'''''Last Night''''' is a Canadian drama directed by Don Mckellar.

The film details how a handful of characters decide to spend the final hours of [[TheEndOfTheWorldAsWeKnowIt existence]] in UsefulNotes/{{Toronto}}. The film won several awards, including Genie Awards for Don Mckellar (Best First-time Canadian Director), Sandra Oh (Best Leading Actress), and Callum Keith Rennie (Best Supporting Actor). The film was also cited by EdgarWright as one of his influences in making ''Film/ShaunOfTheDead''.

!!This film contains examples of:

* ApocalypseHow: Class 5, for argument's sake (though speculation that the world-ending event is a supernova might put it in class X-2). The how and why are never quite explained, but it's an event that has been known for around two months.
* BabiesMakeEverythingBetter: Played with. Sandra got married and pregnant during the two-month window where everyone is aware that the world is about to end. Since people have to live with the consequences of large decisions for just two months, such choices often have wishful intentions but are essentially meaningless.
* BetterToDieThanBeKilled: Sandra and her husband were of this belief, although it was more in the form of "it's better to kill and be killed by someone you love right before your moment of impending death than to have your life taken from you through passionless circumstance". She tries to fall in love with Patrick and get him to indulge her wish with her when it becomes apparent that her husband isn't coming home. [[spoiler: In the end, through a combination of her own despair, Patrick's obvious attraction to and sympathy for her, the impending destruction of the planet and her ultimate bloody-minded refusal to give up hope in the ending that she wanted, she succeeds in falling in love with Patrick just seconds before the world ends.]]
* BittersweetEnding: One of the ultimate examples. [[spoiler: Patrick doesn't get to spend the last night as he planned, i.e. on his own doing whatever he wants; on the other hand he falls in love with Sandra and finally has a meaningful relationship with someone else, even if just for one evening. Sandra doesn't get to be reunited with her husband, but she does connect with Patrick, so strongly that she abandons her plan to kill herself and falls in love with him at the exact moment the world comes to an end. ]]
* CaliforniaDoubling: Averted; the film was shot in and takes place in Toronto.
* CueTheSun: Subverted in that the inexplicably bright sun gets ominously larger and brighter as the night progresses.
* DarknessEqualsDeath: Completely inverted. The death of the world takes place in light.
* DaylightHorror: The film is set entirely at night during the Earth's final few hours of existence, and yet the sun doesn't go down. At all. In fact, it gets brighter throughout the film, as it is implied that the coming apocalypse is related to the Sun in some ways (quite possibly a supernova).
* EndlessDaytime: Most of the film takes place at night when it ''should'' be dark during any time of the year, but it's always daytime and the sky is always blindingly bright. It's implied, but never outright stated, that it's actually some solar phenomenon that ends the world.
* GhostCity: Despite everyone still being alive, almost all public services have stopped running. Somewhat justified in that if it's the last day you're ever going to be alive, why would you go in to work?
* JustBeforeTheEnd
* KillEmAll: Perhaps even a ForegoneConclusion.
* LastKiss: And also a FirstKiss.
* TheLastTitle: The title.
* LightIsNotGood: A very literal example. Something about the light is suggested to be the thing that brings about the end of the world.
* MexicanStandoff: One of the few examples that also doubles as a TearJerker. [[spoiler: Subverted in that they can't bring themselves to go through with it, and kiss as the world ends.]]
* OneDialogueTwoConversations: Played [[TearJerker heartbreakingly]] straight with Sandra and Patrick. Sandra has just realised that [[spoiler: her husband, who she's spent the entire film trying to get to, is probably dead, and that]] Patrick, who she has been accidentally encountering throughout the film, is probably the last person she will ever meet, on the last day ever. [[spoiler: Patrick, for his part, has been quietly falling in love with her ever since he met her.]]
-->'''Sandra''': Patrick, I have to ask you a question. Feel free to say no -
-->'''Patrick''': Yes.
-->'''Sandra''': Yes what.
-->'''Patrick''': Yes, you can stay. You can spend the night, until the end. I mean, even if he was there, your husband, you wouldn't make it home in time, it's past eleven, and - and anyway, I want you to stay. I've been thinking about it, and it's not an imposition. It's not like I want to have sex with you, but I do feel like...like...like, I like you. We made a...a connection. I want us to be together.
-->'''Sandra''': [''pause, on the verge of tears''] I want you to ''shoot'' me.
-->'''Patrick''': [''pause''] ...Oh. So that was the question.
* ThinkOfTheChildren: Patrick's Grandmother tries to invoke this, but is rebutted by Rose with the memorable line:
-->"I don't give a damn. People are always saying 'The children. Pity the children'. I'm tired of the children. They haven't lived, given birth, watched their friends die. I have invested 80 years in this life. The children don't know what they're missing."
* OutWithABang: Craig's last day plans are to indulge in all of his previously unfulfilled sexual fantasies.
* SealedWithAKiss: Overlaps with LastKiss. [[spoiler: Both the world and the film end with the main characters kissing.]]
* VirginTension: Inverted with Donna. She is a virgin and desperately doesn't want to be one; Craig has had nearly every kind of sex you can have, but he's never had sex with a virgin. [[spoiler: They finally meet.]]