%% Image and caption selected by Image Pickin' thread: http://tvtropes.org/pmwiki/posts.php?discussion=1330893724096120100
%% Please do not change or remove either without starting a new thread.

%% Zero Context examples are not allowed on wiki pages. Please add context before uncommenting.
[[caption-width-right:300:♪ Morning in Paris, the city awakes\\
to the bells of Notre Dame... ♫]]

->''"Up there, high, high in the dark belltower, lives the mysterious bellringer. Who is this creature? What is he? How did he come to be there? Hush, and Clopin will tell you. It is a tale, a tale of a man... and a '''monster'''... "''
-->-- '''Clopin'''

Entry #34 in the Franchise/DisneyAnimatedCanon, released in 1996. It's theoretically based on Creator/VictorHugo's [[Literature/TheHunchbackOfNotreDame novel]] of the same name, but has more in common with the [[Film/TheHunchbackOfNotreDame 1939 film]].

In medieval France, the corrupt and sinister Judge Claude Frollo once uncovered several Gypsies trying to enter Paris with an unidentified and bundled object. One of them attempted to escape with it and Frollo ran her down, indirectly causing her death. It is then that Frollo realized that the woman was carrying a baby, and, disgusted by the infant's deformity, nearly drowned the child in a well when he is stopped by the [[GoodShepherd Archdeacon]]. He warned Frollo that his sin of spilling innocent blood must be atoned for and has Frollo care for the child as his own. Frollo reluctantly agrees to do so, with the stipulation that the child - whom he names Quasimodo ([[MeaningfulName meaning "half-formed"]]) -- reside in the bell tower of the cathedral, never to be seen by public eyes.

Twenty years pass, and the kindhearted but isolated [[GentleGiant Quasimodo]] strongly desires to have [[IJustWantToBeFree one day of freedom]] beyond the walls of Notre Dame to see the Feast of Fools festival and decides to act on his decision after receiving encouragement from his animate stone gargoyle friends Victor, Hugo, and Laverne. However, when Quasimodo's identity is revealed, he is publicly scorned and humiliated by the townspeople until he is rescued by the beautiful and strong-willed Gypsy [[ActionGirl Esmeralda]], who has no tolerance for Frollo's ill-treatment of Quasimodo and her people. This encounter results in an unlikely friendship between Quasimodo and Esmeralda (as well as a [[AllLoveIsUnrequited one-sided love]] from Quasimodo to Esmeralda) and an [[LoveMakesYouEvil unsettling]] [[VillainousCrush lust]] in Frollo, whose inner conflict over his piety to God versus his growing sexual lust for Esmeralda drives him to hunt the Gypsy girl down with the intention of [[IfICantHaveYou having her for himself or not letting anyone have her at all]]. With Esmeralda and the other Gypsies' lives in danger, and the whole city of Paris in the grip of Frollo's corruption, Quasimodo must team up with Esmeralda's love interest [[KnightInShiningArmor Captain Phoebus]] in order to stop Frollo and rescue Esmeralda.

In 1999, the film was translated into German for a stage musical, ''Der Glöckner von Notre Dame''. A ''second'' English-language stage adaptation of the film, with a book by Peter Parnell rather than the one James Lapine wrote for the German production, debuted at San Diego's La Jolla Playhouse in 2014. This was restaged at New Jersey's Paper Mill Playhouse the following year, though plans for a Broadway transfer were cancelled (although a cast recording has been made.) Both musicals backtracked from Disney's take towards the original novel, and are thus DarkerAndEdgier to varying extents.

In 2002, a direct-to-video sequel was made.

!!This film provides the following tropes:


* AbsurdlySharpBlade: Near the climax, Frollo pursues Quasimodo and Esmeralda on the balcony of Notre Dame, all the while cleanly slicing through ''stone gargoyles'' attempting to slash at them.
* ActionGirl: Esmeralda openly insults Frollo and his guards, can outrun and outwit many soldiers (even if they ''are'' rather stupid), and is shown to have better-than-average combat skills when she fights Phoebus. While at the stake facing ''certain death'', she ''spits'' onto Frollo's face and gives him a KubrickStare when he says, "Choose me or the fire."
* AdaptationalAlternateEnding: Disney's version heavily changes the ending of the story - in the original Victor Hugo novel, [[spoiler:both Esmeralda and Quasimodo die; in the Disney version, they both survive, Esmeralda marries Phoebus and Quasimodo gets accepted by the society. Interestingly, the ScreenToStageAdaptation of the Disney movie brings back the DownerEnding.]]
* AdaptationalBadass: Original!Esmeralda was a docile DamselInDistress. Disney!Esmeralda is an ActionGirl and a DefiantCaptive.
* AdaptationalComicRelief: In the novel, Clopin is an extremely violent and roguish AntiHero. Here, he's a colorful, over-the-top jester (''outside'' of the Court of Miracles, at least).
* AnAesop: There is a difference between laughing with a crowd and being laughed at by a crowd. While Quasimodo is initially being celebrated by the crowd during "Topsy Turvy", the lyrics of the song are a StealthInsult, saying "once a year the ugliest will wear a crown". It takes only one thrown tomato to turn the crowd to acts of sadism.
** Averted in the stage show:
--> "And we wish we could leave you a moral/Like a trinket you hold in your palm."
* AdaptationalHeroism:
** Original!Quasimodo was not the tenderhearted {{Adorkable}} boy seen in this movie.
** You'd never see the book version of Phoebus jump into a burning building to save a family condemned by his boss.
* AdaptationPersonalityChange: Many characters had vastly different personalities in comparison with the original novel.
** Hugo's Esmeralda was, for most of the time, naive, trusting and clueless, especially when it came to Phoebus. Disney's Esmeralda is a smart, snarky, resourceful ActionGirl.
** Hugo's Phoebus was a drunkard, a womanizer and a liar, who swore like a sailor. His interest in Esmeralda was only sexual. Disney's Phoebus is a noble, heroic and benevolent young warrior, who is genuinely in love with Esmeralda.
** Hugo's Quasimodo was mostly rude, angry and implied to be mentally challenged. He only showed kindness to Frollo and Esmeralda. Disney's Quasimodo is shy, demure and gentle.
** Hugo's Frollo was a TragicVillain: he was a genuinely good guy, who had to take care of his young orphaned brother, while being a young orphan himself. He willingly took in and raised Quasimodo. His StartOfDarkness began only when he fell in love with Esmeralda, because of his repressed sexuality. He most certainly never aspired to be a KnightTemplar; he preferred purifying himself and devoting himself to science (or whatever passed for science those days). Disney's Frollo is evil long before he even met Esmeralda, he has absolutely no FreudianExcuse and his only redeemable moment throughout the entire movie is a short "God have mercy on her..." at the end of ''Hellfire'' which is then immediately followed by adding that if she won't be his, then she could burn in Hell.
* AdaptationalVillainy: Claude Frollo, while he becomes an AntiVillain, is a much more sympathetic character in the original book. To begin with, he voluntarily takes in Quasimodo in the beginning instead of killing his mother and threatening to hurl him down a well.
* AdaptedOut: Gringoire, Jehan Frollo, Fleur-de-Lys, Sister Gudule, and the King of France are all absent from this version. Gringoire's role in the plot has been mostly given to Phoebus, so he's not really necessary, but the King is an odd omission; without him, Frollo seems to have dictatorial powers over Paris.
* AddedAlliterativeAppeal: "Why her smoldering eyes still scorch my soul?"
* AdultFear: Imagine being killed by someone who's notoriously racist against your kind, and your child that you were trying to save is almost drowned by said psychopath, and is then left in the man's care for the next 20 YEARS. In almost complete isolation. Kyrie Eleison indeed.
* AerithAndBob: Victor, Hugo, and... [[Music/TheAndrewsSisters Laverne]]. The first two double as ShoutOutThemeNaming, to Creator/VictorHugo obviously.
* AgeLift: Frollo was only in his mid-thirties in the book yet seems to be around 20 years older in the movie. Esmeralda also seems to be in her mid-twenties rather than 16 like in the book.
* AllLovingHero:
** The Archdeacon extends the same compassion to the despised and the deformed as he does to everyone else.
** Esmeralda. If her "God Help the Outcasts" doesn't fill the bill, her treatment of Quasimodo does.
* AllYourBaseAreBelongToUs: Frollo and his men invade the Court of Miracles after he tricks Quasimodo into revealing its location.
* AmazonChaser: Watching Esmeralda single-handedly trounce Frollo's guards makes Phoebus exclaim "What a woman!" despite nearly being decapitated.
* AngryMobSong: "The Court of Miracles" is sung primarily by Clopin, but it includes all the people in the court, and they're all angry. at Frollo.
* AnnoyingArrows: Averted. It only takes ''one'' shot to down the armoured Phoebus. Though not long after being downed by the arrow (approximately a couple hours in movie-time), he's fine. The wound was cleaned, stitched and still hurts him, but he's using the affected muscles to catch falling hunchbacks with no difficulty.
* AntiHero: Esmeralda is a KnightInSourArmor (jaded but still acts heroically) while Clopin is an UnscrupulousHero (happy to kill perceived enemies).
* AnyLastWords: Clopin, while preparing to hang Quasi and Phoebus in a parody of Frollo's court. When they can't say anything due to being gagged, he quips, "That's what they all say."
* ApologeticAttacker:
** Phoebus tries one on Esmeralda, while she has him pinned to the floor with his own sword at his throat, and it works!
** Victor goes so far as to cover his eyes as he drops a single brick on a soldier from atop the cathedral. After it impacts, he peeks over the edge of the cathedral and calls down an apology.
* ArchnemesisDad: Frollo takes Quasimodo in after killing his mother, but only to save his own soul and keep Quasi for later use. He raises his erstwhile son to hate himself, tells him that the world is dark and cruel, and keeps him locked away from sight to prevent being associated with him. When Frollo's atrocities increase, Quasi realizes the man's evil, [[CallingTheOldManOut calls him out on his abusive parenting]], and saves Esmeralda from the murderously insane Frollo.
* ArcWords:
** "Sanctuaryyyyyy!!!!!!!"
** "Who is the monster, and who is the man?"
** "Kyrie eleison, kyrie eleison..."
* ArtisticLicenseHistory: The real Notre Dame de Paris has never - at any point in its history - had steps leading up to the front doors. Presumably the film makers added them for dramatic effect (and so it would be easier to Frollo to 'accidentally' kill Quasimodo's mother when she falls and breaks her neck.)
** To be fair, the depiction of the medieval Paris is full of inconsistencies, most of which would only be picked up by historians (e.g. a bridge represented next to Notre-Dame built decades after the action of the film takes place). However, even a layman could object to the presence of tomatoes and tobacco pipes (two products from South America) in France ten years before discovery of the New World.
* AscendedExtra: Quasimodo, the titular Hunchback of Notre Dame, is much more important to the plot than in the original.
* AsTheGoodBookSays: [[AvertedTrope Averted]]; Frollo's FamousLastWords sound like a verse from TheBible, but aren't. However, it does bear resemblance to Isaiah 11:4 ("[A]nd he shall smite the earth with the rod of his mouth, and with the breath of his lips shall he slay the wicked").
* BarefootPoverty: Esmeralda, as a poor Gypsy woman. At the end of the film, she falls in love with the clearly wealthy-looking Captain of the Guard, Phoebus, and in the sequel she inexplicably gains shoes.
* BatmanGambit: How Frollo finds the Court of Miracles. He knows that Quasimodo is in league with the Gypsies and so likely has a means of communicating or meeting with them. Thus, he tells him that his men have found the court and that he plans to advance upon it in the near future. This is a lie, as Frollo has no idea where the court is. Quasi buys it, though, and heads off to warn the Gypsies. Frollo covertly follows him and ends up discovering the court.
* BecauseYouWereNiceToMe: Esmeralda's act of kindness of defending Quasimodo during the Feast of Fools is what makes Quasimodo fall for her.
* BewareTheNiceOnes: Quasimodo is sweet and kind, almost to a [[ExtremeDoormat fault]], but if you cross him, look out; he can break steel chains.
* BewareTheSillyOnes: Clopin acts like a silly jester on the streets, but underground, in his own territory, he is a terrifying authority figure.
* BigBad: Judge Claude Frollo is responsible for all the movie's conflict because of his racism, misogyny and tyrannical attitude.
* BigDamnHeroes:
** The Archdeacon steps in to save Baby!Quasimodo from drowning.
** Quasimodo rescues Esmeralda in the climax.
** Phoebus for that family in the burning building and also when he rescues Quasimodo from falling.
* BigGood: The Archdeacon opposes Frollo and keeps him to a certain degree of civility.
* BigNo: Happens four times times in the climax. Played completely straight, given the horrific circumstances behind it. The first time is by [[spoiler:Quasimodo when Frollo lights the stake to burn Esmeralda alive,]] the second by the people of Paris when they rebel against Frollo, the third when Frollo falls to his well-deserved death, and the fourth when [[spoiler:Esmeralda loses grip on Quasimodo's arm and he only escapes falling to his death thanks to Phoebus.]]
* BigShutUp: Frollo yelling "Silence!" towards Esmeralda for calling him out for his cruelty. [[KirkSummation She counters this with "Justice!"]]
* BigWordShout: '''''"STOP!"''''' cried the Archdeacon!
* BilingualBonus:
** During the "Hellfire" sequence, the OminousLatinChanting in the background is the Confiteor, a prayer Catholics recite during the Mass that is an admission of guilt and wrongdoing. Most awesomely, when Frollo is proclaiming that it's not his fault, what the red hoods of doom chant back at him is "mea culpa" and "mea maxima culpa", Latin for "through my fault" and "through my most grievous fault" respectively. As if that isn't enough, the portion of the Confiteor that actually asks for forgiveness is omitted.
** During "Hellfire", when Frollo says "God have mercy on her/God have mercy on me", you can hear the "kyrie eleison", Greek for "Lord, have mercy", being chanted in the background.
** The Latin lyrics to the piece that plays as Frollo hunts Quasimodo and Esmeralda is "dies irae" or "Day of Wrath", which is about how the [[{{Foreshadowing}} wicked shall be punished in eternal fire]]. It gets even better when you realize that the same lyrics were used in the score much earlier while Frollo was chasing down Quasimodo's mother, as in both cases, he is using his religious fundamentalism to justify hunting down an innocent who is trying to protect someone who cannot defend themselves.
*** On top of that, the only lines sung when Frollo chases Quasimodo's mother, right after we're informed he's a judge, are:
---->''Dies irae! Dies illa (The day of wrath, that day)''\\
''Solvet saeclum in favilla (Will dissolve the world in ashes)''\\
''Quantus tremor est futurus (How much tremor there will be)''\\
''Quando iudex est venturus (When the judge will come)''
** 'Notre Dame' is ''not'' the name of the cathedral. The full name is Cathédrale Notre-Dame de Paris -- often translated as "Our Lady of Paris" or simply "Notre Dame Cathedral," where Our Lady (Notre-Dame) refers to the Virgin Mary. This means that the Archdeacon's line about 'the very eyes of Notre Dame' [[WildMassGuessing might]] refer to the 'eyes of Our Lady', the Virgin Mary, rather than the GeniusLoci of the cathedral. A statue of Mary is featured quite prominently in the accompanying animation sequence. This is brought up again and made even more brilliant with Phoebus' line "and now [Frollo] has declared war on [Our Lady] herself!" As in Frollo, the fundamentalist hypocrite longing for the extermination of another race of human beings, has declared war on the principles of Christianity itself. [[note]]It is worth noting that in the novel it was heavily implied by the author that the cathedral was a character itself. It is quite possible that the movie characters refer both to Mary and the cathedral itself.[[/note]]
** The lyrics of the choir in [[http://www.youtube.com/watch?v=Bv2oMrwR2ug Sanctuary]], the score that plays while Quasimodo saves Esmeralda from being burned at the stake, match up perfectly with the animation when translated - such as "Libera me Domine de morte aeterna" ("Free me, Lord, from everlasting death") while Quasimodo is breaking from the chains holding him; "Sit sempiterna gloria" ("May You always be praised") as he climbs Notre Dame while carrying her; and "Sanctus, sanctus in excelsis" ("Holy, holy, in the highest") as he claims sanctuary. The entire set of verses as he's freeing Esmeralda is a prayer for strength and salvation:
--->''O, salutaris hostia ("Oh saving victim")''\\
''Quae caeli pandis ostium ("Who expand the door of heaven")''\\
''Bella premunt hostilia ("Hostile wars press us")''\\
''Da robur, fer auxilium ("Give us strength, bring us aid")''
::: "O Salutaris Hostia" has the verse rendered in English as:
--->''O saving Victim, open wide''\\
''The gate of heav'n to us below,''\\
''Our foes press on from ev'ry side;''\\
''Your aid supply, your strength bestow.''
* BirdsOfAFeather: Played with. Esmeralda and Quasimodo bond over their mutually restricted freedom, and while Esmeralda and Phoebus are both sarcastic and rebellious to do what is right, Phoebus doesn't rebel against Frollo until Frollo attempts to burn down a house with an innocent family still inside.
* BlackComedy: A visual example during "A Guy Like You". When Hugo sings the lines "Those other guys that she could ''dangle''...", we see three little ragdolls getting ''hanged''.
* BlatantLies:
** "Besides, knights in shining armour aren't her type", and the entire song following that line.
** Many of Frollo's lies are quite blatant to the audience, but some of them are blatant to Esmeralda as well. Consider the scene where he sniffs her hair.
-->'''Esmeralda:''' What are you doing?\\
'''Frollo:''' I was just imagining a rope around that beautiful neck.\\
'''Esmeralda:''' I know what you're imagining.\\
'''Frollo:''' ... Such a clever witch. So typical of your kind to twist the truth, to cloud the mind with unholy thoughts.
* BloodlessCarnage: Averted. When Frollo kicks Quasimodo's mother, she falls to the steps unmarked. As the Archdeacon cradles her body, however, we see the snow splattered with blood.
* BloodstainedGlassWindows: No bloodier than you'd expect for a Disney animated film, but Phoebus lampshades it in his fight with Esmeralda inside the cathedral's sanctuary: "Candlelight, privacy, music! Can't think of a better place for hand-to-hand combat!" It's done ''much'' more seriously in the climax, as Frollo and Quasimodo fight on the parapets of the bell tower.
* BodyHorror: Victor drops a brick on a guard's head during the climax. The results aren't pretty.
* {{Bookends}}: "Bells of Notre Dame" is played at the beginning of the film, and its reprise plays at the end of the film.
* {{Bowdlerise}}:
** On the ''WesternAnimation/DisneySingAlongSongs'' [[Creator/WaltDisneyHomeVideo video]] released to promote this movie, the title track is a sanitized version of "Topsy Turvy". Not only did they cut out Esmeralda's dance, but they also rewrote the lyrics so that Clopin wouldn't mention devils and beer. See for yourself [[http://disney.wikia.com/wiki/Disney_Sing_Along_Songs:_Topsy_Turvy here]].
** The film straddles the line in between playing this straight and averting this. On one hand, Phoebus is a good guy, the gargoyles are comic relief, Esmeralda is old enough to make Phoebus' attraction to her natural, and there's a happy ending. On the other, gypsies are portrayed as both entertainers and cutthroats, genocide is implied, and Frollo's sexual desires conflicting with his religious beliefs is only downplayed enough to make it as a family film.
** Played straight with the racial politics of the film. The gypsies of the novel are mostly dangerous & violent, though Clopin is protrayed sympathetically, and the Sack Woman does not hate gypsies for taking Esmeralda away from her after they reunite. This film, on the other hand, is explicitly anti-racist.
*** Also, while Quasimodo's humiliation occurred in the book, there it was semi-justified as he had tried to kidnap Esmeralda and not because the crowd was just sadistic. Also, he was actually ''whipped'' as punishment, and Esmeralda's kindness involved giving him water after he begged for it.
* BrainsEvilBrawnGood: Quasimodo is strong and good, Frollo is clever and evil.
* BrickJoke: "I'm free! I'm free! ... ''Dang it''."
* ButIWouldReallyEnjoyIt: Frollo's sexual frustration.
* CallingTheOldManOut: During the film's climax in the cathedral, Quasi says to Frollo, "All my life you've told me that the world is a dark, cruel place, but now I see the only thing dark and cruel about it is people like YOU!"
* CantKillYouStillNeedYou: Frollo spares Quasimodo, though the main reason Frollo can't kill Quasimodo as a baby is that the Archdeacon caught him trying used his fear of God to get him to adopt Quasimodo. He does, however, state that he's going to find a use for the "foul creature".
* CatchAFallingStar: Phoebus manages to catch [[spoiler:Quasimodo as he]] falls off of Notre Dame and haul him inside. It's an especially egregious example of snatching someone out of midair since he'd gotten shot through the ''shoulder'' the day before.
* CerebusCallback: During "A Guy Like You", a borderline DisneyAcidSequence, the gargoyles give Quasimodo the Ace of Hearts card while they're trying to convince him that Esmeralda would love him. Shortly after this when he sees Esmeralda kissing Phoebus, he pulls out the card and rips it up.
* CharacterDevelopment:
** Quasimodo goes from passive to more assertive with his oppressive guardian.
** Phoebus is initially the pawn who loathes injustice. In the opening, he discreetly rescues Esmeralda from arrest but never quite speaks out against injustice, and Frollo refuses to let Phoebus intervene when Quasimodo undergoes public humiliation. It's when he witnesses Frollo's attempted execution on an innocent family that Phoebus starts intervening explicitly from then on.
** Esmeralda initially starts off as confrontational and distrustful due to the hardships she and the other gypsies have endured, but her interactions with Quasimodo and Phoebus gradually soften her and teach her how to trust.
** Frollo, while always evil, is initially much more collected and methodical. He also shows at least some fear of God and respect for the institution of the Church, as when the Archdeacon reminds him that God knows of his sins as much as he denies it and this spurs him to adopt Quasimodo out of that fear. By the end of the film he's so angry and insane that he has no problems burning down the homes of random citizens, attacking Notre Dame, and throwing the archdeacon off a staircase.
* ChekhovsGun:
** The amulet that Quasimodo receives from Esmeralda. It is a perfect map of Paris with the Ile de la Cite (the island in the River Seine where Notre Dame stands) as the reference point. Phoebus and Quasimodo uses it to locate the Court of Miracles in Cimetière du Père-Lachaise (the still-standing graveyard in Paris' 20th district).
** That gargoyle head that breaks under Frollo's feet during the climax? He sliced halfway through it a few moments earlier.
* ChildrenAreInnocent: The little girl who hugs Quasimodo at the end, plus infant Quasimodo.
* ChivalrousPervert: Phoebus. He's [[GettingCrapPastTheRadar obviously very excited by Esmeralda's dancing]] (and much less ashamed of his excitement than Frollo is), but is able to look beyond just that to her kindness and spirit.
* ChromaticArrangement: It's subtle, but Laverne is slightly reddish, Victor is slightly bluish, and Hugo is slightly greenish.
* ChurchgoingVillain: Frollo will recite prayers while plotting genocide.
* ClimbingClimax: The FinalBattle takes place on Notre Dame, from the main hall all the way to the top of the tower.
* ColdBloodedTorture: During Phoebus' introduction, Frollo explains to him that the previous captain of the guard was "a disappointment." Cue a whip crack in the background as a man screams in agony as Phoebus looks disturbed and Frollo just smirks.
* ColorCodedForYourConvenience:
** Frollo and his soldiers (with the exception of Phoebus) are all in very dark, faded colors, while Quasimodo, Esmeralda, Phoebus, and any given Gypsy wear much brighter clothing. At the end, Phoebus and Esmeralda are both wearing white, which stands for purity and is the customary color to get married in.
** In the sequel both of Madellaine's outfits match Quasimodo's-LoveInterest ahoy!
* ComicallyMissingThePoint: The gargoyles ward off the soldiers with the help of a catapult. Instead of shooting projectiles with it, they throw the entire thing at the enemy. It misses the soldiers, falling face down.
-->'''Victor:''' [[LampshadeHanging Are you sure that's how it works?]]\\
([''the catapult deploys, flipping over and hitting the guards; smashing them like a mousetrap'')\\
'''Hugo''': Works for me!
* CompanionCube:
** A minor example, but the bells are this to Quasimodo. He has names for all of them, and refers to them in terms of gender. [[note]] The bells really do have names in real life. [[/note]]
** Assuming that the gargoyles are truly in Quasimodo's imagination, then they'd be these too.
* CompositeCharacter:
** {{Inverted|Trope}} with Frollo; see DecompositeCharacter below.
** Played straight with Phoebus, who gains his good traits from Pierre Gringoire, an AuthorAvatar character who appeared in the book.
* CompressedAdaptation: The film compresses a really big book into an animated film not much longer than an hour in length, and several characters--Gringoire, Jehan Frollo, Fleur-de-Lys, Sister Gudule, and the King of France are all AdaptedOut.
* ConspicuousCG: The crowd in the ending zoom-out.
* ConspicuouslyLightPatch:
** The ant-infested tile Frollo picks up.
** Played with in that the gargoyles, when they aren't "alive", appear as matte paintings, but then look like this when they come to life.
* CoolHorse:
** "Achilles! ''[[JustForPun Heel!]]''" According to the DVDCommentary, when asked "What's the horse's name?", someone finally answered "Achilles!" just for this joke.
** Frollo's horse. When Phoebus steals it, he tells the guards to avoid hurting the horse in the process of taking down Phoebus.
* CrowdSong: "Topsy Turvy" is the official song of the Festival of Fools and so is song by many people there.
* CurseCutShort:
-->'''Esmeralda:''' You sneaky son of a...\\
'''Phoebus:''' Ah ah ah, watch it. We're in a church.
* DarkIsNotEvil: [[DarkIsEvil Unless you're Frollo.]]
* DarkerAndEdgier:
** This film is ''much'' darker than the standard Franchise/DisneyAnimatedCanon fare. The villain sings about ''lusting after a woman and burning her alive if he can not have her''. It is even worse in the stage version, where [[RecursiveAdaptation Esmeralda dies]], which premiered in Berlin in German and New Jersey in English. Much more jokes for the benefit of the adults were added, along with sexual innuendo, and Esmeralda's hideout being a tavern and her protector being the madam of the whorehouse (who was specifically referred to in the lyrics as "the madam, that whore".)
** The villain's a genocidal racist (as demonstrated when he crushes ants beneath a stone block while talking to Phoebus to show what he will do when he finds the Gypsies) and telling the Gypsies he's just rounded up, "There'll be a little bonfire in the square tomorrow, and you're all invited to attend."
** Strangely, despite the movie's {{Disneyfication}}, it's actually ''darker'' than the novel in a few respects; gypsy genocide isn't on the agenda at all in the book, nor is Paris burned. Also, Disney changed Quasimodo's public humiliation from simple corporal punishment to the whim of a sadistic crowd.
* DarkReprise: {{Inverted|Trope}} by multiple melodies simply by switching between major and minor keys:
** The opening fanfare is in a minor key, as is "Hellfire", but the endings of "The Bells of Notre Dame" and "Heaven's Light" are in parallel and relative major keys respectively.
** The melody of the verses of "Out There" is repeated throughout the score in a minor key. (See Leitmotif for a list of instances.)
*** Whether or not this is an inversion, or if the trope is played straight here, could be debated, as the minor key is heard on the soundtrack twice before the actual song.
* DeadMansChest: Quasimodo hides the wounded and unconscious Phoebus under the table when Frollo comes to visit unexpectedly.
* DeadpanSnarker:
** Phoebus is more clearly a snarker than Esmeralda since most of her snark is from her banter with Phoebus earlier in the movie. He's been known to snark outside of that moment:
--->'''Quasimodo:''' Is this the Court of Miracles?\\
'''Phoebus:''' Offhand, I'd say it's the Court of Ankle-Deep Sewage.
** Frollo gets in some zingers.
--->'''Frollo:''' [[EvilGloating And look what else I've caught in my net]]: Captain Phoebus, back from the dead. Another miracle, no doubt. I shall remedy that.
* DeathByCameo: In one of the shots of the streets of Paris during the song "Out There", Pumbaa from ''Disney/TheLionKing'' is being carried off on a pole, presumably to be roasted.
* DeathByRacism: In a ''Disney Film'', of all places. Frollo [[spoiler: attempts to kill Esmeralda, believing that she's guilty of witchcraft because of her Romani roots, and ultimately dies in the process.]]
* DeathByIrony: ''"And He shall smite the wicked and plunge them into a fiery pit!"'' [[spoiler: Ask and ye shall receive...]]
* DeathGlare: The statues that adorn Notre Dame Cathedral give one to Frollo during the "Bells of Notre Dame."
-->'''Archdeacon''': But you ''never'' can run from nor hide what you've done from the ''eyes''! (Points up at Notre Dame) The very eyes of Notre Dame!
* DecompositeCharacter: Disney decomposed Frollo. The book's conflicted Archdeacon Claude Frollo is split into the good Archdeacon and the evil Justice Minister Claude Frollo.
** Averted in the English stage show, where Frollo is once again Archdeacon. [[spoiler: He promptly used the position to order soldiers to negate sanctuary for Esmeralda.]]
* DeconstructedTrope:
** The movie takes MadonnaWhoreComplex and shows how unrealistic it is to look at a woman from either standard. Frollo sees Esmeralda only as a Whore who represents lust and danger (plus he hates Roma), so he decides that he shall have her or she'll be burned to death; on the other hand, Quasi sees her solely as the super kind and gentle Madonna who saved him, thus he idealises her. Therefore both of their views are very inaccurate... and this is the reason why she was drawn to Phoebus: because ''he saw Esmeralda's true personality and went beyond these strict definitions''.
*** This is Lampshaded by Esmeralda who is drawn to the Madonna because she sees her as a strong, caring woman who's seen her share of hardship - someone she can relate to, not a paragon.
* DefiantCaptive: When Esmeralda is captured and about to be burnt at the stake, she [[SpitefilSpit spits at Frollo]]. She's DefiantToTheEnd.
* DemotedToExtra: Downplayed in the case of Esmeralda. While she is still plays a pivotal role in the story, the movie clearly gives Quasimodo more focus than her, even dropping Esmeralda's subplot of finding her mother.
* DescentIntoDarknessSong: Frollo's "Hellfire" song counts as a DarkReprise of "Heaven's Light", but it also counts alone as this trope. A sacred chant leads into the song, With composure, Frollo sings to the Virgin Mary, "You know I am a righteous man..." and then the song gets darker as he sings of how desire for Esmeralda tempts him. The accompanying chants turn {{ominous|LatinChanting}}, and Frollo pictures himself condemned. He concludes: "She'll be mine or she will burn!"
* DeusExMachina: A literal case: Frollo spends the movie on a reign of terror that he proclaims to be for a higher cause, sings a VillainSong that's an inverted confession of sins, and assaults a cathedral. When he's swinging a sword and raving about how He shall cast down the wicked, the gargoyle under his feet roars at him and breaks off.
* DidNotGetTheGirl: Quasimodo. He's not bitter about it. In fact, he's encouraging Esmeralda and Phoebus at the end.
* DisguisedInDrag: Hugo briefly during the "A Guy Like You" song.
* DisneyDeath:
** Esmeralda is briefly unconscious due to smoke inhalation, not dead.
** In the stage version, [[CharacterDeath it's not so Disney]]. She revives long enough to look at him and weakly say, "I... think you are a good friend", then dies, probably from carbon monoxide poisoning. All in all, the [[YankTheDogsChain chain-yanking]] makes it ''worse'' than in Hugo's novel.
* DisneyFication: You wouldn't think Victor Hugo's original novel would be suitable fare for a children's movie. Despite being one of Disney's darkest movies, they still made it much nicer than the book Esmeralda was nicer, Phoebus was nicer, Quasimodo was nicer, there was a clearer line between good and evil, and the good guys didn't all die or kill themselves at the end. Even more strangely, the Disney movie is actually ''darker'' than the novel in a few respects; gypsy genocide isn't on the agenda at all in the book, nor is Paris burned. Also, Disney changed Quasimodo's public humiliation from simple corporal punishment to the whim of a sadistic crowd.
* DisneyVillainDeath: Frollo falls, all right, but it's given a fair bit more detail than the usual DisneyVillainDeath. You see the splash as Frollo falls into the pool of molten lead below him. In the musical, [[RecursiveAdaptation Quasimodo throws him (as in the book)]]. In the film, Quasimodo would be an heroic example if Phoebus hadn't caught him.
* DistressedDude: Phoebus and Quasi find the Court of Miracles. They are BoundAndGagged by Clopin and the Gypsies, mistaking them for "Frollo's spies", leaving Esmeralda to save them from an untimely execution.
* DoesThisRemindYouOfAnything:
** [[{{Theatre/Tosca}} The Lawful Evil antagonist singing about how much he desires the resident sensual brunette? In a church? With the sound of people praying in the background?]]
** The climax, where [[Disney/TheLionKing the antagonist corners the hero high above the flames and tells him he was lying all along about the protagonist's parents death, and that he was responsible for it.]]
** [[Theatre/SweeneyToddtheDemonBarberofFleetStreet An elderly judge confessing his lust for a young woman in an intense musical number. The phrase "mea culpa" is also present.]]
* DoorstopBaby: Frollo accidentally (but remorselessly) kills his mother and is forced to adopt Quasimodo by the Archdeacon.
* DownplayedTrope:
** Although Quasimodo is explicitly stated to be a gypsy in the opening scene, this fact is never brought up again, despite gypsies being central to the plot.
** The movie barely references its French setting, perhaps to distance itself from ''Disney/BeautyAndTheBeast''.
* EliteMooks: Frollo's visored soldiers, who may be one of the most competent Disney henchmen in history. Compared to Frollo's more thuggish non-visored soldiers, these semi-faceless soldiers are far more menacing, skilled, and overall, very competent, and have effectively carried out Frollo's will, such as ambushing and arresting gypsies, searching for gypsy hiding places, shooting down Phoebus without hitting Frollo's horse, burning down most of Paris, and even when they were defeated by molten lead in the climax, they managed to damage the cathedral doors just enough so that Frollo can go after Quasimodo. The worst part is that there are a thousand of them at Frollo's command.
* EstablishingCharacterMoment:
** The very first thing we see Frollo do is murder an innocent woman and attempts to drown her defenseless child.
** When Quasimodo is fully revealed on-screen, the first thing he does is demonstrates his compassion for living things and a longing to get out of the bell tower by helping a little bird learn how to fly. He turns and we see this playful smile on his face, and says hello to the baby bird in a gentle and approachable voice. The DVD commentary stated that because this scene was the first moment on-screen where you see Quasi's face, it was ''very'' important in making sure that the audience was rooting for Quasimodo right off the bat with this moment, and it makes Frollo's emotional abuse of Quasi all the more repulsive.
* EveryoneHatesMimes: Victor has to stop Hugo from spitting on one during the Feast of Fools (although it's more to console Quasi than to protect the mime).
* EvilEyebrows: Frollo has these, which make him look rather creepy.
* EvilHasABadSenseOfHumor: For being one of Disney's most darkest, and most serious villains, Frollo ''does ''show a sick, cruel, and twisted sense of humor. Most notably when he is supervising someone being whipped, just as his new Captain of the Guard Phoebus arrives.
-->'''Frollo''': You know, my last Captain of the Guard was um...a bit of a disappointment to me.\\
''[whipcrack follow by a loud scream of pain; Phoebus cringes while Frollo smirks]''\\
'''Frollo''': Well, no matter. I'm sure you'll...''whip'' my men into shape. [''grins'']\\
'''Phoebus''': Well...th-that's a...tre-tremendous honor, sir...
* EvilMinions: Frollo's regular, non-visored guards, in contrast to the [[EliteMook visored soldiers.]]
* EvilSoundsDeep: Frollo with the cold, baritone voice of Creator/TonyJay.
* EvilPlan: Initially Frollo was all about arresting and killing the Gypsies. After the Festival of Fools this is expanded to include possessing Esmeralda.
* {{Expy}}: There's a good chance someone on staff either REALLY liked or worked on ''WesternAnimation/{{Gargoyles}}''. Clopin to Puck, Esmeralda looked a LOT like Elisa, and the prevalence of gargoyles in both works.
* EvilVersusEvil: While Frollo is clearly a genocidal maniac it is interesting to note that the gypsies themselves live in the Court of Miracles (where all the criminals in Paris hang out) and try to murder Quasimodo and Phoebus for discovering them, all the while singing a jaunty tune about their crimes and deception. On the other hand, some of the lines in "Court of Miracles" imply that the gypsies are doing to (what they think are) Frollo's spies what Frollo did to them. So the lines about how criminals live in the Court might have been their way of mocking Frollo's prejudices, along the lines of "You say we're criminals? We'll give you criminals."
* ExtremeOmniGoat: Djali, though this trope was not used in the original.
* FamilyUnfriendlyDeath: [[spoiler:Judge Frollo]] falls to his death off of a crumbling gargoyle and into a pit of molten copper. It may be clouded by smoke, but it is certain that he died from the impact only to have his corpse immolated. Not to mention there are strong implications that this was the result of divine intervention.
* FanEdit: There's a fan edit with some of the gargoyles' scenes edited out or shortened to prevent the MoodWhiplash. The edit makes the film much darker.
* FashionableAsymmetry: Esmeralda's outfit isn't symmetrical (she has a decorated wrap on one side of her skirt and only one ankle bracelet), and both she and most of the other Gypsies such as Clopin (who themselves are hardly symmetrical in dress) only have one earring in. Esmeralda is actually sharing a pair of earrings with Djali. Quasimodo is a bizarre subversion of this--his simple outfit is symmetrical, but his body (his hump is slightly offset to the right) and facial asymmetry aren't very attractive.
* [[FirstGirlWins First Guy Wins]]: Esmeralda ends up with Phoebus, the first love interest that she meets in the film.
* {{Foil}}: Quasimodo, Esmeralda, and Phoebus are all foils to Frollo in their own way.
** Clopin makes the Quasimodo-Frollo contrast explicit in the opening scene:
-->''Now here is a riddle to guess if you can, sing the bells of Notre Dame:''\\
''Who is the monster and who is the man?''
** Later on, Quasimodo and Frollo sing "Heaven's Light" and "Hellfire" back-to-back, with the two songs each placing Esmeralda on one side of the MadonnaWhoreComplex.
** Esmeralda's song "God Help the Outcasts" also contrasts sharply with "Hellfire". While both songs are addressed directly to Mary, Esmeralda asks selflessly for the well-being of her people and the poor, while Frollo selfishly asks to kill and/or possess Esmeralda.
** Lastly, Phoebus' strong sense of justice and protecting the innocent contrasts with Frollo's flagrant disregard for justice when it benefits himself.
* {{Foreshadowing}}:
** "Remember, Quasimodo, ''this'' is your sanctuary."
** Quasimodo's speech mocking the idea that he could possibly be the hero- literally ''everything he says'' comes to pass by the end.
--->'''Quasimodo:''' What am I supposed to do, go out and rescue the girl from the jaws of death and the whole town will cheer like I'm some kind of hero?!
* TheFundamentalist: Frollo goes about killing a racial minority for no reason than his own bigotry.
* FunnyBackgroundEvent: After Esmeralda pulls Quasimodo into line for the crowning of the king of fools and moves away; Clopin can be seen mimicking Quasimodo behind his back.
* FriendToAllChildren: The story opens with Clopin entertaining some children with the story of Quasimodo's backstory, and at the end of the film he is seen carrying a little girl as he reprises the opening song with the crowd carrying Quasimodo.
* TheGadfly: Clopin during the Feast of Fools. The second he spots Quasi, you can see plainly on his face that mentally he's saying "This is going to be ''fun''."
* GameFace: The gargoyle that [[spoiler: drops Frollo to his death]] snarls in his face, glaring at him all the way down with GlowingEyesOfDoom. Keep in mind that gargoyles in this film [[MaybeMagicMaybeMundane may or may not really be angels in statue form.]]
* GeniusLoci: The cathedral of Notre Dame itself seems sentient, and the characters sometimes treat it as a person.
** When Frollo tries to drown the baby Quasimodo, the Archdeacon points toward the facade of the Notre Dame, showing that all the statues of the saints, demons and angels, the Holy Mother and even little Jesus are menacingly staring Frollo. This shakes him enough to backtrack on his murder and merely raise Quasimodo in an abusive environment.
** Quasimodo's gargoyle friends, confirmed to be actually sentient, try to be a positive influence on Quasimodo. They revert back to stone statues whenever someone else is present, making their nature quite ambiguous in the first film.
** In the climax of the film, Frollo tries to hang onto a gargoyle only for the gargoyle to come to life and roar toward the judge, breaking and sending him into a fiery pit of molten lead.
* GettingCrapPastTheRadar:
** They gave Frollo a VillainSong called "Hellfire" that announces the villain's intention to force a girl to submit to sex ''or burn at the stake''.
*** But also intentionally averted during the same song. A visual effects supervisor went through the animation of the song frame-by-frame to ensure Esmerelda was fully clothed at all times to ensure the G rating.
** The mention of 'strumpets' in "Topsy Turvy", which they probably only got away with because it's [[GetTheeToANunnery such an archaic word]].
** They let the word "damnation" be used in the movie. There are many other words that start with "D" in the church; how did the movie still get G-rated with that? Simple: to show that Frollo had been [[KickTheDog heaping abuse on Quasimodo]] from the get-go, both through neglect and presumably the content of the lessons Quasimodo had been taught.
--->'''Frollo:''' "D"?\\
'''Quasimodo:''' Damnation.\\
'''Frollo:''' "E"?\\
'''Quasimodo:''' ''Eternal'' damnation!
** Phoebus' and Frollo's exchange during Esmeralda's "dance".
--->'''Frollo:''' Look at that disgusting display.\\
'''Phoebus:''' [''ear to ear grin''] Yes ''sir''.
** The brief scene of a troupe of women doing the Can-can and their knickers are in full view. Clopin is at the end of the line of can-can dancers, also in a skirt.
** In "Hellfire", Frollo calls the common crowd "licentious" a somewhat archaic term for "sexually promiscuous".
* GodIsGood: Everyone from Frollo to the Archdeacon believes that God will always punish the wicked and aid the righteous. However, the Archdeacon also seems to believe in God's mercy, and scolds Frollo for not showing it. Given it's implied that God Himself struck Frollo down, saving Quasimodo and Esmeralda from him in the process, all signs point towards them being correct.
* GoodShepherd: The Archdeacon is well named; he's the most benevolent character in the story. A lesser man would give a minister with armed soldiers what he wanted but he denies Frollo with a simple rebuke and assures Esmeralda of her safety. He'll put the fear of God into anyone who violates the sanctity of the Cathedral.
* GoshDangItToHeck: Averted. It's the Disney/{{s|leepingBeauty}}econd Disney film that refers to "hell"/"Hell" and the first that outright mentions "Damnation".... Twice in the same scene.
* GreenEyes: Esmeralda. Her name even ''{{mean|ingfulName}}s'' emerald.
* GroinAttack: Quite a few, once notably with a bottle cork. Also, pity those poor guards who ran afoul of the guy in stilts. ''Ouch.''
* TheGrotesque: Quasimodo won a prize for being ''the'' ugliest person in Paris.

* HairDecorations: Esmeralda wears a pink ribbon in her hair.
* HandGagging: Victor does this to prevent Hugo from spitting on a mime.
* HandicappedBadass: For a guy with a spine like a boomerang, Quasimodo is surprisingly nimble and strong. Not only can he lift a grown woman over his head, he broke ''solid iron chains'' with his ''bare hands''. All this from years of ringing big, heavy bells and leaping around the cathedral (see LeParkour below).
* HangingJudge: The only way Frollo will not pronounce you "guilty" is if you agree to sleep with him.
* HappyHarlequinHat: The points of the King of Fools crown droop and have bells on the end like the flaps of a jester's cap.
* HeroesFrontierStep: Quasimodo didn't make a step when he saved Esmeralda. No. His HFS is when he holds Frollo by the cape and doesn't let him go. He wouldn't let the man who mistreated him for years, killed many gypsies, including his mother, fall to his death. This short moment definitely solves the riddle: "who is the monster and who is the man".
* HeWhoFightsMonsters: Clopin was perfectly willing to execute Phoebus and Quasimodo because he thought they were spies of Frollo. That kind of "justice" is similar to the kind of thing Frollo does, though he might have let them get a word or two in before gagging them.
* HolierThanThou: Frollo again, during his song "Hellfire".
-->''Beata Maria, you know I am a righteous man; of my virtue I am justly proud,''\\
''Beata Maria, you know I'm so much purer than the common, vulgar, weak, licentious crowd.''
* {{Homeschooled Kid|s}}: Poor Quasimodo--Frollo royally sucks as a teacher, seeing that Quasimodo is still learning ''the alphabet'' at age 20. Then again, this is set at a time when most people were completely illiterate, so he's still ahead of the curve. It's possible that he's purposefully ''not'' teaching Quasimodo everything so he could keep him as uneducated as possible. [[FridgeBrilliance He doesn't want Quasi to get any ideas...]] (after all, "damnation" is listed twice).
* HorsingAround: Phoebus' horse, when he was told to "sit". His face seemed well smug. Self-satisfied maybe?
* HotGypsyWoman: Esmeralda status as such informs the plot; Frollo wants to both kill her and possess her.
* HumiliationConga: Quasimodo undergoes one after Frollo's guards incite a riot.
* {{Hypocrite}}: Frollo as laid out in his villain song; he repeatedly says it's not his fault while the red robes point out that it is.
** As well as the first time he appears in the movie:
-->Judge Claude Frollo longed\\
To purge the world\\
Of vice and sin\\
And he saw corruption everywhere\\
Except within
* IfICantHaveYou:
-->''Hellfire, dark fire. Now Gypsy, it's your turn!''\\
''Choose me or your pyre,''\\
''Be mine, or you will burn!''\\
''God have mercy on her...''\\
''God have mercy on me...''\\
''But she will be mine, or she... will... burn!''
* IncrediblyLongNote:
** "The Bells of Notre Dame" (and its reprise), "Out There", and "Hellfire".
** Clopin holds the A of Esmeralda's name for an incredibly long time in "Topsy Turvy" too.
** From the stage show, the last line of "Made of Stone". "As if IIIIIIIIIIIII - were made of STOOOOOOOOOOOONE -"
* ImprobableAimingSkills: Frollo tells his soldiers to not hit his horse when stopping Phoebus. To their credit they ''DON'T'' hit the horse!
* InNameOnly: This film uses very little of the novel's plot, even if you ignore the considerable bowdlerisation of the more mature themes from the book. Also, the characters' personalities have all been drastically reworked. While there are scenes that echo events from the book, even these appear in mixed-up order, or are performed by different characters, changing their context. Disney's ''Hunchback'' is probably better considered as an update of the 1939 film, with which it has many similarities.
* InTheHood: Esmeralda uses a cloak to disguise herself and evade the guards.
* IronicName:
** According to the DVDCommentary, Frollo apparently named his big scary black horse "Snowball".
** Inverted with Quasimodo and Phoebus, whose names have been de-ironized. In the book, Quasimodo is called such because Frollo finds him on Quasimodo Sunday, with its meaning of "half-formed" an ironic coincidence; in this film, Frollo gives Quasimodo the name because he's a {{Jerkass}}. Also, Phoebus' name, meaning "sun god", is meant to contrast with his cowardice and dickishness in the novel; in this film, though, Phoebus is legitimately heroic.
* IShouldHaveDoneThisYearsAgo: During the climax, Frollo admits that Quasimodo's mother risked her life trying to save him, rather than abandoning him like Frollo had claimed. While Quasi is still reeling, Frollo says that he's going to do what he should have done "TWENTY YEARS AGO!" and tries to kill him.
* ItsAllAboutMe: Frollo only spares Quasimodo because he believes he may be useful to him later. He also seems to have no problem committing mass murder and destroying Paris to get rid of a single woman who isn't even to blame for his own problems.
* ItsQuietTooQuiet:
-->[''While searching for the Court of Miracles'']\\
'''Phoebus:''' Speaking of trouble, we should have run into some by now.\\
'''Quasimodo:''' What do you mean?\\
'''Phoebus:''' You know, a guard, a booby trap...\\
[''His torch goes out, leaving them in complete darkness'']\\
'''Phoebus:''' ... Or an ambush.
* IWantMyBelovedToBeHappy: Quasimodo does what he can to make Esmeralda happy, including blessing her relationship with Phoebus at the end.
* IWantSong:
** Played straight with "Out There", in which Quasimodo sings about wanting a day of freedom.
** Inverted with "God Help the Outcasts" as Esmeralda specifically does not want anything for herself, but asks God to help others who are worse off than she is.
** Played for drama with "Hellfire", a mix between an ObsessionSong, a SanitySlippageSong, a VillainSong, ''and'' a VillainLoveSong that ultimately conveys that wanting something can turn you into even more of a depraved person that you already are.
* JerkassHasAPoint:
** Phoebus calls the Gypsies "criminals and dangerous". He's not entirely wrong; the Court of Miracles is a hang out for "scoundrels".
** Also, Frollo warns Quasimodo that people will be cruel to him if he goes out of Notre Dame, and boy, is he right, though he did nothing but rub in the fact to make it feel worse for him.
** Frollo points out God made the devil far stronger than man.
* JokerJury: Quasimodo's and Phoebus' trial in the Court of Miracles. It is a mockery of Frollo's corruption of justice where the Gypsies are concerned, but ends up coming dangerously close to what it is mocking. This is reinforced when, while pronouncing sentence on Phoebus and Quasimodo ("I am the lawyers and judge all in one!"), one of Clopin's split-second costume changes is into a reasonable facsimile of Frollo's, though since he believes them to be Frollo's spies, he probably did it deliberately for the irony.
* JustFollowingOrders: [[InvokedTrope Frollo reminds Phoebus]] that he was trained to follow orders after the latter refused to burn down a windmill with an innocent family locked inside. This just causes him to extinguish his torch in a water-butt and do a HeelFaceTurn (not that he was much of an antagonist anyway).
* KarmicDeath: It's heavily implied that {{God}} himself is smiting Frollo. The molten lead Frollo falls into also suspiciously resembles {{Hell}}, and the gargoyle that comes alive to drag him down [[{{Satan}} reminds us of someone]]. The fact that Frollo had said, "And He shall smite the wicked and plunge them into the fiery pit" right before all this reinforces the idea.
* KickTheDog: Frollo does this a ''lot'' in the movie. Especially shoving the Archdeacon down a flight of stairs. It's far from being the worst thing he does, but it's still considered one of those things that [[CaptainObvious you're not supposed to do]], and gets bonus points for showing his contempt for religious authorities who get in the way in a way that contrasts with his role as TheFundamentalist at the same time.
* KnightInShiningArmor: Phoebus. Not only does he ''look'' the part with his armor and horse but he acts the part in protecting Esmeralda and saving the family trapped in a burning house.
* KnightTemplar: Judge Claude Frollo in a nutshell. He is very much convinced that he is a righteous man of God, but there is ''nothing'' righteous or godly about what he does throughout the movie. Clopin tells us all we need to know about him during his introduction:
-->''Judge Claude Frollo longed to purge the world of vice and sin,''\\
''And he saw corruption everywhere... except within.''
* KubrickStare:
** When Quasimodo finally decides that [[BewareTheNiceOnes he's taken enough crap from Frollo]], and that violin starts softly playing in the background...
** Esmeralda gives one to Frollo just after [[SpitefulSpit spitting in his face]] while tied to the stake. Later in that same scene, Frollo manages a chilling stare himself. From Esmeralda's point-of-view, she sees Frollo through the distorted air above the flames grinning maniacally through the smoke.
* LackOfEmpathy: Frollo believes that gypsies are incapable of real love and tells Quasimodo that Esmeralda was simply using him the entire time so that she could escape from the judge.
* LadyInRed: Esmeralda wears an alluring red dress during her performance at the Feast of Fools.
* LargeHam: Clopin. "Court of Miracles" has him dancing and costume changing and arguing with his puppet while singing.
* {{Leitmotif}}:
** In 90% of the music accompanying Frollo, whether song or score, the choir chants "kyrie eleison", which means "Lord, have mercy" in Greek.
** The opening fanfare is also reintroduced at the end of "Heaven's Light", makes up the melody during the chorus of "Hellfire", and plays in the instrumental "Sanctuary!" Also, along with "kyrie eleison", "dies irae" is also thrown in at times. "Dies irae" translates into "Day of Wrath".
** It's very subtle, but in the scene where Quasimodo is chained up in Notre Dame, and the gargoyles are trying to convince him to save Esmeralda, there is a brief reiteration of the melody from the verses of "Out There", (e.g.: the line "Every day they shout and scold, and go about their lives, heedless of the gift it is to be them"). The same reiteration first appeared in Frollo's line from "Bells of Notre Dame" when he sings, "Just so he is locked away where no one else can see. Even this foul creature may yet prove one day to be of use to me." Then it briefly comes back in "Topsy Turvy", when the crowd discovers that [[NotAMask Quasimodo's face is no mask]]. Finally, you can last hear it when Quasimodo, Esmeralda, and Phoebus step out of the cathedral in front of a crowd at the end of the movie. It can be safely assumed that this melody from "Out There" is Quasimodo's leitmotif.
*** There are in fact two variants of this melody. Quasimodo sings in a major key, while the [[DarkReprise minor-key variant]] is found in every instrumental instance stated above, except for "Into the Sunlight". The most notable instance, however, is in the transition between "In Here" and "Out There". This sets a divide between the two variants, marked further by the minor key being used during moments best matching Frollo's words, and the major key Quasimodo's.
** Phoebus has his own motif as well, a five note, military sounding fanfare on the brass. However, it lets us know from the get-go that Phoebus is a decent man, as unlike Frollo's theme, which is dark and moody, Phoebus' theme is in a major key, and has an uplifting tone to it. His theme would eventually provide the melody for his solo, "Rest and Recreation", in the stage musical.
* LeanAndMean: Frollo's thin stature is more severe than anyone else. His foil is more stout.
* LighterAndSofter: It's definitely lighter in tone than the book. Many of the elements and themes presented in the novel--like Quasimodo's hate and contempt for most people or Phoebus being a jerk trying to take advantage of an innocent young girl--were either changed or taken out completely. This is even more the case with the sequel in comparison to the original movie.
* LightningBruiser: For such a stocky, barrel-chested guy Quasi is remarkably agile and fast.
* ListingTheFormsOfDegenerates: Frollo's description of the feast of fools...
-->"Thieves, cutpurses, the dregs of humankind, all meshed together in a shallow drunken stupor..."
* LoopholeAbuse: Frollo tries to pull this when Esmeralda indirectly claims sanctuary via Phoebus; since they can't arrest her ''inside'' the cathedral, he orders Phoebus to drag her ''outside.'' Fortunately, the Archdeacon comes along and tells Frollo off.
* LostInImitation: The film is based quite strongly on the 1939 film version (which was itself based on the 1923 version with Lon Chaney), which is also one of the furthest from the book. Ranging from Frollo being a judge rather than the archdeacon, Phoebus being a genuinely heroic character rather than the {{jerkass}} he was in the novel, and the overall story and plot structure changed completely. It is still generally [[TropesAreNotBad considered an enjoyable movie]].
** The visual designs of Quasimodo, Frollo, Phoebus, the Archdeacon, and Frollo's guards strongly resemble their 1939 counterparts, as do their personalities. With that said, Esmeralda and Clopin have been completely reworked in both looks and temperament.
** The film also borrows some imagery from the 1939 film. The climax, in which Quasimodo rescues Esmeralda and then defends the cathedral from Follo's guards, plays out very similarly to how it did in 1939; even specific shots are recreated, such as Quasimodo holding up Esmeralda and shouting "Sanctuary!"
* LoveAtFirstSight: Poor Esmeralda must have had some Love Potion No. 9 before the Feast of Fools because ''everyone wants her immediately''. Inverted with Esmeralda personally; though she falls in love with Phoebus at first sight in the book, in this adaptation she's both distrusting but fascinated by Phoebus and doesn't necessarily fall for him until she witnesses him saving an innocent family from a burning house after refusing Frollo's order to burn it himself.
* LoveHurts: When Quasimodo witnesses Esmeralda's and Phoebus' kiss and realizes that they are in love with each other.
* LovelyAssistant: Esmeralda is this to Clopin; after he gives the introduction he calls her out and she dances for the crowd.
* LoveMakesYouEvil: Frollo's unhealthy obsession with Esmeralda drives the plot. Although in this adaptation, all it did was send him completely over the edge; the man was pretty evil to begin with, so an insane and illegal relationship is enough to make him an abomination.
* LovesTheSoundOfScreaming: Frollo, if his [[SlasherSmile reaction]] to overhearing a prisoner's torture is anything to go by.
* LoveTriangle: Quasimodo falls in love with Esmeralda, who in turn falls for Phoebus. Frollo's lust for Esmeralda forces it into a [[LoveDodecahedron tetrahedron]].
* LovingAShadow: "Heaven's Light" and "Hellfire" show Quasimodo and Frollo fall in love with Esmeralda, but having warped opinions of her (see MadonnaWhoreComplex below). To further the point, Quasimodo builds a figure of her while Frollo lusts after an illusion of her in the fireplace's flames, both resembling Esmeralda but not quite perfectly her.
* MadonnaWhoreComplex: Deconstructed. While Quasimodo sees Esmeralda as an angel sent by God Himself because she was so kind to him (and he wasn't familiar with kindness), Frollo sees her as a devil seductress and whore sent by Satan. And it is Phoebus (who sees the middle ground, recognizing both Esmeralda's merits and quirks) who strikes the right note with her in the end.
* MamaBear: Quasimodo's mother ran in a snow-filled Paris in order to protect her son from being killed by Frollo.
* MaybeMagicMaybeMundane: The film remains ambiguous as to whether Quasimodo's gargoyle friends are really magical stone creatures that only Quasimodo can hear or just his imaginary friends. On one hand, no one else interacts with them (except for that quick kiss gag) but on the other hand, who pushed the catapult off if not them?
-->'''Frollo:''' Can stone... talk?\\
'''Quasimodo:''' No, it can't.
** The sequel confirms the Gargoyles are real magical creatures and ''not'' Quasi's imagination; [[spoiler: At the end,the Gargoyles are sad to lose Quasimodo and hope that Madellaine will take care of him. Then ''Madellaine'' winks at the Gargoyles and tells them she'll take good care of Quasi causing the shocked Gargoyles do to a literal JawDrop]]
* MeaningfulEcho:
** "Nobody wants to stay cooped up here forever." First said by Quasimodo to a little baby bird that he is encouraging to fly, later said by Laverne to Quasi when she, Victor, and Hugo encourage him to go to the Feast of Fools.
** From the stage show: "The wicked shall not go unpunished." First said by Claude to Jehan Frollo, and last said by Quasimodo (and the choir echoing) as Frollo [[spoiler: falls to his death]].
* MeaningfulName:
** Quasimodo means "half formed", Esmeralda means "emerald", and Phoebus means "sun god" (aka [[Myth/ClassicalMythology Apollo]], who was the patron god of many things, including truth and healing).
** Claude Frollo's name comes from Claudius, which means "lame, crippled." His brother Jehan's name is a form of John, which means "God is gracious."
* MidwordRhyme:
** In "The Bells of Notre Dame":
--->''Dark was the night when our tale was begun''\\
''On the docks near Notre Dame.''\\
''Four frightened gypsies slid silently '''un-'''''\\
'''''-der''' the docks near Notre Dame.''
** And "Out There" has no fewer than ''three'':
--->''And these are crimes for which the world has little pity''\\
''You do not comprehend.''\\
''You are my one '''defend-'''''\\
--->''Out there they'll revile you as a monster.''\\
''Out there they will hate and scorn and jeer.''\\
''Why invite their calumny and '''conster-'''''\\
'''''-nation?''' Stay in here.''\\
''Out there, sitting in the sun,''\\
''Give me one day''\\
''Out there; all I ask is one,''\\
''To hold forever''\\
''Out there, where they all live '''un-'''''\\
''What I'd give, what I'd dare''\\
''Just to live one day out there.''
** And in the reprise of "The Bells of Notre Dame":
--->''Whatever their pitch, you''\\
''Can feel them bewitch you,''\\
''The rich and the '''ritu-'''''\\
'''''-al''' knells''\\
''Of the bells of Notre Dame.''
* MildlyMilitary: Frollo's authority is vaguely defined and appears to have no limits, as it seems as far as the movie's concerned he is the KnightTemplar dictator of Paris. He commands a sizable garrison in the city, and can slaughter suspects and burn property at will. The movie makes mention of the King and that there is a war that Phoebus was called back from. It's possible that the King is off leading the war effort and Frollo is in charge in his absence.
* AMinorKidroduction: An interesting example -- the film does start with a baby Quasimodo being snuck into Paris with his parents, but his face isn't seen at the time.
* {{Mondegreen}}: An in-universe one. Laverne mishears "Frollo's wrong about both of us" as "Frollo's nose is long and he wears a truss."
* MoodWhiplash:
** The gargoyles' goofy jokes often seem out of place, especially when Frollo's running around trying to slaughter the Gypsies:
--->'''Hugo:''' Paris, the City of Lovers, is glowing this evening.\\
''True, that's because it's on fire, but still, there's l'amour.''
** Used intentionally in the "Heaven's Light/Hellfire" sequence: High among the clouds, Quasimodo sings a heartbreakingly beautiful song of love and hope, having finally found some acceptance and affection from Esmeralda, which segues immediately into Frollo all ''but'' masturbating over Esmeralda's scarf and fantasizing about burning her at the stake.
** Done in the Feast of Fools sequence. It starts out with a light-hearted, fun musical number, with a dance interlude from Esmeralda but once the song's over and Quasimodo has been crowned the King of Fools, some {{Jerkass}} in the crowd tosses a rotten vegetable at him to see if he can make Quasimodo any uglier. Clopin and the other cheerful characters abruptly disappear, replaced by a cruel mob that ''ties Quasimodo to a pillory'' and continues to verbally and physically abuse him until Esmeralda puts a stop to it and rescues him.
** In the beginning of the movie, the gargoyles successfully persuade Quasimodo to sneak out of the bell tower and enjoy himself at the Feast of Fools. Happy and confident, he talks about how he's going to get cleaned up, head right down those stairs, march right out that door -- and then he runs smack dab into Frollo. In an ''instant'', he's cowering and his stutter is very prominent.
* MoralityChain: There is only one thing keeping Frollo in check for a good 50% of the movie: the Archdeacon. He constantly reminds Frollo of his mortality, and also that even though he can deny his atrocities, he can never hide his crimes against the Almighty. He's constantly reminding Frollo of his place, but Frollo doesn't like it ''one bit''.
* MsFanservice: Esmeralda, so much that all three of the other main characters want her. Sick of drawing petite princesses like [[Disney/TheLittleMermaid Ariel]] and Disney/{{Be|autyAndTheBeast}}lle, Disney decided what they really needed was a heroine who [[{{Stripperiffic}} looked like a Victoria's Secret model]] ''who pole dances''.
* MythologyGag: With the novel in that two of the gargoyles are named [[Creator/VictorHugo Victor and Hugo]], and with the rest of the Franchise/DisneyAnimatedCanon in that Disney/{{Aladdin}}'s flying carpet, Belle, and [[Disney/TheLionKing Pumbaa]] (DeathByCameo on a spit) can be glimpsed in the "Out There" sequence.
* {{Narrator}}: Clopin is an AllKnowingSingingNarrator because unlike most narrators, Clopin is a significant part of the story, though he enjoys himself far too much considering what is going on.
* NeverMyFault: One of Frollo's defining personality traits. Anything bad that he does, he blames it on someone else. This includes killing Quasimodo's mother (she ran from his soldiers to protect her son, he ran her down with his horse) and his lust for Esmeralda (blaming Esmeralda herself for the way he feels, even ''blaming God for allowing the Devil to tempt him''). See BlatantLies. When he figures out Quasimodo helped her escape, he tells Quasimodo that all of Paris is burning because of him, despite the fact that ''Frollo is the one burning it''!
* NeverSayDie: Averted in the Swedish dub of ''Hellfire''.
-->'''(English) Frollo:''' But she will be mine or she will ''BUUUURN!''\\
'''(Swedish) Frollo:''' If she won't be mine then she'll ''DIIIIE!''
* NiceHat:
** Frollo wears one. The commentary bemoans its existence because it was so difficult to draw. Towards the end of the movie the animators had it randomly fall off Frollo's head just so they wouldn't have to draw it anymore.
** Clopin gets a pretty darned nice hat himself. Big blue pirate number, and a feather that has got to be sentient.
* NiceJobBreakingItHero: Frollo's BatmanGambit might have failed had Quasi not had his epiphany [[spoiler: and led Frollo directly to the Court of Miracles.]]
* NightmareFace: Frollo's face at the climax on the bell's tower looks like a demonic version of and SelfDemonstrating/TheJoker with [[RedEyesTakeWarning fiery red eyes.]]
* NobodyHereButUsStatues: When Quasimodo helps Esmeralda and Djali escape, they briefly pose as statues when a distracted guard comes into the path.
* NonHumanSidekick: Believe it or not, Djali, Esmeralda's adorable and intelligent goat, is not a [[{{Disneyfication}} Disney creation]].
* NotAllowedToGrowOld: Averted. Both Frollo and the Archdeacon have visibly aged between Quasimodo's adoption and the events of the main movie.
* NotAMask: Happens to Quasimodo during the festival. That horrendous visage is HIS FACE!
* NotSoWellIntentionedExtremist: Frollo claims that he wants to purge the world of vice and sin. However, his real motive seems to be genocide against all those that he considers as living outside the natural order of things (aka his order) and are therefore sinful and having sex with Esmeralda.

* ObliviousToLove: Esmeralda has no idea of Quasimodo's crush.
* ObsessionSong: "Hellfire" again. "She will be ''mine'' or she will BUUURNN!"
* OhCrap:
** In Frollo's introduction, Quasimodo's father react in fear upon seeing him.
** Frollo when he realizes his soul is in danger after the Archdeacon scolds him for killing Quasimodo's mother.
** Quasi when he suddenly runs into Frollo and then accidentally gives away his intention to attend the Festival of Fools.
** One of the Gypsies very clearly has this expression when Frollo first arrives in the Court of Miracles.
** Frollo also has it after Quasimodo throws down a wooden block that smashes his carriage.
** Frollo when he comes face to face with the demon that drags him into the molten lead for his death.
*** And probably realizing God has passed judgment on ''him''.
* OminousLatinChanting: Given the setting, this happens often. A good deal of it is during Frollo's VillainSong where it quotes Latin Catholic prayers.
* OppositeDay: The Feast of Fools. "Once a year we turn everything upside down; every man's a king and every king's a clown!"
* OurGargoylesRock: The PluckyComicRelief trio, and the bat-head-from-hell that turns on Frollo in the climax.
* ParentService: The best example is probably Esmeralda's pole dance.
* ParentalAbandonment: Frollo claims that Quasimodo's mother abandoned Quasimodo when he was an infant when in reality Frollo murdered her. His dad is presumably dead as well, since he was captured by Frollo's thugs the same night Quasimodo's mom was murdered.
* LeParkour: How Quasimodo gets around the Cathedral exterior. Apparently he gets it from [[ActionMom his mother, who was able to vault over fences, one-handed and]] ''[[MamaBear carrying a baby]]''.
-->'''Esmeralda:''' You're quite the acrobat.
* PervertedSniffing: Frollo sniffs Esmeralda's hair at one point. Both the audience and Esmeralda herself know that he was '''not''' imagining a rope around her neck, as he claims he did.
* PetTheDog: Averted. Frollo sparing Quasimodo's life in the prologue and raising him might have been an act of kindness for an otherwise wicked person and even become a redeeming factor if his reasoning wasn't screwed up in the first place and he did right by it. Frollo twists it around for the following reasons. First off, he only does it after the Archdeacon tells him to. Second, he does it simply because he fears God may punish him for his sins, [[NeverMyFault despite denying he sinned at all]]. Third, he refuses to allow Quasi into his household, and exiles him to the belltower for the rest of his life. Fourth, he simply sees Quasi as a pawn he may use later on, and never truly accepts him as his son. Fifth, he lies about the death of Quasi's mother instead of revealing the truth when Quasi's ready that he raised him to atone for her death. Sixth, he's emotionally abusive towards Quasi, drilling it into his head that he's just a monster whom no one but him could "love".
* PleaseWakeUp: Quasimodo's reaction to [[spoiler: Esmeralda's death in the stage show.]]
* PoliticallyIncorrectVillain: Frollo compares Gypsies to ants earlier in the movie, and alludes to his genocidal intentions by squishing an ant nest.
* PowerTrio: Hugo is led by whims, Victor is very moral, and Laverne is in the middle--[[FreudianTrio Id, Ego, Superego]].
* PragmaticAdaptation: Admittedly, it isn't an accurate adaptation of the book, but ''on its own merits'', it is a very enjoyable film.
* PrayerOfMalice: Frollo's song "Hellfire" includes a prayer to the Virgin Mary for Esmeralda to burn in hell or else become his.
* ProducePelting: After Quasimodo is crowned the "King of Fools", he is strapped to a pillory and spun around while the crowd throws vegetables at him, such as [[ArtisticLicenseHistory tomatoes]].
* PublicExecution: The climax of the film involves Quasimodo trying to rescue Esmeralda from being [[BurnTheWitch burned at the stake]] in public by Frollo.
* PunishedForSympathy: Frollo orders Phoebus to burn down a mill with the miller and his family still inside. Not only does Phoebus refuse, but when Frollo sets the fire himself, he goes in to rescue the family. Frollo would have had him executed for treason right then and there, had Esmeralda not come to the rescue.
* RealityEnsues: The gargoyles get Quasimodo thoroughly convinced that Esmeralda returns his feelings [[spoiler:just in time for him to learn that no, she doesn't.]]
* TheReasonYouSuckSpeech: After trying to literally backstab Quasimodo, Frollo finds himself at his mercy, and Quasimodo renounces everything Frollo ever told him about what a cruel place the world is, saying that it's men like Frollo who have made it so.
* RescueRomance: Played with. Quasimodo falls in love with Esmeralda after she rescues him; Frollo ironically develops his lust for her due to this same incident. Esmeralda, on the other hand, is oblivious to the former and is disgusted by the latter. After they rescue each other several times, Esmeralda and Phoebus end up falling for each other, but only when they rescue other people (Phoebus falls for Esmeralda when she rescues Quasimodo, and Esmeralda falls for Phoebus when he rescues the miller's family).
* RivalsTeamUp: Quasimodo and Phoebus team up to warn Esmeralda of Frollo's ambush on the Gypsy hideout at dawn. [[spoiler: Frollo followed Quasimodo and Phoebus, [[NiceJobBreakingItHero leading him straight to the hideout]].]]
* RuleOfSymbolism:
** Frollo ''falling'' into a [[FireAndBrimstoneHell lake of]] {{Hellfire}}-like molten lead.
** Esmeralda's "God Help The Outcasts" and Frollo's "Hellfire", when taken together, sound much like the parable of the Pharisee and the tax collector.
** Quasimodo tied with chains to the cathedral pillars with his arms outstretched brings to mind both Christ's crucifixion and Samson being put on display for the Philistines. When he breaks free and the pillars crumble, it is reminiscent of how Samson met his end, pushing down the pillars and bringing the roof down on himself and everyone else in the hall.
** Elements of the Notre Dame architecture are used to convey different moods: for example, the statues foreboding and ominous, the stained glass beautiful and hopeful.
** in "Hellfire", the camera pans from a huge opulent cross to the fireplace below, indicating that under all his apparent virtue, Frollo has a much darker side, notably his lust for Esmeralda.
** At the end of "Hellfire" in the DVD Commentary:
-->'''DVDCommentary:''' Here's some more of our ham-fisted symbolism--Frollo falls down in the shape of a crucifix!
** Frollo offers pieces of silver to the gypsies he captures for information about Esmeralda. While it doesn't go to thirty, the allusion to Judas selling Jesus out to the Romans.
** Also, during the last few minutes Esmeralda is wearing a white dress. See ColorCodedForYourConvenience above.
** Pay very close attention to the scene where Frollo destroys Quasimodo's model of Paris. As he does so he picks up a wooden figure of Esmeralda and throws it, knocking over a figure of himself in the process.
** Quasimodo's mother running away from Frollo and his soldiers with a baby draped in a white cloth, looks very similar to the scene in TheBible where Moses' mother tries to hide him when Pharaoh ordered that all boys of Israelitic origin shall be thrown into the Nile. The difference here is that she succeeds by putting him in a braided basket and has him float by the river, and never getting killed.
* UsefulNotes/{{Roma|ni}}: Clopin, Esmeralda, Quasimodo, and Quasimodo's mother.
* RousingSpeech: Phoebus in the climax. "Our people" in this context likely refers to the French that Frollo terrorized, made homeless, and (probably) murdered innocent people in his obsessive search for Esmeralda. At the very least, a pretty large section of Paris was ''burning'' because of Frollo's actions.
-->'''Phoebus:''' Citizens of Paris! Frollo has persecuted our people! Ransacked our city! And now, he has declared war on Notre Dame herself! ''WILL WE ALLOW IT?!!?''\\
'''Crowd''' (''charging''): [[BigNO NOOOOOO!!!!]]
* SadisticChoice: Frollo gives Esmeralda one last chance to decide her fate before her execution: "Choose me or the fire." [[SpitefulSpit She spits in his face.]]
* SaintlyChurch: The cathedral itself, since there are hints that it has a life of its own and is silently watching everything. The fact that a gargoyle on it comes to life to make Frollo fall to his death would back this up. That also applies to the 3 gargoyles. They were sent/brought to life to watch over Quasimodo, thus setting up all the events that have occurred through the film. Finally, GeniusLoci (in the form of a patron saint) is [[ShownTheirWork Church doctrine]].
* SamaritanRelationshipStarter: Esmeralda and Phoebus are initially attracted to but wary of each other, but they only fall for each other after each witnesses the other committing a noble and selfless act (e.g. Esmeralda defending Quasimodo from Frollo; Phoebus refusing to burn an innocent family in their house and rescuing them).
* SanitySlippageSong: "Hellfire" is like a visual metaphor of Frollo's religious hypocrisy collapsing in on itself, leading to the conclusion he either marries a Gypsy or slays all of them.
* SaveTheVillain: Quasi has an easy chance to let Frollo fall to his death during the climax, but chooses not to. Frollo promptly tries to kill him anyway...and pays the price.
* SceneryPorn: The Cathedral of Notre Dame is drawn with perfect accuracy. When you visit her IRL and slowly come to the realization that the artist painted ''every single statue correctly as possible'', it gets even better. The medieval statues which were once part of the facade of the cathedral and are now stored in [[http://en.wikipedia.org/wiki/Musee_de_Cluny a small museum on the other bank of the Seine]].
* SeekingSanctuary:
** Quasimodo's mother tries to do this in the opening scene, but the door was locked, and the Archdeacon too late.
** Esmeralda does this when Frollo tries to capture her inside Notre Dame. He orders the guards to physically drag her outside, but is again confronted by the Archdeacon. He decides to bide his time, knowing she'll have to leave ''eventually.''
** Finally, Quasimodo claims sanctuary for Esmerelda before all of Paris during the climax, to unanimous cheers.
* SexIsEvilAndIAmHorny: Frollo is a [[http://www.youtube.com/watch?v=s1AeqrD9EUQ pure case of this]] ([[CharacterExaggeration exaggerated]] from the book version, who too had more than a hint of this), believing Esmeralda to be a evil witch who has enchanted him -- since that's the only reason he could be in lust with her -- and trying to have her [[BurnTheWitch burnt at the stake for it]]. This is in contrast to Phoebus, who is equally aroused by Esmeralda but much less ashamed about it.
* ShooOutTheClowns:
** When the crowd turns on Quasimodo at the end of "Topsy Turvy", Clopin immediately disappears despite having been present through the whole number, as well as crowning Quasimodo and putting him up on the stage. This is subverted later when Clopin [[BewareTheSillyOnes turns out]] an intimidating leader of the gypsies, and also becomes part of the captives set to be burnt at the stake.
** Double-subverted with the gargoyles, who jump right into the battle for Notre Dame, but disappear during the final confrontation with Frollo.
* ShoutOut:
** Laverne near the end tells the pigeons that are always bugging her to "fly my pretties, fly, fly!" (which is a BeamMeUpScotty) complete with the original backing music from ''Film/TheWizardOfOz''. Also a shout out to one of Creator/AlfredHitchcock's movies, ''Film/TheBirds''.
** Quasi and the gargoyles' relationship (and the fact that they can move (and shoot crunched-up rocks at rapid fire speed) even though they are probably imaginary (although Djali and quite a few soldiers would argue)) is similar to the relationship of ComicStrip/CalvinAndHobbes.
** ''Disney/BeautyAndTheBeast'', considering her brief cameo in the beginning, when Paris is panned and Belle is seen strolling along reading yet another book. She does live in France, after all. Not to mention both films are directed by Kirk Wise and Gary Trousdale.
*** In the same scene, [[Disney/TheLionKing Pumbaa]] is shown being carried through the street [[FridgeHorror on a stick]] and [[Disney/{{Aladdin}} The Magic Carpet]] is draped over a man's arm. [[Disney/{{Aladdin}} One of the costumes is a horse with two rear ends.]] In addition, Jafar's old man disguise appears for a slapstick gag in the climax.
** Two of the gargoyles are named [[Creator/VictorHugo "Victor" and "Hugo"]].
** The climax, with the dramatic Notre Dame battle between Quasimodo, Esmeralda, and Frollo, may have been inspired by the end of ''Film/{{Batman}}'', which has Batman, Vicki Vale, and SelfDemonstrating/TheJoker in a very similar situation atop a gargoyle-filled Gotham Cathedral. And like the Joker, Frollo is sent to his doom by a gargoyle statue and ScreamsLikeALittleGirl too. Both even had an ironic choice of last words (Frollo: "And He shall smite the wicked and plunge them into the fiery pit!"; Joker: "Sometimes I just kill myself!") In the rare moments when Frollo smiles, he strikingly resembles the Joker.
** There are numerous Shout Outs to both ''Film/SinginInTheRain'' and ''Film/KingKong1933'' in Quasimodo's climbing and acrobatics throughout the film.
** One can hear the Goofy yell at one point during the film.
* {{Silent Snarker}}s: Djali and Achilles, being a goat and a horse respectively, do not talk but their snark is clear regardless.
%%* SimpletonVoice: That guard voiced by [[WesternAnimation/{{Gargoyles}} Bill]] [[WesternAnimation/SpongeBobSquarePants Fagerbakke]].
* SittingSexyOnAPiano: Laverne conjures up both an evening dress and a piano during the gargoyle's DisneyAcidSequence.
* SlasherSmile: Frollo briefly sports one as the fire is set to [[BurnTheWitch burn Esmeralda at the stake]]. He also sports one at the climax when he's about to kill Quasimodo and Esmeralda during his "And He shall smite the wicked, and plunge them into the fiery pit!" line.
* SmackOnTheBack: Phoebus winces from Quasimodo slapping him on the back, which no doubt aggravated his shoulder injury.
* SmokeOut: Esmeralda disappears and reappears in a puff of smoke at will.
* TheSmurfettePrinciple: Only Esmeralda, making the main cast at a 3:1 male-to-female ratio. Likewise in the gargoyles, it's 2:1 with Laverne as the only female.
* SparedByTheAdaptation: Quasimodo, Esmeralda, and Clopin.
* SpitefulSpit: When Frollo offers Esmeralda a choice between him or death by burning, she chooses the latter by spitting on his face.
* StalkerWithACrush: Frollo, and to a more [[DoggedNiceGuy innocent extent]], Quasimodo.
* SteelEarDrums: Unlike the original book, Quasimodo's hearing is perfectly functional.
* StockScream: One of the guards in the climatic battle lets out a Goofy Holler(YAAH HOO-HOO-HOOEY!) as he falls to his death.
* StraightEdgeEvil: Frollo prides himself on his disdain for worldly pleasures, unlike the crowds that debauch in the Festival of Fools. Then he gets horny...
* StrawHypocrite: Technically Frollo (in this version) is a judge, and is simply religious (or finds religion convenient for his racism and holier-than-thouness). It's implied several times in the film that his religiousness degrades along with his sanity. It is best demonstrated by the first line of his VillainSong "[[GratuitousLatin Beata Maria]], you know I am a righteous man, of my virtue I am justly {{pr|ide}}oud", since {{Pride}} is considered to be the worst of the seven deadly sins in Christianity and especially Catholicism, this line is essentially an oxymoron even if it wasn't Frollo saying it.
* TheStoryteller: The introductory sequence is presented as Clopin singing the story of Quasimodo's adoption to a brace of children.
* SuddenPrincipledStand: Phoebus against Frollo.
-->'''Phoebus:''' With all due respect, sir, I was not trained to murder the innocent.\\
'''Frollo''': But you ''were'' trained to ''follow orders.''\\
[''Phoebus angrily douses his torch in a barrel of water; Frollo snarls with rage'']\\
'''Frollo''': Insolent coward. (''grabs another torch and sets the fire himself'')
** Then after Phoebus manages to save the miller's family, Frollo orders him executed right before Esmeralda intervenes.
-->'''Frollo''': The sentence for insubordination is death. Such a pity. You threw away a promising career.\\
'''Phoebus''': [[ShutUpHannibal Consider it my highest honor, sir.]]
* SufferTheSlings: Esmeralda uses a makeshift sling to rescue Phoebus.
* SurrogateSoliloquy: Esmeralda's song "God Help the Outcasts" is delivered to the image of Christ hanging on the cross inside the cathedral.
* TemptingFate:
** Frollo says, "And He shall smite the wicked, and plunge them into the fiery pit!" ... whilst standing above a fiery pit.
** Phoebus saying there should be an ambush waiting for them. He considers bad things that could happen, then mentions an ambush only when he realizes that they're about to be ambushed.
* TenorBoy: Contrast here. Quasimodo looks nothing like a typical tenor but his personality (innocent, kind, etc) is spot on and suits his tenor voice.
* ThirdPersonPerson: Clopin, to judge by his opening narration, although this may have been included solely so the audience would know what his name was (since he isn't called by name at any other point in the movie).
* ThisIsNoTimeToPanic: When Quasimodo helps Esmeralda and Djali escape the cathedral.
-->'''Quasimodo:''' Don't be afraid.\\
'''Esmeralda:''' I'm not afraid.\\
[''Quasimodo jumps and the trio is dangling over the ground a second later'']\\
'''Esmeralda:''' Now I'm afraid.
%%* ThreeAmigos: The gargoyles.
* TheStinger: A twelve-second clip of Hugo telling the audience "Goodnight, Everybody!" and engaging in some insane banter plays as the last roll of the credits pops up on the screen.
* TimmyInAWell: Djali saves Phoebus and Quasi from hanging by running to get Esmeralda.
* TitleDrop:
** In the middle of the Feast of Fools, Clopin crowns Quasimodo with one of these.
--> '''Clopin:''' Ladies and gentlemen, don't panic! We asked for the ugliest face in all Paris, and here it is! Quasimodo, ''the hunchback of Notre Dame''!
** Several non-English dubs share this title drop, such as Swedish ("Det är ''Ringaren i Notre Dame''!") and Finnish ("Se on ''Notre Damen kellonsoittaja''!"). The Japanese dub of the film, however, changed the movie's title to "The Bells of Notre Dame" because "hunchback" is too much of an insult to say. This introduces other {{Title Drop}}s, however; particularly the opening and ending song.
* TotemPoleTrench: Esmeralda is known for doing this to hide from the soldiers. She does this by carrying Djali on her shoulders and wrapping a blanket around them so they could pass as an old man.
* TrickAndFollowPloy: How Frollo finds the Court of Miracles; he tells Quasi that he's already found it so Quasi (accompanied by Phoebus) goes to warn them, thus enabling Frollo to find it.
* TwoGuysAndAGirl: Quasimodo, Phoebus, and Esmeralda for a LoveTriangle.
* UglyHeroGoodLookingVillain: Variation of the "Deformed Hero, Normal Villain" kind: Frollo is not handsome, but his looks don't have the stigma attached of Quasimodo's looks.

* VictoriasSecretCompartment: Esmeralda pulls a hankie from her cleavage to use it for a magic trick to escape from Frollo's guards.
* VillainHasAPoint: Downplayed, but present. The gypsies all hang out in the Court of Miracles, a bunch of gypsy thieves who make up the criminals of Paris, and who indeed attempt to murder Phoebus and Quasimodo out of hand for finding them, all the while singing a jaunty tune about their crimes. While not all the gypsies are evil, they clearly are aligned with a bunch of bad guys who appear to be mostly gypsies.
* VillainousCrush: Frollo's lust for Esmeralda leads to more villainy than he was planning to do. In addition to comitting genocide on her race, he also wants to force her into sex with him.
* VillainSong ''and'' VillainLoveSong: "Hellfire" speaks of Frollo's lust for Esmeralda but it's more than that. It's also about Frollo's HolierThanThou attitude and his EvilPlan to reconcile the two.
* TheVillainSucksSong: "The Bells of Notre Dame" becomes this in one part. It rants about how evil Frollo is.
* VillainWorld: With the king out fighting a war, BigBad Frollo runs the show here and he is a genocidal Gypsy-hating tyrant who kills people for committing petty crimes.
* WhamLine: Several.
** From Frollo:
-->'''Frollo''': Burn it.
** And later:
-->'''Frollo''': Nor would I.
** And still later:
--> '''Frollo''': I should have known you would risk your life to save that Gypsy witch, just as your own mother died trying to save you.
** He also has one delivered to him in the "Hellfire" sequence:
--> '''Guard''': Minister Frollo, the gypsy has escaped.
* WhatHappenedToTheMouse:
** During the final battle, the Archdeacon tries to stop Frollo once again, this time from killing our heroes. Frollo shoves him down a flight of stairs. Though he is alive after impact, he is never seen or mentioned again. Actually you can spot him in the final scen of the film, when Esmeralda and Phoebus are leaving the Cathedra... but it's only for few seconds and in background. In fact most people didn't notice him until the Blu-ray edition.
** What became of Quasimodo's father after his arrest is unknown.
* WhatTheHellHero: During the climax, when Quasimodo has [[HeroicBSOD given up on trying to save Esmeralda]] and tells the gargoyles, who are trying to encourage him to save the day, to leave him alone, the gargoyles respond with disappointment. As they [[TakenForGranite revert back to inanimate stone]] one by one, they deliver this powerful punch to the gut:
-->'''Hugo:''' Okay. Okay, Quasi. We'll leave you alone.\\
'''Victor:''' After all, we're only made out of stone.\\
'''Laverne:''' We just thought maybe you were made of something stronger.
* WhileRomeBurns: When Frollo is threatening to burn down all of Paris (and seems to have already burned down quite a bit of it), the gargoyles are singing about how Quasimodo might have a chance with Esmeralda after all.
-->''Paris, the City of Lovers, is glowing this evening.''\\
''True, that's because it's on fire, but still, there's l'amour.''
* WhiteStallion: Achilles. It helps with the characterization of Phoebus as a KnightInShiningArmor.
* WholesomeCrossdresser: At one point, Clopin wears a skirt.
* WomanInWhite: Esmeralda in the climax when she's sentenced to be burnt at the stake. It's the symbol of purity and hence 'innocent victim'.
* WouldHitAGirl: Frollo shows us within the first five minutes of the film that he is perfectly willing to murder a woman and also burn a woman at the stake because he couldn't have her.
* WouldHurtAChild: In a similar vein, Frollo tried to drown a baby in a well and later to burn down an innocent family alive (including even the children) in their house.
* XMustNotWin: The gargoyles use this on Quasimodo, who responds to "You can't let Frollo win" with "He already has." Then, upon hearing Frollo's words as he tries to burn Esmeralda alive, Quasimodo [[DoubleSubversion changes his mind and keeps fighting anyway]].
* YouMonster: An indirect version. In the opening song, narrator Clopin asks "Now here is a riddle to guess if you can: Who is the monster and who is the man?" Frollo does call baby Quasimodo a monster when he sees that the child is misformed, and tries to kill him for it. You can probably figure out on your own to which character the riddle alludes.
[[folder:The Hunchback of Notre Dame II]]
* AdultFear: Zephyr's disappearance and Sarousch using him as a hostage.
* ArtEvolution: Inverted. Despite coming out after ''Disney/TheLionKing 2'', which contained some decent animation, the animation in ''Hunchback 2'' is usually considered to be some of the worst amongst the Disney sequels, along with ''[[Disney/{{Aladdin}} The Return of Jafar]]'' and ''{{Disney/Pocahontas}} 2''.
** That said, there are ''some'' moments of fluidity despite the quality, as some scenes (or animations) look like they had more attention put onto them than others.
* BecomingTheMask: Madellaine, who initially is friendly to Quasi only to find out information, but comes to love him after he treats her with genuine respect and affection.
* BigBrotherInstinct: Quasimodo towards Zephyr. While he is already friendly to kids, this kid in particular is his honorary nephew.
* ChekhovsSkill: Madellaine's tightrope walking. Early on she confides to Quasi that she wants to learn it, and he encourages her. At the end, she pulls it off to save Zephyr.
* CrisisMakesPerfect: Madellaine struggles with her ambition to become a tightrope walker. At the end, she pulls it off to save Zephyr.
* CrocodileTears: Sarousch, when he tries to pin the thefts on Madellaine.
* EarnYourHappyEnding: Madellaine escapes her abusive father figure and finds true love.
%%* FauxAffablyEvil: Sarousch.
* GrandRomanticGesture: One sanctioned by society. Parisians couples publicly declare their love during the festival.
%%* HairOfGoldHeartOfGold: Madellaine, and Zephyr to a lesser extent.
* ICantLookGesture: Phoebus has to look away when Sarousch forces him to let him sail away with "La Fidele", on penalty of Sarousch harming his son.
* IHaveYourWife: During the climax, Sarousch uses Zephyr as leverage for the bell.
* IronicEcho: Early on, Sarousch tells Madellaine that her job is to "stand around and look pretty", because it's all she's good for. After she saves Zephyr, they have this exchange:
-->'''Sarousch''': What are you doing?
-->'''Madellaine''': Just standing around looking pretty.
* LighterAndSofter: Than the original movie. The villain here is a thief instead of a KnightTemplar bigot.
* {{Narcissist}}: Sarousch. Phoebus lampshades it after interrogating him: "I'll let you get back to...yourself."
* NoSongForTheWicked: Sarousch does not get a song.
* NotSoDifferent: Quasi and Madellaine; both of them are clumsy and nice people who are dominated by evil father figures.
* RhetoricalQuestionBlunder: a small running gag in the sequel is Phoebus asking rhetorical questions to his SilentSnarker horse Achilles, who taps his hoof in response both times.
** First when Phoebus is getting reports on robberies involving the Circus
-->'''Phoebus''': A string of robberies begins the moment a circus comes to town. Coincidence? ''I don't think so.'' How many times have I ever been wrong?\\
'''Achilles''' [''counts on his hoof *Tap. *Tap* *Tap*'']\\
'''Phoebus''': Achilles, that was a rhetorical question.
** The second time, he reports that the circus is responsible for robberies, which does not delight Quasi or his family (Quasi due to being romantically in love with Madellaine, Esmeralda due to believing that Phoebus still holds prejudice views towards gypsies, and Zephyr due to admiring the circus), and they all angrily leave.
-->'''Phoebus''': Achilles, do you believe this? Everybody mad at me! How often does ''that'' happen?\\
'''Achilles''': [''counts on his hoof *Tap*. *Tap* *Tap*'']\\
'''Phoebus''': ''Rhetorical!''
* SissyVillain: Sarousch. He speaks in an effeminate way and is in love with himself.
* ThrowTheDogABone: Quasimodo meets (and eventually) falls in love with Madellaine.
* WhatHappenedToTheMouse: Sarousch's band of minions from the carnival who he sent out to rob the townspeople are not seen again after they've done his bidding, and no mention is made of whether any of them were also arrested after Sarousch was caught.
[[folder:Der Glöckner von Notre Dame]]
* AdaptationalAttractiveness: In the stage show, the hideously deformed Quasimodo is played by the rather attractive [[https://unitedmusicals.de/wp-content/uploads/2014/04/Sarich_Drew_4_c_Rolf_Bock-682x1024.jpg Drew Sarich]] (German version) and [[http://celeb-true.com/images/michael-arden/michael-arden-02.jpg Michael Arden]] (English version). The only signs of his deformity aside from his movements are black makeup smeared on his face and a pouch the actors wear on their back to represent the hump.
* AdaptationalBadass: More of a ''Recursive'' Badass; Clopin is a much tougher character this time around (like his original novel counterpart), and in the German production's climax, he wields his signature scythe in battle.
* AdaptationDistillation: The show is an amalgam of Hugo's original novel and the Disney film. Phoebus is more of a womanizer here than in the film (although he's still a pretty good guy), Clopin's relationship with Esmeralda is more established, and the climax of the show mirrors that of the novel's rather than the film's ([[spoiler: Esmeralda dies shortly after Quasimodo saves her, and Frollo is thrown off the roof by Quasi himself]]). The 2014 American production includes even more elements from the book: Frollo is once again an archdeacon rather than a judge, and the rewritten prologue focuses solely on his backstory and the relationship between him and his younger brother, Jehan.
** One production of the show at the Tuacahn Amphitheatre includes several elements from the film that the original La Jolla production omitted, such as Quasi's imaginary ensemble being portrayed as gargoyles (a reference to the gargoyle trio), as well as the inclusion of Djali, played here by an actual goat.
* AdaptationExpansion: Adds about five more songs and a couple of scenes. One new scene focuses on Esmeralda being taken in by Clopin and the gypsies in the Court of Miracles (which was established in the novel but cut from the film).
* AdaptationalHeroism: The La Jolla production restores Frollo's original role as an AntiVillain. He's much more sympathetic here than in the film, and while he's still ''very'' cruel and sinister, he's genuinely fatherly to Quasimodo. He also never kills Quasi's mother (although he does attempt to kill the baby until he stops himself from doing so).
* AdaptationNameChange: Victor, Hugo, and Laverne are renamed Charles, Antoine, and Loni.
* AdaptedOut: The gargoyles do not appear in the 2014 production. Instead, Quasimodo's "friends" are embodied by the chorus, who act as [[HearingVoices the voices in his head]]. As for comic relief, the show's lighthearted and comedic moments are provided by Phoebus.
* BareYourMidriff: Esmeralda at the Festival of Fools for a different sort of fanservice than the Disney one.
* CanonForeigner: Saint Aphrodisius and Lieutenant Frederic Charlus in the American production.
* CanonImmigrant: Jehan Frollo (Claude's younger brother) plays a pivotal role in the prologue as Quasimodo's father. King Louis XI also appears to grant Frollo permission to search the town for Esmeralda (this eliminates Frollo's seemingly tyrannical rule in the film).
* TheCasanova: Phoebus regains some of his womanizing traits, but he still [[LadykillerInLove genuinely loves Esmeralda]].
* DarkerAndEdgier: The play is darker than the Disney film it is based on, but it is still LighterAndSofter than the novel.
* DemotedToExtra: Clopin in the 2014 American production. While he still has a very sizable role in the show, he no longer serves as the narrator. Instead, the ensemble narrates much of the story in a way similar to that of a GreekChorus.
* DisappearedDad: Jehan Frollo, who is Quasimodo's father in the stage adaptation, dies in the story's prologue, leaving Quasimodo for his brother Claude Frollo to raise.
* TheDogBitesBack:
-->'''Frollo:''' Quasimodo, please, you don't want to hurt me!\\
'''Chorus:''' ''Yes you do...''
* DownerEnding: [[spoiler: Esmeralda dies of smoke inhalation, despite Quasimodo saving her. After Quasi throws Frollo to his death, he then sings a DarkReprise of "Out There", in which he realizes that while the world is ugly and cruel, it is the only world we have, and there will always be a glimmer of light that sheds through all the darkness (like Esmeralda). The show wraps up with a DarkReprise of "The Bells of Notre Dame", led by a mourning Clopin.]]
* EloquentInMyNativeTongue: In the stage show, Quasimodo's voice is hoarse and raspy with simple sentences and occasional grammar mistakes when he speaks aloud, but smoother and nearly flawless when he's expressing his thoughts in song. (In the original novel, Quasimodo became deaf due to his ringing of the bells. He is at least hard-of-hearing in this version. This acting choice might be deliberate, as Michael Arden (the New Jersey Quasimodo) has previously worked with Deaf West Theatre and knows American Sign Language.)
* FingerlessGloves: Quasimodo wears a pair of these, along with ragged red clothes as opposed to green.
** He's back to green in the American production
* HollywoodFire: Averted; [[spoiler: it's not the fire that kills Esmeralda but the smoke she inhaled]].
* MadDreamer: Quasimodo. Here it's made explicit the gargoyles are in his imagination to help him cope with his loneliness.
* NamedByTheAdaptation: Quasimodo's mother is named Florika in the American production.
* ParentalAbandonment: Jehan Frollo and Quasimodo's mother Florika to Quasimodo due to the both of them dying from an unknown sickness.
* PetTheDog: Instead of saying Quasi would be "of use to him" when he takes him in an act of guilt because of killing his mother (in the film), Frollo says he will take him in as a son. However, Frollo still only visits Quasi in the bell tower to bully him, telling him that he should stay in "sanctuary" in the bell tower because he is "ugly" and "deformed."
* PlayingGertrude: Frollo is now played by a actor who looks to be middle-aged, rather than as an old man like in the Disney film.
* RelatedInTheAdaptation: In the American production, Frollo is Quasimodo's uncle (his brother, Jehan Frollo, is Quasi's birth father).
* ATasteOfTheLash: In the American production, Quasimodo is publicly whipped during the Feast of Fools.
* WarIsHell: Phoebus' intro song indicates he suffers from PTSD as a result of four years of harsh fighting in the crusades, complete with grisly lyrics reflecting the harsh conditions of being a soldier. He ends up fighting a different kind of war in the course of the play.
* WhiteStallion: Captain Phoebus rides a white horse because he's the captain.
->''"Now here is a riddle to guess if you can, sing the bells of Notre Dame, who is the Monster and who is the man?"''
--> '''The Bells Of Notre Dame'''