A man walks into a Disney talent agency and says, "Have I got an act for you!".The agent leans back in his chair and says, "Okay, tell me about this act."The man begins: "Talking cats!"Paris, 1910. The fabulously wealthy retired opera singer Madame Adelaide Bonfamille has decided to leave her entire fortune to her high-society pet cats. Her butler, Edgar, wanting the fortune for himself, drugs the felines with sleeping pills and abandons them in the French countryside... the night after the will was made... which isn't the least bit suspicious."Unlike cats in the real world, classy Duchess and her three kittens decide to make their way back home with the help of streetwise alley cat Thomas O'Malley. Along the way, he takes them to hang out with his alley cat friends, who treat the pets to some anachronistic jazz music (accompanied by even more anachronistic psychedelic graphics). No prizes for guessing the ending: Duchess hooks up with Thomas O'Malley, and Edgar gets what's coming to him courtesy of the alley cats."The agent looks baffled. "Wow... what do you call an act like that?"And the man replies with a smile, "The Aristocats!"The agent shakes his head and says, "I think you're on the wrong page — this is about the Disney Animation, the filthy joke isThe Aristocrats."
Borderline example is having swing music and a hippie cat in 1910. Though, jazz was already emerging. In a children's book of the film, they say that jazz comes from America, meaning one of the cats they met brought it to Paris.
Some of the cars and trucks seen in the film appears to be from the 1960s. Justified, considering where Disney got those vehicles from.
Averted with Georges Hautecourt's car; it's contemporary for the Edwardian Era, as is the milk truck. Both look quite beaten and aged, though.
Animal Talk: At the very least, cats, horses, mice and geese all speak the same language; a couple of talking dogs also appear, but we never see them interact with the cats. A joke right near the end implies that either Madame can speak the animal language, or she just believes they speak.
Artistic License - Animal Care: Pouring half a bottle of sleeping pills into a bowl of milk and feeding it to cats is a fantastic way to get them killed. If nothing else, it will do a mouse in quickly. However, he might have been trying to kill them, and then just dump their bodies.
Incidentally, while it was standard practice for a long time, giving cats milk (or mice, for that matter) isn't so good for their digestion - though if we assume it was goat milk, then it's not quite as bad.
Big "Shut Up!": Roquefort trying to get some quiet during the big fight so he can pick the combination padlock on the trunk. It actually works! Made all the more impressive by the fact that even Edgar, who doesn't understand animal speech, stops dead in his tracks.
The Casanova: Implied with O'Malley, who lathers Duchess in praise like a pro. He later seems surprised by how true his comments were.
Cats Are Mean: Averted by the kindly Duchess and her kittens, who are friends with a mouse named Roquefort, and with O'Malley. Used straight when Scat Cat's gang tries to eat Roquefort, then immediately subverted when he manages to spit out O'Malley's name and tell them Duchess and the kittens are in trouble — they run off to go help.
Cats Are Snarkers: Mostly averted, even by O'Malley. The one exception is when he finally gets fed up with the Goose Sisters. Oddly enough, even though they are quite prim and proper British, it goes right over their heads:
O'Malley: Hiya, chicks.
Amelia *giggles profusely*: We're not chickens, we're geese!
Cats Have Nine Lives: The reason Edgar wants the cats out of the way; he figures that he will never inherit Madame's fortune because the cats will outlive him. Considering Edgar's age and that cats can live for over 20 years, he could be right about them outliving him even if he's wrong about the nine lives.
Cat Stereotype: Thomas O'Malley is a Lovable Rogue orange or cinnamon male cat and Duchess is an upper-class all-white female cat. Also, Toulouse (an orange male kitten) and Marie (an all-white female kitten) fit orange cat and white cat stereotypes respectively. However, Berlioz (a grey male kitten) doesn't fit any of the grey cat stereotypes.
The Danza: Contrary to popular belief, Scat Cat was not originally intended to be voiced by Scatman Crothers, but by Louis Armstrong. It was, in fact, a coincidence when Armstrong turned the role down and it ended up going to Crothers, who just so happened to have a similar nickname.
Disappeared Dad: The father of the kittens is never seen or mentioned, although they express hope that O'Malley will take up the job which he does. Given the different looks and ages of Berlioz and Toulouse, there was probably more than one father actually. That's how it usually is with cats. Interesting to note: A sequel storybook was written sometime in the 80s. It obviously takes place after the movie as the geese sisters show up. But, O'Malley is completely absent from the story.
As Duchess is a pedigreed queen, it's likely that Madame had her bred to an equally well-bred tom belonging to some other high-society Kind Hearted Cat Lover.
Disney Animated Canon: Depending on how you look at it, this film is either the last of Disney's "Golden Era", or the beginning of their Dark Age. It was the last movie Walt personally green-lit before his death, but the first he never worked on directly (The Jungle Book was the last film he produced).
Distressed Dude: O'Malley bravely dives into the water to save Marie, but it backfires when he himself can't swim back to shore and has to be rescued by two very British geese. Or, alternatively, fromsaid geese.
Marie: Die muziek, daar ga je lekker van wippen! note The sentence translates to "it makes you waggle real good, that music!", but "wippen" can either mean "to waggle" or "to fuck" in Dutch. The latter one is much more common, although it flies over the heads of little children.
One of the characters (Uncle Waldo) is implied to be completely drunk in his debut scene. Lampshaded during this scene:
Waldo: *looking at a menu* Look! Look at this! "Prime Country Goose a la Provencale, stuffed with chestnuts"...? And "basted in white wine." *hiccups*
O'Malley: *looking disgusted* Basted? He's been marinated in it.
O'Malley: *after Waldo stumbles off with his nieces*: I think I like Uncle Waldo.
Duchess *giggles*: Especially when he's been marinated!
In the norwegian version, during a pun based joke by the geese sisters (that wouldn't make any sense in english), Waldo is directly referred to as "drunk".
The scene with a sleepy Napoleon and Lafayette and a back-scratching Edgar is fairly full of innuendo.
Heck, even the Goose Sisters get in on the act. At one point, desperately trying to keep from drowning, O'Malley tries to grab them by their tailfeathers. They dissolve in giggles and chide that this is "No time for fun and games!"
Their opinion of O'Malley immediately changes when they find out that he and Duchess aren't married, and are clearly under the impression that he has impure intentions toward her. Which, to be fair, he sorta did before realizing she had kids in tow.
Horrible Judge of Character: Averted with Toulouse, who is the only character who suspects Edgar from the beginning. As he states near the end.
Toulouse: (when all of them are stuck in an oven) I told you it was Edgar!
Berlioz: Aw, shut up Toulouse!
Human Mail: Edgar attempts to mail the kittens and cats away to Timbuktu at the end of film. In the end, he himself gets thrown into the chest, and is mailed off.
Humiliation Conga: Edgar suffers three of these: twice when running into Napoleon and LaFayette, and once more as he is first attacked by O'Malley and Scat Cat's gang, then gets restrained in a halter, a bucket dumped on his head, kicked by a horse and finally sent to Timbuktu instead of Duchess and her kittens (as he had intended).
Kindhearted Cat Lover: Madam Adelaide Bonfamille. She is fine being single, but as Duchess says at one point, without her cats to love she really does feel alone.
Madam is a very good example of this. O'Malley doesn't like the idea of living with a human, but Duchess explains to him that Madam is not like any other human - she really loves the cats like they are her own kin.
Large Ham: Uncle Waldo, Georges, Lafayette, and Edgar.
The Load: The kittens can be seen this way - none of them really do anything useful for the story, aside from Marie occasionally providing a chance for the initially reluctant O'Malley to play the Papa Wolf.
Meaningful Name: Translated from French, Madame Adelaide Bonfamille's last name means "good family".
And her first name comes from a Germanic word meaning "of a noble kind".
No More for Me: At one point, a man sees Scat Cat and his gang run past, with Roquefort apparently in hot pursuit (he's just trying to catch up so he can tell them where they're headed) and promptly pours away his bottle of wine.
Overly-Long Name: Thomas O'Malley's full name is Abraham De Lacey Gi-u-sep-pe Casey Thomas O'Malley. He introduces himself with an I Am Song based on the name.
Prop Recycling: Many of the vehicles in the film are actually recycled from One Hundredand One Dalmatians, especially the Baduns' truck and the moving van. The vehicles in that film were white models with outlines drawn on the edges, filmed with a stop-motion camera and then photocopied onto cels. Because of time and money constraints, rather than give build new models for the milk truck and the baggage van, Disney simply reused those them for these roles in this film, respectively.
Stock Footage: It's pretty clear Disney was already experiencing the financial woes that forced them to make their next film, Robin Hood, so economically. The difference here is that the recycled animation is also from this film.
What Song Was This Again?: "Ev'rybody Wants To Be A Cat" becomes "Every cat is a musician" in the Greek version, "Everyone wants to play some Jazz" in the Italian version, and "Cats need lots of music" in the German version.
White and Grey Morality: The protagonists are a family of good cats. The antagonist is a greedy butler who, on the other hand, probably served Madame Bonfamille his whole life before his greed and a poor grasp of the lifespan of a housecat drove him to take drastic measures.
This is actually a subversion of the trope, however: Edgar thinks he's a woobie, but if he'd listened to the whole will he would have learned that the inheritance will indeed pass on to the cats with him as their caretaker, so since cats can't actually use money, that basically meant he gets all the money if he'd just make sure the cats could lead the pampered lives they were used to.