From this slumber, you shall wake, when True Love's Kiss, the spell shall break.
In ageless sleep, she finds repose...
Entry #16 of the Disney Animated Canon, Disney made the Fairy TaleSleeping Beauty into a movie in 1959, based loosely on the Brothers Grimm's story, Briar Rose. The title comes from Perrault's La Belle aux bois dormant (The Sleeping Beauty in the Wood). By a bit of contortion, they manage to come up with a reason for calling the heroine both Aurora and Briar Rose (the French and German versions of her name rendered into English).Having already adapted twosimilarFairy Tales, the biggest challenge story-wise was how to make the plot different without recycling too many elements. Walt wanted the story to be more streamlined, focusing on the central plot about the two lovers without the numerous side plots involving minor characters like dwarves or mice. Technically, the final film is rather streamlined with one major plot... because the animators had so much fun fleshing out the Three Good Fairies that the film completely unintentionally became a Perspective Flip about the efforts of three heroines to rescue the sleeping beauty and her prince from an evil witch. And if Walt's original plan had been followed, the fairies would have been Single Minded Triplets with no distinctive personalities.*
This is quite ironic, considering that it was Walt Disney himself who pushed for the dwarfs in Snow White to have distinct personalities.
Also one of the movies to feature in the Kingdom Hearts series, where Maleficent takes the role of the leader of the Disney Villains and serves as a primary antagonist in the first game. (Oh, and Aurora appears as one of the Princesses of Heart.) While she never quite achieves that level of prominence again, she continues to play a supporting role in the series, while the faeries appear as a One-Scene Wonder in Kingdom Hearts II. The prequel Birth by Sleep introduces an entire world themed after the movie.
All Up To You: The Three Good Fairies are arguably an inversion, as they are constantly the heroines who do the saving, despite being treated as if they were sidekicks.
Anachronism Stew: During the forest scene and the finale, Aurora and Phillip dance the waltz. But the film takes place in the 14th century, and the waltz wasn't invented until the 18th century.
Ascended Extra: An interpretation of how the fairies are in this work. In the original fairy tale, the good fairies just serve to "build up" the princess, while the bad fairy is a Diabolus ex Machina.
Dangerous Sixteenth Birthday: While the curse in this adaptation of Sleeping Beauty has a 16-year time period to be fulfilled instead of a certain day, the curse was fulfilled on Aurora's 16th birthday, just moments before its time was up.
Development Hell: Was in the works for almost all of the 1950s with production starting in 1951 and being released in 1959. In that time, it became a financial behemoth which didn't make its cost back despite being the second-highest grossing movie of the year.
For that matter, Sleeping Beauty Castle at Disneyland had visitors walking past a set of dioramas of scenes from the movie in 1957, and the movie was still two years off.
Disneyfication: One of the most positive examples of this trope, as most tellings of the original tale are considered way too Squick-worthy.
Disproportionate Retribution: She curses the princess to die because she was not invited to the christening. She spends the next sixteen years obsessing over her revenge being enacted.
Distressed Dude: Prince Phillip, needs to be rescued by the Three Fairies before they take him to save Aurora.
The Ditz: Fauna doesn't focus as much at the drama at hand as her sisters; she also doesn't comprehend, after sixteen years living with and as a human, that eggshells probably won't taste good in cake.
Does Not Like Shoes: Despite apparently having access to shoes, Aurora prefers to go barefoot when she ventures into the forest.
Merryweather: What won't [Maleficent] expect? She knows everything. Fauna: Oh, but she doesn't, dear. Maleficent doesn't know anything about love, or kindness, or the joy of helping others... You know, sometimes I don't think she's really very happy.
Excessive Evil Eyeshadow: Maleficent, although it could be simply the shadow of her brow, since it doesn't appear on her eyelids.
Failed a Spot Check: It's very clear that the Three Fairies just try their darndest to cover up their magic within the cottage and do cover up every nook and cranny... except the fireplace.
Fashions Never Change: The movie is explicitly stated to take place in the 14th century, yet Aurora's dress has a neckline like dresses in the decade when the movie was made. Her mother's gown is more period accurate.
For the Evulz: Why does Maleficent want to kill Aurora? Not being invited to a party is merely her "justification".
Frothy Mugs of Water: Aversion. They don't specifically say that it's wine — only that it's been preserved for sixteen years. But the jester who drinks the most in that scene clearly gets drunk off of his ass, complete with Alcohol Hic.
Genre Killer: The film's failure to earn back its exorbitant budget resulted in this twofold: not only was it the last fairy tale Disney would make until The Little Mermaid in 1989, it also ended Disney's second run of lavish, expensive animated features that had been restarted with Cinderella in 1950; this inadvertently began The Dark Age of Animation, as Disney was the last studio in Hollywood that was willing to spend money on full animation.
Hoist by His Own Petard: Averted. Notable in that this is a Disney Movie, which are usually the kings of this trope.
Hollywood Kiss: Princess Aurora and Prince Phillip. But of course.
Holy Hand Grenade: Merryweather's magic when she finally dispatches the raven. Also, the Sword of Truth.
Horned Humanoid: Maleficent's hat invokes horns, but it's difficult to tell if she actually has them.
Horsing Around: The Prince's horse who, until the climactic scene, was very stubborn and had to be bribed by carrots to do his master's bidding, and even then the horse bungles it and charges straight into a puddle.
Hypnotize the Princess: When the glowing green orb appears in Aurora's bedroom as she cries, the light makes her suddenly stiffen and look up. Her eyes are glazed, and she stands up very fluidly, following the orb single-mindedly. When the fairies call out to her to not touch anything, it momentarily breaks the spell, before Maleficent's voice lulls her back in, and she touches the spinning wheel's spindle.
Inter-Class Romance: It's set up to be this, but it turns out that the beautiful peasant girl Phillip sees in the forest is the princess to whom he's betrothed.
"I Want" Song: "I Wonder", in which Briar Rose ponders why "each little bird has a someone to sing to" and hoping someone will bring a love song to her.
Knight In Shining Armour: The climax of the movie is a battle with Prince Philip up against Maleficent to save Princess Aurora.
Lethal Chef: Fauna. She puts candles on the cake before she bakes it. It's pretty obvious she hasn't cooked the entire sixteen years they've had Briar Rose.
Let's Get Dangerous: Merryweather attacking the raven after she's finally fed up. After missing with her first couple shots, Merryweather adjusts her gown, and you know shit's about to kick up a notch.
Love at First Sight: The prince and princess actually meet before the Dude, She's Like, In a Coma!True Love's Kiss in this version, but the only time they spend together is singing a song and dancing in a forest. (Technically, they "met" when they were young. Aurora was just a baby; Phillip wasn't older than four or five, but they don't realize it until the end.) The lovers Hand Wave this by claiming they met "once upon a dream".
Meaningful Name: Maleficent is a play on the words malevolent and magnificent. A fitting name for the Mistress of All Evil.
The Middle Ages: "After all, this is the fourteenth century."
Missing Mom: Phillip's mother is never seen or mentioned, and presumably is dead prior to the movie. Averted by Aurora, who is one of the only Disney protagonists whose parents are both alive for the entire film.
Modest Royalty: Speaking objectively, Aurora's gown is one of the most understated of all the Disney dresses. It's quite simple compared to the gowns of the courtiers (and her mother), as well.
Mr. Fanservice: Phillip and his fangirls are very fortunate that Disney animators have apparently come a long way since the days of Snow White when Prince Charming's role was deliberately shortened because they weren't very good at drawing human males.
Names to Run Away From Really Fast: "Malefic" productive of evil; malign; doing harm; baneful. "-ent" (suffix) characterized in serving of. Maleficent also counts as a Meaningful Name...as are most names to flee from. Then there's her raven, Diablo.
Nice Job Breaking It, Hero: The fairies stopped up every nook and cranny except for the fireplace when they perform magic for the fist time in years. Then Flora and Merryweather get into a magical dispute over the color of Aurora's dress. Guess how Maleficent discovers the whereabouts of Aurora. Missing the fireplace is how Maleficent manages to get a hold of Aurora a second time, too: by enchanting it to open up into a stairwell and hypnotizing her into pricking her finger.
No Body Left Behind: Dragon!Maleficent falls down a cliff. When the sword is shown again, it is stabbing only a cloak.
No Name Given: Aurora's mother. Her father is King Stefan, but her mother is only ever referred to as "the Queen". Disney fans generally call her "Leah", after a name given to her in one of the children's books written about the movie.
Not only is the character never given a name in the film, but the Disney archives for some reason have absolutely no record of the name of the actress who provided the Queen's voice!
Non-Human Sidekick: Prince Phillip has a horse, Maleficent has her raven familiar Diablo, Aurora has various miscellaneous woodland creatures.
Phillip's horse has this reaction (with whinnying accompaniment) at one point during the battle with Maleficent (before the fairies bail him out).
Phillip looks horrified after Maleficent's One-Winged Angel transformation.
One-Winged Angel: One of the most famous examples. Maleficent's huge-ass dragon form is one of the first things that comes to mind when many think of this trope. And she returns as this in her boss fight in Kingdom Hearts. It's famous enough to have been invoked in a later Disney film, Enchanted, where the sorceress villain also turns into a dragon at the climax. Disney Theme Parks occasionally have skits where Maleficent appears and turns into a dragon.
Our Fairies Are Different: Flora, Fauna and Merryweather. Maleficent herself is supposed to be a wicked fairy, or at least was based on the character of the Thirteenth Fairy.
Precision F-Strike: "Now shall you deal with me, o prince, and all the powers of Hell!" How much of a precision strike was this? The next time anyone said that word in a Disney animated production was thirty five years later... In the weekday afternoon slot, in the pilot episode of Gargoyles.
Princess Classic: Flora's and Fauna's gifts (and possibly the Maryweather's had she not been interrupted) were even related to this trope.
Princesses Prefer Pink: Played with. Aurora never chooses her own gown, but Flora and Merryweather fight over what color it should be.
Public Domain Soundtrack: Much of the soundtrack of the movie is the music to Tchaikovsky's ballet of Sleeping Beauty. The song "Once Upon a Dream" was adding lyrics to the Waltz.
Putting a Hand Over His Mouth: Flora shushes the other fairies this way. A goon also does this to Phillip for a second.
Ravens and Crows: Maleficent's pet raven Diablo who is revealed to be smarter than the rest of Maleficent's goons.
Rebel Prince: Phillip. Although apparently not adverse to ruling, he does believe he has the right to marry the girl he loves.
Scenery Porn: It was made in the Super Technirama 70 widescreen process, and the filmmakers were up to the challenge of filling the space, and so had the backgrounds painted in exquisite detail by artist Eyvind Earle. This trope and Everything's Better with Princesses are likely the reasons it was the first cel-animated Disney title to get a Blu-Ray Disc release.
Shallow Love Interest: Aurora and Phillip. Although there are some traits to be gleaned, they're never important or alluded to for more than a line or two.
Sickly Green Glow: Maleficent has green eyes and a green orb atop her staff. Her flames are also green. Her skin is green, although a very pale green—mostly due to coloring errors in the film, since her skin was supposed to be white.
Spell Blade: How the fairies give Prince Phillip a Sword of Truth and a Shield of Virtue to fight Maleficent. They even add an extra incantation before the final blow.
Spot of Tea: The Three Fairies have one as they make their plans.
Supernatural Aid: The fairies give Prince Phillip a Sword of Truth and a Shield of Virtue to fight Maleficent. They even add an extra incantation before the final blow.
Surrounded by Idiots: It is Maleficent's much smarter raven that finds Aurora, rather than her obviously idiotic mooks. They spend sixteen years looking "in every cradle" — for a princess they imagine to still be an infant. They didn't appear to have even searched the forest.
Throwing Your Sword Always Works: One of the most iconic instances of the trope when Flora enchants it to kill Maleficent. Justified by the spell Flora cast on it to fly straight and hit exactly where it counted.
To the Pain: Arguably, Malificent's most evil moment in the film is when she explains to a captured Prince Phillip exactly how she's going to ensure that he doesn't get a happy ending. Killing him outright would've been kinder.
True Blue Femininity: The gown alternates due to the fairies having a color war. It does spend most of the time in this color.
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