Film: Monty Python and the Holy Grail aka: Monty Pythonandthe Holy Grail
"If we built this large wooden badger..."
After the success of Monty Python's Flying Circus in the UK and US, the six Ambassadors of Anarchy got the right to make films. This was their second go-round (after And Now for Something Completely Different, which did feature redone versions of several sketches from Circus) and one of their most famous and oft-quoted.A complete skewering of the Arthurian legend, it tells the story of King Arthur and his attempt to build a court at Camelot (which is, of course, a silly place). Once he assembles his crew (off-screen, mostly), he has a vision of God (or a reasonable drawing of same by Terry Gilliam based on a famous cricket player), informing him that to cement his name in immortality, he must seek the Holy Grail — the cup used at the Last Supper of Christ, and which caught his blood after the crucifixion. After a long and roundabout search which leads them to the far corners of the Kingdom and past idiosyncratic knights, the world's oldest harem, and a very nasty rabbit, they discover the Grail is supposedly located in a very old castle, which has fallen into the hands of those heathen enemies — the French.Those nasty taunting bastards.Full of random quips, hilarious stand-alone scenes, and the type of comedic anarchy and anticlimax that practically defines British comedy even to this day, the movie was a low-budget success story and has become a Cult Classic over time. It also reveals Michael Palin's versatility, as he plays something like 10 roles over the course of the film. He's not alone, of course; the majority of people and about 80% of the lines are from the Pythonites, leading to some interesting blocking and directing decisions. (Watch Lancelot's helmet.)Or, if you want to be "artsy" about it, see Eric Idle's Broadway adaptation: Spamalot!Just a side note — because Terry Jones is, in fact, an Arthurian scholar, this happens to be not just the funniest but the most accurate film adaptation of Malory's Le Morte d'Arthur ever made. Some of the humor, in fact, is derived from typical Pythonian spins on events and characterizations from the original tales.
This movie contains examples of the following tropes:
AcCENT Upon the Wrong SylLABle: The Knights of the Round Table, whose shows are formidABLE, but many times are given rhymes that are quite unsingABLE.
Abnormal Ammo: the cow and large wooden rabbit the French fling at the English knights (catapulting animals was a legitimate strategy for fending off invaders back then, but they were usually dead animals meant to spread disease, not actual livestock). The French can do this too, with less preparation.
The "plague victim" who protests that he is not dead. However, both his "caretaker" and the cart bearer eventually have had enough of his whining and kill him anyway.
The Running Gag of people getting shot, stabbed, or otherwise injured, and people mourning over them as if they are giving a Final Speech, only for them to protest that they are "getting better".
With his dying breath, Joseph of Aramathea carves a message on a cave wall.
King Arthur: If he was dying, he wouldn't bother to carve "Aaaaarrrrrrggghhh!," he'd just say it! Sir Galahad: Perhaps he was dictating. King Arthur: Oh, shut up.
Launching/dropping dead animals and other nasty things was a real tactic in siege warfare.
Also, those guys in the monks robes who walk around chanting in Latin and hitting themselves in the face with boards? They were called flagellants.
As flagellant sects go, their behavior, as odd as it is, is extremely mild.
Amusing Injuries: the Black Knight's limbs being lopped off in his duel with King Arthur. "You yellow bastards! Come back here and take what's coming to you! I'll bite your legs off!"
The surprise ending to the British attack on the French castle. The reason why they didn't go through with the whole fight is because they ran out of money and time, and couldn't film the whole thing. So they just said "Everyone went to jail".
Where Arthur's Battle Cry quickly breaks down into a rather disorderly call for retreat: "Run Awaaay!", when the French counterattack by launching farm animals at the attackers.
Also the tactic used against the killer rabbit.
Animator Existence Failure: Played for laughs "when, suddenly... the animator suffered a fatal heart attack. The cartoon peril was no more."
Bilingual Bonus: The Latin chorus sung by the monks while hitting themselves on the head with a two-by-four (a film-friendly version of self-flagellation). It's a real prayer and has been put to music many times, most famously by Bach. The line uttered by the monks translates to Lord, all pitying, Jesus blest, grant them thine eternal rest. However, when one factors in the satirical nature of the film, it's not really that far-fetched to assume that what they're trying to say is: "God, give them a break already!"
The swallow joke comes up at least three times after the initial scene. Bedevere arrives on screen releasing a swallow with a coconut tied to it, the narrator goes on about how many swallows'-flight away Arthur and Bedevere are from Galahad and Lancelot, and of course the above counter-question at the Bridge of Death.
Halfway through the film, a historian appears to summarize the next part of the plot and is murdered. Later, Arthur, Sir Bedevere, and Sir Lancelot are stopped on their quest and arrested for his murder.
The Knights of Ni and King Arthur using the Brown Note "Ni!" to hurt people.
Also, apparently the punishment for lighting the "Grail-shaped" beacon at the Castle Anthrax is for the offender to be tied to the bed and spanked. And after the spanking, the oral sex!
Brother Maynard: Three is the number thou shalt count, and the number of the counting shall be three. Four thou shalt not count, neither count thou two, excepting that thou then proceed to three. Five is right out.
This sounds exactly like an oral tradition (where repetition helped cement things in memory) that got transcribed exactly when it got written down. See above about Terry Jones being a history geek.
Derailed For Details: In the opening scene, King Arthur's attempt to summon the Lord of the local castle derails into a discussion of how exactly King Arthur acquired a coconut shell in Medieval England, and ends with an argument over the migratory patterns of swallows.
God: Arthur! Arthur, King of the Britons! Oh, don't grovel! If there's one thing I can't stand, it's people groveling. Arthur: Sorry— God: And don't apologize. Every time I try to talk to someone it's "sorry this" and "forgive me that" and "I'm not worthy". What are you doing now!? Arthur: I'm averting my eyes, oh Lord. God: Well, don't. It's like those miserable Psalms — they're so depressing. Now knock it off!
Double Take: The French soldier when he sees the Trojan Rabbit.
Downer Ending: Arthur gets arrested by (modern-day) police officers in connection with a trans-temporal murder committed by his knights earlier in the picture. Plus, Arthur and his knights are likely innocent. The "famous historian" was murdered by a knight riding a REAL horse, whereas Arthur's knights only simulate horseriding with pantomime and coconuts.
Lancelot: O Fair One, behold your humble servant Sir Lancelot of Camelot. I have come in answer to your mess— oh, I'm terribly sorry!
The Dung Ages: Remember, Arthurian scholar. This was actually one of the first movies to show that conditions back then weren't like what they showed you in the movies. The corpse collector is able to identify Arthur as a king specifically because "he hasn't got shit all over him."
King Arthur: What happens next? Bedevere: Well, now, uh, Launcelot, Galahad, and I wait until nightfall, and then leap out of the rabbit, taking the French by surprise — not only by surprise, but totally unarmed! King Arthur: Who leaps out? Bedevere: Uh, Launcelot, Galahad, and I, uh, leap out of the rabbit, uh, and, uh.... (looks around at who are very obviously still standing next to him, and besides which are now openly facepalming) l-look, if we built this large wooden badger...
Face Palm: Upon recognizing a glaring flaw in the Trojan Rabbit plan.
Feelies: At least one edition of the DVD has instructions on the back to use the DVD case to play along with the chanting monks. By holding it firmly in both hands and smashing it into your face...
Film the Hand: The last scene in the movie is a policeman blocking the camera.
Gag Sub: The opening credits and those on a DVD release.
For the record, the DVD Gag Sub is actually entirely composed of lines from William Shakespeare's Henry IV Part 2. It's marketed on the DVD as being "For People Who Did Not Like The Film." Only it isn't Henry IV. It's just the film's lines put into more Shakespearean terms.
Actually, all the lines are FROM Henry IV. They're just not in Shakespeare's order, and some are just fragments of lines, chosen to fit the lines actually spoken in the film.
Girl in the Tower: Parodied. First, it's a guy, and it only gets worse from there.
God: Shows up to give Arthur and his knights the task of finding the Holy Grail. He hates it when people grovel or avert their eyes, and thinks the psalms dedicated to Him are depressing.
Groin Attack: The Black Knight does it to the Green Knight while fighting him.
Hiccup Hijinks: A guard in the first "Prince Herbert" scene.
Hidden in Plain Sight: On his first encounter with the French Knights, there is an exchange where Arthur offers to let their leader accompany him on the quest for the holy grail. The Frenchman replies "Well I'll ask him, but I don't think he'll be very keen. He's already got one you see!" Arthur tries to break in, but is chased away and forgets about the exchange. At the end of the film, It turns out Castle Aarghhh is the same Castle the French were in, though Arthur approaches from the other side, across a lake this time, so he didn't recognize it at first.
Hoist by His Own Petard: The bridge-keeper attempts to invoke three questions before letting them cross (which are relatively easy... If you aren't indecisive). If they fail (either by not knowing one of the others or simply being indecisive with one of the questions), they are hurled down a fiery crevice. When Arthur gets his turn, specifically when he gets to the third question (about the airspeed velocity of an unladen swallow), Arthur actually asks for clarification as to whether he meant an unladen African swallow or an unladen European swallow. The bridgekeeper then admits he doesn't even know, with predictable results.
Hollywood Tactics: Go, Sir Lancelot, you psychotic berk! Chop that castle down with your sword! Aversion, though, in that this was how Lancelot actually acted in Malory and other early sources. "Mentally unstable berserker prone to stress-induced fugue states" doesn't even begin to cover him.
Rather more specifically, this scene is a parody of the rescue of Guenevere near the end of Morte d' Arthur.
Hollywood Torches: Appear during the Camelot, Castle Anthrax, Swamp Castle and Cave of Caerbannog sequences.
Hugo Award: Nominated for Best Dramatic Presentation in 1976.
Improbable Aiming Skills: The Black Knight throws his sword right through the eye-slot of the Green Knight's helmet.
Incessant Music Madness: Sir Robin eventually reacts this way to his minstrels, though it has more to do with their lyrics than the quality of their singing.
Informed Ability: The minstrels gushing about Sir Robin's bravery.
"I Want" Song: Defied. The lord of Swamp Castle keeps stopping his son from doing it until a later scene, which turns into a Crowd Song.
Just a Stupid Accent: John Cleese's taunting Frenchman hangs a lampshade. Further played with when one of the French knights actually does speak French (or uses commonly known French words), and the other Frenchmen don't understand a word.
Frenchman #1: C'est un cadeau! Frenchman #2: Huh? Frenchman #1: It's a present! Frenchman #2: Oh! Oui, un cadeau! Frenchman #1: Oui! Oui! Allons-y! Frenchman #2: What? Frenchman #1: Let's go. Frenchman #2: Oh!
Lampshade Hanging: Seeing as this is Monty Python, of course there's a lot of this. A notable example in the Camelot song — "but many times we're given rhymes / that are quite unsingable"... rhyming with "table".
Literal-Minded: Prince Herbert's guards are so literal in their interpretation of their orders that they allow Herbert to engineer his rescue because in the process he never does anything they were told to keep him from doing.
Made of Plasticine: How easily King Arthur hacks off the Black Knight's limbs.
Magnum Opus Dissonance: The Python crew generally considered this to be one of their lesser movies. John Cleese often says they think Life of Brian is their best work.
Miles Gloriosus: "Brave" Sir Robin, who has a troupe of troubadours to follow him about and sing of his praises. Unfortunately he runs away at the first sign of danger, and they incorporate his cowardice into their song....
Cleese later inverts this during his scenes as Tim the Enchanter, whose accent suddenly becomes much thicker between his first meeting with the knights and the scenes at the Cave of Caerbannog.
Also in a deleted scene with Zoot (which does still appear in several versions of the movie) and within several other scenes throughout the film. Note of course that in most instances, the Overly-Long Gag is itself an intentional Running Gag and a Lampshade Hanging.
The Pig Pen: The villagers compared to Arthur, since "...he hasn't got shit all over him."
Red Shirt: Bors, Gawain and Ector. They appear suddenly and without introduction before The Rabbit of Caerbannog and they are promptly dispatched. (Of course, in Malory and the Vulgate Cycle these are three of Arthur's most prominent knights - Terry Jones having a bit of fun with the traditions again?)
Rewriting Reality: The knights escape a cartoon monster when the animator dies of a heart attack.
Graham Chapman got so drunk, he was absolutely terrified this would happen. So a stunt double ripped off his clothes and strutted across the bridge. You might notice how strangely determined the guy looks when doing this.
Rule of Funny: The driving force behind all technology in the movie. Why else would the French have their catapults already aimed at the Britons, but unloaded? How else would one explain the existence of the Holy Hand Grenade?
The counting of the Holy Hand Grenade. "Five is right out."
Also, subverted. The third castle in the swamp fared even worse than the first two. But the fourth one stayed up.
Further subverted in a scene cut from the ending sequence: The old man from scene 24 appears — for a third time, of course — as Arthur is about to board the boat to the Grail castle and intones, "He who would cross the Sea of Fate must answer these questions twenty-and-eight." Arthur just picks him up and throws him in the water before getting into the boat.
Storming The Castle: Three times: when they try to storm the French castle early on, when Lancelot attacks the castle by himself and when Arthur's army charges the French-controlled Grail castle at the climax.
Stuff Blowing Up: Tim the Enchanter, to the point of interrupting the knights mid-sentence for no purpose but pyrotechnics.
Talking to Himself: Graham Chapman voices God and plays Arthur in just one example.
Throw It In: The coconuts were originally going to be offscreen due to the lack of budget for horses. The troupe had an epiphany regarding it — since the movie was nonsensical anyway, they should just write the coconuts into the script.
According to the book Monty Python Speaks they thought that the coconuts was a funny idea because coconuts are used for horse sound effects — AND had the added bonus of saving them a pound of money on horses, training, etc.
It even made it into the german title of the film: Monthy Python's Knights of the Coconut ('Monty Pythons Ritter der Kokosnuss')
Trope Overdosed: Yes and No. Given that this movie was the Trope Namer for many of the listed tropes on this page, meaning that some of these gags and phrases were not only made popular but created by this movie, Monty Python And The Holy Grail is only trope-overdosed in retrospect. Back when the movie premiered (in 1975), it mainly was 91 minutes of (often ground-breaking) weirdness.
Unusual Euphemism: A man in the movie wants his son to marry a woman so he can inherit her father's property, but the son is unwilling. He tries to convince him with a couple of reasons, ending off with how she has "Huge... tracts of land," with a gesture that is less suggestive of real estate and more suggestive of womanly curves.
Your Mom: This famous oft-quoted insult. Now considered a shibboleth to get into many Ren Faires.
French Knight: I don't want to talk to you no more, you empty-headed animal-food trough wiper. I fart in your general direction. Your mother was a hamster and your father smelt of elderberries.
Now go away or this page shall taunt you a second time-a.
), informing him that to cement his name in immortality, he must seek the Holy Grail — the cup used at the Last Supper of Christ, and which caught his blood after the crucifixion. After a long and roundabout search which leads them to the far corners of the Kingdom and past idiosyncratic knights, the world's oldest harem, and a very nasty rabbit, they discover the Grail is supposedly located in a very old castle, which has fallen into the hands of those heathen enemies — the French.Those nasty taunting bastards.Full of random quips, hilarious stand-alone scenes, and the type of comedic anarchy and anticlimax that practically defines British comedy even to this day, the movie was a low-budget success story and has become a Cult Classic over time. It also reveals Michael Palin's versatility, as he plays something like 10 roles over the course of the film. He's not alone, of course; the majority of people and about 80% of the lines are from the Pythonites, leading to some interesting blocking and directing decisions. (Watch Lancelot's helmet.)Or, if you want to be "artsy" about it, see Eric Idle's Broadway adaptation: Spamalot!Just a side note — because Terry Jones is, in fact, an Arthurian scholar, this happens to be not just the funniest but the most accurate film adaptation of Malory's Le Morte d'Arthur ever made. Some of the humor, in fact, is derived from typical Pythonian spins on events and characterizations from the original tales.
0 reviews