Duel to the Death is a 1983 Hong Kong/South Korean film starring Damian Lau and Norman Chu. It is the directorial debut of Siu-Tung Ching. It is often considered to be one of the last in the era of the old Hong Kong Kung-fu films.The plot follows a contest held every ten years where the greatest swordsman from Japan faces the greatest swordsman from China in a duel to the death for their nation's honor. As one of these duels approaches, we follow Chinese champion Ching Wan as he leaves his life of seclusion at a Shaolin monastery and Japanese champion Hashimoto leaving Japan under tragic circumstances and traveling to China. Both head to Holy Sword House, the location where the first such duel was fought, and where the descendants of the Chinese representative who won that duel still live and host the bout every time it is fought.Meanwhile, something strange is going on throughout China. Notable Chinese fighters and sites famous for their martial arts are being attacked by ninja. As the time of the duel comes closer, Ching Wan and Hashimoto uncover a plot to rig the fight for sinister purposes. The movie follows their delving into the conspiracy.Note: there are at least two fairly different English dubs, so depending on which one you've seen (or if you've seen the movie subtitled or in the original language) your experience of the tropes used could be different.Tropes associated with this work:
Action Girl: Sheng Nan, the latest descendant of Holy Sword House, and only daughter of its current Lord. She and Ching Wan have more than a slight interest in each other.
Bad Ass: Plenty, but Hashimoto probably has the most obvious attitude and demeanor of one.
Barehanded Blade Block: Subverted. Ching Wan grabs Hashimoto's blade with one hand out of desperation during the final duel. Hashimoto responds by rotating the blade, severing Ching Wan's fingers.
Big Bad: Arguably, The Shogun with Kenji serving as his Dragon, albeit the shogun only appears briefly and never gets any comeuppance.
Blood Knight: Hashimoto fights to test and better himself, rather than to earn glory or political power.
Boisterous Bruiser: Hashimoto appears to start the movie as this, cheerfully instructing a young boy how to hold his own against dojo bullies and then partying hard with his friends. The death of his sense helps turn him into a stoic badass focused only on winning the duel.
Break the Haughty: The last time we see the Lord of Heavenly Sword House, he's a gibbering wreck bawling over the body of Sheng Nan and repeating a Madness Mantra.
Combat by Champion: The whole point of the duel, although the Japanese are planning to use it as the first step to actual combat and conquering China, see The Plan below.
Conservation of Ninjutsu: The ninjas always attack in large numbers, so they're fairly weak. They are clever though, and often overwhelm opponents through unorthodox tactics or sheer numbers.
Curb-Stomp Battle: Hashimoto vs Sheng Nan. She does better fencing with Ching Wan, but it becomes clear that she's outclassed in that fight too.
Cynicism Catalyst: Hashimoto becomes much more serious and driven after the death of his sensei. It may also be why when Hashimoto tries to force Ching Wan to fighting him, he does it by killing Ching Wan's mentor/father figure.
Death Seeker: Hashimoto after he decides to refuse orders to throw the fight. He knows he will be branded a traitor to Japan and only dying in battle or winning the duel (or both) will alleviate that at all.
Defector from Decadence: Hashimoto refuses to aid the Shogun's underhanded plan to weaken and attack China, finding it dishonorable.
Determinator: Hashimoto. In at least one dub Ching Wan cites this as the thing he admires most about Japanese warriors.
Distracted by the Sexy: Ching Wan's abbot is attacked by ninjas and he does well fighting them off, until one of the ninjas suddenly strips, revealing that she is a woman. When he looks down and prays against desire, she uses a net to capture him.
Double Jump: A rare film example, when both duelists jump into the air and then jump again by pushing off of their own swords.
Ching Wan is deferential to his majestic Shaolin mentors, then goes out into the forest to say goodbye to his wacky hermit kung fu master, showing that he is both wise and humble.
Hashimoto stoically receives his mission from the Japanese government, then kills his master, who ambushed him as his final test. Thus, Hashimoto is shown as an honorable but ruthless warrior.
Expecting Someone Taller: When Ching Wan travels through a Chinese city, he encounters a man drawing how he imagines Ching Wan would look, which bears no resemblance to the real thing. When Ching Wan tells the man his drawing isn't accurate, (without mentioning who he is) the artist's response is to essentially go on about all the attributes of his portrait and say that a fighter as powerful as Ching Wan would surely look just like that.
Ignored Epiphany: Ching Wan and Sheng Nan both try to convince Sheng's father that working with the Japanese is wrong. He hesitates at first, perhaps realizing that the scheme will probably be uncovered and the Japanese won't lift a finger to save him afterwards, but he ultimately tries to backstab Ching Wan at the first opportunity.
Implausible Fencing Powers: The sword fighting is quite in the realm of fantasy. At one point while plummeting to the earth, they put their swords beneath their feet and jump off their swords to go back up again.
Impoverished Patrician: The Lord of Heavenly Sword House. Things haven't gotten quite as bad as the trope description, but he keenly feels the loss of his family's reputation and influence.
Instant Awesome Just Add Ninjas: The film features quite a lot of ninja action, including kamikaze exploding ninja, kite-riding ninja, naked lady ninja, and giant voltron ninja.
Karma Houdini: The Shogun. Sure, his plan failed, but it's doubtful anyone can punish him for it.
Kill 'em All: By the end of the movie the only named character who's still definitely alive and sane is Ching Wan, and he's been stabbed in the chest, had one arm cut off and lost all the fingers from the hand on his remaining arm, so his long term prospects aren't looking all that good.
Kick the Dog: Almost obligatory for a Japanese fighter in a Hong Kong production. Although Hashimoto's rigid honor prevented him from following the Shogun's underhanded plot, it also drives him to insist that the duel still take place in the end, when it's clear the only thing it would succeed in doing is causing more pointless death. He even kills Ching Wan's unarmed master to force Ching Wan to fight. Perhaps a way for the production to make us root for the Chinese fighter instead of the Japanese at the very end. (It is a Hong Kong film, after all).
Let's You and Him Fight: The movie makes clear to us that both Ching Wan and Hashimoto are good young guys who start growing to like, respect, and trust each other before they have to fight to the death.
Lonely at the Top: In at least one dub, Ching Wan expresses sadness at how this is probably the fate of whoever is the top swordsman, especially since they will spend the rest of their life being challenged by other martial artists looking to make a name for themselves. Considering how the movie ends, even if Ching Wan were to miraculously survive his wounds, he probably won't have to worry about any of that. It's doubtful that he would appreciate the irony, however.
Paper-Thin Disguise: Neither Hashimoto or Ching Wan are fooled by Sheng Nan dressing in drag. Some Western viewers might not even realize at first that she's trying to pass as a man.
Pet the Dog: The first time we meet Hashimoto, he takes a young fencing student aside and teaches him how to defend himself against the older and larger dojo mates that are bullying him.
The Plan: The plan of the Japanese general (or the Shogun, depending on the translation) is to invite only prominent martial artists of China to view the duel, kidnap them on their way, and bring them to Japan where the strengths and weaknesses of their martial arts can be examined to aid Japan in conflict with China. In return for his help, the Lord of Heavenly Sword House will get to substitute Sheng Nan for Ching Wan (after incapacitating Ching Wan) and the Japanese general will have Hashimoto throw the fight, restoring Heavenly Sword House to its former position as the most respected school in China.
Politeness Judo: There is a lot of false politeness in several conversations, with barbs underneath the surface.
Pride: The main flaw of the Lord of Heavenly Sword House.
The Resenter: The Lord of Holy Sword House has spent his life hating the fact that his family is neither appreciated by the Chinese people, and are not chosen as China's duelists, despite his certainty that they're the best. This lead him into working with the Japanese...
Sinister Minister: The Zen Monk is something of a Smug Snake who imagines that he's more clever and tough than he really is. He's also completely ignoring any actual Buddhist teachings in favor of cooperating completely with the Shogun for material gain.
Spanner in the Works: The schemers on both the Chinese and Japanese sides didn't count on Sheng Nan falling for and helping Ching Wan, or that Hashimoto would choose his sense of honor over nationalism.
Wouldn't Hit a Girl: Sheng Nan meets Hashimoto not long after he enters Japan challenges him to a fight. He quickly overwhelms her, then stops and proclaims that he doesn't fight against women when he sees through her Paper-Thin Disguise.