Deader Than Disco: Fashion

Fashion fads come and go in general. It's a scandal at first sight, scoffed as ridiculous, then is adored and adapted by those willing to try it, then it grows stale, and is eventually thrown away, replaced by another fad. And the previous fad stays in the closet for the next twenty years or so, cringing the times you once wore them until some tidbits of nostalgia make it popular again. In a nutshell, fads come and go with a vicious cycle.
  • It's been suggested for decades now that the fashion industry itself - or at least the fashion culture - is Deader Than Disco, at least in the form that people traditionally imagined it. Many clothing historians have said that the last true fashion "trend" - one that cut across all demographic, ethnic and class lines - was Christian Dior's "New Look" (sort of the mid-20th-century equivalent of the Pimped-Out Dress) which reigned supreme from 1947 to about 1954. Of course, the French bias comes into play here: the New Look was certainly the last major fashion trend to emanate from Paris, which had been the global center of haute couture for centuries up to that point. What can't be denied is that French fashion is dead, at least as an international force: major clothing designers now exist in every modern country and are largely culture-specific; this goes for French fashions themselves, which are seen (especially in the case of women's fashions) much too showy and avant-garde for anyone except the French. (This is certainly not to say that "teen" fashions from The Fifties onward and "designer" brands beginning in The Seventies didn't also play prominent roles.
  • Overlapping with the Trope Maker, 1970s fashion had been a symbol of rebelling against the uptight fashion statements of the time, and called for equality, individualism and a naturalistic attitude. Afros, wispy long hair, sideburns, extremely low necklines, bellbottoms, earthy colours, high contrast prints, ethnic motifs, platform shoes, metal- and punk-influenced looks and going commando was the thing for this decade, especially during the night dancing at the clubs. The opposition of "New Conservatives" for the overdecadence, the escalating tensions of the Cold War and the large distaste for disco were three of the factors that made the fashions more practical and business-minded by the next decade.
  • 1980s fashion was supposed to cover up the sluttiness of the last decade and to empower all places of businesses, from politics to business to music to home, but the uptightness and the concept of powerdressing went up to its head and underwent a Full-Circle Revolution as the decade progressed. Exaggerations were everywhere, the most notable being the hair, the shoulders and makeup, neon was the buzzword colour scheme, and volumes for music, subliminal advertising and prints went Up to Eleven. Then came October 1987, and the crash on Wall Street gave realization for the excessive amounts of detail on everything, which were expressed on fashion trends, and people scoffed off the giant shoulder pads, neon bangles, incomprehensible neon prints, lycra suits, aerobic gear for everyday wear and ozone-killing hairstyles as if they were a thing of the past and put on flannel, Doc Martens shoes, and minimalistic clothing and angsted up before the decade was done.
  • The Pimped-Out Dress of the 18th century. Powdered wigs, knee-breeches, ridiculously overdecorated dresses, wide-brimmed hats, beauty patches on powdered faces, just to name a few. They were predominant in Europe, the most in France, and the Americas, from the time of Louis XIV to The French Revolution. During that period, they were elegant and stylish, yet very ridiculous in extremes. The person who killed the fashion? Marie Antoinette, of all people, who was painted wearing a simple (in comparison) summer shift. (The difference was so extreme that at first many people thought Marie had been painted in her nightgown.) As the French Queen, Marie of course wore her share of pimped out dresses - because that was her job - but she preferred more simple clothing. Interestingly, the very Revolution that cut off her head took credit afterwards for the change.
  • The Empire silhouette would not have existed without the simpler fashions of the 1780s paving the way, but the main influence for the style was classical antiquity, and in particular the paintings, sculptures, and bronzes being dug out of the ground at Pompeii. From the early 1800s until the 1820s women in Western Europe put away their tight corsets and powdered wigs and instead donned long, loose and high-waisted gowns sewn from multiple layers of muslin and linen. Hair was worn unpowdered and unfrizzed, instead being sleekly pulled back into a high bun, sometimes with loose ringlets at the temples. Older and more traditional persons were outraged by the new fashions, ridiculing them for their supposed indecency and flammability. After the defeat of Napoleon Bonaparte in 1815 and the rise of Romanticism on the continent the Empire style disappeared, replaced within a season by the nipped waist, low neckline, and wide skirt of the early Victorian era. It wasn't until the 1880s that a style similar to the Empire silhouette returned, this time more as an accompaniment to the Neo-Classical era than as a memory of the past; even then, these styles only really became popular in the 1910s.
  • Bell-bottom jeans went from being cool in the 1960s and 1970s to being extremely uncool in the 1980s. Since the 1990s the fashion industry has tried several times to "bring back" bell-bottoms and every time they've failed to catch on for very long. These days bell-bottoms are mostly worn only by sailors and members of hippie and stoner subcultures.
  • Speaking of the '20s, when The Great Depression hit, it also made an impact on the lifestyles of The Flapper. Due to her hedonistic lifestyle, the gloomy atmosphere of the depression did not mix well with her, and in one season, she changed her wardrobe from a boyish drop-waisted silhouette to a longer, high-waisted streamlined feminine curve, waved her slick bobbed hair, applied a more sensible layer of lipstick and eyeliner, and delighted in what a 1930s woman does. Of course, the flapper habits were still there, only more toned down and more sensible than outrageous.
  • A decade before that, the fashions, with its high waists, a flowingly slim silhouette, velveteen kimonos, hobble skirts, harem pants, draped designs, feathered turbans, bright colours, and Oriental motifs, were considered exotic and revolutionary at its time due to the endeavourous Edwardian sensiblities, Oriental exports and the success of Paul Poiret removing the steel-boned s-bend corset from women's wardrobes. That said, if the 1810s was considered Groman, then the 1910s was considered byzantine due to its exotic flavour and ornate designs. Flash forward to World War One, and out of necessity they were replaced by simpler cuts, more somber shades, lowered waists and a wider skirt with higher hemlines. Pre-1914 silhouettes, including hobble skirts, were considered impractical and ridiculous due to more women getting more active roles and thus needing a longer stride. Even Poiret, the pioneer of the silhouette, was ridiculed for it after the war and eventually lost his business. Although the fashions of the 1910s went out of vogue during The Roaring Twenties and the following decades, only to be inspired in the late 1940s due to the "New Look" phenomenon, the impact of removing Victorian undergarments like boned corsets, hoopskirts and bustles stayed.
  • For most of the 20th century, hats (not caps) were an essential piece of clothing for men, to the point that going out in public without one made you look strange. But around the late 1950s and early '60s, wearing a hat became entirely optional. By the '70s, wearing a hat was seen as old-fashioned. These days, apart from the aforementioned baseball/trucker caps, the men's hat is almost never seen in public. The reason that hats fell out of fashion is often debated, but some of the more popular theories include John F. Kennedy's supposed refusal to wear a hat during his inauguration (he did wear a hat) and the rise in popularity of sunglasses. It's also worth mentioning that dress styles in general have gotten a lot more casual over the last 50 years; prior to the '60s it was standard for men to always wear a suit in public. These days jeans and t-shirts have become the norm.
    • The military draft, in place from 1940 to 1973, had a lot to do with men's hats going out of fashion. Having to wear a hat under threat of punishment if you don't - ranging from confinement to quarters to loss of pay up to and including incarceration - is almost guaranteed to give you a bad case of "anti-hat-itis".
      • The problem with that theory is that in the military the headwear people forced to wear are generally caps and helmets, not hats. Another is that the wearing of hats was in and went out of fashion at the same time in countries which had the draft longer, such as France and Germany.
    • Cars have also been blamed, along with the modern city plan they inspired. A hat serves no purpose inside a car (and gets blown off in a convertible), and the 1960's auto designs tended to lower rooflines than the earlier norm. As "walking outside" became limited to short hikes across parking lots, a man ended up putting on his hat, walking for maybe one minute, then taking his hat back off indoors. And as the mall and big-box store replaced the small shop with its few customers and convenient hat-rack, the hat became both useless and a hand-occupying nuisance.
  • Slap bracelets were a fashion accessory that consisted of a flexible steel band covered by a layer of fabric or plastic that came in a large variety of colors and patterns. People would slap the straightened band against their wrist, causing it to spring back into a curve that encircles the wearer's wrist. For a few years in the late '80s and early '90s, slap bracelets were a popular fad among children and teenagers. Then schools started banning them after reports of students being injured due to improper use. Once schools started banning them, slap bracelets quickly fell into obscurity.
    • As per the Popularity Polynomial, they're making a sort of comeback as wristwatches. Having a thicker silicone coating might help.
  • For a while in the 1990s, barbed wire tattoos (that wrap around the upper arm) were considered cool because of celebrities like Pamela Anderson who got them. But after a while they became so widespread and mainstream that they're now considered one of the more unimaginative types of tattoos.
  • The fedora seems to be heading in this direction. After spending many years as an iconic piece of Good Guys Garb (there's even a trope about it), the hat and its derivatives have developed an increasing association with the creepier varieties of nerd and hipster (likely in imitation of said trope), as well as an increasing association with He Man Woman Haters and Hollywood Atheists. Say "fedora" these days, and the quickest thing to pop into most people's heads is less likely to be Indiana Jones or Humphrey Bogart and more likely to be someone like this guy.
    • Though the hat most people on the internet seem to think when you say "fedora" (including the one in the picture above) is actually an entirely different hat called a trilby. The actual fedora is still mostly associated with Humphrey Bogart or Indiana Jones (mostly because it's not very commonly worn by anybody, likely due to looking rather silly unless you're properly dressed). Of course, most people on the internet are not experts in measuring the width and depth of a hat's brim (the main difference between the two) and therefore lump one with the other.
  • Watches came dangerously close to becoming this in the wake of cell phones. With a cell phone giving an exact digital display of the time and didn't have the consequences of having a battery run dead or needing to be wound up, watches became seen as an unnecessary extravagance. However, watch manufacturers wisely went upmarket and changed their marketing from "practical way to tell the time" to "stylish status symbol" (hence the Product Placement of Omega watches in James Bond films) and seem to be doing reasonably well. In addition, smartwatches like the Pebble have positioned themselves as companions to smartphones, being more convenient and socially acceptable to check rather than pulling a phone out of your pockets, and also able to do things like receive text messages and run simple apps.
  • Wrap around ear wire framed eyeglass frames.
  • Suspenders are nowhere near as prevalent to hold a man's pants up as they once were, having been almost completely eclipsed by belts (one has to wonder if Steve Urkel had anything to do with it.) They're still being made, sometimes with decorative patterns on them, but on the few occasions you do see them, they're either worn by hipsters (which, again, can't help their reputation) or used to deliberately invoke a more classic throwback look; additionally, traditionalist skins still wear them regularly, as they never really went out of style in that circle.
  • Hairstyles
    • The "bald spot in the midst of normal-length hair" look. Now that George Constanza and a slew of TV dads during the '80s and '90s have made this look seem ridiculously uncool and unsexy, and the "bald-with-a-small-bit-of-fuzz-on-the-side" look is considered to be rather sexy/manly (thanks to such celebrities as Bruce Willis, Michael Jordan, and countless hard rock and heavy metal musicians), you'd be hard pressed to find a balding man under the age of 50 who still maintains normal-length hair on the side of his head.
    • For that matter, toupees. Now that hair implants have become mainstream and full male baldness has become not only more acceptable but also fashionable (see above), toupees are pretty much a thing of the past. Plus, unless you had a ton of money to spend, they generally looked horrible.
      • Even if you DO have a ton of money to spend, they can look horrible. See: Donald Trump.
    • "Flat-top fade" haircuts among African American men (think Fresh Prince-era Will Smith), though in true Popularity Polynomial fashion, this one has started to make a comeback.
    • "Jheri curls" have also completely vanished and is now associated with the big hair of The Eighties. They were messy to maintain and required a lot of hair-damaging chemicals. The similar "S-Curl" for Black men, while still seen in stores, is also not so popular anymore.
    • The "business at the front, party at the back" mullet haircut. From the early 1980s to the mid-'90s it was actually considered stylish, and many male celebrities, including Bono and Mel Gibson (in the first Lethal Weapon film), wore their hair in this fashion. But by the late '90s, the mullet was considered extremely uncool and heavily associated with stereotypes of "white trash". These days, whenever a character is portrayed with a mullet, they will inevitably be portrayed as a redneck or a lowlife (or at the very least he'll be portrayed as a Disco Dan who is hopelessly out of touch with modern trends).
    • The crew cut: Often associated with the conservative style of The Fifties. Even in the military, they are becoming rarer with men opting instead for "even buzzcuts" or shaved heads. The counterculture of The Sixties was the death blow for it as a civilian haircut, with young men favoring longer hair. In The Seventies, even the squares had longish hair.
      • Sideburns, especially muttonchops.
      • Handlebar mustaches (except perhaps of the biker variant)
    • Male ponytails. Especially if the top is balding.
    • Curly afro style among White men. Sometimes known as the "Jew Fro" although one need not be Jewish, it was prevalent due to more curly hair amongst men of Jewish or partially Jewish heritage. May be accomplished with the help of perms. Former figures known for this style include Art Garfunkel, Gabe Kaplan of Welcome Back, Kotter fame, Tom Baker and Colin Baker during their respective Doctor Who tenures, Napoleon Dynamite, Elliot Gould, and Slim Goodbody during The Seventies and The Eighties.
    • The long sideswept fringe (or 'wings'). Originally associated with the Emo subculture, the cut became popular in mainstream male fashion in the mid-to-late 2000s. By the middle of the The New Tens, public figures who had previously worn it - perhaps most notably Justin Bieber - had deserted it in favour of a clean-cut style.
  • Pantyhose, once a staple of women's fashion, has faded from popularity due to the bare legs movement started by the Sex and the City girls.