Ben learns the (first) secret of the mirrors and gets a Foreshadowing of his own fate
You get a lot of suicide cases where people have slashed their own throats? Didn't think so.
Mirrors is a 2008 horror film directed by Alexandre Aja, and stars Kiefer Sutherland. The film was first titled Into the Mirror, but the name was later changed to Mirrors. Filming began on May 1, 2007, and it was released in American theaters on August 15, 2008.The film was originally scripted as a straightforward remake of the 2003 South Korean horror film Into the Mirror, which is rated PG. However, once Aja was brought on board and read the script, he was dissatisfied with the particulars of the original film's story. He decided to retain the original film's basic idea involving mirrors, and to incorporate a few of its scenes, but otherwise crafted a new story and script for his version of the movie. Mirrors is the first Aja film to achieve an R rating without the need for scenes to be cut.The movie follows Ben, a former police officer, as he takes an overnight security guard position in a burned-down department store. As might be expected, an evil force in the mirrors takes the form of your reflection, and whatever harm it imposes on itself happens to the real person. Now Ben has to figure out how to stop it before it kills his family, then him.A direct-to-DVD sequel has been completed and is scheduled for release on October 19, 2010, apparently unrelated to the events of the first one. When Max, who is recovering from a traumatic accident, takes a job as a nighttime security guard, he begins to see visions of a young mysterious woman in the store's mirror.
Body Horror: All deaths the mirrors caused. Oh, and the nun/Esseker thing.
Creative Opening Credits: All the scenes of New York shown during the opening credits are depicted as mirror images constantly shifting, changing shape, joining, and splitting apart, with the text also appearing both backwards and forwards. This could be considered Foreshadowing of what happens to Ben at the end.
Dramatic Shattering: As might be expected in a movie about (evil) mirrors. Both the normal version (when Anna lets herself get re-possessed in the Mad Scientist's mirror chamber) and a version with a Moment of Silence (when all the spirits are freed) occur.
Fatal Family Photo: Played with. By the time Ben shows his family photo to Anna, we already know they are in grave danger; showing her the photo was meant to garner her sympathy so as to prevent their deaths. At first it doesn't seem to work, but eventually it does.
Fate Worse than Death: Ben ends up trapped in a mirror world, seemingly unable to return, where nobody can sense him.
Genre Shift: Most of the movie is a horror film, plain and simple. However, the 15 minutes where Ben holds a nun at gunpoint, saying, "My family will not die today," then engaging in a gun/fistfight with the demon yanked from the mirror, seemed far more like a cross between 24 and Mortal Kombat. Also, much of the story which is not action or horror plays off as a cross between a mystery and a psychological thriller. (The latter is especially apparent when, apart from the scenes the viewer sees of Angela's death and Michael seeing the burning woman in the mirror, it isn't clear whether the supernatural events are real or all in Ben's head, and those of each of the night watchmen before him.)
Glasgow Grin: Angela's reflection kills Angela by giving her one of these WITH HER BARE HANDS.
Gory Discretion Shot: Invariably averted. We see everything. And because deaths always happen in front of a mirror, we see everything from different angles.
Heroic Sacrifice: In the alternate ending, Michael is saved because Ben encounters him in the water and pushes him back out to the real world. It is implied this might be why he ends up in the mirror world at the end, because he took his place.
Anna too, by agreeing to let the demon back into her in order to free all those trapped in the mirrors (and then destroy the demon, hopefully, with her death).
Kill It with Fire: The department store was burned down in an attempt to defeat the evil in the mirrors, with the logic that fire is the only way to truly destroy a mirror. It doesn't work.
Madness Mantra: Gary Lewis, and all the night watchmen before him, either created a Room Full of Crazy, left a Dying Clue, or tried to pass on verbal messages (of varying degrees of sanity) to both explain their actions and get someone to help free the trapped spirits: Esseker. It isn't until Ben with his policeman's skills (and his friend on the force doing some clandestine digging in the records) that anyone is able to figure out what it actually means, then put the pieces together and track it down so they can resolve the Unfinished Business/Ghostly Goals of Mayflower.
Moment of Silence: Used very effectively for Ben's reaction to Angie's death. Appears again, oddly enough, near the end when all the mirrors shatter, with the only sound being either a sad orchestral piece or a haunting chorus.
Must Make Amends: Although it was the fault of the Mad Scientist psychiatrist, not her, Anna was well aware that the demon within her had escaped into the mirrors, and therefore once she learns that this has led to countless deaths, and might cause Ben to lose his family too, she agrees to return and absorb the demon back into her again. Helped along by her already being The Atoner (and having joined the church) for the things the demon made her do when she was possessed the first time.
My Greatest Failure: The reason Ben needs a night watchman position in the first place, the accidental shooting that led to his self-imposed exile from the force (until Angela and his old partner from the force do a bit of an intervention).
Nothing Is Scarier: Despite all of the gory deaths, the Mirror Monsters with their Mirror Scares, the disturbing imagery and the Demonic Possession, it's Ben's long, slow, quiet explorations of the burned-out Mayflower store (and the hidden tunnels from its Abandoned Hospital days) that provide some of the scariest and most suspenseful moments in the movie. The iconic image from the page photo is itself an example of this, as the true meaning of a handprint on the inside of a mirror sinks in. And at the very end of the movie, in the middle of what seems a normal street scene of cops, firemen, and emergency workers cleaning up after the battle with the demon is over, the scariest moments come when Ben, unable to get anyone to pay attention to him or even hear him, suddenly realizes all the signs and text he can see are backwards, and the very last shot of the movie...just another normal, bustling street scene with people going about their business, completely unaware of Ben's handprint on the window...
Only Sane Man: Nobody believes Ben. Angela gets killed because she didn't listen.
Paranoia Fuel: In-story, Ben's reaction to mirrors being everywhere around him, particularly during the breakdown scene where he tries to cover them all, is considered this by everyone else, especially his wife. Of course as the audience knows and his wife discovers, he's Properly Paranoid.invoked
Slashed Throat: This is how the mirrors kill Gary Lewis in the opening scene.
Averted when Amy rescues Michael from his reflection attempting to do this to him.
Switched in the Unrated cut where Amy prevents her mirror duplicate from doing this to Daisy.
Twist Ending: After killing demon-possessed Anna, saving his family, and freeing the spirits trapped in the mirrors, Ben ends up trapped in them himself. Alone. Forever.
Typecasting: You have to believe the writers did this to Kiefer Sutherland, given that the character he played basically turned into Jack Bauer in the final 20 minutes.
Up to Eleven: All the ways the mirrors kill or attempt to kill anyone.
Wham Shot: Although the very last shot of the movie is one of these as well, that's just the ultimate denouement. The real Wham Shot begins when Ben, after escaping from the battle with the demon, tries to get the cops, firemen, and emergency workers to pay attention to him...and then sees the backward text on one cop's badge. The camera lingers on this before flashing to all other signs and text in the scene, showing the same thing.
The sequel contains examples of
Asshole Victim / Karmic Death: All of the mirror's victims in the sequel died because their attempt to slander/rape a new employee backfired, leading to her murder at the hands of one of them. The girl in the mirror is her spirit trying to get revenge.
Fanservice: Christy Carlson Romano is completely naked and taking a shower.
Gory Discretion Shot / Sound-Only Death: Whatever Eleanor does to her killer once she gets her hands on him, it's apparently so ghastly that all we're allowed to see are blood splatters on the the other side of the mirror accompanied by his blood-curdling screams. The mirror shatters soon after.
The Reveal: That dead woman in the mirror? You know, the one who's going around torturing/slaughtering everyone to death? She's the vengeful spirit of the new employee who died thanks to several characters trying to slander her by drugging and raping her, with one of them strangling her to death and then conspiring with the others to cover it up.