There is no fair. There is no justice. There is just me.
FourthDiscworld book and the first to really develop the character of Death, going from the sadistic murderer of the earlier books to the complex sympathetic-to-humans figure who does his Duty. However, it did build upon themes raised in a brief foray to Death's house in The Light Fantastic.Mort follows the story of Mort, a young boy who is chosen to become Death's apprentice.Mort is one of the most popular early Discworld novels and won a contemporary award for best Gothic Novel of the year, despite Terry Pratchett's protest that it wasn't Gothic.Adapted as a largely faithful but somewhat abridged graphic novel. Disney at one point was going to adapt Mort as a hand-drawn animated feature. They had to put it to a close because they couldn't afford the rights. However an onlinepetition has been created to bring this back into production.Preceded by Equal Rites, followed by Sourcery. The next book in the Death series is Reaper Man.
Acquired Poison Immunity: A king assassinated early in the book tried this — the assassin got him with a crossbow instead.
Aluminum Christmas Trees: One of the books chronicling Albert's life is from before they invented spelling. Believe it or not, prior to the spread of dictionaries, there was no one way to spell things; Spelling was done entirely phonetically, and two different spellings of the same word could be completely legitimate.
There was a large crystal ball with a crack in it, an astrolabe with several bits missing, a rather scuffed octogram on the floor, and a stuffed alligator hanging from the ceiling. A stuffed alligator is absolutely standard equipment in any properly-run magical establishment. This one looked as though it hadn't enjoyed it much.
"To tinker with the fate of one individual could destroy the whole world."
Also, "There is no justice. There is just me."
The Archmage: The founder of Unseen University, Alberto Malich. AKA Albert.
Aren't You Going to Ravish Me?: When Mort is about to enter Ysabell's room, she readjusts her clothes to be more revealing and says, "I hope that you have not forced your way in here in order to take advantage of your position in this household." She is, in fact, entirely hoping this is the case.
Awful Wedded Life: The fisherman rescued by Death enjoyed six months of marital bliss some twenty years ago.
Belligerent Sexual Tension: As stated in a later book: "Between Mort and Ysabell there was an instant dislike, and everyone knows what that means in the long term".
Berserk Button: Mort's reaction to being called 'Boy'. He starts off calmly correcting people but it all goes downhill from there. To the extent that Death calling him "boy" gives him the energy to fight back against him.
Bewitched Amphibians: Alberto Malich, upon returning to Ankh-Morpork, has a quarrel with an innkeeper over a two-thousand-year-old bar bill. When next he's seen, he's got a bewildered-looking toad with him and remarks how that's one landlord who'll never talk back to wizards again.
Big Ol' Eyebrows: Mort compares Ysabell's eyebrows to a pair of mating caterpillars.
Blue Blood: Mort and Ysabell are appointed as the duke and duchess of Sto Helit, so that they will unite with Sto Lat to keep the future Keli's uncle was supposed to make.
Butterfly of Doom: Though the butterfly effect is not part of the cataclysmic aspect of the Interface, it is referenced. On one side of the Interface, the clouds are distributed differently to the other, because the small changes added up to alter the weather patterns. When Mort sees the Interface sweep through a pub, not only does the name change from the Queen's Head to the Duke's Head as a direct result of the Retcon, but also the landlord's clothes change because he happened to decide to put on different ones in the altered timeline.
Compound Interest Time Travel Gambit: Inverted. When Albert returns to Ankh-Morpork after 2000 years, an innkeeper hits him up for a fortune in interest on the three copper pieces he'd owed on his bar tab.
Continuity Nod: Farmers where Mort comes from grow reannual crops (you plant them this year, they come up last year) which were first mentioned in The Colour of Magic.
Cosmic Retcon: The Interface is the physical manifestation of the universe gradually retconning away Mort's 'mistake' in not taking Keli's life. More accurate, Mort changed how history is meant to go, and the Interface represents the inertia of history Cosmic Retconning it back again.
Delayed Ripple Effect: The Interface is a variation on this trope, but with the change travelling across space instead of time—the world as a whole is running on the 'proper' timeline and the pressure on the changed timeline causes it to collapse inwards towards Sto Lat.
Death's Hourglass: Every living thing is represented in Death's domain by an hourglass showing how long they have left to live. (There's also one for Death himself, but it has no sand in it.) Also notable is the fact that breaking the hourglass immediately kills the person. Mort attempts to exploit this by breaking Death's hourglass during their battle, but his sword just passes through it harmlessly.
Do Wrong, Right: A Grand Vizier tries to poison his emperor but is finally tricked into eating the poisonous object himself, then kept from leaving because the emperor knows he's leaving for the antidote. As he's dying, the grand vizier actually compliments the emperor on his technique in killing him.
Dropped a Bridge on Him: The Duke of Sto Helit, a major antagonist, dies in an offhand way near the end when his hourglass happens to be one of the ones Death accidentally broke during his fight with Mort. This drives home the point of Death being a hypocrite, as the fate he was defending involved the Duke becoming king of Sto Lat.
First Girl Wins: Mort falls for Princess Keli at first, but eventually comes to realise that he and Ysabell have more in common.
Fluffy the Terrible: Death's mighty steed, able to travel through the sky, through space and through dimensions, is named Binky. Mort takes note of the strangeness of that name, thinking that the woodcut he saw as a child of Death on his pale horse would've been less impressive if he'd known the name then. Albert also comments that he would have expected Death's horse to have a much more intimidating name.
Food Porn: Possibly inverted, creating Food Gorn. The description of a meal in Harga's House of Ribs is described thusly.
"[Customers] don't go in for the fancy or exotic, but stick to conventional food like flightless bird embryos, minced organs in intestine skins, slices of hog flesh, and burnt ground grass seeds dipped in animal fats; or, as it is known in their patois, egg, sausage, bacon, and a fried slice [of toast]."
Foreigners Write Backwards: Examining Death's node charts, Mort and Albert can't even tell if it's supposed to be read left to right or right to left. Ysabell explains that it spirals out clockwise from the center.
Gargle Blaster: This is the book to introduce scumble. A naive Mort orders a pint of it in the Quene's Hed / Duke's Head pub, and a clue that he is taking on some of Death's nature is that he survives.
Hypocrite: Death is absolutely enraged when he eventually finds out Mort has tampered with the flow of reality by leaving alive someone who was supposed to die. Ysabell later calls him out on the fact that he, Death himself, tampered with her own fate, Mort's, and several other people's whose hourglasses he accidentally broke during his fight with Mort. And she doesn't even mention that Death's attempt to take a vacation from being Death almost resulted in the collapse of all reality: sure, he taught Mort to reap, but he neglected to teach him to work the nodes so as to determine who to reap. Death seems to think that since he's the Death, those rules don't apply to him.
Ignore the Fanservice: When Mort visits Ysabell's room late one evening, she adjusts the neckline of her nightgown before letting him in. His response: "Put something on, you're overflowing."
Karma Houdini: the Duke of Sto Helit is supposed to be one according to the original timeline. Instead, his hourglass gets broken during the fight with Mort.
Magic A Is Magic A: It's revealed that Albert's presence in Death's country is a result of assuming this too much. Given that the Rite of AshkEnte summons Death and knowing that he was dying, he presumed that performing the Rite backwards would keep Death away from him. However, this turned out to invert the spell in a different way—instead of summoning Death to him, it sent him to Death.Alternatively Alberto Malich knew exactly what he was doing - performing the Rite backwards sent him somewhere where he could not grow a second older and so his life would never end. Mort appears to give Albert credit for exactly this line of thought. The disadvantage, of course, is that being Death's housekeeper is not much different to being in Limbo for all eternity.
Master Poisoner: Death comforts the ghost of an assassinated king with the knowledge that he has an appointment with the King's assassin later on. Apparently it isn't a good idea to let someone skilled in poisons and capable of contracting a killer prepare you a packed lunch.
Narrating the Present: the books in Death's library write someone's life as a narratitive as it happens. The last scene of Mort is actually Mort reading that scene from his own book.
Never Say "Die": Obviously averted, but pops up in a behind-the-scenes anecdote. Allegedly, a meddling executive trying to make Mort into a movie told Terry Pratchett to "lose the Death angle." Terry Pratchett pretty much pulled out of the project then, because the entire point of the story is Death!
No Social Skills: This book introduces Death's inability to relate to people and normal life. Feelings are organic. He didn't feel sorry for Ysabelle, he thought sorry. Developing true empathy is more or less his character arc.
Whoever had designed the dress didn't know when to stop. They'd put lace over the silk, and trimmed it with black vermine, and strung pearls anywhere that looked bare, and puffed and starched the sleeves and then added silver filigree and then started again with the silk.
Ysabel: Pardon me for living, I'm sure. Mort:No-one gets pardoned for living.
Mort also later challenges death to one on one combat and calls him a bastard.
Twisted Echo Cut: At one point there's a cut from Keli telling Cutwell, "I think there's something you ought to know" to Death saying There is? because Mort has just said the same to him — which is immediately lampshaded with a footnote about the technique. It happens again later, though much more subtly.
Unwanted Rescue: Death does this to a fisherman who was unhappy with his life but whose religious beliefs forbade deliberate suicide, and so was quite pleased to be drowning.
Volleying Insults: Mort and Ysabel take turns in insulting each other's appearance. Interestingly, they get on much better after that.
Subverted with Albert, who is quite happy living the repetitive tedium of being Death's manservant outside time, and considers his plan to achieve immortality a relative success. However, this is because of an intense fear of the world after death, since he knows bad things will happen and he also showed missing a LOT of his actual living life when he goes back for a while and even plans to stay.
Played straight with most major characters - Mort, Ysabell, and even Death himself.
Xanatos Gambit: Death's battle with Mort could be seen as one of those. If Death wins, he punishes Mort for his perceived insolence and negligence, if Mort wins, he must take Death's place, which means that Death can finally rest.