Mad Science takes on occult terror, and wins, hilariously, in this, the greatest Lovecraftian comedy of the 1980's, which went on to spawn a popular franchise.Ghostbusters (1984)Three parapsychology professors (earnest, forthright, and curious Dr. Raymond Stantz, sarcastic schemer Dr. Peter Venkman, and detached academic Dr. Egon Spengler) are fired from their positions at Columbia University in New York City. Facing dire prospects in finding new collegiate employment, Venkman has a brainstorm: go professional. In their last investigation they devised a method of actually capturing and containing ghosts. They set up Ghostbusters, a company providing scientific exorcisms. At first business is slow, but then the number of ghosts in New York City starts increasing exponentially.The Ghostbusters soon become household names, and become so busy they recruit a fourth team member, Naïve Newcomer and token black guy Winston Zeddemore, but they realize that the surge in ghosts is portentous. Investigations show that phenomena are centered on the apartment of Peter's love interest Dana Barrett, which was designed by a cult from the early 20th century to attract spirits.Before they can act, petty bureaucrat Walter Peck shuts down the Ghostbusters' containment unit, releasing all the ghosts they had trapped and inadvertently unleashing Armageddon in the form of Gozer, an ancient Sumerian deity.Ghostbusters II (1989)Less than five years later, the City of New York somehow decided the events of the first film were all just a publicity stunt and sued the heroes, who went bankrupt and have gone on to more mundane jobs: Ray and Winston are performing as Ghostbusters in uniform for birthday parties, Peter is a cable TV host discussing the paranormal, and Egon is doing sociology research. But then the ghosts start returning, and soon the Ghostbusters are back in business. Top of their list is investigating a strange river of slime in an abandoned subway tunnel that seems to thrive on negative emotions and produce new ghost hauntings.Meanwhile, at the museum where Dana works, her boss becomes a Renfield for the ghost of Vigo the Carpathian, an ancient tyrant trapped in a painting. Vigo has Dana's infant son Oscar kidnapped, intending to take over the child's body. note As a side note, The Renfield in question actually went on to play Renfield for real in Mel Brooks' spoof Dracula: Dead and Loving It.When the Ghostbusters finally figure things out and arrive on scene, the museum is cocooned by the slime they were investigating and maintained as a physical manifestation of the negative emotions of New Yorkers. To counter this, the Ghostbusters animate the Statue of Liberty. Cue final confrontation.One of the defining elements of the movies (and the rest of the franchise as a whole) is that the characters examine the paranormal with the scientific method and combat it with technology, rather than other similar stories where the characters have to combat the supernatural with magic or more arbitrary urban legends. Dan Aykroyd and Harold Ramis (who play Ray and Egon, respectively) were responsible for the premise and original script, Aykroyd himself being an avid believer in the paranormal while Ramis has admitted to being a skeptic. As such, in addition to the excellent comedy and memorable characters Ghostbusters has been found to appeal to skeptics.Expanded UniverseThe films produced a popular Animated AdaptationThe Real Ghostbusters in 1986, which had its own Spin-Off, Extreme Ghostbusters in 1997. In 2009, a video game adaptation was released, written and performed by the original casts, that acts as a third story. Go to the pages on the individual works, or the page on the entire franchise, for more information on these and other Ghostbusters projects.Ray Parker Jr., who performed the film's iconic Theme Tune, was sued by Huey Lewis over the similarity of the melody to that of "I Want a New Drug".A third movie has been rumored for some time and (according to Dan Aykroyd) a script has been written by The Office (US) writers, Gene Stupnitsky and Lee Eisenberg, with his and Harold Ramis' oversight. According to Ivan Reitman, this script has been sent to Murray and they are waiting for him to read it, since the studio won't let the film go ahead unless Murray is in it — or not, as it was announced that production on the third film was to start in Spring 2012, with or without Murray's involvement. It was officially announced later that year that Murray is in fact not going to return, and … ugh, just see this page for more information.But for now…WHO YOU GONNA CALL?
Bad Bad Acting: In the Ghostbusters' TV ads. In the first film, Peter, Ray and especially Egon read their lines in a very stilted manner. In the second film, Janine and Louis do this in their new commercials.
Big Bad: Gozer in 1, Vigo the Carpathian in 2 and Ivo Shandor in the video game.
Big Damn Heroes: Invoked in the first film; as part of their deal with the Mayor to stop what's happening, Venkman manages to wrangle a huge police/National Guard escort for Ecto-1 as if it was the presidential limo or something, thus making the Ghostbusters look like The Cavalry to the assembled hordes waiting on for Judgment Day on the streets. Venkman himself milks the moment (and the crowd) for all it's worth.
In the second movie, the Ghostbusters arriving via skylight to stop Oscar being turned into a new host body for Vigo the Carpathian.
Butt Monkey: Several. Louis Tully, Ray Stantz, Walter Peck, the student involved in the ESP test.
Bunny-Ears Lawyer: Ray and especially Peter, who both have Ph.Ds, in Physics and Parapsychology/Psychology respectively. Both are extremely childish and, especially in Peter's case, fairly unprofessional.
Casual Danger Dialog: Egon is a master of this, usually as a way of flatly commenting that he's scared out of his mind despite being overly calm and talking plainly.
Venkman: Okay, Ray's gone bye-bye. Egon, what've you got left? Spengler: Sorry, Venkman, but I'm terrified beyond the capacity for rational thought.
He manages Casual Danger Laughter in 2. Ray and Peter laugh nervously while waiting for the Scolari Brothers to strike, and Egon chimes in with a monotone "Ha. Ha ha."
Complete Immortality: Almost all ghosts that are not at least a Class 7 are this, which is why they get trapped and sent into the containment unit.
Cool Car: The Ecto-1, a 1959 Cadillac Miller-Meteor ambulance, refurbished and tricked out with Science!
And based on Ray's mention of it needed new brake pads, it has a front disk brake conversion, too.
Destructive Saviour: The Ghostbusters are very effective at capturing ghosts, but their primary weapons, the proton packs, are terribly inaccurate and burn through whatever they hit when they miss (which is often). That's not even getting into the larger threats, which tend to end up leveling city blocks before the Ghostbusters stop them. Gozer blew up the top few floors of a high rise building as a consequence of stopping her.
Fantastic Science: Two of the three original characters, Ray and Egon, are legitimate paranormal researchers that channel their knowledge into the business of "paranormal investigations and eliminations." Peter for his part is both a psychologist and parapsychologist, so he contributes the human relations and Only Sane Man elements.
Janine (The Chick as the only female of the group. Usually she's The Face and stays at the station finding clients and doing paperwork. On the occasions where Janine is forced to help directly, she's just as good as the guys).
Venkman: "Type somethin', will ya? We're payin' ya for this stuff. And don't stare at me, ya got the bug-eyes. …" (pauses) "Janine, sorry about the bug-eyes thing, I'll be in my office."
Lovable Coward: For all his charm and bravado, Peter Venkman is not the bravest of men. With a few exceptions any acts of heroism on his part will usually be very very reluctant ones. That said, he will step up to the plate if necessary; he just won't be very happy about it.
Mad Scientist: Mostly Egon, but a little bit in Ray as well. Capitalism and a general sense of the good of mankind steers this towards positive and constructive directions.
Peter: Did you choose anything?! Egon:: No. Peter: Did you?! Winston: My mind's a total blank. Peter: I didn't choose anything! [Beat, then everybody looks at Ray]
Knocking out all the lights in New York in the sequel. Ray is quite the klutz.
Later, when they're about to call the final battle a victory, he looks into the painting and gets possessed by Vigo.
Night Vision Goggles: A slightly modified set of actual night vision goggles is made to be the "ecto goggles" and part of the Ghostbusting gear, supposedly allowing them to see ghosts who have turned themselves invisible. It's seen on everyone in the first movie, used memorably by Ray in the hotel and seen briefly a few times in the second movie. The game makes it into a major gameplay mechanic in tracking down ghosts.
Mentioned in the first film is that time Egon tried to drill a hole in his head. This is an actual procedure, called 'trepanation', which is sometimes claimed to confer psychic powers. "That would have worked if you hadn't stopped me." (Which was allegedly a Throw It In from Harold Ramis.)
Not Quite Dead: Justified since this is a franchise about ghosts. Also notable in the account of Vigo's death.
Walter Peck from the first movie ignores the very real paranormal phenomenon around him in favor of his insistence that it's all a scam. His actions in service of this belief directly trigger Gozer's arrival. Then he blames everyone but himself and has them arrested.
Hardemeyer takes this role in the sequel. He has the Ghostbusters committed to avoid bad press for the mayor.
Peck is back as the city official appointed as a liaison between the Ghostbusters and the mayor in the video game.
One-Winged Angel: Ghosts who take human form as a disguise are usually provoked into doing this.
Our Ghosts Are Different: In the series, "ghost" seems to be a catch-all term for incorporeal creatures, including both the spirits of the dead and extraplanar creatures that were never alive to begin with.
Photoprotoneutron Torpedo: Proton packs, which are "positron colliders" (or sometimes "unlicensed nuclear accelerators") that shoot particles from "neutrona wands".
Ragtag Bunch of Misfits: The Ghostbusters themselves; a cynical scientist, a mad scientist, a goof scientist, and someone looking for a steady paycheck.
Reasonable Authority Figure: Lenny the Mayor fills this role to some extent in the first two movies. He's a rather cynical politician whose public image and chances of re-election / further political office are never far from mind, and is as reasonably skeptical of the claims of apocalyptic supernatural phenomena as any reasonable person probably would be, but when suitably convinced of their claims ultimately proves to be a fairly staunch ally. However, it is suggested that between the first and second movies, he either had them publicly thrown under the bus, or didn't do much to stop it from happening.
By the time of the game, he seems to have been replaced with a more straightforward example of this trope; the current mayor got elected on a pro-Ghostbuster platform, and now has the city covering their collateral damage.
Red Alert: Of the "Emergency Squad Scramble" variety, the first time a call comes in.
Reality Breaking Paradox: According to Egon, crossing the streams of the proton packs would cause and effect like this, resulting in "all life as you know it stopping instantaneously" and would cause "every molecule in your body to explode at the speed of light." However, to destroy Gozer in the first movie, they are forced to risk this by doing it on purpose. Fortunately, it pays off.
Reed Richards Is Useless: Played with. On one hand the Ghostbusters do use their tech to make money for themselves, the game has established them as contractors to New York on the verge of franchising, and they obviously help people out with it, but the potential other uses for their tech goes ignored.
Rent-a-Zilla: The Stay Puft Marshmallow Man by the villains, and The Statue of Liberty by the heroes.
Science Is Bad: Inverted; the Ghostbusters' scientific methods always prove to be the only effective way of dealing with the supernatural, and the only use for other schools of thought is to provide info on what they're dealing with.
Sealed Evil in a Can: The Ghostbusters' containment grid in the first film and Vigo's portrait in the second.
Shown Their Work: The films are very, very thoroughly researched as side-effect of Aykroyd's own interest in the paranormal. For instance, Peter's treatment of the Zuul-possessed Dana is based on advice from exorcists and psychiatrists for dealing with cases of possession and DID, respectively (i.e. you are never supposed to let the other personality remain in control; this is why he keeps insisting on talking to "Dana", and tries to ignore Zuul). In addition, all of the books Ego and Ray mention actually exist.
Smarter Than You Look: Although Venkman comes off as a cynical slacker who doesn't seem to get the gist of things as times, it's obvious that he has just as much knowledge of the supernatural as Ray and Egon.
Soul Jar: To a certain extent, the containment grid could be considered a very sciency version of one of these.
Techno Babble: Brought to the point of art form: PKE valence. Focused, non-terminal repeating phantasm. Total protonic reversal. And etc.
That Came Out Wrong: While Peter is checking her apartment, he goes to the bedroom. Dana, without considering the implications, says "Nothing ever happened in there." Peter quips, "What a crime." Dana realizes her mistake, but instead chooses to focus on Peter's atypical attitude for a scientist.
I— When Walter Peck is about to shut off the containment system, the 'busters deliberately place themselves near the stairs so they can easily flee when all hell breaks loose.
II— In the courtroom, when the mood slime is about to explode, they slowly take cover under their table.
Throw It In: There are varying accounts of how much of the final films were improvised, from a few select lines to a good majority of the films.
A definite example is the majority of Louis' party in the first film, which was not only one continuous take, but almost entirely improvised.
Token Minority: Winston. He shows up midway through the first film and joins the Ghostbusters. He then adds nothing to the plot for the rest of the first movie or the second one. He is the only black character in either film.
Technically speaking, the real weapon the Busters use against the ghosts are their traps, which suck the ghosts in and hold them until deposited in the protection grid. All the proton packs are intended for is to snare ghosts in the proton stream and position them above the trap. That's also why Busters didn't need the proton packs to capture the jogging ghost; all they had to do is place the trap in his path and open it when he stepped over it.
The one exception to this are the final villains at the end of both movies. This may be explained by the fact that unlike the vast majority of ghosts Vigo and Gozer are at least semi-corporeal and, as we saw with the maid cart while they where initially catching slimer, a tightly focused stream from a proton pack can be highly destructive. Other non-corporeal ghosts can be restrained by it or in the case of relatively weak ghosts scattered into ambient PKE (psycho kinetic energy) but it would be possible to destroy a corporeal entity assuming it isn't a god or superpowered with PKE.
Weirdness Censor: Despite the rampant evidence to the contrary, Peck insists the Ghostbusters are frauds deluding people with chemicals and "a cheap, electronic light show." Indeed, Peck has zero evidence to back up his claims, having arbitrarily decided that they must be frauds. Had the case gone to court normally, the Ghostbusters would have won the case hands-down. In the second movie, several characters continue this attitude, which makes one wonder what they thought of the very public attack involving the very gigantic and very real Stay Puft Marshmallow Man and the very gooey remains he left behind.
The Worf Barrage: The proton packs never work against the Big Bad, or at best are a mild annoyance, which force the team to resort to different strategies to beat them.
Gozer dodged the first shot and just vanished the second time. Upon transforming into the Stay Puft Marshmallow Man, getting shot did little more than knock him down and set him on fire, arguably making him even more dangerous.
Vigo is briefly annoyed by the packs, brushing away the beams and paralyzing the team in the process. He has to be weakened by a Care Bear Stare/Combined Energy Attack in the form of happy, singing New Yorkers, which was the only way they were able to enter the building anyway. The final barrage of mood slime and proton packs also seems to hing largely on the former, though the packs do provide the final push that wins the day.
The games introduce three major modifications (complete with a secondary fire mode) to the classic backpack and most of the ghosts have a weakness to one of them: basic particle stream, dark matter generator, slime blower and meson collider. The idea is if one ghost is shrugging off any one of your attacks you can switch them up.
Above the Influence: In the first Ghostbusters, Venkman comes to visit Dana and finds she is possessed by Zuul, which makes her want to sleep with the Keymaster. He refuses, since she isn't in her right mind.
Zuul/Dana:Do you want this body?'
Venkman: Is this a trick question?
Zuul/Dana:I want you inside me.
Venkman: *laughs* Go ahead — no, I can't. Sounds like you got at least two people in there already. Might be a little crowded.
Vinz Clortho's childlike naiveté and enthusiasm for Gozer's coming makes him kinda lovable.
Ambiguous Gender: Gozer appeared female when "she" first appeared, despite being referred to by male pronouns in texts used for research. The Keymaster did claim that Gozer could - and has - taken numerous forms in the past, so he/she could probably have looked like anything, male or female.
Cosmic Horror Comedy: This is a story about a doomsday cult deliberately building an Eldritch Location in order to perform bizarre rituals in order to summon an Eldritch Abomination, which was worshiped as a god in ancient Sumer, from another dimension to destroy the world. A team of paranormal investigators stumble onto the plot, and, well, you know the rest.
Crazy-Prepared: Venkman proves to have fast access to 300 cc's of Thorazine, which implies that he carries it around with him or can find it offscreen in less than a few minutes. 300 cc's is a lot. The novel clarifies this by implying that he found it in Dana's apartment. Which only raises the question of what Dana, a professional musician, is doing with more than half a pint of a prescription anti-psychotic normally not available in individual containers larger than an ounce or two.
Creator Cameo: Director Ivan Reitman provides the voices for Slimer and Zuul.
The Danza: Two throwaway examples in the first ten minutes: Alice Drummond has an opening-scene cameo as Alice the frightened librarian, and Jennifer Runyon as Jennifer, the test subject for whom Peter compromises the scientific method.
Establishing Character Moment: Venkman is first shown giving an ESP test to two students in which a wrong answer is followed by an electric shock. Because one of his test subjects is an attractive female student, Venkman keeps zapping the other (male) subject regardless of who gets the right answer. This reveals Venkman as a Jerk Ass and a man who thinks with his groin. The sharp-eyed will note that the male test subject seems to be getting the answers right after complaining of the shock. Note the look on Venkman's face as he gets it right, and the look of horror on the subject's face as Venkman reaches for the button…
Everybody Smokes: Perhaps not everybody, but the amount of smoking in this movie (especially from the lead characters) would never happen in a modern Hollywood film unless it's a period piece.
Foreshadowing: In the scene where the eggs in Dana's groceries start cooking themselves while still in the box, a bag of Stay-Puft marshmallows can be seen right next to them. An advert for the marshmallows also shows up on the side of a nearby building during the scene in which the ghosts are released from the containment unit.
Fridge Horror: In-Universe example. Winston and Ray are driving back from their latest job, when the former asks: "Hey Ray? Do you remember something in the bible about how, in the last days, the dead would rise from the grave?"
Ray: Well, every civilization has it's own myth about the end of the world.
Winston: Myth? Ray, has it ever occurred to you that the reason we've been so busy lately is that the dead have been rising from the grave?
Have a Gay Old Time: An unusual example: "Somebody brought a cougar to a party and it went berserk." Now, the "cougar" in that line refers to the animal, but most people will misinterpret that, as "cougar" these days also means "an older woman who's sexually attracted to younger men."
Hoist by His Own Petard: The Ghostbusters had only just figured out the significance of Zuul, Gozer, Ivo Shandor, and Dana Barret's apartment building by the time of the final confrontation. Dana, their first customer, only came to them when she did because she saw their commercial on TV, and she only saw them on TV because it was on when she got home. It is implied that it was on when she got home because of paranormal activity in her apartment (along with the eggs and the doomfridge). If Zuul coulda just dialed it back on the poltergeisting, Gozer would have been triumphant. (To make it even more ironic, it is doubtful that anyone, Zuul, Gozer, or the heroes, even realized this.)
Hope Spot: For a moment, it looks like they've vaporized Gozer and all's good with the world. Then Egon chimes in with "Ray, this looks extraordinarily bad." Cue Stay-Puft Marshmallow Man.
I Am Not Spock: According to the DVD commentary, the first movie ruined William Atherton's life, what with random people yelling "Hey, dickless!" at him on the streets and all…
It Was Here, I Swear: Dana sees a temple and terror dogs in her fridge. Later, she brings Peter to investigate:
Peter: (peeking inside) Oh, my God … Look at all the junk food!
Dana: Oh, dammit! Look, this wasn't here…
Peter: (holding a piece of bologna) You actually eat this?
Dana: Look, this wasn't here! There was nothing here! There was this … space! And there was a building or something with flames coming out of it, and there were creatures writhing around, and they were growling and snarling. And there were flames, and I heard a voice say "Zuul"! It was right here!
Peter: Well, I'm sorry, I'm just not getting any reading.
There's also a bit of a Take That in that scene, against Coca-Cola (there's a Coke can very visible in the fridge because they owned Columbia at the time (although movies never showed it, the TV logo had a Coca-Cola byline), which is lampshaded on the DVD commentary).
It's Personal: Venkman alludes to this while the guys are busting Slimer.
Venkman: Maybe now you'll never slime someone with a positron collider, huh?!
Jerkass Genie: Gozer. He puts it to those nearby to choose the form of the destroyer. Its size, however, is at his discretion.
Jumping Off the Slippery Slope: Walter Peck had a point being concerned about the environmental safety of the Ghostbusters' facility, considering Egon had parallel concerns of his own. However, Peck barging in with a court order, ordering the containment grid turned off despite the warnings of the Busters and the reticence of a Con Ed technician and arresting the Busters for the resulting explosion on spurious charges puts him beyond the pale.
Kitschy Local Commercial: The commercial the Ghostbusters put out. It has no music, the characters are wooden and it looks like it was shot for about 5 bucks.
Peter Venkman: Yeah, we can do more damage that way.
Long List: Ray's list of repairs the Cadillac needed and Egon's similar list of problems with their building.
Also, Peck's injunctions against the 'Busters.
And the list of paranormal beliefs during Winston's job interview.
Winston: If there's a steady paycheck in it, I'll believe anything you say.
Magnetic Plot Device: The reason New York is practically swimming in ghosts is because Dana Barret's high-rise apartment building is essentially a supernatural magnet. Ivo Shandor, the leader of a cult of Gozer worshipers, designed it specifically to give Gozer a doorway into our world. It also neatly explains just where the vast majority of the unleashed ghosts went, since the building used them as a power source.
Peter: Let's show this prehistoric bitch how we do things downtown!
Naïve Newcomer: Subverted by Winston, who adjusts to his new job very quickly.
Never My Fault: Walter Peck condemns the Ghostbusters for causing the explosion he himself had caused, in spite of their warnings.
Never Recycle a Building: Even though it's a major deathtrap in the middle of New York City, the abandoned firehouse remains conveniently available until Venkman et al need a place of business.
The Not So Harmless Punishment: When Gozer demands that the Earth choose the shape of its destroyer, Ray immediately thinks of The Stay-Puft Marshmallow Man, being the one thing that he believes could not possibly ever hurt us. Unfortunately, that's not quite so.
Oh Crap: The look on Mr. Stay Puft's face when the Ghostbusters cross the streams.
Alternatively, the Ghostbusters's reaction to Stay-Puft
Personal Arcade: In the first night of the franchise, the guys' upper-level loft includes two arcade video games (Ms Pac Man and Star Castle) and a Star Gazer pinball machine next to the fireman's pole. Notable in that Stantz had mentioned less than a minute ago that they were out of money...
Pillar of Light: Rises over the city when the ecto containment unit explodes.
Precision F-Strike: The containment grid's shut down, and ghosts are streaming into the atmosphere in a pillar of blinding light. What drives home how bad the situation isn't the ensuing montage, or that a possessed man escapes in the crowd. It's that what's happening is enough to tip Egon over into angrily insulting Peck's mother.
Sissy Villain. Gozer was originally going to appear in the form of Ivo Shandor as a slender, unremarkable man in a suit played by Paul Reubens; but the role was played by Yugoslav model Slavitza Jovan.
Roger Delacorte: I'm Roger Delacorte. Are you the men from the university?
Dr. Peter Venkman: Yes, I'm Dr. Venkman, Dr. Stantz, Egon…
Soundtrack Dissonance: The "monster movie"-style music that plays during Stay Puft Marshmallow Man's entrance is (intentionally?) Played for Laughs when juxtaposed with Mr. Stay Puft's smiling face. However, he does turn to face the Ghostbusters a few minutes later...
Styrofoam Rocks: At the end, when debris is falling from the top of the skyscraper, in one shot you can see a rock, which had supposedly tumbled from several hundred feet in the air, fall straight down and bounce off of a wooden police barrier.
The Tunguska Event: A throw-away line near the end has Ray telling Louis that he was part of the biggest crossover event since this, implying that it was a ghost thing.
Uncomfortable Elevator Moment: The scene wherein the Ghostbusters are heading up to the floor of their first real assignment. "Why worry? Each of us is wearing an unlicensed nuclear accelerator on his back." Cue the other two shuffling comedically away in the tight space.
What Could Have Been: The part of Peter Venkman was originally written for Dan Aykroyd's old SNL friend and frequent collaborator John Belushi, but sadly Belushi passed away before filming started. The part was then offered to fellow SNL alum Chevy Chase, but he declined, and as we all know the part eventually went to Bill Murray.
Michael Keaton was offered the choice of playing either Venkman or Egon Spengler and declined both.
According to Chevy Chase the script he read was much darker, scarier and more violent than the film that actually got made.
Aykroyd's original script was said to have been much more epic in scope, with the Ghostbusters as a kind of large scale police force with more members on call for people to contact when in danger, but he was told his idea was simply too expensive for what could be achieved on a 1980s budget so he scaled it back until it became the film we know and love today.
Widescreen Shot: Ramis joked that he got cut out of most of the standard screen broadcast.
Particularly in the 4-shot where the Ghostbusters are walking and talking with the hotel manager. Cropping Ramis out of the shot leaves the manager neatly flanked by the other two, and since Ramis doesn't speak during the shot …
X-Ray Sparks: Shown when the lightning strikes Dana and Louis atop Gozer's temple.
You Have to Believe Me: Inverted; when they finally get to see the Mayor, despite the apparent lunacy of the things they're suggesting the Ghostbusters — while still stressing the urgency of the situation to him — nevertheless present their case in a fairly calm, reasonable and level-headed manner (even if they do succumb to the dramatic at one point: "Dogs and cats living together! Mass hysteria!"). On the other hand Peck, who on the surface has the more rational case (that these people are conmen), nevertheless comes across as twitchy, touchy, a bit irrational and clearly nursing a grudge, prone to exploding into violence (albeit after being provoked by Venkman) and on the whole rather shifty and unreliable.
Your Mom: Egon's response to Walter Peck's blockheadedness.
Actor Allusion: Vigo's full name was later revealed to be Vigo Von Homburg Deutschendorf. When Vigo steps out of the painting, he is played by German wrestler Wilhelm von Homburg and baby Oscar was played by twins William T. and Hank J. Deutschendorf.
Venkman: We're the best … we're the beautiful … we're the only … Ghostbusters!
Beat Them at Their Own Game: The Ghostbusters are able to charge the slime with positive energy, making it an effective weapon against Vigo. And as a bonus, bring the Statue of Liberty to life to rally the New Yorkers.
Big Applesauce: Mocked near the end by Venkman, who asks why any being would want to return in 1980s New York, rather than sunny Southern California.
Big Blackout: Ray accidentally causes one in the second film.
Body Surf: Vigo's goal. He attempts to take over Oscar's body, but once foiled, he decides Ray works just as well. Cue sliming.
Bottomless Magazines: The slime blowers expend far more slime than the tanks could be reasonably said to carry. Possibly justified by the fact that the evil version of the slime demonstrates itself to be self-replicating in the courtroom scene, so the good version could do the same.
Care Bear Stare: The good slime is charged with positive feelings. It's harmful to evil ghosts and if turned on humans it turns them into love freaks.
The Cassandra: Milton Angland, the author who appears on Peter's show at the beginning of the second movie and predicted the world would end on New Year's Eve that year. That almost comes true, though nobody ever sees or speaks of him again.
Chekhov'sMusic: "Higher and Higher" in the second movie. Ray and Egon show us that the slime happens to really like Jackie Wilson's version of the song early on in the movie. A cover version is used later on in the movie to empower the slime, thus mobilizing Libby.
Chekhov's Gun: Egon is first seen in the movie conducting an experiment on whether negative emotions could have an impact on the surrounding environment. Enter "mood slime"… And then see the mood slime itself take control of a major landmark.
Did You Just Flip Off Cthulhu?: Vigo paralyzes the Ghostbusters with a blast of energy, then steps past them to take Oscar. Lacking any other options, Venkman crawls toward Vigo and starts mocking and insulting him.
The Dreaded: Vigo's titles when he was alive included "Vigo the Cruel", "Vigo the Despised", "Vigo the Torturer", and "Vigo the Unholy".
Venkman: Wasn't he also "Vigo the Butch"?
Dude, Where's My Respect?: The Ghostbusters saved the world, but five years later, they're thought of as "two-bit frauds and publicity hounds." They also apparently got shafted when it was time to clean up Gozer's mess. Ray and later Peter comment on this.
Emotion Eater: Vigo feeds on anger in order to stregthen himself. The Ghostbusters counter this by bringing the Statue of Liberty to life to inspire the spirit of patriotism in the New Yorkers.
Executive Meddling: According to Ernie Hudson, this is the reason why this movie isn't seen as the same level of quality as the first. After executives saw how popular the first movie was with kids, they forced some changes onto the second movie to make it more appealing to a younger audience. Much like what happened to later seasons of the cartoon, they tried to fix something that wasn't broken, thankfully, the movie didn't suffer too much from it.
A couple when the ghosts swarm New York in the movie. The Titanic finally reaches New York, and the mayor is visited (and berated by) the late Mayor LaGuardia.
History Marches On: When the Titanic is shown arriving in port, it has a huge hole in the prow.
Hoist by His Own Petard: The Ghostbusters use a positively-charged version of Vigo's slime to animate the Statue of Liberty, which allows them to bypass the slime barrier surrounding the Manhattan Museum of Modern Art. The slime blowers are then key to incapacitating Janosz and the possessed Ray without hurting them. When Vigo is forced back into the painting, the slime blowers are the only weapon that visibly hurt him.
Jerkass: Egon with his hilariously cruel experiments, including fooling a couple into thinking they are there for marriage counseling and watching them from behind a two-way mirror, then making them wait for hours and slowly pushing up the temperature.
Just Train Wrong: Egon identifies the ghost train that runs over Winston in the subway tunnel as one that derailed in 1920, despite it looking much more like a train from fifty years before that.
Large Ham: The judge, especially during his "BURNED AT THE STAKE!!!!" rant.
Laser-Guided Karma: The Judge who launches into an extremely unprofessional and sadistic rant against the Ghostbusters after he initially finds them guilty — the bad karma this creates within the vicinity of the "mood slime" results in bringing back the Scolari Brothers, sibling criminals he tried and sentenced to death for murder. He is then forced to rescind the order to get the Ghostbusters to help him.
The Prosecutor (played by the late Janet Margolin) as well, given her rude treatment of the main characters during the trial, which results in her getting hauled out upside down by the Scolari Brothers.
Magic Skirt: The prosecuting attorney is lifted by her leg by a ghost, but her skirt stays up the entire time. (The novelisation of the movie says that she was struggling to keep her skirt from rolling over.)
The updated Ghostbusters sign with the ghost giving the "two" sign. The movie revolved around their comeback after five years of inactivity, so a redesigned logo might seem fitting. It was also their second run as ecto-exterminators. Furthermore, the "two" sign is better known as the V Sign, "V for Victory," from World War II. So the logo is the Ghostbusters' Take That to the authorities that shut them down after the first movie. The fact that it is holding up two fingers is coincidental (at least from the story point of view). Combining these two, V is the Roman numeral for 5.
Egon: Vigo the Carpathian. Born 1505, died 1610. Peter: 105 years old, he hung in there, didn't he? Ray: He didn't die of old age, either. He was poisoned, stabbed, shot, hung, stretched, disemboweled, drawn and quartered. Peter:Ouch.
Mad Magazine made a point of underlining this in their spoof of the movie, with Winston asking Egon why it is that they're right back where they started in the first movie even after having saved New York. Egon rightly points out the trope and all the reasons movie sequels do this.
Sinister Subway: Home to an Afterlife Express, which is a Call Back to an offhand comment in the first film, when a reporter informs viewers that his grandmother used to tell ghost stories about a spectral locomotive.
As another example of Shown Their Work, in searching for the source of the supernatural energy spike which caused little Oscar's runaway Baby Carriage at the start of the movie, the Ghostbusters discover the fictional Van Horne station filled by the river of slime. This is a reference to Beach's Pneumatic Railway which was built beneath Broadway and later shut down by Boss Tweed, and the movie depiction even resembles some of Beach's designs with its tile walls and mosaic frescoes. (Interestingly, while the Manhattan Museum of Art was also fictional, the building used for its facade, the Alexander Hamilton U.S. Custom House near Battery Park, is within a mile of the original tunnel's location.)
Ray: You know, I just can't believe things have gotten so bad in this city that there's no way back. I mean, sure, it's messy, it's crowded, it's polluted, and there are people who would just as soon step on your face as look at you. But come on! There's gotta be a few sparks of sweet humanity left in this burned-out berg. We just gotta find a way to mobilize it!
You Have to Believe Me: A certain amount of this helps Hardemeyer in getting the Ghostbusters committed, and in the psychiatrist not believing a word they said. Even Dana, despite the slime covering them, doesn't seem to respond well.