Film: Out of Sight

1998 crime drama/romance based on the Elmore Leonard novel of the same name starring George Clooney as Jack Foley, a gentleman bank robber, and Jennifer Lopez as Karen Sisco, the US Marshal tasked with apprehending him. Due to an impromptu hostage situation, Foley and Sisco find themselves locked in the trunk of a car together, where they quickly form a connection. Albert Brooks is Richard Ripley, a rich businessman and former fellow inmate of Foley's, with a stash of diamonds that Foley wants to steal. Don Cheadle plays Maurice "Snoopy" Miller, another former fellow inmate, a complete psychopath also looking to steal the diamonds.

Directed by Steven Soderbergh, Out of Sight is the best movie Lopez has ever made, and it helped salvage Clooney's movie career after the Batman & Robin disaster.


  • Action Girl: Karen Sisco.
  • Adaptational Attractiveness: Both Jack and Buddy. Jack is described as good looking, but nothing like George Clooney, and he reminds Karen of Harry Dean Stanton (his demeanor, not his looks) which Clooney doesn't convey at all. Buddy is more like an older White Boy Bob in the book.
  • Affably Evil: Downplayed in that Jack isn't evil, but what else can you call a guy who actually guides a bank teller through a robbery and takes the time to assure her that she's "doing fine"?
  • All-Natural Gem Polish: Averted and lampshaded. When found, the diamonds are uncut and mentioned to look like rocks.
  • Anachronic Order
  • Anti-Villain: While he's a career bank robber, Jack is one of the more morally upright and polite characters in the book/movie. For one thing, he never uses weapons or violence (merely threats of them) thus preventing any real danger to bank employees.
  • Ascended Extra: "The Ripper" Ripley. In the book he's a very minor character, and isn't at home in Detroit when the last caper takes place. The movie expands the role-to compare Ripley's thievery to Foley's-and has him at the mansion during the home invasion.
  • Bank Robbery
  • Bathtub Scene: Jack soaks in a tub following his escape. Karen confronts him, but ends up climbing into the bath with him before it's revealed to be a dream of hers.
  • The Cameo: Samuel L. Jackson as the escape artist Foley meets at the end.
  • Casting Gag: Probably unintentional, but Michael Keaton's appearance as Ray Nicolette puts two former Batmen in one film.
  • Continuity Nod: Michael Keaton plays the same role (Ray Nicolette) he did in Jackie Brown, another Elmore Leonard adaptation.
    • The movie had to make him a "loaner" character from the DEA (from Jackie Brown) to explain how he was with the FBI during the manhunt for escaped prisoners.
  • Daddy's Girl: "My little girl... the tough babe..."
  • Dating Catwoman: Gender-reversed.
  • Death as Comedy: Snoopy's Bumbling Sidekick, White Boy Bob, has a habit of slipping and falling. Towards the end, when he has the drop on Jack, he slips and falls and shoots himself.
  • Determinator: Karen Sisco
  • Detroit
  • Even Evil Has Standards: Subverted in that Jack isn't evil, but he still makes a point of assuring Karen that he isn't going to rape her (when they get locked in the trunk) and later knowingly jeopardizes his chance at freedom to stop one of his fellow robbers from doing this to a woman.
  • Erotic Dream
    • The movie plays with the audience in revealing which character is having the dream until it becomes obvious it's Karen. No guy bathes with scented candles.
  • Evil Counterpart: Snoopy, to Jack. Snoopy has his own band of Psycho Rangers-White Boy Bob and Kenneth-mirroring Foley's team of Buddy and Glenn (watch for the scene at the boxing gym for a cool contrast).
  • The Film of the Book: An Elmore Leonard novel.
  • Gentleman Thief: Jack Foley and to a lesser extent Buddy.
    • Foley-who robs banks for easily-insured cash and without a gun-is contrasted with both Snoopy who coldly kills his robbery victims, and Morally Bankrupt Banker Ripley who stole more money and ruined more lives than Foley ever could (with Foley the most prolific bank robber in the FBI database!).
  • Gory Discretion Shot: Certainly not the violent climax, but earlier in the movie a messy multiple murder is suggested with only a few oblique shots (and Glenn's twitchy, shell-shocked reaction afterwards).
  • Great Escape: Jack's clever plot to break out of jail, complicated when he blunders into Karen.
  • Held Gaze: Jack and Karen in the Miami hotel.
  • Hidden in Plain Sight: The diamonds, sitting at the bottom of a fish tank.
  • In Medias Res: The movie starts off with a Cold Open of Foley getting thrown out of a business office and then coldly crossing the street to rob a bank. The rest of the movie mixes current time with flashbacks up to the point where we see why Foley got tossed out of that office.
  • Insistent Terminology: Maurice's do-rag is not lavender, thank you very much, it's lilac.
  • A Match Made in Stockholm: Foley tosses Karen into the trunk of his car during his jailbreak. During the time together they talk about movies, doing time in prison... and the sparks fly.
  • Meet Cute: Who hasn't met their true love inside the trunk of a car?
  • My Car Hates Me: After a clever but impulsive heist Foley is arrested when his car fails to start.
  • Never Going Back To Prison: Foley has this attitude, and when Karen has him caught at Ripley's mansion he tries to do a Suicide by Cop and get her to kill him. She gets around this by shooting him in the leg.
  • One Last Job: Lampshaded and played straight.
  • Only in Florida: Combined with Motor City. The book and movie are located in both cities-Detroit and Miami-that Leonard famously writes into most of his work.
  • Overprotective Dad: Hilariously so. Her dad (Farina) is upset that Karen is having an affair with Ray Nicolette, a married DEA/FBI agent... and yet seems more than willing to encourage her "pursuit" of bank robber Jack Foley knowing full well what Jack and Karen's "Time Outs" really mean.
  • Perpetual Tourist: Referenced. Karen mockingly asks Foley if he imagines he'll retire to some tropical paradise. He counters that he always preferred mountains.
  • Race Lift: Buddy, and to an extent Karen. Buddy, in the novel, is white and described as a redneck-in the movie he's Ving Rhames. Karen's description in the novel has her as blonde, though it doesn't mention any distinct ethnicity.
  • Shout-Out: In the car trunk, Foley and Karen argue about movie romances, especially the one in Three Days of the Condor, where the kidnapped woman falls in love a little too quickly with her hostage-taker. Meanwhile, they're doing it to themselves...
  • A Simple Plan: The home invasion to nab Ripley's diamonds.
  • Sliding Scale of Gender Inequality: Karen suffers at her job. Her male co-workers and superiors keep dismissing or questioning her work, the crooks she handles as a Marshal are sexist-despite her being hyper-competent, smarter than nearly every other character, and able to handle herself in a fight.
  • Sparedbythe Adaptation: Buddy. When he and Jack try to rescue Midge from Kenneth in the book, Buddy takes a shot from Kenneth's shotgun and dies almost immediately. He not only lives in the movie but gets away with Ripley's diamonds.
  • Spin-Off: Karen Sisco had a short-loved television series called, appropriately enough, Karen Sisco.
  • The Stoner: Glenn, played by Steve Zahn, Foley's Bumbling Sidekick..
  • Suicide by Cop: Foley attempts this. Karen shoots him in the leg.
  • Throwing the Fight: Snoopy does this in prison. He doesn't take it well when the other guy brags about his "victory".

Alternative Title(s):

Out Of Sight