What can the harvest hope for, if not the care of the reaper man?
—The Death of Discworld
This is the 11th Discworld novel. It was written at the same time as the Bromeliad trilogy, and it shows: both works talk about how beings with short life spans live them faster than humans, so everyone's lifespan is subjectively about the same. Both also use mayflies as an example.Unusually, there are two almost completely separate plots, and they are even denoted using two different typefaces (most noticeable in the first hardback edition).The primary plot involves Death. His cosmic bureaucracy, the grey and numberless Auditors of Reality, sack him for getting too close to humans, and Death is sent to live as a mortal instead. Will Death get his post back, or will he have to face his own mortality?The B-plot focuses on the consequences of what happens when Death Takes a Holiday (or in this case, is fired). Too much life force floods through the world, the recently dead arise as zombies, and metaphorical ideas are powered into life as the ancient (and recently deceased) wizard Windle Poons struggles to deal with the consequences.The title is a pun on Repo Man.Preceded by Moving Pictures, followed by Witches Abroad. Preceded in the Death series by Mort, followed by Soul Music.
Contains examples of:
Absurdly Sharp Blade: Death's scythe. His first one is sharpened on sunlight and is so sharp it cuts words. But at the end when Death is forced to use the harvest scythe against the New Death, his own rage gives it an edge "beyond any definition of sharpness".
Artifact of Attraction: Death's new scythe is treated like this, because it is such a marvellous work of craft that Ned Simnel cannot bring himself to destroy it, as is required for Death's plan.
Bait-and-Switch Comment: The wizards see a man chasing his animated suit shouting that he paid seven dollars for it, who is then followed by a pair of walking trousers. Ridcully then comments on what an extraordinary occurrence this is: a tailor selling a suit with two pairs of pants for only seven dollars.
Berserk Button: Death, when he sees that the New Death wears a crown and sees himself as ruling over the lives of mortals.
Rendered pointless by numerous editions which, as a result of typeface changes and other shenanigans, moved it to the right hand side, greatly diluting its shock value.
The 25th Anniversary edition has it on the left side, but the paper is so thin that you can see it through the previous page—and the text on said previous page doesn't even reach far enough down to mask it at all.
Call Forward: Ned Simnel's son Dick is tritagonist of "Raising Steam" ; Ned got himself killed trying to perfect his steam engine; we're never sure if he still owes Death a farthing for not destroying the scythe like he should have, but Death stole the Three-Eigths Gripley as payback.
Cessation of Existence: Bill Door knows that's what will happen to him when he dies; as a result, he's terrified of the prospect.
Clap Your Hands If You Believe: Standard Discworld trope, but comes into play here because instead of there being one Death for everything, the spontaneously re-forming Deaths are built up by the beliefs of all the different species - for instance, the Death of Mayflies is a great black trout. The New Death's malevolence is based on the fact that modern people tend to treat death as more fearful and less of a natural occurrence than people in the past.
Dancing Pants: One of the side effects of the excess life force is inanimate objects coming to life, including clothing.
Even better: Death deduces when the New Death will arrive because a Death who will pose on a hill on a skeletal horse during a thunderstorm to be lit up by a lightning flash, will not come at 11:25 when he could come at midnight.
Glamour Failure: Sal, the innkeeper's daughter, can see Bill Door clearly for a skellington in overalls.
Gosh Dang It to Heck!: The excess of life force causes Mustrum Ridcully to produce small, strange-looking creatures whenever he swears. He resorts to euphemisms to prevent this from happening, and eventually produces "the most genteel battle-cry in the history of bowdlerization: 'Darn them to heck!'"
Just So Story: A modern urban version; abandoned shopping trolleys being found in the strangest places is explained as them being rogue drones from the mall Hive Mind that escaped.
Line-of-Sight Name: Death comes up with his alias' surname because there's a door behind Miss Flitworth (after his initial attempt of looking up and suggesting Mr. Sky?).
There's also One-Man-Bucket, short for One-Man-Pouring-A-Bucket-Of-Water-Over-Two-Dogs. This was a tribal tradition in One-Man-Bucket's tribe - children are named for the first thing their mother sees outside the tent after their birth. His elder twin brother, named ten seconds earlier, wasn't so lucky...
Windle: Let me guess. Two-Dogs-Fighting?
One-Man-Bucket: Two-Dogs-Fighting? Two-Dogs-Fighting? Wow, he would have given his right arm to be called Two-Dogs-Fighting.
Literal Metaphor: The overabundance of life after Death is fired means that it infuses what was only a metaphor - the idea of shopping malls as parasitic predators that suck the life out of inner city shops - and makes it real.
Windle Poons' last words to the company in the Great Hall of Unseen University are almost identical to those of Lawrence Oates, a member of Scott's doomed Polar Expedition who deliberately walked out and lost himself in the Antarctic night so as not to slow his comrades down.
"I am just going out. I may be some time."
His last words when he dies for the first time ("What I could do with right now is one of Mr Dibbler's famous meat pies -") mirror the alleged last words of William Pitt The Younger ("I think I could eat one of Bellamy's veal pies.")
A possible one to For a Few Dollars More: Death's hourglass running out as New Death bears down on him, only for Miss Flitworth to give up some of her time to give him a chance, is strongly reminiscent of The Man With No Name bringing the second musical pocketwatch into the duel between Mortimer and Indio.
Death's battle with his replacement is reminiscent of the showdown in High Noon, with the combatants facing off and then the protagonist fleeing through the village as he tries to gain an advantage.
The wizards fighting the shopping trolleys sequence has a few to Alien, which Pratchett is fond of referencing in other works as well.
The line about the 'Dark Enchantments' chocolates ("To deliver a box of chocolates like this, dark strangers drop from chair-lifts and abseil down buildings."), is a reference to the old Cadbury's Milk Tray adverts, as well as the name of the chocolates themselves being a reference to Black Magic, another type of boxed chocolates.
The Priests in the Lost Jeweled Temple of Doom of Offler remark that a chap with a whip got as far as the giant spikes.
Miss Flitworth's line about moping around in her wedding dress forever may be a reference to Great Expectations.
The setting of the climax of the Windle storyline is highly reminiscent of Dawn of the Dead. Except that the undead monsters are the heroes, and the evil monster is the shopping mall itself.
Bill Door working himself to the point of collapse in a race with the Combination Harvester is reminiscent of the American folk hero John Henry, who worked himself to death competing with a steam drill.
Sanity Slippage: This is the book where the Bursar starts to become unglued.
Sibling Rivalry: Archchancellor Mustrum Ridcully's brother Hughnon is the High Priest of Blind Io and therefore the leader of Ankh-Morpork's clerics. They get on pretty well, but drop continuous cracks about each other's vocation:
Mustrum: How's things in the godbothering business?
Hughnon: Not bad. How's the tinkering with things men was not meant to understand?
Mustrum: Pretty fair. Pretty fair.
Staring Kid: Sally Lifton, the little girl who won't stop talking about the "skellington with all bones on." She's seeing exactly what's there, unlike the adults, and poor Death is at a complete loss trying to deal with her.
Strange Minds Think Alike: After seeing a man chasing his animated suit shouting that he paid seven dollars for it, who is then followed by a pair of walking trousers, both Ridcully and his brother wonder if anyone got a look at the label since that's a good deal.
That's No Moon: The vast plain of ridges and valleys seen when the Auditors speak to Azrael at the start of the novel? It's one of Azreal's fingertips.
Time Abyss: Azrael is as old as the universe (and note his namesake from Islamic theology is said to be the last being in all the universe to die at the end of time). He's also responsible for the Ultimate Clock, which is actually the opposite of a clock - rather than telling what you what the time is, it tells Time what it is.
Death notes, too, that unlike other clocks, this Clock only goes around once. And, at the end of the book, Azrael states "I remember when all of this will be again."
The Unsmile: "Ludmilla gave [Poons] the bright, crystalline smile perfected by people who had long ago learned not to let their feelings show."
Vehicular Sabotage / Out-Gambitted: At the end, when the New Death's spirit has possessed the Combination Harvester to go One-Winged Angel, Death calmly reaches into his robe and removes a small part - one integral to its frame - that he had removed earlier. The machine collapses inches before reaching him.
Werewolf: Ludmilla Cake, who is normal three weeks out of the month, turns into a half-wolf-half-woman at the full moon; fellow Fresh Start Club member Lupine is the opposite, a wolf that turns into a wolfman every full moon. Poons arranges for them to meet. Another character points out the Fridge Logic involved.
At the end, we get this passage that makes it pretty clear what happens between them:
There'd be two figures running across the high moorland under the moon. Not entirely wolves, but not entirely human. With any luck, they'd have the best of both worlds. Not just feeling... but knowing. Always best to have both worlds.
Making Money points out that the relationship is still going on years later.
When the Clock Strikes Twelve: This is when the new Death will turn up. The new Death deliberately chose this time in order to heighten what Death dismissively refers to as "drama".
Womb Level: The predatory mall becomes this once Windle and company get the Queen's attention.
World's Shortest Book: The Librarian may not be an expert on guerilla warfare but, as he reminds the Dean, what he doesn't know about orangutan warfare could be written on the squashed-up remains of a smart-ass wizard.