"To be happy is to love, to be happy, then, is to suffer, but suffering makes one unhappy, therefore, to be unhappy one must love, or love to suffer, or suffer from too much happiness — I hope you're getting this down."
"My brain: it's my second favorite organ."
Woody Allen is a director, actor, screenwriter, comedian, playwright, story writer, essayist, and musician. He was born Allen Stewart Konigsberg in 1935 in New York City to an Ashkenazi Jewish family. Most of his films are set in New York and feature Jewish or Ambiguously Jewish characters, often with himself or an Author Avatar in the lead role.His childhood wasn't particularly happy, and so he began writing dark-tinged humor — and was already selling the occasional joke by his mid-teens.At seventeen, he entered NYU and the City College, but was quickly expelled. He started to write scripts to shows like The Tonight Show, appeared in Candid Camera segments like when he had temp secretaries dictating a love letter, and doing Recorded and Stand-Up Comedyexaggerating his own traits. He's never stopped, though the medium, and eventually the Author Avatar, has varied. Among other traits, his character is nearly always a Sickly Neurotic Geek, and full of Jewish Complaining.He started directing movies in 1965. Since then, he has directed 41 movies that range from Screwball Comedy to Drama. He was nominated for an Academy Award twenty-four times, including a record fifteen nominations for Best Screenplay. He has won four Academy Awards — three for Best Screenplay (Annie Hall; Hannah And Her Sisters and Midnight in Paris) and one for Best Director (Annie Hall). His Annie Hall famously beatStar Wars for the Best Picture Oscar. Allen himself is not really interested in awards; he showed up at the Oscars ceremony only once in 2002, when he encouraged producers to continue filming their movies in New York after 9/11.Most of his comedies have a certain amount of drama, varying with his mood over time. Most of his dramas have a certain amount of comedy, but the comedy is more diluted in them.The soundtracks of his movies tend to be jazz music and old (as in 1920s-1930s) standards, no matter when or where the film is set. He did write a musical once, Everyone Says I Love You, but the songs are all lifted directly from that era.He's undergone psychoanalysis for 30 YEARS. Exactly what good it's doing, no one knows, but his experience with psychiatrists has made its way into numerous works.He's also notorious for being a heavy womanizer. He has been involved with Harlene Rosen, Louise Lasser, Diane Keaton, Stacey Nelkin, Mia Farrow — and Soon-Yi Previn, Mia's adopted daughter (and thus Woody's former quasi-step daughter). He was also accused of sexually assaulting Mia Farrow's other daughter Dylan Farrow when she was seven, but the charges were found to be inconclusive. Dylan still maintains the accusations, while Allen denies them. Naturally, almost every single plotline of his scripts is about sex, adultery and relationships, among other interesting things.He also plays the clarinet and has written humorous essays and short stories. (There's one about Count Dracula who finds what looks like a perfect lunch — only to find out he woke up during a solar eclipse. And the apartment is Danish modern with no shades.)While his work in the 70s and 80s are all almost universally loved by fans his films of the 90s and (especially) the 00s are divisive amongst critics and audiences with Match Point, Vicky Cristina Barcelona and (most recently) Midnight in Paris receiving high praise, while other pictures- namely Curse of the Jade Scorpion and Hollywood Ending- being not well thought of by most. It should be noted, however, that even the most critically derided films of his filmography still tend to have a few fans here and there.
A somewhat abridged list of movies is presented here:
What's New Pussycat? (1965) - Woody Allen's first movie (although it was directed by Clive Donner). Peter O'Toole tries to be faithful to his fiancee, but he's a Chick Magnet. Peter Sellers is his psychoanalyst, who is stalking one of his patient's stalkers in a motel in France. Allen plays O'Toole's friend who has a crush on the fiancee. The film originally going to star Warren Beatty, but when Woody was hired to rewrite it, he kept building up a bit part for himself and shrinking Beatty's role so blatantly that the star quit.
Whats Up Tiger Lily? (1966) - A secret agent is sent to Sim Sim Salabim to find a lost egg salad recipe. Gag Dubbed from a Japanese Bond knockoff. The concept was so novel at the time that he appears in an introduction to explain the concept to the audience. Interestingly, the project was originally offered to Lenny Bruce, who turned it down and recommended Allen for it instead.
Casino Royale (1967) - Not written or directed by Allen, but he plays Jimmy Bond, James Bond's "disappointing" nephew, who is the head of SMERSH and plans to kill all men over 4' 6" tall, so that he gets all the girls.
Men of Crisis: The Harvey Wallinger Story (1971) - A short Mockumentary satirizing Richard Nixon's politics. Made for PBS, but they were afraid of losing their government support, so it was never aired.
The Front (1976) - This Martin Ritt-directed comedy-drama stars Allen as a bookie who lends his name to television screenplays written by his blacklisted friend during the anti-Communist Witch Hunt of the '50s.
Annie Hall (1977) - Woody Allen's most famous movie — and, perhaps, along with Manhattan, his best (though Allen himself doesn't think much of either of them). It focuses on the difficult relationship between a comedian and the ditzy Annie Hall. In the end, they split up. Winner of four Academy Awards: Best Picture (for which it beat Star Wars), Best Director (Allen), and Best Screenplay (Allen), Best Actress ( Diane Keaton). (Allen was also nominated for Best Actor.)
Interiors (1978) - Three sisters find their lives spinning out of control after their parents' divorce. Allen's first straight drama.
Manhattan (1979) - Woody Allen in an intricate Love Dodecahedron with a seventeen-year-old girl, Diane Keaton and Meryl Streep. Probably his second most beloved movie after Annie Hall, but he considered the film such an abject disaster that he told the studio he'd make another for free if they didn't release it.
Stardust Memories (1980) - While attending a retrospect of his work, a filmmaker (guess who) recalls his life and his loves: the inspirations for his films. Also the one that gave critics and fans the phrases "the early, funny ones" and "the later, serious ones".
Radio Days (1987) - A narrator tells the story of his youth and the influence of radio in it.
September (1987) - Yet another Love Dodecahedron, and a tragic story relating mother-daughter relationship, influenced by Ingmar Bergman. Inspired by stage play TV broadcasts. Allen filmed the whole movie, then threw out the whole cast, and started again with a new cast.
Another Woman (1988) - A philosophy teacher observes the everyday of another woman and decides to change everything bad in her own life.
Oedipus Wrecks (1989) - A short film (part of New York Stories) about a lawyer who makes his Large HamJewish Mother disappear in an illusionist act. She reappears, floating in the sky over Manhattan, and she's not happy.
Crimes and Misdemeanors (1989) - A ophthalmologist hires a hitman to kill his mistress, and a movie director is hired to make a documentary about his brother-in-law whom he despises.
Alice (1990) - A seemingly happy housewife realizes that she's a Stepford Smiler. She visits an herbalist that gives her three kinds of herbs which provide her with super-powers so she can straighten up her life.
Shadows And Fog (1991) - An homage to German Expressionism; a vigilante mob tries to catch a Serial Killer in the midst of a circus.
Husbands And Wives (1992) - When their best friends announce that they're separating, a professor and his wife discover the faults in their marriage.
Bullets Over Broadway (1994) - A Wide-Eyed Idealist playwright has to cast a talentless woman into the leading role of his Broadway play, because she's the girlfriend of a violent mobster. The second time that Dianne Wiest won Best Supporting Actress for a role in a Woody Allen movie, beating out one of her costars.
Don't Drink The Water (1994) - An American family is trapped in a US embassy behind the Iron Curtain while the ambassador's incompetent son is in charge. Based on his 1966 play, this TV adaptation was directed by Allen, who was dissatisfied with the earlier 1969 film adaptation.
Antz (1998) - An ant saves his colony from drowning at the hands of his General. A Shout-Out to Metropolis. As with The Front, Allen didn't write it or direct it, but he starred in it, and his character seems to have been tailored specifically for him.
Small Time Crooks (2000) - A man tries to rob a bank by digging a tunnel from an old restaurant he bought. His wife covers up the scheme by selling cookies from the restaurant. The robbery is a miserable failure, but the cookies are a big success. Allen's first straight comedy since the 70s.
The Curse of the Jade Scorpion (2001) - A insurance investigator is hypnotized to steal jewels. His most expensive movie in terms of budget and also his biggest flop.
Hollywood Ending (2002) - A movie director suffers hysterical blindness while filming the movie that will restart his career.
Anything Else (2003) - Woody Allen serves as oracle to the love life of a young man. Notable in that it can easily be seen as a remake of Annie Hall.
Melinda And Melinda (2004) - A group of screenwriters write two stories with the same premise to discover if life is tragic or comic.
Match Point (2005) - A former professional tennis player is torn between his rich, high society wife and his lower class, sexually adventurous mistress. When his mistress gets pregnant and threatens to tell his wife, he resorts to drastic measures to keep his infidelity a secret. Set in and around London, rather than in New York.
Cassandra's Dream (2007) - Woody Allen's return to Darker and Edgier works. An uncle convinces his two nephews to help him to get rid of an ex-partner who is testifying against him in court. Set in and around London, rather than New York.
You Will Meet a Tall Dark Stranger (2010) - Allen returns to London. The plot involves different members of a family after the father divorces the mother. Cast includes Naomi Watts, Anthony Hopkins and Antonio Banderas.
Midnight in Paris (2011) - Set in Paris, the film stars Rachel McAdams, Owen Wilson, Adrien Brody and supermodel/actress Carla Bruni (the wife of French President Nicolas Sarkozy). Allen's biggest critical hit in years, surpassing even the success of Vicky Cristina Barcelona. Its also his best-performing film financially, taking in over $56 million at the US box office (his previous record was the $40 million-grossing Hannah and Her Sisters).
The Anti-Nihilist: Several of Allen's protagonists are people who find reality to be miserable, full of suffering, and pretty much worthless. They generally seek to find something meaningful in their lives, try to escape from their reality, and/or simply try to enjoy their existence as best they can while they can. (Annie Hall, Stardust Memories, and Midnight in Paris)
Auteur License: From his first film as director, Take the Money and Run. His contracts stipulate that once he has agreed the basic story with the film company, he has complete creative control
Cerebus Syndrome: Sort of, while he continued to make mostly comedies while dabbling in drama here and there, there was a point in time that fans wanted him to make more films like his "older, funnier" films.
Creator Backlash: Allen hates most of his films because they can never live up to the expectations he has while making them. He finds audiences' attachment to Annie Hall and Manhattan irrational and perplexing.
Money, Dear Boy: Averted. Most of his films have really small budgets and his salary is relatively small. Also averted by big name stars that take pay cuts solely to work with him (allegedly the set fee for famous actors in his movies is five-thousand dollars per day of filming).
Only written by Allen, but Play It Again Sam ends up being one long reference to Casablanca.
Sliding Scale of Idealism Versus Cynicism: His films are stuck somewhere around the middle spot. There's a lot of cynicism going on but there almost always seems to be a twinge of morality, idealism, or hope, no matter how dark the film got.
Woody Allen identifies himself as a pessimist and he generally feels that life is very hard and very short and most people live unlucky, unfulfilling lives and difficult relationships. He does feel that accepting this is important for people to be more compassionate and tolerant of each other's flaws and difficulties.
Queenan: "Woody Allen, whatever his failings, does not make movies for morons. Most directors do. Of course, most directors are morons."
Then again, most of his jokes are funny to people who don't know the reference, because of the context. When a character snipes, "She thought the Sabine women had it coming to them!", do you need to know who the Sabine women were to get the joke?