"Squeeze Box" with The Who. Pete Townshend says its just a song about a woman playing an accordion, deliberately written to invoke this effect.
The Bowling for Soup song "My Wena" is one long innuendo. They even make it obvious in the original version of the video with a woman in a penis costume. In the end, it's revealed that the entire song is about a Dachshund named Wena.
The AC/DC song "Big Balls" is one unbroken double entendre — as evidenced by the song's name.
Let's face it: Everything those guys have recorded since their first album has been some flavor of thinly veiled, squick-ily obvious sexual reference,
The album notes for Dirty Deeds Done Dirt Cheap refers to Big Balls as "Not subtle enough to be a double entendre. It's more like a single entendre."
That said, performing most of the song in a hoity-toity accent adds to the fake subtlety, making the song even more hilarious for those who get it.
"The Jack", (at least in it's original album form) is ostensibly about a poker game, but with lines like 'How was I to know that she'd been shuffled before... said she'd never had a royal flush' and 'She was holding a pair, but I had to try...' and 'She'd have the cards to bring me down, if she played them right' its clearly about something else.
It's not about that, it's about this, live versions don't even bother with subtlety:
"...She was number nine ninety-nine on the clinical list."
By Big & Rich, the entire song of "Save a Horse (Ride a Cowboy)". You read that right- the song is actually named Save a Horse (Ride a Cowboy).
The lyrics (and these are ACTUAL lyrics) "I'm a thoroughbred, that's what she said".
Bull Moose Jackson's "Big Ten Inch Record" (famously covered by Aerosmith) uses verse breaks to create double entendres:
But I really get her going When I whip out my big 10 inch ... record of a band that plays the blues...
Songwriter Cole Porter was a master of the Double Entendre (as alluded to in one example above). His songs "Love For Sale" and "But In The Morning, No" were once banned from radio because of their heavy use of Double Entendre.
Rihanna's "Shut Up and Drive." From the lyrics, she's either singing about cars or...something else.
The entire song "Polka Dot Undies" by Bowser and Blue.
And you probably already think I am full of Vague innuendos and double-meanin' rhymes. But I'll tell you that obscenity is all in your Polka-dot undies!
It might be intentional in the Isley Brother's song "Between the Sheet" besides the "I like the way you receive me" and "I love the way you relieve me" lines which you can only take that one way, several times he says
I'm coming... coming on strong In between the sheets
Those of us with more esoteric taste in music will know that many, many '20s and '30s blues songs contain double entendres, such as Blind Boy Fuller's "Let Me Squeeze Your Lemon", The Memphis Jug Band's "Memphis Yo Yo Blues", Blind Lemon Jefferson's "Black Snake Moan", and my personal favorite, Bessie Smith's "I Need a Little Sugar In My Bowl".
Judy Henske sings a song about a man who is a 'deep sea diver whose stroke can't go wrong.' Not only that, but 'he can touch the bottom, and his wind holds out so long'
Jimmy Buffett has admitted that he specifically wrote his song "Why Don't We Get Drunk And Screw", which is about, well, getting drunk and screwing, because he was sick and tired of hearing double entendres in other people's songs.
Big bottom, big bottom Talk about a bum case, my girl's got 'em Big bottom, drives me out of my mind How can I leave this behind?
Tim Cavanagh's novelty country ballad, "I Wanna Kiss Her".
I wanna kiss her but... she won't let me I wanna whisper sweet nothings in herrrrr... ear I wanna hold her behind... closed doors and more
"Foxtrot Uniform Charlie Kilo" by the Bloodhound Gang is made up of double entendres, and ends with the line "put the you know what in the you know where". The video for the song is also ripe with Visual Innuendo. One of the images shown is Bam Margera driving a giant banana-shaped car into a tunnel. Nearly all of their songs contain double entendres, seeing as nearly all of them are about sex. Other prominent examples are "Fire Water Burn" and "Uhn Tiss Uhn Tiss Uhn Tiss".
The song and music video "Gay Bar" by Electric Six is rife with both this and Visual Innuendo.
Half their songs are either blatantly about sex ("I wanna make it last forever" said twelve times, getting higher and higher, before ending with "Ooh baby"), or more subtle innuendo. Broken Machine includes the lyrics:
It doesn't do anything, it just sits there, and looks at me.
Alice Cooper, among other songs, had I'm Your Gun. Even though you probably know what's coming, a brief example:
You be the target on the bed I'll be shootin' hot lead
Richard & Linda Thompson's song "Hokey Pokey" is ostensibly about ice cream, but features enough references to 'putting it your mouth' to make its meaning clear.
Melanie's "Brand New Key".
'40s novelty singer Benny Bell, in addition to his famous subverted-rhyme hit "Shaving Cream", composed ditties with such piquant titles as "My Grandpa Had a Long One", "Everybody Wants My Fanny", and "I'm Gonna Give My Girl a Goose for Thanksgiving".
The Beatles had several: "Please Please Me", "Drive My Car", "Norwegian Wood", "Happiness Is a Warm Gun".
The original title was "Happiness is a Warm Gun in your Hand".
Poe's "Angry Johnny". Could be about homicide. Could be about something else:
I can do it on water, I can do it on dry land I can do it with instruments, I can do it with my own two hands But either way, either way you'll know where it stands I'm gonna kill you, I'm gonna blow you... away
The last line of Tenacious D's "Wonderboy" goes "There, that crevasse; fill it with your mighty juice." Hmm, wonder what that might be...
Knorkators "Song of the horse" might be a completely innocent song about the deep friendship between the vocalist and his horse. But since there is no actual reference to a horse in the lyrics, it might also be entirely about sex.
50s song "Laundromat Blues" by 5 Royales:
Throw in all your dirty clothes, all your dirty duds Don't worry about no soap, her machine is full of suds She's got the best machine The best washing machine in town (ooh-wee what a machine!) Just relax and take it easy As the machine goes round and round
I got a big ego, (hahaha) I?m such a big ego, (hahaha) I got a big, (hahaha), Ego, She love my big, (hahaha), Ego, So stroke my big, (hahaha), Ego
Because it's Kanye West, it's perfectly possible that he's just talking about his actual ego.
XTC's "Pink Thing". According to its writer, Andy Partridge, it was written to express his love and pride for his newborn son. But the lyrics could just as easily be interpreted as a man's ode to his penis.
Paul and Storm's "The Captain's Wife's Lament", about the complaints of a sea captain's wife after he lets his entire crew stay in their home.
She said there's Seamen all around the bed And seamen on the floor Seamen in the bathroom And behind the closet door
Steven Curtis Chapman's song "Remembering You", written about Narnia but could also be about Jesus.
As could Narnia itself, natch.
The Kinks' "Lola". Is the title character an unusually mannish woman, or a male transvestite?
Well I'm not the world's most masculine man But I know what I am and I'm glad I'm a man And so is Lola
And as she read I laid my head And I can´t tell which head Down in her lap, and I can mention which lap
The song "If I Can't Sell It" by Ruth Brown is chock full of them. Ostensibly about a furniture store owner lambasting a cheap customer for refusing to pay the marked price for a chair, the song is full of goodies like this:
How'd you like to find this waiting at home for you every night? Only been used once or twice, but it's still nice and tight!
The funk group Here Come The Mummies have an album entitles 'Single Entendre', referencing their frequently overtly sexual lyrics.
After Dark, a swedish band has the song "Åh när ni"("Oh, when you"), and just to get you a tip of what kind of what type of double entendres we're in for, the song title is very similar in pronunciation to onani (masturbation). The entire song consists of famous tv-show host doing stuff they do in their shows... but with a clear second meaning. Examples include a female chef poking about on the button on her hot air oven, and a car show host "oiling his lever". Here it is.
Les Sucettes, written by Serge Gainsbourg for France Gall, like many of Gainsbourg's songs, is full of this. It's special however, as the singer, who was 17(!) at the time, took a year to have a Swiss Moment to associate lollipops with oral sex. She was pissed.
In a rare, non-sexual version, the cover for Rush's Moving Pictures is a triple entendre. There are people moving pictures, people finding the pictures moving emotionally, and somebody making a moving picture of the scene.
Rodney Carrington's song "Fred" features a cowboy, his horse, and his lady love, all named Fred. The chorus is "Fred's a-ridin', Fred's a-ridin' Fred, Fred's ridin' Fred, Fred's ridin' Fred. Fred's ridin' Fred" and admits of any interpretation from the completely innocent to the unspeakably kinky.
"The Stroke" by Billy Squier - thought to be about masturbation.
An alternate interpretation suggests it's an indictment of the music industry.
Kip Addotta's "Wet Dream" is a double entendre by title alone and is full of undersea puns and double entendres:
"I pulled into a Shell station...they said I'd blown a seal. I said, 'Fix the damn thing and leave my private life out of it, okay, pal?'"
Nobody comes knocking at my front door. What do they think my knocker's for?
The Hungarian rapper Sub Bass Monster's song 4 ütem (4 phases) has lyrics that are equally suitable at describing the workings of an internal combustion engine and being a needlessly over-complicated description of smoking, to hilarious effect.
Katy Perry's "Peacock" song, although it barely hides the meaning. Hint: if you don't get it right away, split the word into two words. Now what?......and, no, it's not about an exotic bird.
"California Gurls" also has a phallic entendre: "Sun-kissed skin, so hot, we'll melt your popsicle".
Lots of traditional British folk songs. The "Bonny Black Hare" starts off with the singer aiming his "gun" at a "black hare" that's hidden under a woman's skirt. During the second verse, it abandons this metaphor and is just them having sex. "The Cuckoo's Nest" (recorded by Steeleye Span as "Drink Down The Moon") is just as bad ("I'll give any lass a shilling and a bottle of the best/Just to rumple up the feathers of her cuckoo's nest"). For more of this sort of thing, see Bawdy Song.
Billy Joel's song "Christie Lee" is about a saxophone player who meets a woman at his gig, who is impressed by his skill and comes home with him so he can "perform" for her. In case it wasn't clear, we get this lyric: "He couldn't see that Christie Lee was a woman/who didn't need another lover; all she wanted was the sax!" However the lyrics make it perfectly clear that Christie Lee isn't sexually attracted to him.
Queen's "I'm In Love With My Car" is either a sex euphemism (this is Queen after all) or it's a Car Song that even Richard 'Oliver!' Hammond would find a bit worrying: 'Such a clean machine, With the pistons a pumpin' And the hub caps all gleam'.
Get this: it was originally meant to be played straight. The song was written by Roger Taylor in honour of a roadie whose Triumph TR-4 was the centre of his life. Whether it's also a poke at guys who let their hobbies take over their lives is another question entirely, but given that the song was written by Roger Taylor it's probably not a terribly deep euphemism. The best part about the song is that Taylor locked himself into a cupboard until the rest of the band agreed to make the song the B-side to the "Bohemian Rhapsody" single. He did that because although singles were sold based on the A-side content, the writers of the A-side song and the B-side song shared the royalties earned on the single.
Similar to "Christie Lee" is "Bodhráns on the Brain" by Black 47.
"I told her to skin a goat/And take it back to my place ... we hammered away relentlessly until the dawn" indeed.
The Bryan Adams song "Summer of 69" is not about the year 1969.
One of the infamous deal-breakers that caused Heart to leave their first label, Mushroom Records, was an deliberately controversial ad for Dreamboat Annie they published without consulting the Wilson sisters, with double entendres insinuating they were lesbian sister lovers. The headline read "It Was Our First Time". This embarrassment, and the heckling they endured not long after by chauvinistic male executives at a label showcase, were the inspiration being one of their toughest rockers, "Barracuda" (referring to the "barracuda" tour jackets the hecklers wore).
Every single one of Blood On The Dance Floor's songs have these kinds of jokes. Every goddamn one of them. No exceptions. And none of them are at all subtle.
Are You Experienced from The Jimi Hendrix Experience is one where two meanings are sexual; "experienced" could be either a adjective or a verb.
Brian Hyland's Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini sounds like it's about a bashful teenage girl in said outfit. It was actually about Brian's 2-year-old (at the time) daughter.
"Fish" by Craig Campbell has a bunch, including "I had everything we needed in the bed of my truck / Turns out my baby loves to... / Fish, she wants to do it all the time", "And I love how she looks with that rod in her hand", "With her hooks and her sinkers and her pretty pink bobbers", etc.
Swingin' in there 'cause She wanted me to feed her So I mixed up the batter And she licked the beater!
Judge Dread, the white British reggae and ska artist, was particularly known for his double-entendre-laden lyrics. For example, one of his big hits is "Up With the Cock." His lyrics are so indirectly dirty that he holds the world record for most banned songs by an artist, eleven, in spite of not using any obscenities.
A word has to be put in for The WurzelsCombine Harvester which starts with the immortal words 'I drove my tractor through your haystack last night'' ... And just gets worse from there.
Panic! At the Disco's song, "New Perspective" is about oral sex, rather than gaining a new leash on life.
Stop there and let me correct it I wanna live a life from a new perspective You come along because I love your face and I'll admire your expensive taste
Roy Zimmerman's "Ted Haggard is Completely Heterosexual" has a few of these, with not-all-that-veiled jokes about Haggard's sexuality.
Husker Du's album title Land Speed Record is a rare non-sexual example, referring both to the ferocious speed of the material and the band's fondness at the time for amphetamines.
"Downtown" by Lady Antebellum is about a woman's desire to have oral sex performed on her by her partner:
I don't know why you don't take me down town like you got anywhere better to be Talk it up and give me the go round, round like a good time tease I'm only counting on your cancellation When I should be counting on you at my door Don't forget about how we went around I don't know why you don't take me downtown anymore