“Writing is finally about one thing: going into a room alone and doing it. Putting words on paper that have never been there in quite that way before. And although you are physically by yourself, the haunting Demon never leaves you, that Demon being the knowledge of your own terrible limitations, your hopeless inadequacy, the impossibility of ever getting it right. No matter how diamond-bright your ideas are dancing in your brain, on paper they are earthbound.”Born on (born August 12, 1931), Goldman is a famous American screenwriter, novelist and Hollywood script doctor.His novels include The Princess Bride, Marathon Man, and Magic (all three of which have been subsequently adapted for film with screenplays by Goldman himself). His other screenplays include a number of adaptations of novels by other authors, as well as based-on-true stories including Butch Cassidy and the Sundance Kid, A Bridge Too Far, and All the President's Men.He has also written a number of books on the writing process and the Hollywood business, from the POV of an author, complete with useful advice; these include Adventures in the Screen Trade and Which Lie Did I Tell?: More Adventures in the Screen Trade. Additionally, in 1968 he wrote The Season: A Candid Look at Broadway, which not only reviewed every show on Broadway of that year, but the patterns that theater was taking, the impact of the Great White Way on New York City itself, and many other such topics. He managed to offhandedly predict what Broadway would turn into in a few years.Famous also for coining the phrase "Nobody knows anything". His Signature Style includes Self-Deprecation (as a writer, as a Jewish man, as a member of the Hollywood movie machine), humorous asides to the readers, and long and convoluted sentences thanks to Stream Of Consciousness.Hollywood gossip attributed the screenplay of Good Will Hunting to an uncredited Goldman, but Goldman insisted in 2003 that it really was Affleck and Damon's script, with Goldman's sole contribution being to advise them to drop an FBI government-spy subplot.Brother of playwright James Goldman, author of The Lion in Winter.BFF of Stephen King. Not to be confused with William Golding.
Works by William Goldman with their own pages include:
- Absolute Power (screenplay)
- All the President's Men (screenplay, which won him the Academy Award)
- A Bridge Too Far (screenplay)
- Butch Cassidy and the Sundance Kid (screenplay)
- Dreamcatcher (screenplay)
- The General's Daughter (screenplay)
- The Ghost and the Darkness (screenplay)
- The Great Waldo Pepper (screenplay)
- Harper (screenplay)
- Hearts in Atlantis (screenplay)
- The Hot Rock (screenplay)
- Magic (screenplay, adapting his own novel)
- Marathon Man (screenplay, adapting his own novel)
- Maverick (screenplay)
- Memoirs of an Invisible Man (screenplay)
- Misery (screenplay)
- The Princess Bride (novel)
- The Princess Bride (screenplay, adapting his own novel)
- The Stepford Wives (screenplay for the 1975 film)
Other works by William Goldman contain examples of:
- Belated Happy Ending: In Brothers, the sequel to Marathon Man, the protagonist's brother, who died in the original novel, is revealed to have survived.
- I Should Write a Book About This: In the heavily autobiographical novel The Color of Light, the writer protagonist consoles himself with the thought that the unpleasantness he's experiencing will be good material for a novel some day.
- Magic Plastic Surgery: In Brothers, the protagonist's brother is revealed to have had it following his apparent death in the previous novel.
- Most Writers Are Writers: The Color of Light is about this trope. It goes a bit over the top in lampshading it, though.
- One Thing Led to Another: Decorated with numerous lampshades in Boys and Girls Together, where Jenny actually says at one point, "In a book it'd say 'their lips met' and then there'd be a double paragraph break and a line of stars," whereupon — their lips meet, and there's a double paragraph break and a line of stars to imply that the characters had sex.
- Sweater Girl: In Magic, the narrator flashbacks about seeing his love interest in a sweater and being aroused for the first time in his life.