A CGI movie produced by Imagi Animation Studios, released in October 2009. Based on the manga Astro Boy.In the future, there exists a city in the sky, hovering over the garbage-ridden surface of the Earth. Metro City is a utopia in which robots have been created to take over many of the tasks once done by humans, from simple shopping trips to the dirty work that no one wants to do. Their creator is none other than the brilliant Doctor Tenma, the head of the Ministry of Science.As it just so happens, Tenma’s son, Toby, has inherited his extraordinary intelligence, and is absolutely fascinated by robots and the science behind them. After breezing through a pop quiz at school and receiving permission to leave early as a result, Toby learns from a brief chat with his father’s hologram that he won’t be able to take him to the Symposium, because it turns out he’s needed at the unveiling of the Peacekeeper, a new military robot to be shown to the President Stone later that day. Naturally, despite being ordered to go home, Toby hacks into the robot in charge of driving the car and immediately goes along to see it with him.From there, things take a turn for the worse. There are two newly discovered cores capable of powering a robot; a blue, positive one, and the extremely unstable red one that resulted as a side effect from the creation of the first. While initially the blue one had been intended for the robot, President Stone, despite having little to no knowledge in the field, decides to use the red one instead. Disaster breaks loose as the robot goes berserk, and in an effort to seal it in behind a glass wall, Toby gets trapped inside with it. When the robot attempts to break free, he is caught in the explosion and completely vaporized.The experience shatters Tenma, who soon gets to work building a robotic replacement powered by the blue core, giving it all the memories of his deceased son in an effort to return things to normal. In the beginning, it seems as though the robot is a perfect copy, but Tenma starts noticing differences, and rejects him. (There's an implication that the robot isn't as different from Toby as Tenma thinks, but rather he's seeing a side of his son he never saw before, because he's giving the replacement the attention he was always too busy to give the original.) As if the sudden rejection by his father weren’t enough, it isn’t long before President Stone finds out that Astro is in possession of the blue core, and resolves to hunt him down and retrieve it for use in the Peacekeeper. Astro finds himself alone in a search for his destiny, the place in the world where he belongs. At the same time, the president is hot on his tracks for the core that powers him, and will stop at nothing to get re-elected by the public.
The 2009 film provides examples of, in addition to tropes inherited from the manga:
Adaptive Armor: The Red Energy-infused Peacekeeper. To the point where it adapts President Stone. Don't worry, he's fine. He/it then uses a giant gunship as it's arm cannon and whole buildings as armor.
Adult Fear: The death of a child. Inverted with Child Fear, the fear of rejection by a parent.
Beauty Is Never Tarnished: After Astro pulls a heroic sacrifice, he is covered in (burn?) marks and his right arm is ripped at the shoulder. But then Zog revives him and he's all cleaned up.
Bowdlerization: The Fantastic Racism between robots and humans is almost entirely absent from the final film. As one review put it, it's nothing more than a "toothless" message about friendship. Probably most notable is how the Robot Revolutionary Front is presented as comic relief, while the original manga... well... had characters like the Blue Knight.
The Chew Toy: When Astro flies around Metro City, Mustache/Shunsaku Ban will meet with some random misfortune as Astro passes.
Chekhov's Gun: At the beginning, astro learns he can tunnel through solid rock. later, when he is up against the Peacekeeper/Stone he gets smushed into the ground, only to come up between the bad guys legs
Child Prodigy: Toby. Astro is still intelligent, as he shows when he resolves the equation Tenma showed him; he just acts and thinks like his age: playful and distracted. (There's an implication that, although Tenma thinks he Came Back Wrong, Toby was the same; it's just Tenma never noticed because he was always too busy to spend time with him.)
Composite Character: Inverted. While Dr. Tenma turns evil in other versions, in this version he stays good and President Stone fills the role that Evil!Tenma normally does.
Coming Out Story: Astro Boy's secret of being a robot resembles most Coming Out Stories, especially the nighttime scene when he almost "comes out" to Cora.
Completely Missing the Point: President Stone in spades. For example, when Tenma expresses how devastated he was when his son died, Stone replies, "I know. I hate losing, too."
Creator Cameo: Osama Tezuka is animated in the film with glasses and nicehat.
Creator Killer: The movie's spectacular lack of success took down Imagi Animation Studios.
Dead Hat Shot: When Toby is vaporised by the out-of-control military robot, there's not a trace left of him — except his hat.
Headdesk: Trash Can's reaction after his numerous failed attempts to tell the orphans that Astro is a robot. He even writes "HE'S A ROBOT" in the dirt with an arrow pointed right at Astro, unfortunately for him, the only orphan present at the time happened to be the illiterate one.
Infant Immortality: Cruelly subverted: Toby dies a very family-unfriendly death.
Ink Suit Actor: Hamegg is SO Nathan Lane, right down to the eyebrow movement.
Kill The Cutie: Toby. Unlike the original version, this character gets a fair amount of screen time before he is vaporized by the Peacekeeper.
Lampshade Hanging: The window cleaner robots note Astro/Toby's unusual hairstyle; he explains it off as "gel".
Also a meta example of Product Placement: a hair-gel company did an ad campaign in which kids used its products to get the "Astro Boy look" to tie in with the film. The first editions of the DVD came with rebate coupons for said hair gel.
There's a lot of this going around; all of the kids with Hamegg are stated to be orphans, though dialog implies that Widget and Sludge may have been actively kicked out while Zane was apparently abandoned at a young age. Averted with runaway Cora, whose parents are shown to have been looking for her and are delighted to find her again.
Most Writers Are Adults: Inverted; most child characters look and behave much younger than their given age. (Astro/Toby is said to be thirteen and more closely resembles a nine-year-old; Cora is claimed to be seventeen but comes off as perhaps fifteen; the twins are said to be nine but seem more like six or seven-year-olds. Zane, on the other hand, is fourteen and seems accurate.)
Of course, this is long-term in Astro Boy - the original was claimed to be nine and looks six.
The bit where Astro drills through Mount Sophia is a visual echo of a bit from the 1963 TV series title sequence.
One of the scientists that works with Dr Tenma and Dr Elefun looks quite a bit like Tezuka-as-drawn-by-Tezuka, including his trademark hat. Tezuka's signature pig-mushroom doodle appears on a billboard that's in the background of several scenes.
Several Reused Character Design characters turn up in bit roles, most noticeably Mr. Mustache/Shunsaku Ban as Toby's teacher.
Elefun plugging the Blue Core line into the Peacekeeper looks remarkably like him reattaching the cable during Astro's activation in the 2003 series.
Astro's movements on being activated closely resemble his first attempts to walk in the 1980 series.
And when he takes his first steps, Astro makes the same squeaking sounds he does in the 60s anime
The blueprints to build Astro are actual drawings from the Manga
Never Say "Die": Averted. Tenma says to Stone that if he wants the core, he'll have to kill him.
Never Trust a Trailer: All over the place. The sun-like alien that appears in two shots of the trailer only shows up at the end of the film, and has nothing to do with the story at all!
Not to mention, the trailer barely shows the movie for what it is (a heart-warming tale of a robot boy finding his place in the world) and decides to make it look like a mindless comedy/action film. Unless you find the Japanese trailer that is.
Artistic License - Nuclear Physics: One researcher says the blue energy sphere is more powerful than nuclear energy. Unfortunately, Artistic License - Physics. A watt is a watt, no matter what the source. This is like saying a pound of steel weighs more than a pound of feathers. It's all the same, unless you specify the basis for your comparison (such as "...more watts than X" or "...a higher voltage than Y.")
Papa Wolf: Tenma becomes one, ultimately willing to sacrifice himself to the military (alongside Elefun) to protect his boy.
Please Wake Up: Astro Boy sacrifices his Blue Core energy to save the world
Puppy-Dog Eyes: When Toby realizes he is in danger of dying. When Astro/Toby realizes that Stone has ordered firing missiles at him, as well as when Tenma reveals his true nature. (Actually, in general Astro seems to have mastered this as thoroughly as Tenma has mastered the Death Glare.) Orrin manages a surprisingly effective version when watching Astro leave the Tenma household, though only the audience gets to see it.
The Quiet One: Zog, and any time he actually speaks he says automatically cool - it's Samuel L. Jackson.
Red Oni, Blue Oni: The negative and positive energy cores, respectively. Force-fed to the audience very early in the film as to which is good and which is evil.
Rent-A-Zilla: The giant Peacekeeper robot in the finale.
Three Laws Of Robotics: Every robot must obey them, save Zog, who existed 50 years before the rules were mandatory in every robot.
Astro is an exception as well, though he does assert that he doesn't want to hurt anyone. Later, he moves into his final confrontation with Peacekeeper because he wants to - he could easily walk away, and almost did, thus violating the law regarding allowing humans to come to harm. It's only Widget's distress that brings him back to fight. He's also more than capable of disobeying a human's orders.
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