing: Early on, David makes a speech that mentions the importance of people making their own choices.
Nicely done with hats being the key to their powers: while running after David, Richardson loses his and can't open a door he himself just locked.
Also in the opening montage, where there is a consultant showing David and his campaign staff an array of ties, and then David mentions it in the same speech.
Gambit Roulette: The Adjusters work to ensure that everything a person does in his life leads to the one outcome prescribed by the plan. However, they are not omnipotent, and cannot control every circumstance.
Humans Are Bastards: According to Thompson, the first time the Bureau tried a hands-off approach, "you gave us the Dark Ages for five hundred years"; the second time resulted in World War I, World War II and the Cuban missile crisis. They seem to overlook all the good things that occurred during the Dark Ages, and all the bad things that occurred under their watch between the Middle Ages and World War I.
Or hell, all the bad things happening right now.
David Norris: So you handle the important things. Well the last time I checked, the world's a pretty screwed up place. Thompson: It's still here. If we'd left things in your hands, it wouldn't be.
Humans Are Flawed: The Chairman believes humanity will eventually be deserving of free will... just not yet.
I Have Many Names: The man in charge of the Bureau: "We call him the Chairman, you call him many things."
Immune to Fate: David has shades of this, due to pieces of the previous plan trickling back in, causing him to repeatedly bump into Elise against the Bureau's best efforts. His stubborn determination to Screw Destiny likewise causes the Bureau members to frequently ask, "Who is this guy?"
In Mysterious Ways: How the Bureau usually operates. They arranged the initial meeting with Elise because they knew she would inspire David to give an excellent speech, which in turn would boost his political career. Later, Harry Mitchell was supposed to prevent their second meeting by making David spill his coffee.
Indy Ploy: How David outwits the Adjusters. It is explicitly pointed out that they cannot improvise well or adapt to rapidly changing situations.
Magical Negro: Harry Mitchell, the Adjuster who decides to help David.
Manic Pixie Dream Girl: Elise is made of this trope. They meet in the men's washroom when she is hiding from security from having crashed a wedding, drops his phone into his coffee on purpose, and is a dancer.
While Elise certainly has many MPDG trappings, she may just scrape a subversion of this trope by dint of the following: firstly, she has dreams and a life of her own which don't involve the emotional well-being of the main male character; second, her job in the story is not to loosen David up - he is already impulsive to a fault and their relationship is not one of Elise shaking up David's staid life with her kooky charm. They both share a goofy sense of humour from the outset and don't feel the need to change anything about the other. Elise does inspire David to some particularly successful impromptu speech-making when they first meet, but this is not actually a break from a previously buttoned-up personality for him, just a more-successful-than-usual deployment of his existing impulsiveness.
The Masquerade: Apparently, very few people have been told about the existence of the Bureau, and Richardson threatens to erase David's mind (all of it—memories, personality, emotions, everything) if he tells anyone.
Richardson: You've just seen behind a curtain you weren't even supposed to know existed.
Mind, the members do, after suitable bureaucratic bickering about precedent, pretty much just sit him down and tell him the truth once they figure he's seen too much to just write it off as nothing.
Odd Name Out: The named bureaucrats are Richardson, Donaldson, Thompson...and Harry Mitchell. Eh, could be a Harrison. Of course, the mere fact that he chooses to be called something different is still a clue to his anomalous nature.
Psychic Powers: The bureaucrats can see people's decisions, though they can't truly read minds. They can alter minds, but that uses some sort of technology.
Punch Clock Villain: The bureaucrats. None of them are actually malicious, some do not even know why they are doing what they do, it's just their job. When the plan is changed, hard-ass Thompson immediately backs off.
Rail Roading: What the Adjusters are doing to humanity down to each individual. It's all a subversion in the end, because their goal is to pressure people into ultimately rejecting the Rail Roading in the first place so that they will fight for the right and responsibility to run their own lives.
Reality Warper: The Adjusters are able to make minor changes to the environment as long as they are in range.
Red String of Fate: In a previous version of the plan, David and Elise were meant to be together. When the plan was changed, the previous version could not be entirely washed away, which is why they feel like they are meant for each other.
Sliding Scale of Free Will vs. Fate: Hard to pin down, as "fate" is only fate insofar as the Bureau makes it so, and it is later indicated that the bureaucrats may have free will themselves. People apparently have free will as long as it doesn't interfere with the plan. On the other hand, the Bureau can directly change a person's mind if they need to.
Spanner in the Works: Harry's negligence royally screws up the Adjusters' plan for David's destiny. When David learns of the Adjusters' existence, he makes breaking up their plans his trade.
State The Simple Solution: When it is explained that the Adjusters' ability to travel through doors depends on their hats, David immediately suggests that he could knock off the hats of those trying to pursue him.
The three main bureaucrats are Thompson, Richardson and Harry- Tom, Dick and Harry.
Throwing Out The Script: David, as a senatorial candidate, is preparing his concession speech in the men's room when he has his Meet Cute with Elise. He is then inspired by the meeting to ditch his prepared speech and instead gives a brutally honest account of how his entire "common man" image, right down to the color of his ties and the scuff on his shoes, is the result of the work of highly paid consultants and spin doctors trying to reach the largest possible audience. This ends up further cementing Norris' reputation as the "people's candidate", which is just what the Bureau wanted.
Winds of Destiny, Change: The bureaucrats have this as a power. They can make a phone not work momentarily, a cab driver won't pick someone up, a curb will pop up out of nowhere, and at the extreme they might cause a sudden injury.
You Can't Fight Fate: Deconstructed. Destiny needs its little helpers to ensure the proper unfolding of the great plan. You can try fighting it, but the Bureau sure won't let it pass without a struggle.