Dueling Works / Film Animated
aka: Animation

Initiators Followers Description Misc Winner?
The Black Cauldron Starchaser: The Legend of Orin Both are films released in 1985 that center around a young man from humble beginnings who goes on a "hero's quest" sort of journey to take down a powerful evil overlord, brings together a ragtag band of allies, and finds a magic sword that he uses along the way. Heck, both even have a floating ball of light as a character.   Neither was a success at the box office (and The Black Cauldron, while not killing Disney Animation outright as most feared, dissolved the careers of Disney CEO Ron Miller and the animators in charge of the project), though both have attained cult followings. However The Legend of Orin got generally negative reviews, while The Black Cauldron managed to achieve a mixed to positive reception from critics.
The Black Cauldron The Care Bears Movie Two 1985 films. Disney's The Black Cauldron centers around a young man from humble beginnings who goes on a "hero's quest" sort of journey to take down a powerful evil overlord, brings together a ragtag band of allies, and finds a magic sword that he uses along the way. The Care Bears Movie had a decidedly simpler and lighter story, revolving around the Care Bears helping two orphans. The Black Cauldron had been in development for nearly a decade by this point, and had gone well overbudget, which helped down CEO Ron Miller and brought Paramount president Michael Eisner into Disney with help from Walt's nephew Roy and investor Sid Bass. The people working under the project manager trio of Ted Berman, Richard Rich, and Joe Hale, were not fond of the experience, and the management shift resulted in Hale meeting Eisner's apprentice, Jeffrey Katzenberg, who had assumed control of the movie studio from Tom Wilhite. Katzenberg wildly edited the film's dark content to avoid it netting a PG-13 or even R rating, and this delayed the film into the summer, when The Care Bears would open. Unfortunately for Disney, The Care Bears Movie won out decisively. The bloated budget and production problems with The Black Cauldron ultimately undermined the film's chances, and it didn't make it halfway back to its final budget. Ted Berman had already retired by this point, and Rich and Hale were fired from Disney altogether (Rich started his own studio, but wound up a B and then C-list animator, while Hale retired as well.) Disney Animation was almost closed as a result, but were instead moved to a warehouse in Glendale, and they would save themselves with The Great Mouse Detective the next year, the first of a series of steps to The Little Mermaid, which started the Disney Renaissance. The Black Cauldron wouldn't be reissued, but fan protests finally got it on video in 1998 under the Walt Disney Masterpiece Collection, but Disney still views the film as an Old Shame. The Care Bears Movie, on the other hand, was able to get several sequels, but the franchise's Triple G reputation dated their series and ultimately left the Care Bears Deader Than Disco by the end of the century. In the end, both films lost in the long run.
The Great Mouse Detective An American Tail Both animated movies featuring talking mice in the 1800s, released in 1986 within about four months of each other, with The Great Mouse Detective being released first. Not in direct competition, as the films have little in common but the species of their protagonists and the approximate time period. Still, Disney and Don Bluth's animation studio did have their eyes on one another. Before this, no other animation studio had been successful in dethroning Disney in the animated film department, and Spielberg and Bluth were attempting to accomplish just that. Understandably, Disney wasn't too worried... at first. An American Tail became the biggest box office success for an animated film ever for its time, and the first to ever out-perform Disney. Disney re-releasing Lady and the Tramp and Song of the South (!!!) into theaters at the same time in an act of desperation and that did nothing to slow its momentum but The Great Mouse Detective was by no means a box-office bomb; its moderate success helped regain Disney's confidence after a long series of flops. Both movies are just as fondly remembered today, but with The Great Mouse Detective having perhaps a slightly larger fandom note .
Oliver & Company All Dogs Go to Heaven Similar to the above, Bluth and Disney faced off again in 1988/1989 with films featuring dogs, little girls, and orphans. Charlie and Dodger look awfully similar, too. All Dogs Go to Heaven, released second, had to compete at the box office (and with the critics) against The Little Mermaid. Both received lukewarm reviews. Oliver & Company vastly outperformed All Dogs Go to Heaven at the box office, but All Dogs Go to Heaven became a hit on VHS and spawned a sequel and a TV series, while Oliver & Company remains one of Disney's least-remembered films.
Oliver & Company The Land Before Time Another Disney vs. Bluth faceoff (and the second encounter with Steven Spielberg, who also executive produced Who Framed Roger Rabbit earlier that year,) this pitted Disney's dog story against the tale of a troop of lost baby dinosaurs trying to find their way through a dangerous world to the "Great Valley". The Land Before Time was considerably darker than Oliver & Company, as it was an adventure film that included George Lucas as a maker, while Oliver & Company was a contemporary musical with Billy Joel and Bette Midler. Hard to say. While Disney stated they beat out The Land Before Time, Bluth, Spielberg, and Lucas still fared extremely well, and supposedly came out on top in the end, as their film eventually led to a lengthy series of Direct-to-Video sequels that ran from 1994 to 2007 and restarting in 2016, being THE film franchise with the most numbered sequels (none of these films involved Bluth; Spielberg's Amblin and MCA/Comcast/NBC/Universal were the copyright holders) and a TV series after that, though Bluth's partnership with Spielberg ended after The Land Before Time (he returned to MGM for his next film, All Dogs Go To Heaven). Oliver & Company did break records, and was one of the last steps to The Little Mermaid, which completely revitalized Disney Animation the next year, but got weak reviews (it's got a Rotten rating on Rotten Tomatoes) and faded into the background in Mermaid's wake. It was the last film to go into the Disney Vault after its theatrical run (Mermaid was released on video under the Walt Disney Classics label before heading into the vault), and got reissued in 1995 before IT came to video, and it's not remembered much anymore.
The Little Mermaid All Dogs Go to Heaven Yet another duel in the long rivalry between Disney and Bluth, but Spielberg is NOT involved this time. The Little Mermaid is the 28th Walt Disney Animated Classic and the first to be based off a fairy tale since Sleeping Beauty, the 16th classic, in 1959 (Bluth was involved with that film.) It's a classic story of the mermaid (named Ariel in this version) saving the prince (Eric) from a shipwreck. Having already been fascinated with the human world, she makes a deal with the sea witch Ursula after having a fallout with her father (her subsequent interactions with the human world make up the third act of the movie). All Dogs Go To Heaven sees a dog murdered by a casino boss who he was partners with, but he is able to return from Heaven, but told if he dies again, it's off to Hell for him. He discovers his partner Carface had a girl who can talk with animals kidnapped, which motivates him to rescue her. Bluth's story, in keeping with his M.O., is much darker than The Little Mermaid (although Disney still has frightening moments such as Ariel's private grotto getting destroyed and the final encounter with Ursula and her death) since it involves Hell and murder. The first major duel in 1986 ended with Bluth winning out. The second one in 1988 had somewhat of a draw, but Bluth again getting the last laugh. This time, Disney is the one to prevail, creating a legendary musical from Little Shop Of Horrors composers Howard Ashman and Alan Menken, breaking the records from the previous two duels, and being enjoyed critically. The film proved to be so popular, it became an "instant classic". Disney abandoned their long policy of sending the movies into the Disney Vault upon exiting theaters here, instead adding a stop for Little Mermaid on video under their Walt Disney Classics label, which they were using to distribute Walt's films plus Robin Hood, only months later, a policy they've adopted since. This movie reinvigorated Disney Animation and started the Disney Renaissance. Bluth did come away with a clear silver medal when All Dogs Go To Heaven proved to be a success on home video as well (but not as big as The Little Mermaid, and he took 3 years for his next project, Rock-A-Doodle, which bombed both critically and commercially (he did himself no favors by driving several of his animators back to Disney), and ultimately did in his studio.
Ducktales The Movie Treasure Of The Lost Lamp The Jetsons Two animated films based off of television animation classics. DuckTales is a movie-length adventure about Scrooge McDuck being in search for the Treasure of Collie Baba, and finds a lamp with a genie in it, a lamp that is coveted by the genie's old, ruthless master, Merlock. The events of the lamp endanger not only Scrooge's entire fortune, but his life and the life of his family. The Jetsons is an 80's cinematic update of the Hanna-Barbera classic, with George Jetson getting a promotion and moving to a new home, but discovering that his new mining operation is interfering with local life. The Jetsons movie is noteworthy for being the final voice role of the legendary Mel Blanc, who was able to record most of his lines before his passing. Neither film did well enough at the box office (for DuckTales, another Universal project, Problem Child, was partly to blame), and this led to Disney locking up plans for any more DuckTales movies, although they would try the Disney Afternoon film again with A Goofy Movie. DuckTales does come out ahead of having a better reception overall than The Jetsons and remaining visible. The Jetsons was intended to conclude the show's story, and it legally bombed both critically and commercially, doing just that; no more serious adaptations of the Hanna-Barbera franchise have materialized since.
Felix the Cat: The Movie Beauty and the Beast, An American Tail 2: Fievel Goes West, Rock-A-Doodle Four animated films from 1991 and early 1992. Felix The Cat was released first in August, and saw the classic cat save a princess and her kingdom from her evil uncle. Beauty And The Beast and American Tail were second; they opened the same day, being the third duel between Disney and Steven Spielberg. Beauty And The Beast is the 30th Disney Animated Classic, and is an adaptation of the classic fairy tale where Belle, the Beauty, meets the Beast, a cursed prince, in his castle when he captures her father, and exchanges places with her father to save his life. Eventually, the Beast and Belle do grow close, but have to deal with Gaston, who is also interested in Belle. Fievel Goes West is the sequel to the 1986 classic that had beat out earlier Disney Animated Classic The Great Mouse Detective at the box office, and sees Fievel trying once again to reunite with his family after he loses them AGAIN moving out west. Rock-A-Doodle is Don Bluth's fourth encounter with Disney, but was delayed into 1992 to avoid the box office firestorm surrounding his former comrades. It tells the tale of a young boy having to seek out the stray Chanticleer in order to save his farm from a flood and the Grand Duke of Owls in a fever dream after said flood in the real world knocked him unconscious. Felix The Cat actually finished first, back in the 80's, but wasn't released in the United States until 1991. Don Bluth also had the opportunity to direct Fievel Goes West, but the partnership between him and Spielberg broke after The Land Before Time. Beauty And The Beast is the second-to-last movie that Howard Ashman was part of (he died in Spring 1991), and the second major Disney project for Alan Menken. Beauty And The Beast destroyed all the other movies plus a few live-action films for Thanksgiving 1991, being critically and commercially successful to the point where several people said it was "just the way Walt made them". This also resulted in it winning several awards, including the Golden Globe for Best Film: Musical Or Comedy and becoming the first and only 2D animated film to be nominated for Best Picture (it lost to The Silence of the Lambs). And of course, the Walt Disney Classics VHS release of the film in Thanksgiving 1992 sold very well. Fievel Goes West is a distant second, getting mixed reviews and winding up in the shadow of Beauty And The Beast, but still had a decent gross and kept it's franchise and Spielberg's new animation studio, Amblimation, going (Amblimation faltered on it's next two films, however, and was shut down in favor of Disney Studio chief Jeffrey Katzenberg's DreamWorks Animation in 1997.) It's downhill from here; Rock-A-Doodle was poorly received critically, and the delay ultimately didn't make much difference; it still bombed, and began the short string of animated misfires that demolished Bluth's studio and forced him to move to 20th Century Fox. In addition, it also earned star Glen Campbell a lot of derision for playing Chanticleer for the rest of the decade; he never took another major cinematic role in a fiction film (he did make the I'll Be Me doc in 2014). Felix, which was completed and released first, was dead last, losing out to everyone and bombing badly when it opened the August before Disney and Spielberg, and it killed the visibility of the Felix The Cat franchise in the U.S. outside of a Spiritual Successor in Sega's Sonic the Hedgehog, whose first game came out the summer before these movies were released, around the time of the Classics VHS release of The Jungle Book and the repackaging of Robin Hood, Dumbo, Alice in Wonderland, and The Sword in the Stone. (Felix eventually fell into DreamWorks Animation's hands in 2014, but no plans besides marketing have been announced since 1991.)
The Thief and the Cobbler Aladdin Arabian knight stories that share similar story elements of an evil vizier with a pet bird, a young hero from humble beginnings who falls in love with a princess, said princess who longs for more that she feels her like as a royal is retraining her from getting. This is a weird case because of the elongated production history of The Thief and the Cobbler. It started production in the 1960's, but didn't come out until the 90's, a few years after Aladdin had already been released in theaters and then on video under the Walt Disney Classics label. Many believe that the makers of Aladdin were directly taking influence from The Thief and the Cobbler and ironically that film would ultimately try channeling Aladdin once control over the film was handed to the completion bond company, who removed helmer and Roger Rabbit alumni Richard Williams from the final version of the film. Aladdin definitely won this. It was a box office hit (being the top film of 1992), got critical praise, and still remains a family film staple. Not to mention all the spin-off material its received and been a part of. Thief and the Cobbler, released under the title of The Princess and the Cobbler on its theatrical run, was panned and flopped. However the film has been gaining cult following and greater appreciation ever since a group of animators started doing fan-edits titled The Recobbled Cut that attempt to bring the film closer to the original vision of its creator Richard Williams. His long ambition for the film and the ultimate failure to get it out sadly drove Williams underground until 2010.
Ferngully The Last Rainforest Aladdin 1992 released animated family fantasy musical films. Both films feature Robin Williams in the role of a major comic relief sidekick. The rulers in their respective films notably also have an uncanny resemblance as well. Aladdin wins out here. FernGully did fine. Getting generally positive reviews and a moderate box office success. But Aladdin was a monster hit and got even better reviews. It's also managed to stay in the general public consciousness at large better, in part to due with Disney's franchise marketing power with exposure in more pieces of media. FernGully though still maintains a cult following.
Thumbelina The Swan Princess 1994 animated musical films based on fairy tales with female protagonists. The Swan Princess goes between playing the story straight and being a parody. Neither of these films managed to break even, but Thumbelina raked in more money. However, since The Swan Princess ended up having Direct-to-Video sequels, it's safe to say that the latter wins, especially since Thumbelina was part of a series of bombs that downed Don Bluth's studio.
The Lion King A Troll in Central Park The Lion King dealt with two Don Bluth movies in 1994; Troll was the second, being released after him. The Lion King is the 32nd Disney Animated Feature and is the story of Simba being forced into exile and having to return to reclaim his throne. A Troll in Central Park also has a banishment; the titular troll, Stanley, was banished from the troll world for growing flowers and meets two toddlers in a musical.   Curb-Stomp Battle is an understatement; The Lion King actually had two releases in 1994, and both saw them make it the highest-grossing 2D animated feature of all-time. Warner gave no advertisement to Troll, which was hated by a few critics for being a Triple-G rated film, and it turned into one of the biggest box office bombs in history percentage-wise. To make matters worse, it's the last independent Don Bluth film to credit him, and he disowned it; he had already jumped to Fox by this point.
Fatal Fury: The Motion Picture Street Fighter II: The Animated Movie Feature-length anime films based on popular fighting game franchises. Both films premiered in Japan in the summer of 1994. While Street Fighter II as a video game predated the original Fatal Fury, Fatal Fury had two made-for-TV anime specials that preceded The Motion Picture. Both films also feature a shower scene involving their respective heroine (Chun-Li and Mai Shiranui). However, Street Fighter II focused almost exclusively on the game's characters, while Fatal Fury had the heroes facing off against an original group of villains. Both movies were critically acclaimed by their respective fanbase, leaving their lasting appeal to the actual games' longevity. Aside from a brief hiatus in the mid 2000's, Street Fighter is still one of Capcom's cash cow franchises. Fatal Fury, on the other hand, was discontinued after the fighting game boom died out so that SNK could focus almost exclusively on their more popular King of Fighters series, since the company could no longer finance multiple fighting game franchises at the same time.
The Pebble and the Penguin Balto Each is a 1995 released non-Disney animated film that takes place in a snowy environment, centers around talking animals, has a hero who is a misunderstood but kind-hearted misfit, and the main villain is a popular person of his homeland who is arrogant and cruel.  Both films underperformed at the box office and were the last films of their studios (Steven Spielberg's Amblimation for Balto; that studio was replaced by DreamWorks Animation, and Pebble and Penguin for Don Bluth, who ordered his name off of it before heading to Fox), but Balto still made more than twice what The Pebble and the Penguin did. And it got mixed reviews from critics in contrast to the more "frosty" reception The Pebble and the Penguin got. And whilst that film seems to have something of a cult following, Balto is still the one that is the more fondly remembered. It also notably had strong enough sales on home video to merit the production of two direct-to-video sequels.
Hercules Anastasia 1997 released animated films that center around a young orphaned royal who goes off to try and discover the truth about their past and family, complete with a big inspirational song they give upon starting. Having a romance with a snarker who at first intends to use them for their own gain until they truly fall in love with the lead ultimately turning down the chance to live in an up-scale/royal life in order to be with them, and the heroes contending with a powerful evil man that started within her family's inner-circle and currently resides in an "underworld" of some kind. Anastasia is often commented on for being done in a very Disney-esque style in terms of storytelling and animation. There is still a good number of people to this day that mistook it for one. Hercules, naturally, is itself a Disney film. So who did make Anastasia? Well, it was actually none other than ex-Disney animator turned competitor Don Bluth. Both were successes, and it's a close call. Anastasia turned out to be Don Bluth's first real success in years after a long string of flops as it garnered good reviews and made back more than double it's budget. Hercules was the next in a string of films considered to be a Renaissance for Disney Animation had a bit bigger of a budget, but ultimately made a bit more than a 100 million more at the box office. That being said, whilst Hercules still garnered generally positive marks, Anastasia did a bit better. Given that Hercules is also more remembered in the broad public consciousness, connected to the franchising power of its studio with things like its spin-off material, Hercules is probably safe to call the ultimate winner.
Mulan Quest for Camelot Two films released in 1998 about a young woman who feels held down by her society's sexist traditions. She goes out on an adventure to prove herself where she has to contend with a powerful barbarian warlord and his horde. Along the way she makes a group of allies. Including the likes of dragons, and a future love interest who starts out underestimating her but as times goes on comes to respect her. The climax has the lead villain infiltrate her land's castle where he manages to confront the king and taunts him. Before killing him however, the heroes intervene, leading to a final confrontation where the villain is killed in a large explosion. In the end the lead is honored as a hero by both the king and the people. Though Quest for Camelot was released first, Mulan went into production first. Ironically enough, both films originally started out as something far different than what they ultimately became. Mulan originally began as a short, straight-to-video film titled "China Doll" about an oppressed and miserable Chinese girl who is whisked away by a British Prince Charming to happiness in the West. Then Disney consultant and children's book author Robert D. San Souci suggested making a movie of the Chinese poem "The Song of Fa Mu Lan", and Disney combined the two separate projects. What ultimately became Quest for Camelot was originally entitled The Quest for the Grail, though not much else has been revealed concerning the story. When they started making the film based off of Vera Chapman's The King's Damsel it was originally intended to be darker along the lines of the source material. Quest for Camelot is not without its fans, but Mulan was definitely the winner. Mulan made far more at the box office and got strong reviews from critics. Quest for Camelot on the other hand was a box office bomb (it opened against Roland Emmerich's Godzilla1998) and got mixed-to-negative reviews from critics, is divisive with audiences, became an Old Shame to some of the people involved (one of whom is Lauren Faust, who was livid at the final product), and was the first of a series of animated bombs for Time Warner that ultimately killed their animation department until The LEGO Movie (it also was unfavorably compared to not only Mulan, but Anastasia and The Little Mermaid, the latter of which was reissued for Thanksgiving 1997 on the back of Hercules.
Mulan The King and I Two animated films taking place in Asia, and another Disney/Warner faceoff. Mulan was released in 1998, and tells the story of the titular character disguising herself as a man to fight in a war. The King and I was released the following year, and is based off the Rodgers and Hammerstein musical of an English teacher coming to Siam/Thailand and meeting King Mongkut, along with Kralahome. The latter film, which is directed by the one helmer from The Black Cauldron to still be working, Richard Rich, did some Disneyfication to that tale by making Kralahome an Evil Sorcerer and The Starscream, as well as giving everyone a sidekick and changing the ending. As mentioned above, Mulan made more at the box office and got strong reviews. The Thai were no less fond of the animated The King and I than they were of the other adaptations of the original novel/musical, but this one also attracted hatred from critics, audiences, and the Rodgers and Hammerstein estates thanks to changing the material in an ill-fated attempt to jump on the Disney Musical bandwagon (which was starting to run low on fuel after Quest for Camelot). The poor writing of the Kralahome villain and changing the ending, along with the film becoming part of the box office bomb chain that killed Warner Animation, convinced the estates to bar any more animated adaptations of the duo's work, which ended Richard Rich's main relevance in cinema.
Titan A.E. Treasure Planet Final Bluth vs. Disney face-off. Fatherless boy tries to solve his daddy issues by going on a space voyage in search of a long-lost treasure, hidden on a Big Dumb Object, with a less-than-stellar crew of galactic Petting Zoo People, one of whom is a Parental Substitute, but proves to be The Mole, using a starmap only he can read. The villain redeems himself in a Take My Hand moment while trying to activate/deactivate the Forgotten Doomsday Device. More specific, you say? OK... Both films were heavily and deliberately marketed to single-parent Gen-X kids. Used Future, Schizo Tech and uplifting Grunge music pops up on occasion. Oh, and one is about Pirates in a Steam Punk Alternate Universe, based on a classic novel. The other is about Space Pirates After the End, based on Star Wars and Battlestar Galactica. Both got an Earth-Shattering Kaboom. Neither. The two films destroyed each other, with Treasure Planet being unfairly compared to the (poorly-marketed) Titan, nearly killing the entire genre of traditional animation in one of the worst case of Dueling Films ever. Fortunately, both were later Vindicated by Cable and have since become cult classics (Though Treasure Planet was far more popular among critics). Bluth was the biggest victim of this nuclear duel, as Titan A.E was his final film. Fox shut down his animation department and laid him off, and he retired from filmmaking altogether until starting campaigns to get a film version of his Laserdisc classic Dragon's Lair made.
The Road to El Dorado The Emperor's New Groove Both are animated buddy-comedy adventure films set in the Meso-America of Old, and both were released in the year 2000. A key location in both films is a sprawling golden city. Interestingly enough, one was made by Disney and the other DreamWorks Animation, so perhaps it could be considered a part of the over-arching rivalry between DreamWorks Animation and the union of Disney and its affiliate Pixar. The Emperor's New Groove won with a sound victory. Though The Road to El Dorado has developed a sizable cult following, New Groove got noticeably better reviews from critics in contrast to the more mixed reception El Dorado received, was a box office hit, and made more than double what El Dorado did at the Box Office, the latter not managing to recoup its budget and being billed a Box Office Bomb. The level of success New Groove attained also managed to garner a direct-to-video spin-off film and television series. Follow-ups were originally planned for El Dorado but the box office returns were not enough to facilitate it.
The Road to El Dorado Atlantis: The Lost Empire Both are animated movies showing explorers finding these respective lost cities, and both have a Ms. Fanservice lead; Atlantis was released months after El Dorado Again, El Dorado was made by DreamWorks Animation (and featured the same songwriting team from The Lion King) while Disney made Atlantis, but the two movies are in different genres since Atlantis is a straight action film (from Joss Whedon and the two men who directed Beauty and the Beast and The Hunchback of Notre Dame. Hard to say. Atlantis: The Lost Empire was able to recoup its budget, but not by enough to get a franchise on it going, leading to a planned crossover with Gargoyles getting scrapped and the intended TV series's first episodes recut into a Direct-to-Video sequel. It also managed to crush the careers of its directors, Kirk Wise and Gary Trousdale; Trousdale found himself at DreamWorks Animation/ a few years later. The Road to El Dorado, however, didn't recoup its budget and bombed, leading to that film not getting followed up on at all. Both movies are in the same ballpark with critics, hovering just below 50% on Rotten Tomatoes, but El Dorado has a higher audience score.
Recess: School's Out Jimmy Neutron: Boy Genius 2001 movies where a group of elementary school kids save the world. Recess: School's Out was based on the Disney TV show and focused on the main six trying to stop a madman from getting rid of summer vacation, while Jimmy Neutron served as a pilot to its Nickelodeon TV series and focused on Jimmy and the rest of the kids in town to save their parents from being killed by aliens. Also, Neutron was in CGI, while Recess had traditional animation, and while Recess didn't have much competition, Neutron was competing with Monsters, Inc. Both movies were loved by critics and did well in the box office, though Neutron had a somewhat larger gross and was nominated for an Oscar (as it wasn't based on a TV show). Neutron followed with a TV series, while Recess followed with its show being Un-Canceled (as the movie was going to serve as the finale) and gaining two sequels (released Direct-to-Video).
A Bug's Life Antz The first example of Pixar and DreamWorks really dueling. Featuring ants as their main protagonists, the ant worker hero, who wants to stand out among the millions of other ants, falls for the ant princess, who seems an almost unattainable love interest. The ant hero goes on a long journey to a bug city, which is actually a pile of human garbage. And then he returns and gets the girl. Apart from the ants being protagonists, almost nothing else about the films was the same. A Bug's Life had a very cartoonish design, while Antz had a more realistic design of the insects. Antz had dark humor, dialogue and themes all around, while A Bug's Life was aimed at children. Just the same, thanks to the ants, they were both considered to be ripping each other off. (Fact is, Jeffrey Katzenberg, though responsible for getting Toy Story greenlit, had just been booted from Disney, was furious at them, and knew about the next Pixar project, which was ironically pitched to Disney only hours after Katzenberg was informed he was being "asked" to remove himself from the Disney lot and cut ties with the Mouse House; the competition was intentional.) This duel is the one that provides the Page Quote for the Dueling Works trope on TV Tropes (courtesy of Gene Siskel, who, along with Roger Ebert, laughed at the whole mess.) Both films were a success with both audiences and critics, as well as financially, but A Bug's Life won by bringing in $200,000,000 more than Antz thanks to appealing more to kids and better promotion.
Mulan The Prince of Egypt The second stage of the beginning of the Disney/DreamWorks rivalry, but this is a musical duel and there are NO elements of They Copied It, So It Sucks or Serial Numbers Filed Off anywhere; both are original ideas and take place in ancient cultures. Mulan is Disney Animated Classic #36, and as stated above, is their adaptation of the China tale of Fa Mulan taking on the guise of a man to fight in the war against the Huns. The Prince of Egypt takes place in, of course, Egypt, but this is an animated adaptation of the Biblical story of Moses from the Book of Exodus, and came complete with a disclaimer at the start of the film about that. Ironically, Jeffrey Katzenberg, who also was involved creatively with The Lion King, had attempted to get The Prince of Egypt going at Disney Animation, but his mentor Michael Eisner refused to greenlight it both because of the growing animosity between the two and because of Disney's long aversion to making anything involving God with the Disney brand on it; The Hunchback of Notre Dame did use God, but not on too visible a level (the failure of Dragonslayer prior to Eisner and Katzenberg joining Disney didn't help the idea either). Katzenberg had to wait until he formed DreamWorks to move forward with the film, which again, he was deeply involved in. An attempt by Eisner to screw the film over is one of the reasons for Antz's creation; that movie was meant to be the second DreamWorks film before it was moved up to 1998. This also led to Disney forcing lyricist Stephen Schwartz, who was attached to both films, to choose only one to work on at about the time Katzenberg bolted from Disney; Schwartz had a commitment to DreamWorks already and chose to honor it. Disney didn't follow up on a threat to remove Schwartz's credits from Pocahontas and The Hunchback of Notre Dame, where he replaced Tim Rice as Alan Menken's lyricist, but they did remove his songs from Mulan and Menken ultimately didn't work on that film. They were replaced Matthew Wilder and David Zippel. Menken and Schwartz would work together on Enchanted after Eisner got the boot from Disney himself). Both films were big box office successes and critically loved.
Finding Nemo Shark Tale Another Pixar vs. Dreamworks duel, this time with films about underwater creatures. That's about the only similarity. Except that in a reversion of the two above, Dreamworks had the cartoonish and childish approach, while Pixar went for realistic graphics and a "darker" story (no matter how kid-friendly, it dealt with the Adult Fear of a father losing his son). Finding Nemo by a long shot, thanks to it being a critical darling as well as a box office smash. On the other hand, Shark Tale was hit with mixed-to-negative reviews labeling it as a mess of the negative cliches associated with DreamWorks Animation, but was still able to do decently at the box office.
Madagascar The Wild Both involve zoo animals escaping and going to Africa, one of whom is a lion character who doesn't really want to leave. Both also include a heaping amount of cartoon slapstick and Toilet Humour. It's worth noting that The Wild started production several years before Madagascar, so this might be an example of the above feud, carried on by Pixar's parent company (though Disney was barely involved with The Wild; it was created by a British animation studio and Disney distributed the film). Madagascar was a huge hit (which spawned its own franchise — two sequels and a TV series), and The Wild not so much.
Ratatouille The Tale of Despereaux An incident involving a rat, some soup, and interactions with humans has wild repercussions. Ratatouille is all about a rodent in the kitchen while Desperaux's soup-loving rat isn't the protagonist. Despereaux was based on a bestselling children's book and had the flashier voice cast, but Ratatouille won the day and the Best Animated Feature Oscar.
Shrek the Third Happily N'Ever After Two "Fractured Fairy Tale" movies from 2007. Shrek The Third is, of course, the third installment in DreamWorks Animation's Shrek series, while Happily N'Ever After was done by Lionsgate. Both movies have John H. Williams involved with them.   Shrek won, but both films still took hits from people thanks to the "Fractured Fairy Tale" starting to run out of steam (one of the motivations behind the genre was Disney going through a Dork Age and a great deal of bitterness from DWA boss Jeffrey Katzenberg and other Hollywood notables towards then-CEO Michael Eisner, whose later years prompted a lot of snark and gave fuel to the "Fractured Fairy Tale"; when Eisner was ousted in 2005, that specific source of fuel was taken out of the equation and began the decline of the trend). Shrek The Third wasn't as well received as the previous two thanks to DWA now going through their own Dork Age with Eisner gone, which short-circuited an agenda of 5 Shrek movies; one more was produced in 2010, but it was still more serious because DWA wound up changing their M.O. with Kung Fu Panda in 2008. Happily N'Ever After fell to not only Shrek and DWA, but almost every other animated movie made at the time, getting blasted by critics (it has a 4% on Rotten Tomatoes, one of the lowest RT scores an animated movie has gotten on the site), and it became a severe Box Office Bomb and hexed Lionsgate and maker Vanguard Animation; Lionsgate never got far with animation, with Norm of the North being their latest animated implosion, and Vanguard became recumbent a little while later.
Despicable Me Megamind Animated movies released in the same year about an Evil Genius Villain Protagonist. Despicable Me has also been called Penguin: The Movie due to the main character's visual similarities. Megamind has been referred to as Gallaxhar: The Movie, again, for similar looks. Despicable Me got both better reviews and almost twice the box office with $543 million in total on around half the budget ($69 million vs $130 million for Megamind), and received an only slightly less well-received sequel, while Megamind bought $321 million and got good-but-not-great reviews (but it has become a Cult Classic and is considered one of Dreamworks' better films).
Open Season Over the Hedge All-Star Cast CGI films about wild vs. tame/cosmopolitan animals. Season deals with a tame bear being introduced to the wild while Hedge deals with wild animals being introduced to the suburbs. Interestingly, both films have bears as the catalyst for their respective plots. Though both films were profitable and Open Season had a sequel in production (though that went straight to DVD), Hedge made more money and was much better critically received.
The Legend of the Titanic Titanic: The Legend Goes On Two So Bad, It's Good animated movies very loosely based on the Titanic disaster, and the movie. The fact that they both seem to consider the tragedy of the Titanic to be a "legend" is very telling. Both of them include talking animals and happy endings. The Legend Of The Titanic attempts more on the storyline part while Titanic: The Legend Goes On attempts to have more characters and subplots. Neither of them got a critical success. Commercial success outside Italy at least was very limited for both of them too. However, The Legend of the Titanic managed to get a sequel, but was bemoaned by The Nostalgia Critic and Ani Mat for being about as far from historically accurate as possible (everyone survives this version) to a disgusting degree plus the sequel was considered even worse (the other one wasn't safe from The Nostalgia Critic's wrath either; he reviewed that two years earlier, and gave it a few hard knocks for it's rapping dog musical number and ripping off a multitude of Disney movies.).
Alpha and Omega Rio

All three films involve two animals of the same species, opposite genders, and (at least confirmed in the cases of Newt and Alpha) opposite personalities being put together for the purposes of repopulating their species. Alpha and Omega came out in Fall 2010 (and was the final film for its late star, Dennis Hopper), Rio in 2011, and Newt would have come out in 2012. Pixar canceled Newt so that they could avoid this problem, though considering Pixar leaked details on Newt shortly before Blue Sky announced Rio, it's completely possible that the whole project was just intended to induce the other studios into copying it so they wouldn't have to worry about them copying the other movie they were working on. Alpha and Omega (from Lionsgate) is about two wolves (Kate and Humphrey) who are captured and released far from home to increase the wolf population in the area. They work together to get home. Rio (from Blue Sky Studios) is about two birds (Blu and Jewel). Blu thinks he is the Last of His Kind and travels to find Jewel. Newt was about two newts (Newt and Brooke) — he's extremely sheltered, she's tough and street, er, wilderness-smart and they don't like each other — and their need to save their species. Unfortunately, Pixar decided to drop out after Pete Docter retooled the film into another idea. Rio is definitely the winner — it brought in five times as much as Alpha and Omega, and had much better reception, while Alpha and Omega fared poorly with critics, although it has a small following and a string of Direct-to-Video sequels.
Shrek Monsters, Inc.

Ice Age
Three kid-friendly animated comedy/adventure movies, released within the span of a little less than a year of each other between 2001-2002. In each, a team of odd-looking but lovable-when-you-get-to-know-them creatures endure many hazards on an adventure. In the latter two they strive to deliver a cute toddler to safety. Whilst in the first much of the plot is spent rescuing and transporting a princess to safety. In Shrek and Ice Age both films have a hardened and aloof lead in the form of a big gruff guy with a good heart deep down that starts to get followed around by a little chatterbox who starts off as an annoyance but he comes to befriend. Those two character types kind of showing up in Monsters, Inc to an extent but without the initial animosity. Shrek is set in a parody of an archetypical fairy tale world with elements that harken to real-world pop culture. Monsters takes place in an imaginatively detailed alternate world (Pixar showing its strengths), populated by fanciful "monsters". Ice Age stars actual (if now-extinct) species, residing in prehistoric Earth. Monsters, Inc. won the most critical acclaim with a 96% rating at Rotten Tomatoes. Though neither of the other films slouched in that department. Shrek and Ice Age getting respectable 88% and 77% ratings respectively. All three were nominated for Best Animated Feature, but the only one to win the prize was Shrek. Making it the first film to win that category notably as it was just newly introduced at the time. Financially speaking each was successful though Monsters, Inc. made the most, though notably also had almost twice the budget of the other two to begin with. Notably though Shrek made around 100 million more than Ice Age at the box office. Those two films wound up spawning successful strings of sequels. Monsters, Inc. got a prequel released in 2013 that turned out to be a hit. Ultimately based on all that data the order would seem to go Monsters, Inc. > Shrek > Ice Age.
Prep and Landing (TV special) Arthur Christmas Stories sharing a similar concept of Santa Claus and his elves using advanced technology and secret agent techniques to deliver all those toys though soon, one child's Christmas has to be saved. The original special and Arthur Christmas were put in development close to the same time, though as a film, Arthur Christmas took longer. While Prep and Landing focused primarily on the elves and hid the faces of the Clauses, the story of Arthur Christmas focuses on the Claus family relationships. Prep and Landing was successful enough on ABC to receive a follow-up short and a sequel. Arthur Christmas, on the other hand, had trouble at the box-office when faced with The Muppets and Breaking Dawn; however, it was blessed with rave reviews.
Kung Fu Panda WALL•E Another DWA vs Pixar duel. KFP is a wuxia-style animated film about Po Ping, a restaurateur panda voiced by Jack Black who unwittingly is chosen to be the Dragon Warrior, which forces him to learn kung-fu as well as confront escaped prisoner Tai Lung, a previous Dragon Warrior. WALL*E takes place in the future where mankind has abandoned a trash-ridden Earth and left robots named WALL*E units to clean up. After 700 years, only one WALL*E unit is left, and he has gained sentience. He falls in love with a visiting examination robot named EVE, and it leads to an adventure out of this world.   Everybody's a winner! Both films did very well at the box office, further built their respective studios' reputations, and were major steps in moviemaking. KFP proved to be very popular in China, helping to open that market to filmmaking, and began the revival of the idea of adventure animation after several false starts going back to Katzenberg's time at Disney with Ducktales The Movie Treasure Of The Lost Lamp and The Rescuers Down Under. WALL*E was a better critical success, and it getting snubbed for the Best Picture Oscar nomination prompted an outcry that led to the AMPAS expanding the Best Picture nominee list; both of Pixar's next two films were nominated for Best Picture as a result (the ONLY animated film to get a Best Picture nominee with the original 5 nominee format was Beauty And The Beast.)
ParaNorman Hotel Transylvania, Frankenweenie Battle of the animated horror movies 2012! Norman sees dead people (and zombies), is in color, and produced by the makers of Coraline while Victor brought his dog back to life, is Deliberately Monochrome, is a remake of director Tim Burton's live-action Short Film, and includes lots of nauseating and gruesome scenes. Transylvania is CGI, set in a hotel for famous monsters, stars Adam Sandler and Selena Gomez (as well as much of Sandler's Production Posse), and is the film debut of Genndy Tartakovsky. Hotel Transylvania garnered the worst reviews of the three but did the best at the box office, while both ParaNorman and Frankenweenie received good-to-great reviews but were seen as disappointments commerciallynote . Frankenweenie had a substantially smaller budget than ParaNorman, though, so it takes silver, and meanwhile, Frankenweenie holds the highest out of the three for the Rotten Tomatoes aggregate.
The Adventures of Tintin The Pirates! In an Adventure with Scientists!note 

Ice Age: Continental Drift
Animated movies where piracy and sea navigation are important plot points. Tintin and Ice Age are CGI, while Pirates is a stop-motion film by Aardman Animations. In terms of box office, it's Ice Age in first, Tintin in second, and Pirates in last. In terms of critical acclaim, however, the order is flipped — it's Pirates in first, followed by Tintin in a close second, followed by Ice Age in a distant third.
Happy Feet Surf's Up All-CGI Cartoon about penguins doing rather human group activities. Happy Feet, released in late 2006, tells a tale about singing penguins, and one who prefers to dance instead. Surf's Up came in mid 2007 and features penguins surfing. The latter even had some ad posters proclaiming "Our penguins don't sing. They don't dance. They SURF." Happy Feet made more than triple the box office and spawned a (poorly performing) sequel. And while Happy Feet and Surf's Up were about equally successful with critics, Happy Feet won the Best Animated Feature Oscar, while Surf's Up squeaked by with a nomination the next year, but lost to the aforementioned Ratatouille.
Kung Fu Panda 2 Cars 2 Kung Fu Panda 2 is the sequel to DreamWorks Animation's 2008 hit about the Acrofatic panda, played by Jack Black, training and having to confront Lord Shen, who wants to destroy kung fu. Cars 2 is also a sequel, to the Pixar hit from 2006, but it took a different turn by having its characters caught up in a spy scheme.   Surprisingly, DWA and Kung Fu Panda 2 came out on top clearly both critically and commercially, being very successful on a smaller budget. It built DWA's franchise further, and will have a third installment in 2016 (although Jeffrey Katzenberg's studio would wind up in dire straits starting the next year, straits that eventually ended his 22-year career with the studio on a major basis). Cars 2, while it earned a little bit of praise, got hit by a severe case of Sequelitis; it became the first Pixar film to get a Rotten rating on RT (39%), breaking a streak by the studio, although it was still financially successful and helped build the franchise, inspiring the Planes spinoff below. Pixar/Disney supremo John Lasseter remained proud of the movie, but his colleagues and rivals didn't share that sentiment, and it began a very small Dork Age for Pixar for its next two movies, although they have recovered with Inside Out. A third Cars movie is in the works.
Wreck-It Ralph Turbo Animated films released about 9 months apart, both of which feature characters trying to change their perception. Wreck-It Ralph is the 52nd classic in the Disney Animated Canon, and concerns the title character trying to earn a medal to impress the "Nicelanders" in his game thanks to his status as a villain, and it leads him to "Sugar Rush" and befriending a "glitch" there. Turbo is from DreamWorks Animation and focuses on a snail trying to become a racer. In addition to the "outcast" trying to change how people view them concept, both films are connected directly to the Sonic the Hedgehog franchise; Sonic is a guest video game character in Wreck-It Ralph and his character was an inspiration for DWA to try to replicate his success with Turbo (plus Jeffrey Katzenberg was indirectly connected to the Sonic franchise at both Disney and DreamWorksnote . On top of that, both films feature a major character named Turbo (he's the Big Bad of Wreck-It Ralph, and both films were scored by Henry Jackman. Wreck-It Ralph wins; it was a big critical and financial success, actually being called the "best video game movie" ever made (it didn't have much of a bar to clear for that title; this trend actually started with the Super Mario Bros. movie, which Disney also distributed and which Katzenberg brought the rights to in an ill-fated attempt to get in bed with Nintendo as well as Sega). Wreck-It Ralph became the final step for Disney Animation prior to Frozen, which completed their rescue. Turbo wound up becoming a Box Office Bomb, losing DWA over $13 million, and Katzenberg attempted to try to offset that by saying it was still profitable; this earned him a penalty Boss Battle with his shareholders in court note  and was one of two films in 2013 that derailed star Ryan Reynolds's career until Deadpool from Fox/Marvel (which itself is another strike against Fant4stic.) DWA, however, did create a follow-up Netflix series, while Wreck-It Ralph presumably has a sequel in development.
Foodfight! Wreck-It Ralph Two animated movies with guest star mascots; grocery store mascots for Foodfight and video game characters for Wreck-It Ralph. Foodfight is from Threshold Animation and Lawrence Kasanoff, and features a dog detective trying to figure out why grocery store mascots are disappearing after "Brand X" is introduced into his supermarket. Wreck-It Ralph is the 52nd animated masterpiece in the Disney Animated Canon, and has the titular character, who is hated in his game, do a game jump to change his image, setting off a chain of events that both threatens and changes the nature of his home arcade forever. Both films were in development for a while, but Foodfight! went through true Development Hell after Lawrence Kasanoff started the project in the wake of Mortal Kombat: Annihilation's implosion. This included a robbery that led to the loss of crucial animation discs and the staff not liking the production. Wreck-It Ralph was also in gestation since the 1980's, but when it entered production, it sped along like Sonic The Hedgehog (who was in the movie) to the point where it finished ahead of schedule and was moved up from a March 2013 release date to November 2012 (DreamWorks Animation's The Croods took Wreck-It Ralph's place on the schedule). This is a rather lopsided duel; Wreck-It Ralph was critically acclaimed by the video game and movie communities and was a box office success, paving the way for Frozen. Foodfight!'s production had already turned the film into Snark Bait before it was completed, and it only got a limited release in 2011 before the insults about the film's stiff animation and D-grade story cost the production a lot of money and sentenced it to Direct-to-Video in 2013; this included The Nostalgia Critic joking that Pixar's John Lasseter (who is the executive producer of Wreck-It Ralph) and DWA's Jeffrey Katzenberg sent the terrible animation from the film and packaged a Take That with it (a "Go Fuck Yourselves" letter from Lasseter, and a Mooning and Flipping the Bird photo from Katzenberg). The staff of the film were no less amused about the final product and Kasanoff's direction than anyone else were, and it subsequently sent Kasanoff's career and the career of head writer Sean Derek to the landfill.
Turbo Planes Unlikely, hugely ambitious novice enters a big race. Turbo is about a snail competing against race cars and human drivers; Planes is a spinoff of Cars and features a crop-duster who wants to fly with the pros. Turbo got mixed reviews from critics and failed to make a big profit at the box office, plus it got DWA CEO Jeffrey Katzenberg sued by his stockholders when he stated it would still be profitable and, along with Universal's R.I.P.D., turned star Ryan Reynolds's career into roadkill (it subsequently was resurrected by Deadpool, his second super-hero movie after another bomb, Green Lantern, which he lobbed a Take That at). This didn't stop DreamWorks Animation from adapting Turbo into a Netflix original series. Planes was vice versa; it was thrashed by critics, but was a huge success at the box office, and got a sequel, Planes: Fire & Rescue, the next year.
Puella Magi Madoka Magica the Movie: Rebellion DokiDoki! Precure the Movie: Mana's Getting Married!!? The Dress of Hope Tied to the Future Theatrical releases of Magical Girl films based on popular TV series that were themselves Dueling Shows, released on October 26. Rebellion is The Movie and acts as a sequel to the original, Precure is strictly a Non-Serial Movie. Precure is Shoujo, while Rebellion is distinctly Seinen, leading to a pronounced difference in tone. Both movies also include a Lotus-Eater Machine. Rebellion took this home easily, grossing nearly double Precure's total, netting a foreign release, and being artistically praised by fans but sparking a few thousand flamewars. Precure was hardly a failure, but it didn't make nearly as big a splash, even in its own fandom.
Monsters University Pokémon: Genesect and the Legend Awakened Family-friendly animated movies about monsters, based on decades-old franchises. Note that this "duel" mostly applied to the Japanese market; Genesect only got a very limited theatrical release in the West. Monsters University, is, well, Pixar. As such, it's a CGI movie directed towards family audiences: children, their parents, and fans who grew up with its prequel, Monsters, Inc., revisiting and building on the characters from said movie. Genesect, on the other hand, is traditionally animated, is the 16th movie in its long-running franchise, and was strictly marketed to children. It revisited its past by featuring Mewtwo, an iconic character from the early movies, but said Mewtwo turned out to be another member of the species rather than the original character. While both were nominal successes, MU won the box office and critics' approval. Genesect ended up becoming the second lowest-grossing Pokémon movie in the series, but is more notable for the Hype Backlash surrounding the Mewtwo character.
The Nut Job The Nut House Heist movie with squirrels who are trying to get nuts. The Nut Job was first announced in January 2011, based on a 2005 short film called Surly Squirrel and fronted by Toonbox, who had never done an animated movie before. Vanguard Animation, creators of Space Chimps and Happily Never After, announced The Nut House nine months later. Vanguard closed in 2012 with Nut House and several other projects still in the pipeline. The Nut Job was released in 2014 and was successful at the box office, but poorly-received by critics.
The Boxtrolls The Book of Life Battle of the animated horror movies 2014!   While The Box Trolls was more successful commercially, t did not receive the amount of acclaim that Lakia's previous film's did. The Book of Life did slightly better among critics and has since become one of Fox's most beloved animated films (With an 82% on Rotten Tomatoes).
Coco The Book of Life Day Of The Dead-themed CGI movies.   
Penguins of Madagascar Minions Spin-offs of popular tent-pole animation franchises centering on beloved minor characters who had previously been centerpieces of the advertising campaigns of the franchises' main films. In both cases, the characters become wrapped up in larger organizations with plans for world domination. Penguins is a spin-off of the Madagascar franchise, and is DreamWorks Animation's second spin-off (after Puss in Boots). Minions is a spin-off of Despicable Me. While Penguins follows the events of Madagascar 3, Minions is a prequel to Despicable Me. Though it had a decent critical reception, Penguins became a massive box-office bomb, performing worse domestically than Turbo and continuing the downward spiral for Dreamworks (They shuttered PDI and laid off 500 employees including their Chief Creative Officer and Chief Operating Officer after that movie). It eventually ended Jeffrey Katzenberg's involvement with DWA when he was successful in selling the studio to Minions's distributor Comcast/Universal within 18 months of this film's release. Minions, on the other hand, opened to a massive $115 million, the second-biggest opening weekend for an animated film in history, and earned more in two days than Penguins did in its entire run. It's worth noting that Minions also had a significantly smaller budget than Penguins. Despite its cooler critical reception, it's safe to say that Minions has won this duel.
The Boy and the Beast The Good Dinosaur Animated films in which an animal befriends and becomes the caretaker of a young boy. It's worth noting that while in The Boy and the Beast's home country, the films were released months away from each other, both films will be released in American theaters around the same time. The Boy and the Beast won critics-wise, as it had a better critical reception than The Good Dinosaur, to the point where many visitors of the Tribeca Film Festival said it was the best film shown at the festival. The Good Dinosaur, on the other hand, had a poorer critical reception, with many people saying it wasn't on par with Pixar standards. It also suffered in the wake of one of the contenders for Pixar's ultimate masterpiece, Inside Out, and more importantly, it's their first feature film in their 20-year movie catalogue to bomb at the box office.
Fly Out, PriPara!: Aim For It With Everyone! Idol Grand Prix Go! Princess Pretty Cure: Go Go! Splendid Triple Feature Films based on popular Shojou anime franchises aimed at children released around the same time. While the Pri Para film is a Clip Show presented in 3D and was a limited release, the Go! Princess Pretty Cure film is comprised of 3 seperate short films with original stories and was a wide release. The Go! Princess Pretty Cure film, despite having competition from Pan, made it to #4 and was one of the highest-grossing Pretty Cure films. The Pri Para film, on the other hand, never made it to the top ten and had poor critical reception from fans who claimed that the film was nothing but Filler and had ads in the middle of the film for Pri Para tie-in products.
PriPara The Movie: The Wish of Everyone! Let's Go to PriParis! Popin Q Anime films of the Idol Singer genre where young girls have to save another dimension from danger. Pri Para is based off a pre-existing arcade game and anime, while Popin Q is an original project.  
Norm of the North Kung Fu Panda 3 January 2016 released computer animated family-oriented films that center around bears voiced by well-known comedic actors venturing off to a new place where they don't exactly fit in on a quest to save their ancestral homeland during which time he becomes acquainted with long-lost family. Kung Fu Panda 3 is the latest installment of a DreamWorks Animation series popular with both audiences and critics. Norm of the North, which was made by Lionsgate, is most known for being best summarized as "Rob Schneider is... a polar bear!" Both movies ironically feature The Legend of Korra alumni in them (Korra's voice, Janet Varney, made a cameo in Norm of the North while the actor who voiced Korra's mentor Tenzin, J. K. Simmons, plays the Big Bad of KFP3) Norm of the North has become notorious for being one of the few animated films, if not the only animated film, to score a 0% on Rotten Tomatoes before a positive review removed the goose egg (and even the positive review said the film had a lot of problems). It also failed to make back its budget domestically (it got halfway there the first week before KFP3 took over the box office and promptly obliterated any chances of a profit in the U.S.) and it is considered an early contender for the worst film of 2016 (meaning a trip to the Razzies in 2017, melting any further animation plans from Lionsgate, who has already flunked out on other animated movies such as Happily N'Ever After, and liquidating the intended franchise and director Trevor Wall's career after one movie). Kung Fu Panda 3 on the other-hand in its lead up has been garnering quite strong reviews and has fared very well at the box office, giving an extra dose of chi to the studio run by Jeffrey Katzenberg after he and DWA suffered through a Dork Age the previous 3 years outside of the second How To Train Your Dragon film (it wasn't quite enough to allow him to keep the firm independent or for him to stay, though).
Kung Fu Panda 3 Zootopia Two animated movies with anthropomorphic characters. KFP3 from DWA continues the tale of Po Ping the Dragon Warrior as he now has to train a valley of pandas in kung fu to protect themselves from threats. Zootopia is the landmark 55th Walt Disney Animated Classic that takes place in modern times, as Judy Hopps, a police rabbit, becomes acquainted with Nick Wilde, a fox and con man. Zootopia is the third Disney Animated Canon film to use anthropomorphic animals in their own world after Robin Hood and Chicken Little met with mixed success note  and is helmed by Wreck-It Ralph's director, Rich Moore. KFP3 came out at the end of January, while Zootopia was released in the U.S. in March. Both films have J. K. Simmons, aka, J. Jonah Jameson/Tenzin/The Farmers Insurance University professor, in them (he plays the Big Bad of KFP3, Kai, while he plays the mayor and a superior of Judy Hopps in Zootopia). KFP has already crushed Norm of the North by this point. KFP earned strong reviews and an 81% on Rotten Tomatoes, and is a financial success currently. Zootopia currently has a 99% on Rotten Tomatoes at release date, the highest RT score a Disney Animated Classic got in 55 years; the next most recently released film to have a rating along the lines of 98% was 1961's 101 Dalmatians. It also managed to beat the opening weekend records that the last two Disney Animated Classics Frozen and Big Hero 6 set, as well as bulldozing Gods of Egypt and London Has Fallen.
Kung-Fu Panda 3, Zootopia The Secret Life of Pets, Sing, The Angry Birds Movie, Finding Dory, Storks, Sly Cooper, Ratchet & Clank Battle of the anthropomorphic animal movies 2016! Panda 3 has the DreamWorks Animation edge and opened strong, Zootopia and Dory have the Disney/Pixar edge and Zootopia opened even stronger, Sly Cooper and Ratchet & Clank are based on successful video game franchises, Birds has popularity (also the first cellphone game to be made into a movie), Pets got the Internet's attention by putting BOUNCE in the trailer, the known casts are full of stars, and only two of them are sequels. As mentioned, Panda 3 got this epic battle off to a good start, and Disney built even further on DreamWorks Animation's lead with Zootopia being critically acclaimed prior to release, nearly gaining a perfect rating on RT (only one Disney Animated Masterpiece, Pinocchio, has a 100% on RT), as well as slam-dunking the box office on its opening weekend. Ratchet & Clank didn't fare particularly well with critics, being viewed as a generic sci-fi animated film and as yet another example of Video-Game Movies Suck; Zootopia was also still playing and was a factor in R&C bombing despite Sony having only a $20 million budget and releasing it over a month after Disney. Angry Birds currently has a 60 on RT and has earned just over half its budget from the international market prior to it's American debut. The others TBD.
Doraemon: Nobita and the Birth of Japan 2016 The Good Dinosaur Animated films that take place in prehistoric times released during the same time period in Japan.  
Ratchet & Clank The Angry Birds Movie Animated films adapted from video games. Ratchet and Clank is an adaptation of the first game in the series, while Angry Birds shows the beginning of the animosity between the birds and pigs. Both films also have an All-Star Cast, though Ratchet and Clank has Ratchet, Clank, Captain Qwark and Dr. Nefarious voiced by their usual voice actors from the games, and other characters having celebrity voice actors. Remains to be seen, but as Ratchet and Clank was a critical and commercial flop, this is The Angry Birds Movie's fight to lose.

Alternative Title(s): Animation