Park Chan-wook is an acclaimed Korean filmmaker best known for his film-adaptation of Oldboy. The movie Joint Security Area instantly made him one of his homecountry's most beloved directors and he has since then made several more films that met with great commercial success and critical acclaim, no thanks to Big Name Fan Quentin Tarantino giving his movies the Colbert Bump.His style is marked by explicit violence and sexuality interwoven with tragedy akin to Shakespeare (he has stated that Shakespeare is one of his influences) and lots of black humor. Not exactly something for the kids.
- The Moon Is... the Sun's Dream (1992)
- Trio (1997)
- Judgment (1999) (short film)
- Joint Security Area (2000)
- Sympathy for Mr. Vengeance (2002)
- If You Were Me (2003) (segment "Never Ending Peace And Love")
- Oldboy (2003)
- Three Extremes (2004) (segment "Cut")
- Sympathy for Lady Vengeance (2005)
- Im A Cyborg But Thats OK (2006)
- Thirst (2009)
- Stoker (2013)
Tropes common to his works include:
- Bittersweet Ending/Downer Ending
- Black Comedy
- Coldblooded Torture
- Driven to Suicide
- Fanservice/Fan Disservice
- From Bad to Worse
- Gory Discretion Shot
- He Who Fights Monsters: The point of the Vengeance Trilogy, obviously.
- Karmic Death
- Lighter and Softer: I'm a Cyborg, But That's OK
- Production Posse: He often collaborates with Song Kang-ho, Shin Ha-kyun and Choi Min-sik. Chung-hoon Chung has been his cinematographer since Oldboy
- Revenge: His Vengeance Trilogy thoroughly explores this theme from several angles.
- So My Kids Can Watch: One of the reasons why he made I'm a Cyborg was so his daughter would be able to see one of his films.
- Thematic Series: Sympathy for Mr. Vegeance, Oldboy, and Sympathy for Lady Vengeance
Tropes commonly Subverted in his works include:
- Gorn: As heavy on violence as his movies may be, it always has meaning within the plot.
- High-Pressure Blood
- Infant Immortality
- Overdrawn At The Bloodbank