"Monsters are born too tall, too strong, too heavy—that is their tragedy."Ishiro Honda (本多猪四郎 Honda Ishirō, 1911-1993) is one of the well-known directors of Toho, perhaps famous for his Showa Era Godzilla films.Born in 1911, Honda was raised by a Buddhist father, in which he had a positive outlook in life. As a film director, for the majority of his early career, he directed propaganda films. He was eventually drafted in World War II, in which he was a foot solider (putting his movie career on hold for a while). His ultimate life changing experience was the destruction of Hiroshima caused by the atomic bomb, thereby haunting him forever. Poor guy. When Godzilla was being produced, Honda decided to turn the movie into what it is today, and it's popular amongst the Japanese and fans of the series.Ishiro Honda's direction of Godzilla stems the fact that it was based on his haunted experience of the atomic bombing of Hiroshima at the end of World War II. After Godzilla, the majority of his Kaiju films tends to have a bittersweet ending, while others do have a happier, less depressing endings.Aside from Kaiju, Honda had other films that are easily overlooked. Notably, his film after Godzilla. He was long-time friends with Akira Kurosawa, and they directed movies together, such as Kagemusha, Ran, and quite a few more. Like Kurosawa, Honda's well-known actors in his films is Takashi Shimura (who is well known as Dr. Yamane in Godzilla), Akihiko Hirata, Kenji Sahara, and Akira Takarada.If a film has something to do with radiation, or looks like a mutation of radiation, yeah, you'll know where this is going. Since Honda will pull this in his films.Sadly, he passed away before he could direct Godzilla vs. Mechagodzilla II, which would have been his first Heisei Godzilla film.
— From the man himself
Ishiro Honda has worked on the following movies/television shows
- The Mysterians
- Varan, the Unbelievable
- Battle in Outer Space
- Frankenstein Conquers the World
- King Kong Escapes
- Latitude Zero
- Space Amoeba
- Return of Ultraman
- Zone Fighter
- Anvilicious: No matter what film, he will drop this in-universe in his films.
- Author Appeal: Any of his films will have a giant monster with ending their life a complete tragedy. Mothra was the only film monster that didn't suffer from this.
- Break the Cutie: He was a very optimistic man despite having to fight one of the second biggest wars of the 20th century. As he went home after being released as a war prisoner, well... He saw Hiroshima. The man he once was did not survive.
- Bittersweet Ending: Majority of his films will end this way. It may have been the fact that his films were based on real-life events.
- Creator Backlash: Because of the Lighter and Softer direction the Godzilla series was going, he refused to direct The Return of Godzilla, when the films after it are Darker and Edgier.
- Not So Different: Monsters in conflict with each other aren't as different when humans are at war with each other.
- Nuclear Weapons Taboo: His famous one. He will pull a Space Whale Aesop for this reason. And not at Hideo Kojima levels of expositing them.
- Shell-Shocked Veteran: Honda is one. After World War II, he made Godzilla with its own shell-shocked veteran.
- Space Whale Aesop: Honda is the king of this trope. Godzilla involved nuclear weapons, Mothra involved it's not a good idea to let your greed get in a way of disaster, etc. And despite the hate All Monsters Attack has received, it deals with you, as a child, must handle the world by yourself even if your parents aren't around to help you.
- Sliding Scale of Idealism vs. Cynicism: Depending on film, you have Godzilla, Rodan, and The H-Man in one hand with cynicism, but Mothra, Destroy All Monsters, and Mothra vs. Godzilla on the ideal hand. Godzilla is very notoriously cynical for a reason.
- Spell My Name with an "S": When Honda's films are sent to America, his name is somehow written as "Inoshiro" Honda.
- Tragic Monster: Pick one. One of his monsters will have a tragic ending. Godzilla is one by default.