is a 1991 film directed by Kenneth Branagh
, starring Branagh, Emma Thompson
, Derek Jacobi
and Andy Garcia.
Detective Mike Church
is guilted by the priest who raised him into taking the case of a woman he ends up calling Grace. She's amnesiac and suffers from trauma-induced muteness, broken by nightmares in which she can only cry out "somebody help me!" and the word "Disher!"
. The fact that she turned up at a particular convent indicates she has some connection to the house — which used to belong to a famous composer named Roman Strauss.
With a little help from a disgraced psychiatrist, Mike and Grace seek out the assistance of a hypnotist, in order to see if hypnosis will bring back her ability to speak in the daytime. When her voice returns in the course of the therapy, the hypnotist decides to try past life regression on both Grace and Mike. Grace's past life reveals a romance between Roman and a woman named Margaret — and their lives in California as chronicled by a tabloid journalist. As the pieces begin to fall into place, Grace fears that Mike is the reincarnation of the man who killed her in a previous life. The truth is a little stranger than that.
This film provides examples of:
- And This Is for...: The young Franklin gives this speech as he's stabbing Margaret to death with the scissors.
- Arc Words: "This is for you."
- Bedlam House: The hospital where Mike tries to fob off Grace. It's strictly for women, but the place is full of extreme insanity cases and the staff is clearly either apathetic or overburdened. Mike fancies himself a tough guy detective who doesn't want to be burdened with a woman, but he can't bring himself to leave Grace in a place like this. So he takes her back to his apartment.
- Better Manhandle the Murder Weapon: Roman, when he finds Margaret's body, thereby getting the fingerprints on the murder weapon that contribute to him being convicted of the murder.
- Cameo: Robin Williams has three brief scenes as disgraced psychiatrist Cozy Carlisle.
- Cassandra Truth: Mike's "I'm not Roman!"
- Catapult Nightmare: Grace, in her first scene.
- Deliberately Monochrome: The Roman and Margaret timeline.
- Drugs Are Bad: Gray Baker is still alive in Mike's time, and dying of throat cancer from the smoking habit he had during his reporter days. And yet, he's still so addicted that despite having a surgical hole in his throat, he begs Mike for a cigarette and smokes it through his trachia tube.
- This inspires a horrified Mike to successfully quit smoking.
- Dumb Struck: Grace, until her first hypnotherapy session (in the DVD Commentary, the writers confess that this was added in a later draft when they realized that all her lines up until that point were just variations on "Sorry, I don't remember".)
- Easy Amnesia:
- Well, not entirely easy, but Grace is the amnesiac linchpin of the whole movie.
- Also, in the story Pete tells Grace about the grisly murder scene he witnessed. He says he passed out upon viewing it, and when he woke up, he couldn't remember who he was. He got better, though.
- Emerging from the Shadows: The first time we see Roman's face.
- Flash Back: More past life regression through hypnosis, but you get the idea.
- Gender Bender: The leads were opposite genders in their past lives (and the actors just swapped roles from the Flash Back to the present day scenes).
- Good Smoking, Evil Smoking:
- Time-appropriate in the Roman and Margaret time frame: everyone smoked during that time.
- Mike, the private eye, was pretty much required by the genre to smoke. The Running Gag of the film is that he's trying to quit.
- And of course Gray Baker shows how bad an idea it can be, with a nauseating close-up of him smoking through his stoma.
- Happy Rain
- Hypno Fool: Averted. Mr. Madsen gets people to regress to past lives, but there's no Svengali-like command, or making people act like chickens. Though he wouldn't mind if you found him the odd bit of antique furniture while regressing.
- Inertial Impalement: In the final showdown, the villain charges at Mike and Grace, only to be impaled on, ironically, one of Grace's scissor-nightmare sculptures.
- Let Me Get This Straight: Carlisle has this reaction when Mike explains to him that he was Margaret Strauss, and Grace was Roman Strauss.
- Life Isn't Fair
Cozy Carlisle: Hey, thumbdick, I was a damn good shrink. Sixteen and a half years I worked with a lot of people through a lot of shit. OK, I slept with a patient or two. It's not like I didn't care about them. I loved being a doctor. I used to not charge half my patients. Then the fucking state comes along, they send in some bitch undercover, and I'm fucked. Ain't fair, is it?
- Mama Bear: Inverted. Inga protected Frankie for more than 30 years, but he did not display his gratitude appropriately.
- Meaningful Echo: "Somebody help me!"
- Meaningful Name:
- Mike Church was raised in the convent where Grace showed up.
- Franklin Madsen, which sounds like "mad son".
- Memento MacGuffin: The anklet.
- Miscarriage of Justice: Roman ended up getting the death penalty for his wife's murder. The ending is ambiguous as to whether Mike and Grace will clear his name.
- Monochrome Past
- Montages: A rare opening montage of newspaper headlines, outlining the end of Roman and Margaret Strauss.
- My Art, My Memory: Grace/Amanda's art has a persistent scissors motif.
- Ominous Latin Chanting: The finale has a three-way fight among Mike, Grace and Frankie, with the voices chanting away in the background.
- The music is supposed to be from the opera Roman Strauss had finished the night Margaret was murdered.
- Ooh, Me Accent's Slipping: Branagh really struggles with an American accent.
- Past-Life Memories: Madsen brings out Grace's (and later Mike's) past life memories through hypnosis.
- The Power of Love: Aided by the anklet mentioned above.
- Private Detective: Mike.
- Reincarnation Romance
- Rescue Romance
- Shout-Out: The film contains several shout-outs to Branagh's previous film, an adaptation of Henry V. Roman's prisoner number is the date of the Battle of Agincourt, the Life magazine with the article about about Roman and Margaret is a 1948 issue with a cover story about Laurence Olivier (who also directed and starred in a film version of Henry V), and a fight scene occurs on Los Angeles' Shakespeare Bridge.
- Sir Not-Appearing-in-This-Trailer: Inverted; though Robin Williams does appear prominently in the trailer, he's only in three scenes, and isn't listed in the opening credits or the poster. In interviews, Williams said he did this deliberately so he could play against type, and audiences wouldn't assume the movie was a comedy.
- Surprisingly Happy Ending: For Mike and Grace at least. Granted, they do have to kill someone in order to get it.
- Talking in Your Sleep: Grace.
- Time Stands Still: In the finale, Mike manages to run across the room and position a giant set of scissors under the villain in the time it takes him to run forward and leap a couple of feet.
- Visions of Another Self: the two main characters reincarnate as opposite genders (swapping actors), which becomes a plot point.
- Vorpal Pillow: Franklin kills his mother this way for ratting him out to Mike.
- Wham Line:
Mike Church: I never meant to hurt you, Margaret.
- With This Ring: Mike asks the amnesiac if she wears her Irish Wedding Band (Claddagh ring) in the "married" or "single" position. He's disappointed to see she wears it in the married position until it's revealed they're a reincarnated husband and wife.