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Film: Stay Tuned
Something weird's on the air.

The one where Jack Tripper is Trapped in TV Land with Mindy and has to escape or they'll both die.

To be more precise, Stay Tuned is a 1992 comedy starring John Ritter, Pam Dawber, Jeffrey Jones, and Eugene Levy. The plot revolves around Ritter's character Roy Knable, who is a couch potato and plumbing supply salesman down on his luck. Dawber plays his neglected wife Helen, who after a fight throws one of Roy's Fencing Trophies into the Television. This action prompts Jones in his role as Mr. Spike, to appear at their front door, with an offer to Roy for a new satellite dish system, filled with 666 channels of every program you can't get on the four big networks (CBS, NBC, ABC, and FOX).

Soon after installation, Roy and Helen are sucked into the satellite dish parked in the back yard and are blasted through a cornucopia of television and movie roles with a fatal twist. If they can survive for 24 hours they can leave, but if they die their souls become property of Mr. Spike. As the two trek through the various landscapes, they are pursued by Mr. Spike at some points in an effort to thwart their advance.

Not to be confused with the cult PC game Stay Tooned.

This film contains examples of:

  • Art Shift: In a live action movie oddly enough, the Looney Tunes-esque parody made and provided by none other than the legendary animator, Chuck Jones.
  • As Themselves: Salt 'n' Pepa and DJ Spinderella in the music video.
  • Attractive Bent Species: Roy thinks Helen is "pretty sexy" for a mouse when they get stuck in a cartoon.
  • Big "NO!":
    • Roy Knable says it in the Star Trek spoof when Spike plays Worf and Data.
    • Invoked by Helen and their kids after Roy was seemingly shot by Spike near the end of the film.
  • Berserk Button: Do NOT mess with Helen's hair, or her husband to a lesser degree.
  • Black Humor: Lots. The premise is that Hell routinely traps people in tv and tries to kill them off, and it's a comedy, after all. The Knables run into other contestants, several of whom die in comedic ways.
  • By The Hair: A female wrestler does this to Helen, which triggers the above mentioned Berserk Button.
  • Candid Camera Prank: One of the TV shows they enter is a parody of this type of show.
  • Cassandra Truth: Their son Darryl figures out that the two are in TV Land, but his sister Diane (initially) doesn't listen to him.
  • Chained to a Railway: This happens to Helen near the end of the movie.
  • Chekhov's Gun: Roy's Fencing Trophy / Ability early in the movie.
  • Corrupt Corporate Executive: Mr. Spike as a Network Executive.
  • Deal with the Devil: Roy accepting the new Satellite Dish, and later when Mr. Spike tells them they can leave after 24 hours.
  • Deliberately Monochrome: The entire Roy Knable, Private Dick segment. At least he's not a Public Dick.
  • Don't Try This at Home: Helen stops to look at the camera and say this before she and Roy push a hair drier into a bath tub in order to kill an evil robotic cat. Though she could be addressing the in-universe TV audience.
  • Electrified Bathtub: Roy and Helen try to defeat a robotic cat this way when stuck as cartoon mice.
  • Everything Trying to Kill You: All the seemingly harmless shows are designed in some form or another to kill its human visitors.
  • Exact Words: Spike uses this to his advantage, when Roy and Helen survive the requisite twenty-four hours. The deal in the contract was that the undersigned would be let loose if they survived a whole day... but Helen didn't sign the satellite contract; only Roy did, so he was the only one that Spike was obligated to release.
  • Exorcist Head: An exercise instructor does this in an exercise show called "The Exorcisist."
  • Eye Scream: Red-Hot-Poker-In-The-Eye Cam.
  • The Fourth Wall Will Not Protect You: Roy and Helen can still die, despite being inside the dish.
  • Genre Savvy: "We're safe here, nobody ever dies in cartoons", "I've watched enough cartoons, how would an animated character handle this?" Both said by Roy during the section where they are animated mice.
  • Getting Crap Past the Radar: "This is one clever pussy."
  • Halfhearted Henchman: Levy's character Crowley especially after Spike "demotes" him into field work.
  • Handy Remote Control: The remote given to Roy, which allows him to change "channels", and also for the remote that Mr. Spike possesses, which allows them to finally escape.
  • Heel-Face Turn: Crowley.
  • Henpecked Husband: Murray Seidenbaum, a previous "customer".
  • Hoist by His Own Petard: Near the end of the movie when Spike trying to avoid becoming dog chow. Who should show up but Crowley, the same man he promoted to "field work"? Cue "Oh, Crap" from Spike.
  • If You Die, I Call Your Stuff: An intern does this after Crowley gets even with Spike.
    Intern: (With his own remote in hand and sitting in Spike's chair) I call his parking space.
  • Improvised Weapon: After her Berserk Button gets pressed, Helen grabs a nearby microphone stand and knocks out the two wrestlers with it.
  • Instant Home Delivery: Genre Savvy Roy makes use of this trope during the "cartoon mouse" sequence.
  • Medium Shift Gag: At one point Roy and Helen are in a cartoon as mice.
  • Mouse Hole: In the animated sequence, a mouse hole is a portal to the next channel.
  • Music Video: Features near the end with a Cameo by then-popular Hip-Hop group Salt 'N' Pepa.
  • Noticing The Fourth Wall: When they realize that they are inside TV land.
  • Off with His Head!: Almost attempted on Roy. Even worse is that he and Helen are in a show, which is aptly named Off with His Head!
  • Oh, Crap: Roy and Helen have a few of these when they come across things attempting to kill them. Most notably the Robo Cat.
  • Our Zombies Are Different: Crowley. He shows us by example when he, Roy, and Helen are attacked by wolves who lunge at Crowley and bite him, losing his leg in the process.
    Roy: Crowley!
    Crowley: [with reassurance] I'm already dead! Save her!
  • Papa Wolf: Extremely downplayed example. While Roy doesn't kick anyone's ass over it, he does express disgust towards Duane and Garf's fawning over his daughter, Diane (in a magazine).
    Garf: And your daughter's pompoms, they're delectable too, man.
    Roy: You creeps!
  • Parody: While the movie tends to play itself straight at the beginning and end, Loads and Loads of them appear when Roy and Helen are 'in' the dish.
  • Parody Commercial: At one point there is a Yogi Bear commercial concerning Beer for Children. Not to mention the "Max Hell" cassette tapes, which blow the head of the listener clean off. Possibly related to, or at least suggested by, the Hamm's Beer commercials starting in the 1950s, which did feature a cartoon bear (not Yogi, though). The commercials were eventually discontinued (though not until at least the 1970s) due to the Animation Age Ghetto implications of appearing to market beer to children.
  • Parody Names: Most of the shows and movies have slightly tweaked names.
  • Pocket Protector: In a usual nod to Clint Eastwood. It's costs Roy his remote but saves his life.
    Roy: (To Spike who thinks he killed him) You missed, partner.
  • Pro Wrestling Is Real: Justified, given that each channel is essentially a more sadistic version of it's Real Life counterpart. Roy assumes at first that it's all a show and no one gets hurt in wrestling...and gets a No-Holds-Barred Beatdown.
  • "The Reason You Suck" Speech: Helen gives a small one to Roy when she fails to convince him to give up TV.
    Helen: Fine! Watch TV!
    Roy: Thanks, sweetheart. Could you move just to-?
    Helen: This is unbelievable! You couldn't listen to me for two minutes without that stupid television being on! When I married you, you were a doer. Now all you are is a watcher!
  • Rouge Angles of Satin:
    • "Eye...warship...satin?"
    • "Excrement!"
  • Satan: Mr. Spike, for the purposes of the story... however, he's more of a Senior Executive than the bona fide "Boss" of Hell, who's referred to in dialogue as Mr. Spike's boss.
  • Savage Wolves: Wolves attack Roy, Helen and Crowley.
  • Stating the Simple Solution: When Roy finally beats Spike and makes his way back to Helen. However he doesn't have time to untie her as the train barrels toward them.
    Helen: Roy what do you do when you want the the TV to go away? You turn it...
    Both: OFF! (Roy hits the off button on the remote a second before the train plows into them.)
  • Screwed by the Network: invoked In a very twisted sense when it becomes apparent Roy and Helen might survive the deal.
  • Shout-Out: Loads of these too, considering the source material. The most obvious example is when Roy changes the channel onto the set of Three's Company.
  • Status Quo Game Show: The sadistic game show, You Can't Win, which was also the former Trope Namer.
  • Subverted Kids Show: There's a small bit where animated versions of the couple try and evade a mechanical cat in the style of Looney Tunes. Also the parody commercial mentioned above.
  • That's All, Folks!: Roy says this to end the RoboCat cartoon segment before exiting through the door, in a nod to Porky Pig's line from Looney Tunes.
  • There Is No Kill Like Overkill: "He's going to hit me with a train AND blow me up?!"
  • Trapped in TV Land: The main premise for most of the movie.
  • Unintentional Period Piece: The HTV segment is only the most blatant example. Combined with some severe Technology Marches On... remember when a satellite dish the size of a hot tub and a remote control the size of a bar of cooking chocolate were the bleeding edge? ... No? Darn whippersnappers.
  • Up to Eleven: "Dynamite? He's going to hit me with a train AND blow me up???"
  • Verbal Backspace:
    Roy: Whoever left the gate open is grounded for a week.
    (neighbor's vicious dog jumps at them, gets beamed away by the satellite dish)
    Roy: Check that. Whoever left the gate open gets double their allowance.
  • You Have Failed Me: Spike to Crowley.

Star WarsTropeNamers/FilmStreet Fighter
Looney TunesThe Renaissance Age of AnimationThe Swan Princess
Star WreckFilms of the 1990sStop! Or My Mom Will Shoot

alternative title(s): Stay Tuned
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