"There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization."
—"Minnesota Declaration", 1999
A Crazy Awesome
leader of the German New Wave. A man beloved on the Art House circuit and with several mainstream successes under his belt. His films, both fictional and documentary, are often slow and atmospheric, but are universally beautiful and human. Really, his films only have one subject - the infinite power of human will and the subsequent potential for self-destruction.
He has made films in both German and English.Has Made Such Films As:
... and many others.
Werner Herzog's films provide examples of:
- Adam Westing: Herzog has a number of acting credits and is often playing a parody of himself. The Boondocks and Incident at Loch Ness are two examples. Also appeared as a parody of himself in The Simpsons
- Brutal Honesty: Herzog is known for making strong, blunt statements in his smooth, almost lyrical tone of voice.
- Creator Thumbprint: His films all feature men with strange abilities or obsessions, and he has a hatred of chickens. In The Grand he plays a gambler with an obsession over his pet chicken.
- Documentary: Several, including one Mockumentary.
- Eating Shoes: Herzog literally ate one of his shoes on camera, resulting in the aptly-titled short documentary Werner Herzog Eats His Shoe. The reason was a bet with the filmmaker Errol Morris that the latter would never complete his documentary project Gates of Heaven (he did).
- Fauxlosophic Narration / Nietzsche Wannabe: Albeit in a good way. BBC film critic Mark Kermode (the interviewer when Herzog was shot with the air rifle) in particular seems to be a fan of Herzog's narration style and called him "The great Germanic nihilist". For example he thought Eat, Pray, Love would have been improved if "Werner Herzog had come on and told her (Julia Roberts) there is no God. The end".
I get the feeling the abyss looked back into Werner Herzog and goes "blimey..." - Mark Kermode
- Humans Are Bastards: Relentlessly examined in his work. His bastards usually have layers, but they're still bastards.
- Large Ham: Herzog provides the narration for his documentaries. While his diction is generally even, the things he says are this.
- Lemony Narrator: A common component of his Signature Style is the contrast between his over-the-top narration and the stark, genuine nature of the footage he is talking over.
- Long Runner: He's coming up on forty years, with almost a film a year.
- Nature Is Not Nice: Most notably in Grizzly Man, in which Herzog narrates about how beautiful Timothy Treadwell's footage is, while at the same time lambasting him for being so naive about it. Also a theme in Aguirre and Rescue Dawn.
"Nature here is vile and base. I wouldn't see anything erotical here. I would see fornication and asphyxiation and choking and fighting for survival and growing and just rotting away. Of course, there's a lot of misery. But it is the same misery that is all around us. The trees here are in misery, and the birds are in misery. I don't think they sing, they just screech in pain."
- Not Even Bothering with the Accent... not that there's anything wrong with it.
- Scenery Porn: The man can photograph a scene. He has also stated that he has a thing for forests, in case that was not evident from his films.
- Sliding Scale of Cynicism Versus Idealism: From idealistic Fitzcarraldo to cynical Aguirre, the Wrath of God. Just comparing The Enigma of Kaspar Hauser to Stroszek can cause whiplash.