Works by Josephine Tey with their own trope pages include:
Other works by Josephine Tey provide examples of:
- Amateur Sleuth
- Beauty Equals Goodness: An overarching trope found in all her works, and based on her own strong belief in the truth of physiognomy.
- Blitz Evacuees: Betty Kane in The Franchise Affair
- Character Overlap: The lawyer Kevin Macdermott appears in both The Franchise Affair and Brat Farrar; The Franchise Affair also has Inspector Grant in a supporting role. A Shilling for Candles and Brat Farrar are set in the same part of Kent, and share some family names if not individual characters.
- Driven to Suicide: In The Singing Sands, the egocentric killer opts for a dramatic suicide and a long-winded suicide note to a Scotland Yard investigator, assuming that the murder has been a perfect murder that could not have been detected or proved and wanting to go out in a blaze of glory. Wrong on all counts, as it happened.
- Gut Feeling: Inspector Grant is a good instinctive judge of character.
- I'm Dying, Please Take My MacGuffin: In The Singing Sands, the MacGuffin is an unfinished sonnet, which the protagonist, who used to write sonnets in school, takes with him out of idle interest, then considers finishing as a gesture to the dead person; as he studies it, he realizes it is a code.
- Innocent Blue Eyes: Inverted in The Franchise Affair, in which Betty's eyes are a particular shade of blue that "proves" she's oversexed.
- The Killer Was Left-Handed: In The Man in the Queue, Inspector Grant spends a great deal of time deducing the handedness with which the killing blow was dealt, and then looking for someone who uses that hand, only to find out at the end that the killer is ambidextrous.
- Psycho Lesbian: The killer in Miss Pym Disposes
- Romantic Two-Girl Friendship: Beau Nash and Mary Innes in Miss Pym Disposes
- Weather Report Opening: The Franchise Affair starts with:"It was four o'clock of a spring evening; and Robert Blair was thinking of going home."