Film / Homeward Bound: The Incredible Journey

Homeward Bound: The Incredible Journey is a 1993 film produced by Disney. It is live-action with voiceover narration and loosely based on an earlier film called The Incredible Journey, itself based on a 1960 book of the same name by Sheila Burnford. The film was the first one directed by Duwayne Dunham, who would go on to direct such films as Little Giants (1994) and Halloweentown (1998).

It follows a golden retriever (Shadow), an American bulldog (Chance), and a Himalayan cat (Sassy) as they trek through the wilderness of the American northwest to be reunited with their owners. Shadow was voiced by Don Ameche, Chance by Michael J. Fox, and Sassy by Sally Field.

There was a sequel released in 1996, Homeward Bound II: Lost in San Francisco. Ameche had died back in 1993, and Ralph Waite replaced him in the role of Shadow, while Fox and Field returned to their previous roles.

This movie contains examples of the following tropes:

  • Adaptation Dye-Job: Of a sort. The cat in the novel is a short-haired Siamese, while the film's cat is a long-haired Himalayan.
  • Adaptation Species Change: Happened in the transition from the book The Incredible Journey to the film. They're all the same breed types as the original, although the dogs have age and personality swapped: Shadow is Luath's breed type (retriever, though Shadow is a Golden and Luath a Labrador) and stone-cold determined personality with Bodger's age, Chance is Bodger's breed type (bully breeds; Chance is an American Bulldog and Bodger an English Bull Terrier) and devil-may-care personality with Luath's young age, and Tao the male Siamese is changed into Sassy the female Himalayan (a Persian/Siamese cross). In both versions, it's the young dog who has a bad run-in with a porcupine and the old dog who almost doesn't make it home at the end.
  • Adult Fear: We see a couple searching for their little girl in the woods.
  • Amplified Animal Aptitude
  • Ass Kicks You: Chance's encounter with a porcupine.
    He bit me with his butt!
  • Attention Deficit... Ooh, Shiny!: Chance.
  • Badass Grandpa: Shadow's an older dog, but that won't stop him from trekking across the wilderness to get his boy back.
  • Bears are Bad News: Chance learns this the hard way by scaring a couple of bear cubs who were trying to steal his fish. Their mother is none too pleased with him.
  • Belly of the Whale: The pets reach this once they summit the hill beyond the ranch, looking down on the intimidating Sierras. At this point, the three are debating whether or not to continue, in which they agree to go with Shadow and make the trek home.
  • Big Eater: Chance. A notable example is at the beginning of the film, where Chance manages to eat the entire wedding cake before the newlywed Seavers got a chance to cut it, much to the attendee's shock (and one old man's amusement). Chance later ends up regretting eating the cake when he is forced to vomit it out, apparently due to it disagreeing with his system.
    Chance: I learned an important lesson that day. Cake and polyester don't mix.
  • Big "YES!": Twice: when the pets are found, and when the family is reunited.
  • Bratty Half-Pint: Sassy. Just makes you love her more.
  • Call Back: Early in the film, Sassy shows Chance the perfect way to get food: act like you don't want it. He tries it himself while they're lost in the woods.
    Chance: How did Sassy do this? I don't want it, I don't want it, I don't want it- [a crayfish grabs his lip] AYE! AYE! AYE! I don't want it! I don't want it!
  • Calling Me a Logarithm: When Chance unintentionally gives Shadow a Eureka Moment.
    Shadow: Chance, you're a genius!
    Chance: I am not!... What's a genius?
    Shadow: Never mind.
  • Canine Companion: Shadow tells Chance about the origins of the bond between man and dog, from the dog's point of view.
    Chance: But we didn't ask for this job.
    Shadow: We didn't have to. It's built in. Has been ever since the dawn of time, when a few wild dogs took it upon themselves to watch over man. To bark when he's in danger, to run and play with him when he's happy, to nuzzle him when he's lonely. That's why they call us man's best friend.
  • Cassandra Truth: Shadow and Sassy don't believe Chance when he warns them about the pound, not realizing he's speaking from experience. The two find out the hard way he's correct.
    Chance: The pound is where humans lock you up when they don't want you anymore!
    Sassy: Not want me? Impossible!
  • Cats Are Mean: Averted. Sassy is snarky, but kind and heroic.
  • Cats Are Snarkers: Sassy lives up to her name.
  • Cats Are Superior: Sassy is quite arrogant and condescending to Chance, often talking about how cats are superior to dogs.
    Sassy: Cats rule and dogs drool!
  • Cats Hate Water: Sassy goes out of her way to find a way to cross a river without getting wet. Unfortunately for her, one part of it wasn't quite stable and it collapsed, dumping her into the river and sending her over the Inevitable Waterfall.
    Shadow: It's fun to swim, you'll love it.
    Sassy: Except for the water part!
  • Cats Have Nine Lives: After being rescued by the old man, Sassy wonders to herself which one of her lives she lost going over the waterfall. She decides it was her fourth.
  • Chekhov's Gun: As a prank in the beginning of the film, Chance pounces on a seesaw with Sassy on the lower end and catapults her onto the sandbox. Chance later does something very similar with a rock version, this time against a monstrous Mountain Lion that is very hungry, and in order to get rid of it for good.
    • When Kate is leaving, she writes a note, but after closing the barn door, it then focuses on the note landing on a nearby haystack, indicating that it would become important later on. That's because the male rancher who is housesitting finds an outdated penned note in its place and thus mistakenly believed that she was taking Shadow, Chance, and Sassy to the vet. A scene only available on televised airings of the movie also has her discovering the note on the haystack while she was going to the barn with the male rancher to find out what was going on.
  • Comical Overreacting: Sassy after Chance pushes her off of the seesaw and into the sandbox, landing on her feet. Also Hope.
    Sassy: He threw me in the big litter box! Call the vet now! I've never in my life! I think my fur is falling out! I'm losing my fur!
  • Composite Character: Used oddly with the dogs as compared to the book - the two characters essentially switch ages and breed types, with personality following breed type. Shadow is Luath's breed type (retriever) and stone-cold determined personality with Bodger's age, and Chance is Bodger's breed type (bully breed, though Bodger's an English bull terrier and Chance is an American bulldog) and goofy personality with Luath's age. In both versions, the younger dog gets the porcupine quills to the face and it's the older dog who almost seems like he hasn't made it home at the end.
  • Could Have Avoided This Plot: This whole movie starts over a misunderstanding on the pets part and results in the three risking life and limb journeying across the wilderness when all they had to do was just wait a month for their owners to come back to the ranch and pick them up.
  • Covers Always Lie: One cover shows both Shadow and Chance attempting to save Sassy from a river by pulling her onto a piece of timber. In the movie, only Shadow jumps in to try and save her, and no timber is involved.
  • Cub Cues Protective Parent: Bear cubs, in this case.
  • Disney Death:
    • Sassy goes over a waterfall.
    • Shadow becoming trapped after falling through the floor of an old shack. Initially we're led to believe he doesn't make it home with Sassy and Chance, but he comes over the hill just as Peter turns away.
  • Deadpan Snarker: Sassy, naturally.
  • Determinator: Shadow, as evidenced by this dialogue:
    [Kate leaves for the stock drive, locking the animals inside the fenced-off front yard before doing so]
    Shadow: Something is keeping Peter from coming to me, so I'm gonna go to him.
    Chance: You guys kill me! She locked the gate, remember?
    Shadow: I don't care about gates. I'm going home!
  • Dogs Are Dumb:
    • Chance. Sassy is a big believer of this largely because of him.
    • Averted with Shadow.
  • The Door Slams You: Shadow "rescues" Chance from the pound this way by pouncing the fence right in front of the pound personnel.
  • Establishing Shot: When Shadow, Chance, and Sassy make it to the top of the first mountain, they (and the audience) get a good look at just what lies ahead for them.
    Chance: Whoa, you can see everything from here! Except the house, I don't see the house. Where's the house?
  • Fat Bastard: Foote, the only staff member of the pound who genuinely antagonizes the animals.
    Sassy: Oh yeah, chow down, chubby.
  • Female Feline, Male Mutt: Sassy being the feline with Chance and Shadow being the dogs.
  • The Film of the Book
  • Friend to All Living Things: The birdwatcher who eventually rescues Sassy. In a scene shown only on television, he plays the saxophone which the animals listen to.
  • Funny Background Event: An accidental one at that: if you pay attention when Chance is jumping out of the car when they arrive at the ranch, he bumps the actor playing Jamie pretty hard against the door, causing the camera to quickly turn away when this happens as to avert the focus.
  • Gender Flip: The character Sassy is based on is male in the original novel.
  • Good Samaritan: The bird watcher that nurses Sassy back to health.
  • Heroic B.S.O.D.: Shadow and Chance, at the same time, after they fail to stop Sassy from plummeting over the waterfall, thinking she's dead.
  • Heroic Dog:
    • Both Shadow and Chance have their moments, but a big subversion comes about halfway through the movie when Shadow fails to save Sassy when she falls in the river, not that he didn't do everything he could.
    • Sassy also gets a heroic cat moment when she engineers a plan to get everyone out of the animal shelter.
  • Hoist by Her Own Petard: Sassy refuses to cross the river where it was shallow, out of a stubborn desire to not get wet at all. The "bridge" she uses to cross the river breaks, sending her into the rapids... and over a waterfall.
  • The Homeward Journey. An incredible one at that.
  • Hypocritical Humor: Sassy refused to sleep in the dirt.
    Chance: Well, look who's down in the dirt with the dogs. Morning, honey.
    [licks Sassy]
    Sassy: Ugh! Dog breath! Blah!
    • Earlier, Sassy tells Chance cats are smarter than dogs, but a moment later we see she doesn't understand the meaning of "stay" like dogs do.
  • I Meant to Do That: Chance runs into a small tree after calling Sassy fat.
  • I Warned You:
    • Peter was worried Shadow will think he'll abandon him. After hearing about the pets running away:
    Peter: (to his step-dad) I told you he'd think I abandoned him! But you made us come anyway!
    • Chance warned Shadow and Sassy on several occasions about the pound, or the "bad place" (as he calls it in the sequel). When they end up there, Shadow admits that Chance knew it all along (although they don't realize they're only being kept there until their family arrives to pick them up).
  • I Will Find You: Shadow to Peter.
  • Inevitable Waterfall: Poor Sassy goes over one. She survives.
  • It's All My Fault: Shadow blames himself for Sassy's death, and he shouldn't made her come. Chance tells him it wasn't his fault, that she chose to come on her own. But Shadow tells him that he's responsible for her and Chance's safety as much as with Peter.
  • Jaw Drop: The Seavers do this when Chance comes home.
  • Last-Second Word Swap
    Chance: Look, there's no way I'm... (Beat) gonna let an old-timer like you go it alone. I'll be your guard dog.
  • Mama Bear: A rather literal example: Chance scares away two bear cubs who were stealing his fish. He later regrets this decision and barely escape with his life when their mom arrives.
  • Match Cut: Right after the porcupine incident, the scene dissolves, and we see a punk rocker type with wild hair being brought into a San Fransisco police station for booking.
  • Meadow Run: Two adorable examples, one when Shadow and Chance reunite with Sassy and once when the pets reunite with their humans.
  • Meaningful Echo: Near the beginning, Shadow tells Peter "You're my favorite boy in the world. I love you." Chance thinks that it's just mushy stuff. In the end, however, he comes to embrace both his family and Jaime's role as his owner. "Jaime, you smell like a million bones! You're my favorite boy in the world! I love you, Jamie!"
  • Mentor Occupational Hazard: Subverted. It looks as though Shadow won't make it — he even gives Chance a "you have to go on without me" speech — but he gets home.
  • Missed Him by That Much:
    • The trio escapes from the pound just as the family is pulling up to get them.
    • Shadow gets the feeling that they ought to turn back, but shrugs it off and keeps going.
    • They also cross a trail that cuts through the road the family is driving on, missing them by seconds.
  • Mood Whiplash: As Shadow, Chance, and Sassy run together after having gotten separated, Chance trips and yelps "Whoops, gopher hole!"
  • Mystery Meat: There's a short scene where Shadow and Chance discuss what they think hot dogs are made of. Chance doubts that they're made of dog, while Shadow doubts that they're even made of meat. Both agree that they taste the best when they fall in the dirt.
  • Mythology Gag: Before they take their stepdad's last name, Peter, Jamie, and Hope's last name is Burnford, same as the writer of the original book.
  • Never Going Back to Prison: A variant involving Pounds Are Animal Prisons. Chance, who spent some time in the pound, struggles to escape from a pound worker, yelling, "I'm not going back! No way!"
  • No Good Deed Goes Unpunished: The trio rescue a lost girl in the woods, and are rewarded with a trip to the pound (only to wait for their owners, but they don't know that).
  • Not Now, Pup: Chance trying to warn Shadow about the Mountain Lion.
  • Off Screen Moment Of Awesome: We do not get to see how Shadow manages to get out and go home after falling and getting injured and trapped in an old cavern.
  • Old Dog: Shadow. Though it was only after injuring himself from falling in a cavern that he fully comes to terms with this. He still makes it.
  • The Other Rainforest: Their incredible journey takes them across the western United States, shot mostly in the Pacific Northwest.
  • Parental Bonus:
    • As Chance is chewing on a shoe, he offers a piece to Sassy:
    "No thanks, I'm not into leather."
    • After Chance gets himself injured by a porcupine:
    Shadow: Oh, Chance, you really are a bulldog, aren't you?
    • "Whatever you do, don't lick yourself."
  • Platonic Declaration of Love: Chance to Shadow when the latter falls into a hole towards the end of their journey and declares himself too old to climb out of it.
    Shadow: I have nothing more to give, Chance. And it's time for you to be on your own.
    Chance: But I want you with me. I love you, Shadow.
    Shadow:... you've learned everything you need, Chance. Now all you have to learn... is how to say goodbye.
  • Please Don't Leave Me:
    Sassy: You two are really gonna go off and leave me here?
    Shadow: You wait for that bus. You'll do fine.
  • Poor Communication Gets Your Pets Lost:
    • Probably unavoidable: the animals had no idea what was going on (more than once it's shown they don't understand human speech or some human actions, such as the phone to the ear) and so of course wouldn't understand why they'd been left in this strange place while their people drove off without them.
      • Later, Peter tells Shadow they won't come visit them for another two weeks. Shadow partially understood him, but rather annoyed. However, in a scene from the televised airing, they couldn't make it on that day either (due to another commitment), which is the reason why the pets (except Chance) don't understand why they haven't come yet.
      Shadow: They've been gone way too long. Much longer than they should have been.
      Sassy: You could be right, Shadow. It's been too much time. Way too much time.
      Shadow: Something must be keeping Peter from coming to me. So I'm gonna go to him.
    • And Kate picks a quite unfortunate place to break off her note about the animals, so that when one of the papers goes astray, the first half implies she's taken them with her on a cattle drive. This results in a heavy delay in the search for them.
  • Pounds Are Animal Prisons:
    • Played with; the animals see it as this, but the handlers really do have their best interests at heart. The only reason the three mains are taken there are so their owners can be contacted and given back to the pets. A 'torture' given to Chance is really in his best interest given they're forced to remove porcupine quills he has stuck in his muzzle.
    • Justified that Chance has been to one when he was a puppy. So he has a lot of "experience" in these types of places.
    • Foote (the pound worker Sassy ridicules for his weight) shows subtle shades of not liking animals at all, which drives home the trope.
  • Pun:
    • "I hate fast food."
    • "I can't believe it. Catcalls."
  • Prickly Porcupine: Chance encounters one and bothers it, which it slammed its tail on Chance's face in return.
    Chance: He bit me with his butt!
  • The Quincy Punk: A mohawked example is briefly shown getting booked in a San Francisco police station.
  • Recognizable by Sound:
    [Chance is heard barking from a distance]
    Hope: I know that bark! It is him!
  • Refusal of the Call/The Call Knows Where You Live: Chance initially stays behind at the ranch while Shadow and Sassy run off towards the mountains. The turkey scares him off the ranch anyway.
  • Right for the Wrong Reasons: Chance says they should just stay at the farm because they've been abandoned. Of course he's right all along that they should have stayed, but not because they were abandoned but because their owners were coming back for them in a couple of weeks anyways (however a deleted scene reveals they were unable to make it, which only proved Chance right).
  • Rousing Speech: Chance gives Shadow this to get him to climb out of a pit.
    • With a little bit of What the Hell, Hero? at the beginning.
      Chance: You pushed me this far, now I'm pushing you the rest of the way! You know, back in the woods, even when things looked really bad, I always thought we'd make it because I thought you were too stubborn to quit! Well, you're not gonna quit, not now, not when we're this close!
  • Scenery Porn: You get to see just how beautiful the Sierra Nevada Mountains are as the pets make their way home.
  • Short Cuts Make Long Delays: At first, Shadow thinks that they can get home just by going over a mountain. When Sassy reminds Shadow it took them ages to get this far, Shadow tells her that they went the long way, and that going straight up and over the mountain is the shortcut. Nope. But that doesn't stop him.
  • Shout-Out:
    • When Chance flings the cougar (or, as he called it, "Arnold Schwarzakitty") into the air, he yells, "Hasta la vista, kitty!"
    • The Mission: Impossible theme plays as Sassy infiltrates the pound.
  • Smelly Skunk: Chance got inflicted with this trope during their journey home.
    Chance: (sniffing in the hollow trunk) What's that smell? Smells interesting.
    * HISSSS*
    [Chance runs away. A skunk comes out.]
    Chance: Woo-hoo-hoo! I never thought anything can smell too much! Hey Shadow, wanna have some fun, stick your head in that hole!
  • Team Dad: Shadow
  • That Poor Cat: Invoked when Kate accidentially stepped on Sassy's tail during the chaotic attempt at feeding Chance.
  • Shadow, Chance and Sassy Come Home
  • Undying Loyalty: Even though Shadow doesn't understand why he was left behind, he never stops believing in Peter or trying to get back to him. Justified as dogs are already famed for their often incredible loyalty to their human companions, with Golden Retrievers like Shadow being reputed as being one of the most loving and loyal breeds.
    • And for dogs in general. Shadow calls Chance out for not caring about their owners and thinking so little of humans, although, in Chance's defense, he's been abandoned before, something Shadow hasn't experienced.
    Chance: Oh, man, what are you waiting for? They're not coming back.
    Shadow: That just shows you how little you know.
    Chance: Look, it's happened before... to me. People use you and lose you.
    Shadow: Shame on you for betraying your boy.
    Chance: Me betray him? Who ditched who? I mean, not that I care. I can get along just fine without him.
    Shadow: How dare you call yourself a dog.
    Sassy: A cat would know better.
    Shadow: Dogs are supposed to be faithful, loyal, and true.
  • Vitriolic Best Buds: Chance and Sassy. The two practically never stop bickering and complaining about each other, but when push comes to shove, they try as hard as anyone else to help the other out.

Homeward Bound II: Lost in San Francisco

  • Adult Fear: A couple watches their house burn while their young son is inside. Shadow saves him, but it was a close thing.
  • And That's Terrible: "They take you to a place called the lab. And that sounds bad."
  • Badass Adorable: The younger dog in Riley's gang.
  • Bedmate Reveal: Parodied when Sassy wakes up next to the flea-ridden dog Stokey.
    Sassy: Aah! You're the ugliest thing I've ever seen!
    Stokey: Yeah, well, that's not what you said last night!
  • Big Damn Heroes: Chance gets one near the end.
  • Chekhov's Gun: Just like in the first movie, Chance pulls a prank on Sassy at the beginning of the movie (this time by trapping her in a play-cylinder and pushing it into garbage cans) before rushing off to Jamie's baseball game (and unintentionally ruining it). Chance later does something very similar near the end, this time against Ashcan and Pete to defeat them for good, and at a construction site.
  • Deadpan Snarker: Chance and Sassy frequently try to out-quip each other.
  • Disney Death: It looks like Chance was hit by a truck, and poor Jamie is utterly devastated. Fortunately, Chance managed to dodge the truck, unharmed and a joyful reunion quickly follows.
  • Dogged Nice Guy: Bando thinks of Delilah as his girlfriend, in spite of the fact that Delilah has told him multiple times that they're friends, nothing else.
  • invoked Dude, Not Funny!:
    Riley: They send you to place called the lab. And that sounds bad.
    Sassy: What's so bad about a lab that takes dogs away?
    Shadow: Don't push it, Sassy.
  • Even Evil Has Standards: Ralph, co-driver of the Blood Red Van, when Riley's gang, Shadow, and Sassy sit right in the path of the Blood Red Van after they captured Chance., was reluctant to run over them, despite Jack telling him to "show 'em who's boss!"
  • Everyone Has Standards: Delilah doesn't like humans, but she still tells Chance that he shouldn't take food from "human pups".
  • Fantastic Slur: Riley and his gang use the word "pet" to describe cats and dogs who have owners. Chance once used the same word to describe Shadow and Sassy in the original, since they were never strays like he was. Though Chance was mostly offended by the way Riley said it when he questions their relationship.
    Riley: What's up with this girl? I know you can't be serious!
    Delilah: But Riley—
    Riley: But nothing! The dude's a pet!
    Chance: What's that supposed to mean?
  • Flower Pot Drop: Sassy knocks a flower pot off of a shelf on top of one of the mean stray dogs.
    Sassy: I see the old geranium to the cranium. Whoopsie!
  • Freudian Excuse: Riley was bought as a gift, then abandoned when the kid he was supposed to be a present for didn't want him. Needless to say, there's a reason he's bitter.
  • Heroic B.S.O.D.:
    • Chance didn't take Delilah's I Did What I Had to Do speech well. He spends the whole night wandering the streets.
    • Given that Riley described Delilah as "moping around like [her] tail [wouldn't] ever wag again", the feeling was mutual.
  • He Would Do The Same for Me: This exchange after the fire scene.
    Stokey: You're pretty brave for a — a pet.
    Riley: Brave, huh? Listen, you think a human would do that for you?
    Shadow: My boy Peter would.
  • Humans Are Bastards:
    • Not only did a spoiled fat boy not want Riley (when he was a puppy), but his parents left him in the streets rather than take him back to the pet store they bought him from.
  • I Did What I Had to Do: Delilah, realizing they can't be together, tells Chance he doesn't belong, calls him a pet, and goes back to her boyfriend. She immediately regrets it after seeing Chance all heartbroken. Riley even said the same thing and tells her its not gonna work out because of their different upbringings, Delilah understands but it still doesn't make her feel any better. In the end, she doesn't care anymore and went back to Chance. And she's starting to see that not all humans are bad.
  • I Shall Taunt You: Chance insults Ashcan and Pete so he can lure them into a trap.
  • I Warned You: Shadow tries to tell Delilah that Chance won't be to survive in San Francisco and that she might not always be around to save him. But she doesn't listen, aggravated by his and Riley's disapproval of their relationship. Later, when the Blood Red Van came, she tells him to run, but he was too busy having fun in the garbage to hear her. Realizing Shadow was right, she breaks up with him (see I Did What I Have to Do).
  • Insult Backfire:
    Sassy: Canines, the feline's still hungry!
    Shadow: We're all still hungry, Sassy.
    Chance: Yeah, you gotta live with it, babe. This is the city. Only the strong survive.
    Sassy: Well, then you're a goner.
    Shadow: Will you two quit bickering?
  • It's Personal: Bando isn't too enthusiastic about confronting the Blood Red Van to get Chance back. Then the Van runs into Delilah's paw, and "Now it's personal!"
  • Jerkass: Riley's old humans. Rather than doing something sensible with this puppy like keep him anyway and hope things work out in the end, give him to another family, or even turning him in to a shelter, they just drive out and abandon him on the road where anything can happen to him. In these movies that empathize with dogs, that's the equivalent of abandoning an unwanted baby in a dumpster. Ouch.
  • Meadow Run: Chance and Delilah run to one another across the yard after Delilah tracked him back to his house.
  • Names to Run Away from Really Fast: The Blood Red Van.
  • Never Trust a Trailer: A scene often shown in advertisements for the film is one of Chance leaping up and snatching a hot dog from a man's hand. Said scene never appears in the film.
  • Nice Job Breaking It, Hero!: Chance got them lost, but he "justifies" it because he believed that their family was sending them to "the bad place" as Sassy had claimed, not realizing she was joking.
    Chance: Oh, so this is my fault? I just saved us from the bad place!
    Sassy: No, you just got us lost again!
  • Oh, No... Not Again!: Chance is understandably reluctant about making another long journey home.
    "You remember what happened before? Huge mountains, stinky skunks, porcupines — not me, pops!"
  • Older and Wiser:
    • Chance... kind of. He also still has the scars from where he got nailed by a porcupine in the first movie.
    • He now knows that the "squirrel having a bad hair day" is a porcupine, and the smelly animal from the hollowed log is a skunk.
  • Parental Bonus:
    Sassy: Chance, you put the bull in bulldog.
  • Properly Paranoid:
    Jack: Don't you see what's happening here? They're turning against us!
    Ralph: What?
  • Screw This, I'm Outta Here!: The co-driver quits after running away from the dogs.
    Ralph: "I don't want this job anymore!"
  • Secret Handshake:
    Chance:: Show me the secret paw-shake.
    Delilah: Secret paw-shake? They didn't show any secret paw-shake.
    Chance: Ah, they didn't, huh? Good, cause there ain't one.
  • Shipper on Deck: Sledge accepts Delilah and Chance. And doesn't think Banjo is good enough for Delilah.
  • Star-Crossed Lovers: Chance and Delilah. Delilah is a streetwise city dog who's wary of humans and Chance is a house pet.
  • The Fake Cutie: Sassy acts less bratty around humans.
  • Those Two Bad Guys: Jack & Ralph, dog thieves and drivers of the Blood-Red Van.
  • Took a Level in Jerkass: Jamie, who was the sweetest, cutest little lump of "boy-and-his-dog" adorable ever in the first movie, spends the beginning of this movie sulking over the fact that he has to go to Canada with his family and miss playing baseball with his friend Stacy. He takes his anger out on Chance by snapping irritably at everything he does, and is especially sore after Chance unintentionally ruins his last baseball game just before the trip. This leads to Chance thinking he's being sent back to the pound when the time comes to load him onto the airplane, which leads to all three animals running away and getting lost. However, after this happens, Jamie regrets how he acted, and when he reunites with Chance in the end he apologizes and reassures him that he loves him.

Alternative Title(s): Homeward Bound The Incredible Journey, Homeward Bound II Lost In San Francisco